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Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.just beautifulThis is a whole new side of his music as compared to what we normally hear.Black Widow has been moved to Nov. 6th, so we'll het Balfe's sckre at the end of the year.<br><br>Mulan has been moved to July 24th.Beautiful score! Matches well with The Lion King and Whispers
Booklet credits:<br><br>"Wedding"<br>Lyrics: Joanna Wallfisch<br>Elenor Bowers-Jolley: Vocals<br><br>"Siren's Lullaby"<br>Lyrics: Joanna Wallfisch<br>Sarah Lee, Elenor Bowers-Jolley: Vocals<br><br>Yuja Wang: Piano<br>Jack Liebeck: Violin<br>Raphael Wallfisch: Cello<br><br>The Chamber Orchestra of London<br>Janice Graham: Leader<br><br>Music Composed and Conducted by Benjamin Wallfisch<br><br>Score Recorded at Air Studios, London, September 2012<br>Piano Recorded at Avatar Studios, New York, September 2012<br>Music Mixed at Squadron Sound<br>Music Producer: Benjamin Wallfisch<br>Additional Orchestration: Ben Foskett<br>Orchestra Contractor: Gareth Griffiths<br>Score Recorded and Mixed by Jake Jackson<br>Scoring Co-Producer: Alexander van Ingen<br>Assistant Engineer: Chris Barrett<br>Mix Assistant: Adam Miller<br>Music Preparation: Global Music Services, Ltd<br>Publisher: Du Vinage Publishing Ltd<br>Executive Producer DG: Christian Badzura<br>Project Coordinator DG: Burkhard Bartsch<br><br>Booklet Editor: Jens Schünemeyer<br>Photos: Summer in February Films<br>Cover Design: The Creative Partnership<br>Package Design: Mareike Walter<br>Art Direction: Merle KerstenBooklet credits:<br><br>Music Composed by Benjamin Wallfisch<br><br>Music Orchestrated and Produced by Benjamin Wallfisch<br>Executive Producer: Robert Townson <br>Vocal Improvisations by Sussan Deyhim (tracks 2 & 7)<br>Additional vocals: Joanna Wallfisch (tracks 1 & 8) <br>Guitars: Owen Gurry<br>Score Performed by Macedonian Radio Symphony Orchestra<br>Conductor: Oleg Kondratenko<br>Orchestra Leader: Ana Kondratenko<br>Orchestra Contractor: Laurent Koppitz<br>Score Recorded by Giorgi Hristovski<br>Assistant Engineer: Boban Apostolov<br>Score Mixed by Benjamin Wallfisch<br>Orchestra Recorded at MRTV, Macedonia<br>Music Mixed at Fifth Street Music, Santa Monica<br>Music Programming: Benjamin Wallfisch<br>Mastered by Patricia Sullivan<br><br>Special Thanks from the composer to: Afshin Ghaffarian, Richard Raymond, Pippa Cross, Akram Khan, Bob Bowen, Sussan Deyhim, Andrew Shulman, Owen Gurry, Joanna Wallfisch, Robert Townson, Laurent Koppitz and Darrell AlexanderHmmm, according to Batu's website he worked on the first half of L3 & Millennium FalconLovely score with beautiful themes, atmospheric vocal parts and a nice orchestration.This is a highly underrated album. It's nothing short of a masterpiece, a modern opera. The choir is beautiful, and the choice of gospel for the first track gives it a unique identity, though I'm not sure how well it meshes with the orchestra. It feels a bit off, but will hopefully improve for me on further listens. <br><br>The composition, has to me, elevated Powell to the status of the second best living composer (Williams is still first for now). It's pure orchestral beauty and mastery with variety of texture, color, and style, with seamless tonal transitions. The complexity rivals some of the great works of the past. <br><br>It's strange to me that this is called "choral works". Sure the choir is an important element, but it really should be named "Hubris Symphony", or "Hubris: The Opera", because that's the status the album deserves.
My Attempt at a chronological order with edits (feel free to correct any mistakes or if I missed anything) <br><br>1. A Storm Is Coming (0:00 - 0:36) (Logos) <br>2. Should You Choose To Accept (0:00 - 0:52) <br>3. Good Evening, Mr. Hunt (4:19) <br>4. Plutonium Trade (2:53) <br>5. A Terrible Choice (2:55) <br>6. The Manifesto (1:44)  <br>7. Fallout (1:30)  <br>8. Your Mission (2:14)  <br>9. Free Fall (4:14) <br>10. As Ugly As They Come (2:26) <br>11. The White Widow (4:42) <br>12. Should You Choose To Accept (0:52 - 2:34) <br>13. Framing Ethan (2:01)  <br>14. The Exchange (5:55)  <br>15. Escape Through Paris (5:05) <br>16. Steps Ahead (1:02)  <br>17. Je Suis De Sole (1:06)  <br>18. We Are Never Free (6:57)  <br>19. Trapped (3:26)  <br>20. The Mission Is Terminated (2:09)  <br>21. No Hard Feelings (4:20)  <br>22. Stairs And Rooftops (6:00)  <br>23. Kashmir (4:29) <br>24. Fate Whispers To The Warrior (3:54) <br>25. And The Warrior Whispers Back (3:56) <br>26. Scalpel And Hammer (0:00 - 2:19) <br>27. Cutting On One (0:00 - 2:23) <br>28. Unfinished Business (1:49)  <br>29. A Storm Is Coming (0:36 - 1:12) <br>30. I Am The Storm (2:07)  <br>31. Scalpel And Hammer (2:19 - 5:10) <br>32. Cutting On One (2:23 - 3:42) <br>33. The Last Resort (2:55)  <br>34. Mission: Accomplished (1:15) <br>BONUS TRACKS: <br>35. The Syndicate (Unused) (6:00) <br>36. Change Of Plan (Unused) (5:47)Rogue One is a bit of an odd one. From what I'd heard, Desplat had joined on the condition he'd be allowed to do his own thing and not ape Williams. But once they decided to overhaul the film, they pressured him to go that exact direction. Things stayed still for a while (in which he still got paid) before he was finally let go very late into production. So the idea he sorta just left is interesting, so I'm curious to hear what that was about.<br><br>For BW, it seems very likely to me that Marvel simply were unsure about Alexandre's music, so I'm guessing they hired Balfe to do some demos and decided from there. Who knows what the exact timeline is, but I'd wager it'd have to at least be this year if he's been on it a bit. Especially with AD's name having stayed on the posters during it.Hybrid, Desplat left Rogue One just for his own idea? I know he left that movie beacuse schedule conflict for the reshoots. <br>But for Black Widow seems that the replacement was since months ago with Lorne writing and recording the score at the same timeht tp:// filmmusicreporter. com/2020/04/01/ track-list-for-disneys-live-action-mulan -soundtrack-album-revealed/<br><br>Why release a tracklist for an album that won't be released for another 6 months at least. That's just a punch in the gut, in my opinionSo it won't be a last minute and hasty job?
No idea but he was on it for a bit, I think.Hybrid, do you know how long Lorne had to score?Score is recorded already.Yup, which makes me wonder if they had to wait before announcing it, considering Desplat was still being listed in posters prior to the delay.I think Lorne teased this some time ago by sending a picture of researching Russian music on insta (maybe)
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Benjamin Wallfisch
Composer
Serenity
Label: Milan Records
Length: 62'59
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (814 votes)
  1. Serenity (4:45)
  2. The Beast (4:31)
  3. Suit (2:34)
  4. Karen (1:58)
  5. Baker Dill (2:31)
  6. Patrick (2:56)
  7. Memory (2:18)
  8. Deliver Me From Temptation (2:32)
  9. He Wants Justice (2:27)
  10. Girl At The Bridge (6:48)
  11. I Am The Rules (4:03)
  12. Plymouth Island (1:53)
  13. I Remember You (3:46)
  14. Catch That Fish (1:57)
  15. How We See It (3:16)
  16. Creator (4:43)
  17. Justice (3:13)
  18. Alternate Reality (3:03)
  19. It's Dad (3:45)
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MrZimmerFan reply Replies: 1 || 2019-03-21 08:59:05
Hellboy coming by Sony Classical at 4/5/19


Knight2019-03-21 10:26:48
Looking forward to what Ben's going to do with that movie.

Knight reply Replies: 0 || 2019-02-26 20:28:48
MOVIE CREDITS:

Music Composed, Produced and Mixed by
Benjamin Wallfisch

Additional Music and Orchestrations
Antonio Andrade

Orchestrations
David Krystal

Music Editor
Tony Lewis

Orchestra
The Chamber Orchestra of London

Concertmaster
Laura Samuel

Orchestra Conductor
Geoff Alexander

Orchestra Contractor
David Griffiths

Choir
Trinity School Boys Choir

Boys Choir Conductor
Terry Edwards

Soprano Solos
Grace Davidson

Synth Programming
Benjamin Wallfisch

Music Recorded by
Jake Jackson

Protools Recordist
Chris Barrett

Assistant Engineer
Alex Ferguson

Score Mix Assistant
Michael Dean Parsons

Music Preparation
Jill Streater

Score Coordinator
Darrell Alexander

Music Recorded at
Air Lyndhurst Studios, London

Music Mixed at
Goldcrest Post Production, London

Music Supervisor
Rob Lowry

Music Clearance
Charles M. Barsamian

MrZimmerFan reply Replies: 1 || 2019-02-26 09:18:15
Shazam! will be released by Watertower Music


Knight2019-02-26 20:28:27
Looking forward to what Ben's made for it

ThePhantasm reply Replies: 2 || 2019-02-13 07:20:34
What do you guys think Bens score for shazam will sound like? Is he going for that old school fun sound, kinda like Bill Contis Masters of the universe score or is he gonna do the Hans Zimmer big epic score?? I think most likely Hans but who know, for some reason when i put on the main theme for Maters of the universe it fits this movie.


Edmund Meinerts2019-02-13 11:05:27
Hmm...Hans Zimmer or Bill Conti...if I'm a studio exec in Hollywood anno 2019, which of those two do I put on the temp track???


Ro2019-02-13 13:07:35
Factor out "doom and gloom", and "atmospheric sound design" from the palette and just about anything would be great. If the composer had genuine fun along the ride, it'll sound even better.

Knight reply Replies: 1 || 2019-01-26 20:35:47
A beautiful score by Wallfisch with some enjoyable action writing, will likely be one of the highlights for me this year. I am super excited to see what he will bring to the table for Shazam


JamesT2019-01-28 00:59:23
Beautiful score — love it!

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Serenity soundtrack - Benjamin Wallfisch 2019