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Seems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is Balfe
I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
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John PowellBatu SenerPaul MounseyAnthony Willis
ComposerAdditional MusicAdditional MusicAdditional Music
How To Train Your Dragon - The Hidden World
Label: Back Lot Music / 5 Cat Studios
Length: 82'25 (Score: 79'08)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (714 votes)
  1. Raiders Return To Busy, Busy Berk (5:27)
    John Powell, Paul Mounsey
  2. Dinner Talk - Grimmel's Introduction (3:53)
    John Powell, Batu Sener
  3. Legend Has It - Cliffside Playtime (4:21)
    John Powell, Batu Sener
  4. Toothless: Smitten (3:16)
    John Powell, Batu Sener
  5. Worst Pep Talk Ever (2:40)
    John Powell
  6. Night Fury Killer (3:36)
    John Powell, Batu Sener, Paul Mounsey
  7. Exodus! (4:38)
    John Powell, Anthony Willis
  8. Third Date (6:49)
    John Powell
  9. New "New Tail" (1:28)
    John Powell, Anthony Willis
  10. Furies In Love (3:03)
    John Powell
  11. Killer Dragons (5:05)
    John Powell, Batu Sener
  12. With Love Comes A Great Waterfall (2:08)
    John Powell
  13. The Hidden World (5:16)
    John Powell, Paul Mounsey, Jónsi
  14. Armada Battle (8:40)
    John Powell, Batu Sener, Anthony Willis
  15. As Long As He's Safe (6:29)
    John Powell
  16. Once There Were Dragons (5:45)
    John Powell
  17. Together From Afar - Jonsi (3:17)
  18. The Hidden World Suite (Digital Bonus Track) (6:40)
    John Powell
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superultramegaa reply Replies: 0 || 2019-03-08 02:01:19
So I haven't watched this film so I can't speak to what the themes mean here, but I need a little bit of help with the themes of the first 2.

This is the list of themes as I know them:
Hiccup's Theme (Flying) - HTTYD 1
Berk Theme - HTTYD 1
Viking Theme - HTTYD 1
Evil Dragon Theme - HTTYD 1
Friendship Ostinato - HTTYD 1
Astrid - HTTYD 1
Secondary Viking Theme/Viking Teens - HTTYD 1
Toothless/Good Alpha - HTTYD 2
Drago - HTTYD 2
Evil Alpha - HTTYD 2
Exploration - HTTYD 2
The Chief - HTTYD 2
Valka & Stoick Love / Stoick's Theme - HTTYD 2

However, on this website people have discussed that there might be even more than that, like "Dragon Vigilante" or "Valka", but I have no idea what these themes are if they exist. For most scenes involving Valka, it's either Toothless' theme or Stoick's love theme that plays.

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Iamtommie reply Replies: 0 || 2019-02-05 22:06:32
Just saw HTTYD: The Hidden World!! For me, a perfect way to complete a trilogy!! Absolutely loved it. All 3 movies are great and get better each time.

Them the score: I don't know how Powell does it. With these 3 scores he's definitely (re)defined writing thematic music again. It's orchestral. He uses themes from the first 2 movies and adds a few new themes that are just as memorable. I think there is about 20 minutes if score missing. So hoping to a good FYC. But just like with the other 2 scores. A great album representation!!

Loved every bit of the this trilogy and very sad it's over.

Hybrid Soldier reply Replies: 2 || 2019-02-05 13:17:40
Composer credits !


Knight2019-02-05 13:39:54
Thanks!


Knight2019-02-05 13:40:36
A lot less solo Powell cues than I expected

Mike reply Replies: 2 || 2019-02-02 20:56:03
Still need to listen through this one....Is it more like the first score or the second? The first was more tuneful and energetic and crowd-pleasing, while the second really upped the complexity/theme development side of things.


Aaron2019-02-03 05:40:49
The way you described them, it's more like the second score. That said, it's surprisingly distinct.


NM2019-02-03 22:46:19
It's very different to both of the other ones and definitely the best of the three. I found this one managed to improve the orchestration over the (already impressive) second one, while also having accessible, memorable themes and motifs that didn't take as long to "click" as the usual Powell stuff.

Jean-Luc reply Replies: 0 || 2019-02-02 18:06:18
Is that true about John Powell and additional score by Kay-S is Brian Tyler Team's new composer will score Fast & Furious Presents: Hobbs & Shaw Movie. If it's true, then it's a great news. I bet John Powell's music might sound like Bourne music or new styles of spy or action music like that.

Toothless reply Replies: 0 || 2019-02-01 09:57:11
I m very happy for sound

Ro reply Replies: 0 || 2019-02-01 07:43:47
Solid work. Its ought to satisfy anyone who's been yearning for a solid symphonic score.

For the most part it seems to me that with this one Powell aimed more for technical mastery and complexity than going for that tangible sense of innocence, intrigue and fun that made the very first film and its score special. I am not saying this third score lacks those elements, but they are certainly not in full display like they were in the very first score.

In a broader sense, it appears that just about everyone is taking everything way too seriously these days. As much as I miss solid symphonic scores myself, I miss the "fun" side of film scores more.

Iamtommie reply Replies: 0 || 2019-02-01 00:31:28
I recommend to everybody How To Train Your Dragon: The Hidden World by John Powell!!!
It's an amazing orchestral score with new AND continuing themes from previous 2 movies. The choral work is amazing!
My favorite cues are:
- Legend Has It / Cliffside Platytime (one of the most beautiful tracks Powell has ever written!)
- Exodus!
- Third Date (So much fun!!!!!)
- Furies In Love (Equal to Flying With Mother & See You Tomorrow
- The Hidden World (Beautiful choral Work)
- Armada Battle (Captures all themes from all 3 movies!!!)
- As Long As He's Safe
- Once There Were Dragons (Beautiful ending!!!)
- The Hidden World Suite


Seriously, check it out it's really good!!!!

QX reply Replies: 0 || 2019-01-31 23:27:34
Hmmm... the new theme that appears in "Legend Has It", "Exodus" and "As Long as He's Safe" is heartbreaking and and among the highlights of the franchise. The love theme is wonderful too. And some of the orchestration is top class: a mastery of the orchestra which rivals the best composers.

But I don't know, did anyone else find this a bit disjointed in places? The "Armada Battle" is just exhausting and even though I recognised all the themes and motifs it wasn't fun to listen to - clipping from one thing to the next every few seconds with no transition. I thought it'd be the highlight of the score but it's probably the worst track on the album. It probably works great in the film, I imagine.

FORZA reply Replies: 0 || 2019-01-23 20:04:28
John Powell himself announced that he will be scoring the upcoming 2019 film, Call of the Wild, directed by Chris Sanders!

mpolonest123 reply Replies: 6 || 2019-01-12 00:01:42
I feel like “The Hidden World” cue is going to steal the show here. Combining Jonsi’s vocals with the choir and orchestra was a genius move, it sounds almost hypnotic. And of course “Furies in Love”...


BerkianWarrior2019-01-15 05:11:02
For sure!! Omg I honestly can't wait for this one, we where gonna get 2 songs for httyd 2 featuring Jonsi, but they stuck with "Flying with Mother" instead. I really would have liked to see Jonsi put lyrics to "romantic flight" for a hiccup and astrid wedding scene. Make it peaceful and sad :'(
Love these movies so much. I feel like watching them and listening to their scores brings back the 11 year old in me, obsessed with orchestra and dragons. A total nerd. I miss those days where everything was filled with magic, and John Powell's scores were at the center of it all <3


mpolonest123 2019-01-19 23:10:42
So having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.

In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.


ThePhantasm2019-01-20 09:14:21
I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrong


Ds2019-01-20 15:32:16
I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).

As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.


mpolonest123 2019-01-20 19:20:27
I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.

And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.


Ds2019-01-20 21:51:00
That makes perfect sense and I fully agree with you :p

FORZA reply Replies: 5 || 2019-01-04 16:45:22
Available on February 1st!


Anonymous2019-01-05 02:23:11
Yeah maybe in not-america. The film opens in the states in march


Anonymous2019-01-05 07:17:52
Those last three titles are major plot spoilers to my eyes.


rockhound2019-01-10 18:33:25
the soundclips on itunes sound amazing.


iamtommie2019-01-10 21:16:22
Where did you listen to the soundclips on Itunes. I can't find it anywhere?


Kalman2019-01-11 16:28:38
https://itunes.apple.com/au/album/how-to-train-your-dragon-h idden-world-original-motion/1448549183

Mike reply Replies: 0 || 2019-01-07 16:31:50
New "New Tail"....Hmmm....That should be fun!

JBSO99 reply Replies: 0 || 2018-12-12 07:54:41
This is my most anticipated score of 2019. The two previous ones were great and I hope this one is even better.

Cannot wait!

Hybrid Soldier reply Replies: 1 || 2018-12-11 16:51:21
Coming soon !


FORZA2018-12-11 18:32:50
Can't freaking wait for this. The series ends with a bang!

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How To Train Your Dragon - The Hidden World soundtrack - John Powell 2019