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Maybe the reuse of MW 2 is not Lorne's choice after all. Maybe the movie was temptracked with it, before scored, and the director got attached to it. So Lorne had either to "imitate" it or just use the same cues, since they were his. <br><br>This is just a speculation I made, since this happens quite often. I remember the Elfman - Raimi conflict about the train sequence in Spiderman 2, where Raimi asked Elfman to "copy" a cue from Hellraiser.Guys are you serious ? Iím currently reading comments about how Modern Warfare 2 is in the score. In Bad Boys for Life you can heard firstly  : The Rock, Speed, Bad Boys, ... MW2 is just a reharsch of these score instead with some Black Hawk Down soundscape. Have you heard any MV score post 2005? &#128517;As much as I think that the choice of movie Powell makes, which up till now have created amazing scores, I do wish we'd get more than 1 score of his every year. Even if the quality is like Solo or The Hidden WorldI actually don't know which I prefer. I guess nostalgia might be clouding my judgement, since the album version was the one used on the DVD menu. Both are still pretty good, nonetheless.Yeah no contest IMO, it's much more dynamic and more "Powell-y" compared to that Superman-style rhythm he uses in the album version and elsewhere in the score. Must have been a hasty last-minute redo or something to not show up on the album.
The films Powell is currently choosing allow him to write much more interesting music than your average Marvel movie... ;)<br><br>Excited for Call of the Wild in a few weeks.Does anyone know what the correct chronological tracklist for this would be?Honestly, i think i will be that few people who likes Lights Out. But his best horror score is A Cure for WellnessThatís a cool choice, Iím hoping for something more like ďItĒ and less like ďLightís OutĒ.Wallfisch has compose the score for The Invisible Man, another horror score for the best guy today for the job
Powell has his personal reasons, but I sincerely hope he comes around to do another superhero score again, especially for MARVEL since his style isnít fit for the likes of DC as of now.I like the film version of Bathroom Titles better.LOL!<br><br>He has had some experience with animated projects, Iím interested to hear him do more diverse projects like that.I will never understand when people can't stand people opinions and 'attack' them.<br><br>If some loves Trent Reznor (i hate the guy's music), is his opinion and i no one to say nothing about it.Bring on the remixes!
LOL!!! You have no idea about film music<br>====================<br><br><br>It's his opinion, my friend.<br><br>And his opinion is equally as valid as the opinion of someone who thinks this score is the worst crap ever. Why? Because when it comes to appreciating art (movies, books, music...) it is all completely subjective. <br><br>I always use this example: I have two friends - educated, family men - who have seen The Godfather. One of them thinks it's one of the greatest movies ever, while the other one barely finished watching it. <br><br>At the end of the day, just because a group of people (film critics, film buffs, etc) proclaim that something is "good" or "bad" doesn't mean that it's automatically a holy statement that everyone should agree with. <br><br>We are all different :)<br><br>Cheers!Judging by the clips of this movie, it will be a good choice.<br><br>I can't wait for this one, after seeing those clipsAccording to Film Music Reporter, Tom is also scoring Scoob!MMichaels LOL!!! You have no idea about film musicFantastic score by Balfe.Best action score writer to come from RCP since Powell for sure .
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John PowellJames McKee SmithJohn Ashton ThomasAlan Meyerson
ComposerAdditional MusicAdditional MusicMusic Scoring Mixer
Rat Race
Label: Beyond Records
Length: 35'32
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4213 votes)
  1. Let's Meet Our Contestants (1:46)
    John Powell
  2. A Very Special Reception (0:47)
    John Powell
  3. I'll Take The Stairs (0:23)
    John Powell, James McKee Smith
  4. The Chase Begins (3:29)
    John Powell
  5. Flights Cancelled (1:16)
    John Powell, James McKee Smith
  6. Roswellā New Mexico? (0:47)
    John Powell, James McKee Smith
  7. The Cabbie Dumps Owen (0:52)
    John Powell, James McKee Smith
  8. The Squirrel Lady (0:33)
    John Powell
  9. Helicopter Dance (2:18)
    John Powell, John Ashton Thomas
  10. Switch Keys And Should Have Bought A Squirrel (0:56)
    John Powell, James McKee Smith
  11. Pollini Wakes And Owen Gets Some Clothes (0:50)
    John Powell, James McKee Smith, John Ashton Thomas
  12. Wanna See A Heart? (1:12)
    John Powell
  13. Stealing Some Gas (0:32)
    John Powell, James McKee Smith
  14. Chase To The Balloons (0:59)
    John Powell
  15. I Lost My Heart To A Dog (0:41)
    John Powell
  16. Bike Dyke Attack (0:41)
    John Powell
  17. All Alone In The World (0:46)
    John Powell
  18. From A Rocket Car To A Nut Bus (1:51)
    John Powell
  19. A Family On Drugs! (0:45)
    John Powell, James McKee Smith
  20. The Lucys Chase Owen And Third Reich In The Parking Lot (1:36)
    John Powell, James McKee Smith
  21. Arrival At Silver City (3:47)
    John Powell
  22. Grisham Runs Off With The Hooker (1:05)
    John Powell
  23. Tour Bus Crash (0:29)
    John Powell, James McKee Smith
  24. All The Little Children (3:20)
    John Powell, John Ashton Thomas
  25. La Habanera Loca (1:57)
    John Powell
  26. Before We Were Russian (1:46)
    John Powell
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Quintus reply Replies: 0 || 2019-01-03 17:52:24
I love Carl Stalling's Looney Tune scores. Rat Race is bombastic, adrenaline-filled, and one of my favourite comedy film scores.

John reply Replies: 0 || 2010-09-10 00:00:00
No comments?? No way! You just can't not love the Elfmanish theme. Slapstick scoring at its best!

Dakota reply Replies: 0 || 2010-09-10 00:00:00
I LOVE this score, one of my favorites

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Rat Race soundtrack - John Powell 2001