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Good lord it's like he was exploding with energy and ideas after the touring gigsMore Hans !! :)If you enjoyed Sonic then youíll probably enjoy this, even though it is far more hyperactive. The score is such a crazy mashup of Carl Stalling/epic orchestral/60ís funk/industrial trap beats/electronic/etc.<br><br>I have to say, while the themes arenít particularly memorable, the last 5 cues or so feature some great choral writing with good use of some ethnic wind instruments (Duduk?)...I have a question about a song from this documentary that is not on the soundtrack. Could anyone please tell me the track at approximately 47:35? Thunder is cracking, Pantani begins his attack on the Galibier, and Matt Rendell is there with eloquent narration. I got so swept up in the score at this point that I spent over an hour rewinding and Shazaming and looking up all of Balfe, Aruj, and Dworetsky's music I cound fine. Any help would be much appreciated!<br><br>Thaks,<br>SamThey all sound the same. Bland.
So what do you think about the westworld competition and what is your most favorite entry?In sound quality (regardless of what certain peope might say about how great LPs sound; it's an analog format) the bootleg already trumps it I guess...I have the same question as wellIt could be possible, but there would be too many seconds of overlap between some of these tracks for that to be a possibility in this specific case. I really hope they haven't cut down the tracks to fit on vinyl, otherwise the bootleg will trump it in terms of content.Maybe the different time lengths is due to tracks slightly overlapping each other (as in many HZ soundtrack releases)?
Comparing the track times listed here, it seems (at first glance) that many of the tracks are edited down from the complete cues as heard on the bootleg. Could the listed track times be simply incorrect, or have edits been made to make the score fit onto four sides? I guess we can find out when the record ships in July.<br><br>Additionally, for those without a record player it sucks that a CD release was not possible for La-La Land. Whatever the reasons are for that, it's a bizarre situation that one independent label can release the same material on vinyl but another cannot on CD. Quite perplexing...@Hybrid, will you make the Scoob Page?Perhaps "The Cistern (Alternate)" is the album version. The music I heard in the film is not 100% the same with the track I heard in the OST.Dang I cant wait to hear the Alternate 'Cistern' cueVinyl only...How dumb can you get
Lol, youíre right! I though that was Rambo III climbing the cliffs for a moment.LLL made MI 1 Complete. So they are trying to make MI 2 Complete. That could move Varese to make MI 3 Complete. But studio (Disney) don't want it.Use the Wayback Machine on Archive.org - it's all there! :)@Zimson<br>404 not found dudeWhy would a studio allow a vinyl release but no CD or digital release? That's utter nonsense. Almost like they're refusing to make money.
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Benjamin Wallfisch
Composer
Serenity
Label: Milan Records
Length: 62'59
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (956 votes)
  1. Serenity (4:45)
  2. The Beast (4:31)
  3. Suit (2:34)
  4. Karen (1:58)
  5. Baker Dill (2:31)
  6. Patrick (2:56)
  7. Memory (2:18)
  8. Deliver Me From Temptation (2:32)
  9. He Wants Justice (2:27)
  10. Girl At The Bridge (6:48)
  11. I Am The Rules (4:03)
  12. Plymouth Island (1:53)
  13. I Remember You (3:46)
  14. Catch That Fish (1:57)
  15. How We See It (3:16)
  16. Creator (4:43)
  17. Justice (3:13)
  18. Alternate Reality (3:03)
  19. It's Dad (3:45)
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MrZimmerFan reply Replies: 1 || 2019-03-21 08:59:05
Hellboy coming by Sony Classical at 4/5/19


Knight2019-03-21 10:26:48
Looking forward to what Ben's going to do with that movie.

Knight reply Replies: 0 || 2019-02-26 20:28:48
MOVIE CREDITS:

Music Composed, Produced and Mixed by
Benjamin Wallfisch

Additional Music and Orchestrations
Antonio Andrade

Orchestrations
David Krystal

Music Editor
Tony Lewis

Orchestra
The Chamber Orchestra of London

Concertmaster
Laura Samuel

Orchestra Conductor
Geoff Alexander

Orchestra Contractor
David Griffiths

Choir
Trinity School Boys Choir

Boys Choir Conductor
Terry Edwards

Soprano Solos
Grace Davidson

Synth Programming
Benjamin Wallfisch

Music Recorded by
Jake Jackson

Protools Recordist
Chris Barrett

Assistant Engineer
Alex Ferguson

Score Mix Assistant
Michael Dean Parsons

Music Preparation
Jill Streater

Score Coordinator
Darrell Alexander

Music Recorded at
Air Lyndhurst Studios, London

Music Mixed at
Goldcrest Post Production, London

Music Supervisor
Rob Lowry

Music Clearance
Charles M. Barsamian

MrZimmerFan reply Replies: 1 || 2019-02-26 09:18:15
Shazam! will be released by Watertower Music


Knight2019-02-26 20:28:27
Looking forward to what Ben's made for it

ThePhantasm reply Replies: 2 || 2019-02-13 07:20:34
What do you guys think Bens score for shazam will sound like? Is he going for that old school fun sound, kinda like Bill Contis Masters of the universe score or is he gonna do the Hans Zimmer big epic score?? I think most likely Hans but who know, for some reason when i put on the main theme for Maters of the universe it fits this movie.

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Edmund Meinerts2019-02-13 11:05:27
Hmm...Hans Zimmer or Bill Conti...if I'm a studio exec in Hollywood anno 2019, which of those two do I put on the temp track???


Ro2019-02-13 13:07:35
Factor out "doom and gloom", and "atmospheric sound design" from the palette and just about anything would be great. If the composer had genuine fun along the ride, it'll sound even better.

Knight reply Replies: 1 || 2019-01-26 20:35:47
A beautiful score by Wallfisch with some enjoyable action writing, will likely be one of the highlights for me this year. I am super excited to see what he will bring to the table for Shazam


JamesT2019-01-28 00:59:23
Beautiful score ó love it!

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Serenity soundtrack - Benjamin Wallfisch 2019