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in the first episode is nothing about the score :/ mehhThis is a beautiful score by the way. I have feeling this will get lost with NTTD, Dune, and WW84 coming out, but people should give this a listen. The new overture is a nice remix of the main PEII theme. And I "Surfing Dolphins" is yet again a winner.Dave didn't work on it, but a few Blue Planet stuff were used so he gets some sort of credit in the cuesheet for "A Celebration".Who did Zimmer do this with? Shea and Fleming?May Mr. Zimmer and his team be interested on “extracting” music from the human body for medical purposes?<br>You can reach me at:<br>jcp77452 at um.es<br>Thanks
Not only is the album fun as a concept album, it's a surprisingly good score to picture. The themes are really clear for each of the characters and the music really fits the action. Even though the action is kind of corny. Real underrated gem. <br><br>I finally watched the film and even though it's a sort of 5 or 6 out of 10 average/okay movie, it reminded me just how much personality gets injected when Hans Zimmer does the score. He really has a strong voice.Yeah this is a pretty fair assessment.<br><br>While I’ve found myself liking it less and less now that we’re hearing things like ME or Alita from Tom there are still some excellent tracks throughout. <br>(The Dark Tower, Collateral Damage, Guardian, It Will Fall, Roland of Eld)<br><br>My biggest gripe is with the purely sound design cues. They honestly go nowhere and end up padding the album out. What this score needed was a solid villain motif and some more orchestral underscore. It’s like one-half of the score is the more traditional side of Holkenborg whereas the rest falls into his early habit of just making noise.I give it a listen after three years, and i still like it.<br><br>If isn't as good as Mortal Engines or Alita, have a interesting aspects to enjoy: his main theme for Roland, some of the action cues are strong, even the dramatic ones (The Creed or Collateral Damage), some of the sound design are interesting.<br><br>Maybe the weakest aspect of the album, is the middle, some tracks are not that interesting to listen.woooooow <3From the "No Time to Die" podcast description...<br><br>"You can also be the first to hear exclusive score from Hans Zimmer and brand new recordings from the Royal Philharmonic Orchestra from Bond 25 brought to you from Decca Records."<br><br>First of six episodes is released on Wednesday 30th September!!
that would be great@GR7 that sounds really cool care to share?Hi! What's the story with track "Into Space"? They really copy track "Planet Descent" and name it that "Into Space"?I agree guys. Yhis album and parts of the experiments are vey enjoyable. I tend to listen to OST prriodically, and each year there is one or severall scores that replace what I listen the most, and so on... but Dark phoenix is one I can listen every time. <br>I made personal suites assembling music from the OST and mixing it with expremients, and it results in a 50 min suites album, I really like it.Same for me. I'm so happy ! :D
A Celebration? It's actually on youtube now.Got it. I assumed as much for the first 3. Thanks.hahahaha ... crack, sorry. Well so far there is no news of anything. Only the video that one track and one with Dave, but it's a preview.<br>I'm not sure how to get news on this, I really would like to get it hahaha.Isabel Suite = Isabel the Strong<br>Thadeous Suite = Thadeous<br>The Quest Suite = Let Us Quest!<br><br>End credits is probably ripped from the film.> Fair enough, but I know for a fact that Steve was inspired by Harry Potter because of the complete score track "Tavern Fighting (Part 1)". The end of that track has a direct reference to The Chamber of Secrets theme from the second film.<br><br>Nice catch. Those are very similar.<br><br>Btw, I have some "expanded" version of the score, which seems to be identical to the complete score on this site, aside from the fact that it's missing the last 4 tracks. Do those have equivalents in the regular release?
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Atli ÖrvarssonClaudio OlacheaHilda (Thórhildur) ÖrvarsdóttirJörg Hüttner
ComposerAdditional MusicVocalsDigital Instrument Design
How It Ends
Label: BMG (Digital Download Only)
Length: 37'53
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1209 votes)
  1. Sonogram (3:40)
  2. Don't Talk About The Boat (1:39)
  3. Maximum Security (2:22)
  4. Middle Of Nowhere (1:38)
  5. Starlings (2:06)
  6. Will And Tom (2:14)
  7. Leaving The Reservation (2:57)
  8. Adam Is Coming Back (2:58)
  9. Cell Signal (2:42)
  10. Ricky Leaves (2:18)
  11. Tom Dies (2:34)
  12. Cremation (2:12)
  13. Back In Seattle (4:58)
  14. Reunited (1:24)
  15. How It Ends (2:11)
Create Topic

Jack Afrogarrix reply Replies: 0 || 2020-04-24 03:28:34
The original soundtrack tracklist of Defending Jacob composed by Atli Örvarsson and main theme written by Ólafur Arnalds has been release and the soundtrack will be released tomorrow in digital at Paramount Music, Amazon, Spotify & iTunes

Tracklist:

1.Defending Jacob Theme(Extended Version)(Ólafur Arnalds) (2:11)
2.Secrets and Lies (4:24)
3.First Day In Court (6:19)
4.Leaving For The Trial (2:11)
5.Grand Jury (2:55)
6.Warmth and Grief (3:38)
7.It Was an Accident (2:38)
8.Hope Is Missing (3:22)
9.Joan And Laurie (2:52)
10.Ticking Clock (3:04)
11.Mom and Dad (1:51)
12.I Never Asked You (4:20)
13.It's Over (2:30)

All 12 track are composed and conducted by Atli Örvarsson
Additional Music By Claudio Olachea
Main Theme by Ólafur Arnalds
Music Supervisor By Jena Malone
Choir Conducted & Contractor by Jasper Randall
Music Editor By Jack Curtis Dubowsky & Tom Trafalski
Score Mixed by Satoshi Mark Noguchi
Music Contractor By Peter Rotter
Score technical Engineer by John Marston
Score recording engineer by John W. Chapman
Music Preparation by Robert Wolf
Music Supervising editor by Tom Trafalski


Michael Fields reply Replies: 0 || 2019-01-02 10:32:52
MOVIE CREDITS:

Music By
ATLI ORVARSSON

Performed By
SINFONIA NORD
In
HOF CONCERT HALL, Akureyri, Iceland

Conducted By
ATLI ORVARSSON

Recorded By
STEVE McLAUGHLIN

Mixed By
STEVE McLAUGHLIN
At
NORTHPOLE STUDIOS, London

Orchestrations By
JULIAN KERSHAW

Additional Production And Arrangements By
CLAUDIO OLACHEA
ALEXIS MARTIN

Music Editor
DEL SPIVA

Digital Instrument Design
JORG HUTTNER

Music Prepration
OSSUR GEIRSSON

Technical Assistant
SAI SRIRAM MADDURY

Additional Recordings By
KRISTIAN EDELSTEIN

Recording Assistants
HAUKUR PALAMSON
SIGURVALD IVAR HELGASON

Mixing Assistant
MARU WREN

Guitars
KRISTJAN EDELSTEIN

Drums
HALLDOR GUNNLAUGUR HAUKSSON

Piano
ATLI ORVARSSON
ALEXANDER EDELSTEIN

Vocals
HILDA ORVARSSON

Music Consultant
VELVET EARS



Knight reply Replies: 0 || 2018-10-22 21:20:04
Sonogram, Starlings, Will & Tom, Leaving the Reservation, How It Ends, all good stuff

Felix reply Replies: 0 || 2018-10-22 20:47:07
Atli is still the best! He also never disappoint!

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How It Ends soundtrack - Atli Örvarsson 2018