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Well, considering there's a lot more advanced orchestral writing in a lot of Transformers: The Game (which was composed by Jablonsky and Flood), than in many of Steve's other projects, I can't help but feel the more advanced stuff here was Flood too. Plus Flood's contribution to "Flying Battle" in D-War kind of makes him seem like the more advanced orchestra composer.Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...
The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.
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Benjamin Wallfisch
Composer
Serenity
Label: Milan Records
Length: 62'59
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (633 votes)
  1. Serenity (4:45)
  2. The Beast (4:31)
  3. Suit (2:34)
  4. Karen (1:58)
  5. Baker Dill (2:31)
  6. Patrick (2:56)
  7. Memory (2:18)
  8. Deliver Me From Temptation (2:32)
  9. He Wants Justice (2:27)
  10. Girl At The Bridge (6:48)
  11. I Am The Rules (4:03)
  12. Plymouth Island (1:53)
  13. I Remember You (3:46)
  14. Catch That Fish (1:57)
  15. How We See It (3:16)
  16. Creator (4:43)
  17. Justice (3:13)
  18. Alternate Reality (3:03)
  19. It's Dad (3:45)
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MrZimmerFan reply Replies: 1 || 2019-03-21 08:59:05
Hellboy coming by Sony Classical at 4/5/19


Knight2019-03-21 10:26:48
Looking forward to what Ben's going to do with that movie.

Knight reply Replies: 0 || 2019-02-26 20:28:48
MOVIE CREDITS:

Music Composed, Produced and Mixed by
Benjamin Wallfisch

Additional Music and Orchestrations
Antonio Andrade

Orchestrations
David Krystal

Music Editor
Tony Lewis

Orchestra
The Chamber Orchestra of London

Concertmaster
Laura Samuel

Orchestra Conductor
Geoff Alexander

Orchestra Contractor
David Griffiths

Choir
Trinity School Boys Choir

Boys Choir Conductor
Terry Edwards

Soprano Solos
Grace Davidson

Synth Programming
Benjamin Wallfisch

Music Recorded by
Jake Jackson

Protools Recordist
Chris Barrett

Assistant Engineer
Alex Ferguson

Score Mix Assistant
Michael Dean Parsons

Music Preparation
Jill Streater

Score Coordinator
Darrell Alexander

Music Recorded at
Air Lyndhurst Studios, London

Music Mixed at
Goldcrest Post Production, London

Music Supervisor
Rob Lowry

Music Clearance
Charles M. Barsamian

MrZimmerFan reply Replies: 1 || 2019-02-26 09:18:15
Shazam! will be released by Watertower Music


Knight2019-02-26 20:28:27
Looking forward to what Ben's made for it

ThePhantasm reply Replies: 2 || 2019-02-13 07:20:34
What do you guys think Bens score for shazam will sound like? Is he going for that old school fun sound, kinda like Bill Contis Masters of the universe score or is he gonna do the Hans Zimmer big epic score?? I think most likely Hans but who know, for some reason when i put on the main theme for Maters of the universe it fits this movie.


Edmund Meinerts2019-02-13 11:05:27
Hmm...Hans Zimmer or Bill Conti...if I'm a studio exec in Hollywood anno 2019, which of those two do I put on the temp track???


Ro2019-02-13 13:07:35
Factor out "doom and gloom", and "atmospheric sound design" from the palette and just about anything would be great. If the composer had genuine fun along the ride, it'll sound even better.

Knight reply Replies: 1 || 2019-01-26 20:35:47
A beautiful score by Wallfisch with some enjoyable action writing, will likely be one of the highlights for me this year. I am super excited to see what he will bring to the table for Shazam


JamesT2019-01-28 00:59:23
Beautiful score — love it!

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Serenity soundtrack - Benjamin Wallfisch 2019