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And that's why JNH never got a nomination for The Last Airbender.<br><br>Instead they nominated two and a half good scores. And win the worst one that year.@Bill Koufo: it depends... Look at 'Passengers'. Critics didn't like it very much, but it got nominated for best score, because a part of the voters just LOVE Thomas Newman to death, and HAVE to nominate him no matter what.<br><br>So it's a mix of the movie's popularity with critics, and the composer's popularity with voters. But in all cases it has very little to do with the music itself.Additional composer credits:<br><br>Geoff Zanelli (James Newton Howard)<br><br>END CRAWL PT 1<br>MAIN TITLE THEME<br>MOOR FOLK TO WEDDING PT 1<br>PHOENIX<br>PROTECTING OUR KIND<br>THINGS START TO GO BAD<br><br><br>Geoff Zanelli, Phill Boucher<br><br>AURORA RETURNS TO THE MOORS<br>AURORA VISION / QUEEN'S  STORY<br>BATTLE PT 1 (James Newton Howard)<br>BATTLE PT 2<br>CHAPEL HEROICS (James Newton Howard)<br>CHAPEL HEROICS / M RETURNS<br>DIAVAL BRINGS WEDDING NEWS TO M<br>DON'T RUIN MY MORNING (James Newton Howard)<br>ETIQUTTE LESSONS (James Newton Howard)<br>HELLO BEASTIE<br>HUMANS ATTACK / CONALL WOUNDED<br>M IS COMING TO DINNER PT 1&3<br>M IS COMING TO DINNER PT 2 (James Newton Howard)<br>M RESCUED<br>M RETURNS (James Newton Howard)<br>M TO THE MOORS (James Newton Howard)<br>M'S ENTRANCE<br>ROYAL GOAT / TIME TO COME HOME<br>WEDDING INVITE / SHE'S GONE<br><br><br>Geoff Zanelli, Zak McNeil<br><br>ALL HE WANTED WAS PEACE<br>AURORA FINDS ARMORY PT 1&2<br>BATTLE PT 3 (James Newton Howard)<br>DEATH ORGAN SCORE / FEY ATTACK PT 1,2,3<br>END CRAWL PT 2 (James Newton Howard)<br>END CRAWL PT 4<br>FEY CEREMONY / TOMB BLOOM RAID<br>FLYING CONALL HOME<br>NO MORE FAIRIES<br>ORIGIN STORY<br>PINTO RECON / CAT CHASE<br>QUEEN TO QUEEN (James Newton Howard)<br>QUEENIE ON THE RUN (James Newton Howard)<br>THE WEDDING / YOU'RE SMILING / FINALE (James Newton Howard)<br>TO THE CASTLE / BUILDING BRIDGES<br>TOMB BLOOM FROM MOTHER<br>WEDDING DRESS / BECAUSE OF YOU AND AURORA<br>WHAT'S GOING ON HERE? / PHILLIP PROPOSES PT 1&2<br>WHAT'S GOING ON HERE? / PHILLIP PROPOSES PT 3 (James Newton Howard)<br><br><br>Geoff Zanelli, Phill Boucher, Zak McNeil<br><br>NO NEED OF ARMS<br>SHE SAID YES<br>YOU DON'T HAVE TO CHANGE (James Newton Howard)Exactly @Edmund. You don't have to write a great score to get nominated, your score can be at least decent. It's the movie that needs to be critically acclaimed.There are 2 dates in the UK, London and Manchester on the fifth and seventh of March.
Next Friday indeed.<br><br>Too bad because I REALLY wanted to listen to the whole album right after watching the movie. There are some amazing, powerful cues.Balfe confirmed that the score is coming the next Friday.where's the score? Thought it was gonna release the same day as the movieSpectacular job on Bad Boys 3! Honestly, in my opinion, it's one of the best Lorne scores. Just got back from the movie and both the music and the movie were terrific.<br><br>Lorne and his team have my respect!;)
I have made a mistake.Although you should have more mercy with people.The same "journalists" who said Hans was hired a week ago ?<br><br><br><br><br><br><br>LOLJournalists say he will act as a composer.If some time down line it gets revealed that all of these Lornanists were on someoneís payroll, you heard it here first.Confirmed by Lorne, the score album for Bad Boys 3 is coming... the next Frriday
Marr is probably performing the James Bond theme...you know, on the electric guitar? Which is the instrument he's famous for?<br><br>Jesus, I swear there are some people who won't be happy until Lorne Balfe is singlehandedly both composing and performing the score to every film that is ever made.I can't say that I am happy.  I love Marr, but I don't want Marr in Lorne's position.  #BalfeforBondJohnny Marr has been confirmed to be performing on the score...<br><br>Is there going to be a separate discussion thread for this btw?Dark Materials was anything but "a pure orchestral sound" lolIt largely has to do with the types of films he scores.
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Visceral Ambience
Hans ZimmerKlaus BadeltJohn PowellJeff Rona
ComposerAdditional MusicAdditional MusicAmbient Music Design
The Thin Red Line (Complete Score)
Label: Unofficial Release
Length: 286'47
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (592 votes)
  1. Nature Montage (1:27)
  2. Children Swimming (3:06)
  3. Soon My Lord (1:17)
  4. Witt With Melanesians (1:28)
  5. Island (1:46)
  6. Jisas Yu Holem Hand Blong Mi (1:23)
  7. Witt In Brig (3:26)
  8. Tall & Quintard (5:08)
  9. Staros Below Deck (1:58)
  10. March Inland (8:31)
  11. Staros Prays (2:23)
  12. The Grass (0:45)
  13. Tall Calls Staros (2:42)
  14. Keck's Death (4:47)
  15. Welsh Helps Tella (2:29)
  16. Staros Refuses Order (7:55)
  17. Bell's Patrol (3:58)
  18. Bell Goes Alone (3:31)
  19. Welsh & Witt Talk (3:49)
  20. Gaff's Party Leaves (3:17)
  21. Gaff's Party Returns (2:04)
  22. Attack On The Bivouac (11:03)
  23. Staros Is Relieved (2:08)
  24. Tall Does Nails (1:22)
  25. Airfield - Bell Flashback (5:57)
  26. Marty's Letter (3:42)
  27. Village Flashback (2:04)
  28. Witt Travels (5:48)
  29. Japanese Appear (1:30)
  30. Witt Chased (4:28)
  31. Witt Killed (2:15)
  32. Witt's Funeral (5:17)
  33. Cemetery (4:48)
  34. God Yu Tekkem Laef Blong Mi (1:57)
  35. River Suite (5:43)
  36. Grace Suite (5:23)
  37. Concerto For Beam Suite (6:09)
  38. Big Chord Suite (3:05)
  39. Sit Back & Relax Beam Suite (2:06)
  40. Solo Cello Suite (1:29)
  41. Cosmic Beam (5:45)
  42. Nature Montage (Alternate I) (1:34)
  43. Nature Montage (Alternate II) (1:16)
  44. Nature Montage (Alternate III) (2:54)
  45. Children Swimming (Alternate) (2:52)
  46. Island (Alternate I) (1:38)
  47. Island (Alternate II) (1:45)
  48. Island (Alternate III) (1:25)
  49. Witt In Brig (Alternate) (3:30)
  50. March Inland (Alternate) (8:21)
  51. Keck's Death (Alternate) (5:48)
  52. Staros Refuses Order (Alternate) (8:13)
  53. Bell Goes Alone (Alternate) (3:29)
  54. Welsh & Witt Talk (Alternate) (3:18)
  55. Gaff's Party Leaves (Alternate) (3:18)
  56. Gaff's Party Returns (Alternate) (2:05)
  57. Attack On The Bivouac (Alternate I) (9:17)
  58. Attack On The Bivouac (Alternate II) (7:43)
  59. Attack On The Bivouac (Alternate III) (10:59)
  60. Attack On The Bivouac (Alternate IV) (6:22)
  61. Staros Is Relieved (Alternate I) (3:06)
  62. Staros Is Relieved (Alternate II) (3:24)
  63. Tall Does Nails (Alternate) (1:30)
  64. Airfield - Bell Flashback (Alternate I) (5:59)
  65. Airfield - Bell Flashback (Alternate II) (7:17)
  66. Witt Travels (Alternate I) (6:43)
  67. Witt Travels (Alternate II) (2:42)
  68. Witt Travels (Alternate III) (6:09)
  69. Witt Killed (Alternate I) (1:53)
  70. Witt Killed (Alternate II) (1:43)
  71. Cemetery (Alternate I) (5:07)
  72. Cemetery (Alternate II) (5:16)
  73. Big Chord (Alternate) (1:33)
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Knight reply Replies: 7 || 2019-02-11 12:20:46
Holy shit! So many suites and alternates


mpolonest123 2019-02-11 14:56:27
And not counting the War Drums/Wild Bowls/Taikos that the team recorded for, what Iím guessing, the editor to use. The war drum recording alone is 18 minutes!

On one hand I understand the frustration behind La-La-Land not actually releasing the complete score. On the other, so many of the alternates are so similar to the original I can understand from a repetition perspective. Either way still one of Zimmerís masterpieces.


mpolonest123 2019-02-11 14:58:04
And Hybrid, why did they end up recording so much of the solo instruments? Was it just to give Terrence Malick a variety of options when assembling the film?


Anonymous2019-02-11 16:32:04
@mpolonest123
I am sure they do this all the time. This is probably the first time this stuff made their way to the outside world, hence the surprise from our end.


mpolonest123 2019-02-11 18:44:00
@anonymous
That is a good point!


StRuPiE2019-02-13 15:15:15
So basically, this is LLL's release, chronologically presented. I see a few differences, some cues are split up, a few new tracks were added and (almost) all the alternates/unused tracks from LLL and the sessions are included.

So I guess Complete in this set means, everything Zimmer wrote for the movie, which is fine of course. However, Beam and source cues are still not included.



HunterTech2019-02-14 03:11:51
Unless they're composed by Zimmer or someone else from RCP, I wouldn't expect source cues to appear here. And there's like two tracks with Beam in the title listed, so what else would have that name?


StRuPiE2019-02-14 12:38:02
My definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.

The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.

In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music that made it into the cut, which hardly anyone ever talks about.

Anyway, maybe a future project will tackle most of these issues.

Hari Haran reply Replies: 0 || 2019-02-13 00:16:00
MOTHER OF GOD WE HIT THE JACKPOT

Edmund Meinerts reply Replies: 0 || 2019-02-11 16:01:08
An historic day for HZ.com...Hybrid finally caved and made a page for the TTRL complete score. :P

Sherlock Holmes next? ;)

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The Thin Red Line (Complete Score) soundtrack - Hans Zimmer 1998