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Thank you. And i suppose "Need You Busting My Balls - End Credits" title would correspond to ASCAP "Need You Busting My Balls" + "RUSH END CREDITS", while "Just Married" to "RUSH MAIN ON END"?That’s literally the best part of the score though. But it’s typical Richter (Miss Sloane, Black Mirror: Nosedive).Hunt Drunken Weirdness is barely a cue actually, it's just a patch up of sound designs by Mel...<br><br>Italian Party is a name I made up for a cue that's not used in the movie ! :)In ASCAP there is a cue "HUNT DRUNKEN WEIRDNESS" - is this by a chance an alias to "Italian Party", which is absent in ASCAP. Though there are different credits Zimmer/Wesson vs Zimmer/Klebe.https://open.spotify.com/ track/2UcUL4jytfVpW0jSXi3Ggi?si=ETyixI67R5u9AOU1YuClPw<br><br>very lame the cue from Max...
Tom Holkenborg:<br><br>After Funeral<br>Anguilo Bugged<br>Bathroom<br>Big Italian Dead<br>Billy Connolly Lunch<br>End Credit Suite<br>Main Title Theme<br>Bring Jimmy Into The Tent<br>Connolly and Marianne In The Kitchen<br>Death of Deborah<br>Death of Halloran<br>Death of McIntyre<br>Death of Mickey<br>Death of Wheeler<br>The Disappearance of Whitey Bulger<br>Halloran Interview<br>Hospital Cafeteria<br>I’ll Ask You Again<br>Informing Connolly <br>Jimmy and Marianne/Loading Valhalla<br>Jimmy and Connolly’s First Meeting<br>Make A Case Against Him<br>McGuire’s Phone Call<br>Native of Southie<br>Picking Up Tommy King<br>Source Overlay<br>Steak Dinner<br>There’s Nothing More I’m Going To Know<br>Utmost Respect<br>We’re Doing This<br>2 MinutesTom Holkenborg:<br><br>Jimmy Arrives at Cabin<br>Main On Ends<br>Opening <br>Main Title Transition<br>Alley Transition<br>Happy Ending <br>Hospital Visit<br>Because You’re Trash<br>Cops Take Michael <br>Execution/Foot Chase<br>I Used To Watch Your Fights Pt. 1-3<br>I’m Coming After Michael Pt. 1-2<br>Jimmy Calls On Michael<br>Michael Calls Police <br>Jimmy Dies<br>Jimmy Hesitates<br>Jimmy Says Goodbye<br>Sean Kills Kid<br>Sean Dies<br>Sean To Michael Transition<br>Street Source<br>Times Square Transition<br>Us Before You<br>Stay Off Main Streets<br>What’s The Number, Jim?<br>Hit Man Price<br>Jimmy’s Coming<br>Shootout in Woods<br>Train Station Pursuit Pt. 1/2<br><br>Tom Holkenborg, Christian Vorlander<br><br>Car Chase<br>Best Chance You’ve Got<br>New York Transition<br>He Killed His Own Cousin<br>The Projects Pt. 1/2Think Hans probably wrote a few notes in a piano mock-up and Lorne did the rest from that starting point... lolSaw the film today. If to talk music only, I heard Max mostly, but... nothing really different from his previous works. I heard the same motif as used in Hostiles and Morgan and probably elsewhere again and again... Nonetheless, enjoyed the movie itself immensely.From Deuscthe Grammophon.<br><br>BTW, i expect the Max Ritcher soundtrack
@MrZimmerFan Ok, thank you for the update about the full soundtrack next monthfrom Max or Lorne?Expected the full soundtrack next month<br><br>btw...<br>deutsche grammophon release tomorrow a track called "to the stars" from max richteroh man, oh man...<br>let's see what happend tomorrow
@Anonymous: technically it's already Friday in some countries, and there's no sign of any album on the iTunes of these countries. And if that were the case, filmmusicreporter would have announced it already, anyway.@DS Possible, but you are right, it could be film release, but why he put hashtags by #soundtrack? I have to wait till filmusicreporter announced for Ad Astra, but if not happen by the soundtrack tomorrow, then, I have to wait till the confirm from the news.@Anonymous: Are you sure Lorne mentionned the soundtrack release, or just the film release? His posts I've seen just say "Ad Astra is released on the 20th"... Pretty sure he means the film.<br><br>@Ahmad: Totally agree with what you wrote. It's an overall dull score, with some nice ideas that go nowhere. A few bits are obviously Lorne (like the opening cue, beautiful but how original is it to use an organ for a space scene?). And a few bits are obviously Richter, who is really on autopilot here (Hostiles - Mary Queen Of Scots - Werk Ohne Autor are nice scores, but all constructed in the exact same way). And the majority of it is quite anonymous, just ambient sounds far in the background. Also it seems like what they did with the score, they did it with the screenplay as well, because that's a freaking mess that doesn't seem to know which kind of movie it wants to be, and ends up being quite flat on all sides. Quite disappointing. Awesome visuals, though, but it's already been seen in the likes of Sunshine, Gravity, Interstellar, The Martian... all vastly superior pieces of cinema.<br><br>Anybody haven't you seen two new tweets update recently by Lorne Balfe from his twitter it said Ad Astra soundtrack will released tomorrow.So Zimmer being listed as the main theme composer at the top of the page is inaccurate too? It definitely sounds more like Lorne than Hans.
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Atli ÖrvarssonClaudio OlacheaHilda (Thórhildur) ÖrvarsdóttirJörg Hüttner
ComposerAdditional MusicVocalsDigital Instrument Design
How It Ends
Label: BMG (Digital Download Only)
Length: 37'53
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (639 votes)
  1. Sonogram (3:40)
  2. Don't Talk About The Boat (1:39)
  3. Maximum Security (2:22)
  4. Middle Of Nowhere (1:38)
  5. Starlings (2:06)
  6. Will And Tom (2:14)
  7. Leaving The Reservation (2:57)
  8. Adam Is Coming Back (2:58)
  9. Cell Signal (2:42)
  10. Ricky Leaves (2:18)
  11. Tom Dies (2:34)
  12. Cremation (2:12)
  13. Back In Seattle (4:58)
  14. Reunited (1:24)
  15. How It Ends (2:11)
Create Topic

Michael Fields reply Replies: 0 || 2019-01-02 10:32:52
MOVIE CREDITS:

Music By
ATLI ORVARSSON

Performed By
SINFONIA NORD
In
HOF CONCERT HALL, Akureyri, Iceland

Conducted By
ATLI ORVARSSON

Recorded By
STEVE McLAUGHLIN

Mixed By
STEVE McLAUGHLIN
At
NORTHPOLE STUDIOS, London

Orchestrations By
JULIAN KERSHAW

Additional Production And Arrangements By
CLAUDIO OLACHEA
ALEXIS MARTIN

Music Editor
DEL SPIVA

Digital Instrument Design
JORG HUTTNER

Music Prepration
OSSUR GEIRSSON

Technical Assistant
SAI SRIRAM MADDURY

Additional Recordings By
KRISTIAN EDELSTEIN

Recording Assistants
HAUKUR PALAMSON
SIGURVALD IVAR HELGASON

Mixing Assistant
MARU WREN

Guitars
KRISTJAN EDELSTEIN

Drums
HALLDOR GUNNLAUGUR HAUKSSON

Piano
ATLI ORVARSSON
ALEXANDER EDELSTEIN

Vocals
HILDA ORVARSSON

Music Consultant
VELVET EARS



Knight reply Replies: 0 || 2018-10-22 21:20:04
Sonogram, Starlings, Will & Tom, Leaving the Reservation, How It Ends, all good stuff

Felix reply Replies: 0 || 2018-10-22 20:47:07
Atli is still the best! He also never disappoint!

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How It Ends soundtrack - Atli Örvarsson 2018