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Mancina's theme + Ad Astra + MW:2= Bad boys for Life.Please enlighten me on how Bad Boys 3 sounds the same as Lego Batman or Genius: Picassowhy his music always sound the same...if he doesn't have time why he keep scoring more and more films per year? is it all about money?Modern Warfare 2 is a lot in the album!<br><br>- It's Good Shit Lieatenant<br>- We're Dangerous People<br>- What Else You Got (Bad Boys Remix)<br>- God's Gun (Bad Boys Remix)<br>- We Ride Together, We Die Together (Bad Boys Remix)We're Dangerous People
Call of the Wild coming by Hollywood Records, that means, digital.Bloodshoot coming from Sony ClassicalCan confirm is in the albumavailable in nz itunes store. on the cover its correct now....motion picture score.What was Hans’ role in the treatment of Mantovani’s “Charmaine”. It sounds like the original, but cleaner, clearer, & without the limitations of 50/60’s recording technology. I’ve been fascinated by this piece for 25+ years, as it seems almost a precursor to Jarre & even Zimmer’s electronic music, while being entirely orchestral. Links to info appreciated.
@Scorefan: You know what "Motion" means right? Motion picture = moving picture = movie. U either call it "Original Movie Score" or "Original Score from the Movie" or u call it "Original Motion Picture Score". But u can't say "Movie Picture" lol. Its just wrong or like Macejko said.. "a retarded mistake" ;-)@Maho: Dude I know why its stated "Score", but thats NOT the issue. What I'm talking about here is "Movie" which should be called "Motion".If you are interested, here is an interview with Otomo https://www.japantimes.co.jp /culture/2004/07/14/ films/film-reviews /the-master-behind-the-otaku/#.Xiix-P4zbctI like to make you in positive way aware of that "Time" has been blended with Charlie Chaplin's message to humanity (The Great Dictator) and thoughful added images in a video on youtube. If it is blocked due to disturbing pictures, please use a proxy to see it.But there is still a chances. Steve was suggested to Otomo by music supervisor Keiichi Momose and in an interview Katsuhiro mention that he really liked Jablonsky's work on Steamboy.<br><br>So, we may hope that Keiichi Momose will work on Orbital Era or Otomo rememberes Steve's music for Steamboy. Time will tell.
To be honest it's just my thoughts. But what are the chances that Otomo will choose Steve for his new work after really long brake (almost 15 years)?I would love for another animated score from Steve. Why is it almost impossible for him to score for Katsuhiro Otomo out of curiosity?I just saw this, EXTREMELY HAPPY!!!! he's so dope and talented apparently he's already done a few tracks cause the actor lewis tan sais he liked what he already heard.He is scoring to Mortal Kombat reboot movie, I saw that news from film music reporter, but mortal Kombat 1995 score was my favorite score.@Evenstar Original Movie Picture Score? lul. Usually it's called Motion Picture but ok.<br><br>No not always. I have a lot of scores where it is on the front of the booklet. Especially when an album with songs was released. So that the laypersons don't get confused, but still always manage not to look through, you can see on Amazon.
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Atli ÖrvarssonClaudio OlacheaHilda (Thórhildur) ÖrvarsdóttirJörg Hüttner
ComposerAdditional MusicVocalsDigital Instrument Design
How It Ends
Label: BMG (Digital Download Only)
Length: 37'53
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (765 votes)
  1. Sonogram (3:40)
  2. Don't Talk About The Boat (1:39)
  3. Maximum Security (2:22)
  4. Middle Of Nowhere (1:38)
  5. Starlings (2:06)
  6. Will And Tom (2:14)
  7. Leaving The Reservation (2:57)
  8. Adam Is Coming Back (2:58)
  9. Cell Signal (2:42)
  10. Ricky Leaves (2:18)
  11. Tom Dies (2:34)
  12. Cremation (2:12)
  13. Back In Seattle (4:58)
  14. Reunited (1:24)
  15. How It Ends (2:11)
Create Topic

Michael Fields reply Replies: 0 || 2019-01-02 10:32:52
MOVIE CREDITS:

Music By
ATLI ORVARSSON

Performed By
SINFONIA NORD
In
HOF CONCERT HALL, Akureyri, Iceland

Conducted By
ATLI ORVARSSON

Recorded By
STEVE McLAUGHLIN

Mixed By
STEVE McLAUGHLIN
At
NORTHPOLE STUDIOS, London

Orchestrations By
JULIAN KERSHAW

Additional Production And Arrangements By
CLAUDIO OLACHEA
ALEXIS MARTIN

Music Editor
DEL SPIVA

Digital Instrument Design
JORG HUTTNER

Music Prepration
OSSUR GEIRSSON

Technical Assistant
SAI SRIRAM MADDURY

Additional Recordings By
KRISTIAN EDELSTEIN

Recording Assistants
HAUKUR PALAMSON
SIGURVALD IVAR HELGASON

Mixing Assistant
MARU WREN

Guitars
KRISTJAN EDELSTEIN

Drums
HALLDOR GUNNLAUGUR HAUKSSON

Piano
ATLI ORVARSSON
ALEXANDER EDELSTEIN

Vocals
HILDA ORVARSSON

Music Consultant
VELVET EARS



Knight reply Replies: 0 || 2018-10-22 21:20:04
Sonogram, Starlings, Will & Tom, Leaving the Reservation, How It Ends, all good stuff

Felix reply Replies: 0 || 2018-10-22 20:47:07
Atli is still the best! He also never disappoint!

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How It Ends soundtrack - Atli Örvarsson 2018