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Hope Zimmer comes back to do Gladiator 2.Currently the only way I know to get it from is Japanese iTunes.well arenít u special. itís gonna leak so on account of so many ppl having it. myself included.Where can I listen to I see church?<br><br>I cannot find it anywhere and even YouTube doesn't have it.<br>1M01 Logos & Backstory Montage<br>1M04 Sneaking In<br>1M07 Jake Finds Scrapper<br>1M08-09 Scrapper Chase<br>1M11 Not Again<br>2M01 Shatterdome Arrial<br>2M02 Amara is Amazed<br>2M05 Pentecost<br>2M07 Simulation Fail<br>2M08 Could Have Been Great<br>2M09 Gottlieb Greets Newt Pt.1<br>2M09 Gottlieb Greets Newt Pt.2<br>3M01A Unwelcome Yager<br>3M01B Are You Reading This?<br>3M02A Mak-Morial<br>3M03 Flashback<br>3M07 Get It Done<br>3M09 Alice<br>4M02 Family Fight<br>4M03 It Isn't Something<br>4M04B What is That?<br>4M05 A Kaiju Brain<br>4M06 Shao Industries Suspected<br>5M01 Shatterdome Attacked<br>5M02B Help Me Help You<br>5M08-09 Aftermath<br>6M01 Battle Speech<br>6M03Y Yagers Land<br>6M06 Rippers<br>6M07 SEQ<br>7M01A Mega On the Move<br>7M01B Stay With Me<br>7M02 Amara Joins Jake<br>7M03B End Game<br>7M04<br>7M04C Celebrate<br>7M05 Victory<br>7M07 Main On End
Same here. Considering how well the film has done I am surprised that Warner Bros. hasnít rushed out a Deluxe Edition by now. <br><br>Iím personally dying to hear the full Sicily fight sequence, which includes that badass Mera action motif.Is there any news about that expanded/deluxe album Rupert talked about on twitter? I would love to get my hands on more material from the score as the album is missing so much...I'd love to see Hans do another historical epic, for the record. I'm sure he'd say he's moved on from that sound, but personally, I miss it. That being said, Harry Gregson-Williams did good work here. Even if he then copied and pasted whole sections for Narnia. lol.Music editors loved their Gladiator temp too muchWhat was the reason of their swap? Why did Hans Zimmer quit Kigdom of Heaven
Hybrid wrote somewhere here that something happened between Streitenfeld and Ridley during Prometheus,and that was why HG-W was brought on for some rescoringI was wondering about this too. Like all of a sudden, after a couple of Ridley Scott collaborations, he disappeared.Streitenfeld's score for "All I See Is You" isn't added to this site. Does it mean, that Marc left the company?Extremely pleased with the release, remastering, and liner booklet notes.  Nice to finally have all of this music.  Sure, some things could have been done differently, like anything else.  I'll be enjoying a thorough listen this weekend, and may watch the film again, as it's been years.Jasha just released a neat little piano album!<br>Go check it out: https://itunes.apple .com/no/album/time-lapse-ep/1452867752
My only real gripes left with the score is the somewhat uninspired choral writing (and the fact that the choir sounds like samples in a lot of moments) and the reused percussion samples from every JXL action score ever since Mad Max.After repeated listens of the score and seeing the film 3 times, I'd say now that the score is MUCH better than I initially gave it credit for.<br>Alita's theme (the 4 notes first heard at 1:53 in A Discovery) is used many times throughout the score in many instrumental varieties and variations, and used to great effect in emotional scenes<br>(I Don't Even Know My Own Name, What's Your Dream?, In Time You'll Remember, With Me, I'd Give You My Heart, What Did You Do), In the Clouds especially)<br>And do yourself a favor and get I See Church from somewhere, it's the 2nd best action track of the score after Motorball.<br>--------------------<br>In short, I would now give it a 4.5 / 5 from my previous 3 / 5Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?Oh man, that's a tough question...I haven't listened to Curse of the Black Pearl in a while.... He's credited on almost every track for themes used... "Fog Bound" is the big Klaus Badelt cue from that movie (the real, 5-minute one in the movie is pretty much all Klaus I believe). <br><br>But Hans appears almost everywhere in POTC 1. Sometimes it's arrangements of his themes by the other guys, sometimes it's parts of the tunes that he wrote put directly in like he wrote them... The following scenes are pretty much directly Hans, if I remember right (this is the list I'm referencing ó but as you can see, Zimmer's name is almost everywhere hans-zimmer . com/index.php?rub=disco&id=1128): <br><br>3. Captain Jack Sparrow (Hans wrote the big theme here, as well as the Jack Sparrow stuff at the end)<br>8. Breaking the Chains (more Jack Sparrow theme...) <br>17. Boarding the Dauntless (Jack Sparrow theme...)<br>24. Moonlight Serenade (Zimmer said he wrote this scene like Cinderella walking into a Metallica concert)<br> <br>Aaaaand a lot of the final fighting music is lifted directly out of the suite Zimmer wrote, so it's 90% him. But once again, his themes as arranged by other people appear everywhere. Hybrid can answer way more about all this than I can.<br>Oh wow! Thatís all really interesting. So how much of the OST is really HAnS Zimmer then???
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Visceral Ambience
Hans ZimmerKlaus BadeltJohn PowellJeff Rona
ComposerAdditional MusicAdditional MusicAmbient Music Design
The Thin Red Line (Complete Score)
Label: Unofficial Release
Length: 286'47
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (15 votes)
  1. Nature Montage (1:27)
  2. Children Swimming (3:06)
  3. Soon My Lord (1:17)
  4. Witt With Melanesians (1:28)
  5. Island (1:46)
  6. Jisas Yu Holem Hand Blong Mi (1:23)
  7. Witt In Brig (3:26)
  8. Tall & Quintard (5:08)
  9. Staros Below Deck (1:58)
  10. March Inland (8:31)
  11. Staros Prays (2:23)
  12. The Grass (0:45)
  13. Tall Calls Staros (2:42)
  14. Keck's Death (4:47)
  15. Welsh Helps Tella (2:29)
  16. Staros Refuses Order (7:55)
  17. Bell's Patrol (3:58)
  18. Bell Goes Alone (3:31)
  19. Welsh & Witt Talk (3:49)
  20. Gaff's Party Leaves (3:17)
  21. Gaff's Party Returns (2:04)
  22. Attack On The Bivouac (11:03)
  23. Staros Is Relieved (2:08)
  24. Tall Does Nails (1:22)
  25. Airfield - Bell Flashback (5:57)
  26. Marty's Letter (3:42)
  27. Village Flashback (2:04)
  28. Witt Travels (5:48)
  29. Japanese Appear (1:30)
  30. Witt Chased (4:28)
  31. Witt Killed (2:15)
  32. Witt's Funeral (5:17)
  33. Cemetery (4:48)
  34. God Yu Tekkem Laef Blong Mi (1:57)
  35. River Suite (5:43)
  36. Grace Suite (5:23)
  37. Concerto For Beam Suite (6:09)
  38. Big Chord Suite (3:05)
  39. Sit Back & Relax Beam Suite (2:06)
  40. Solo Cello Suite (1:29)
  41. Cosmic Beam (5:45)
  42. Nature Montage (Alternate I) (1:34)
  43. Nature Montage (Alternate II) (1:16)
  44. Nature Montage (Alternate III) (2:54)
  45. Children Swimming (Alternate) (2:52)
  46. Island (Alternate I) (1:38)
  47. Island (Alternate II) (1:45)
  48. Island (Alternate III) (1:25)
  49. Witt In Brig (Alternate) (3:30)
  50. March Inland (Alternate) (8:21)
  51. Keck's Death (Alternate) (5:48)
  52. Staros Refuses Order (Alternate) (8:13)
  53. Bell Goes Alone (Alternate) (3:29)
  54. Welsh & Witt Talk (Alternate) (3:18)
  55. Gaff's Party Leaves (Alternate) (3:18)
  56. Gaff's Party Returns (Alternate) (2:05)
  57. Attack On The Bivouac (Alternate I) (9:17)
  58. Attack On The Bivouac (Alternate II) (7:43)
  59. Attack On The Bivouac (Alternate III) (10:59)
  60. Attack On The Bivouac (Alternate IV) (6:22)
  61. Staros Is Relieved (Alternate I) (3:06)
  62. Staros Is Relieved (Alternate II) (3:24)
  63. Tall Does Nails (Alternate) (1:30)
  64. Airfield - Bell Flashback (Alternate I) (5:59)
  65. Airfield - Bell Flashback (Alternate II) (7:17)
  66. Witt Travels (Alternate I) (6:43)
  67. Witt Travels (Alternate II) (2:42)
  68. Witt Travels (Alternate III) (6:09)
  69. Witt Killed (Alternate I) (1:53)
  70. Witt Killed (Alternate II) (1:43)
  71. Cemetery (Alternate I) (5:07)
  72. Cemetery (Alternate II) (5:16)
  73. Big Chord (Alternate) (1:33)
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Knight reply Replies: 7 || 2019-02-11 12:20:46
Holy shit! So many suites and alternates


mpolonest123 2019-02-11 14:56:27
And not counting the War Drums/Wild Bowls/Taikos that the team recorded for, what Iím guessing, the editor to use. The war drum recording alone is 18 minutes!

On one hand I understand the frustration behind La-La-Land not actually releasing the complete score. On the other, so many of the alternates are so similar to the original I can understand from a repetition perspective. Either way still one of Zimmerís masterpieces.


mpolonest123 2019-02-11 14:58:04
And Hybrid, why did they end up recording so much of the solo instruments? Was it just to give Terrence Malick a variety of options when assembling the film?


Anonymous2019-02-11 16:32:04
@mpolonest123
I am sure they do this all the time. This is probably the first time this stuff made their way to the outside world, hence the surprise from our end.


mpolonest123 2019-02-11 18:44:00
@anonymous
That is a good point!


StRuPiE2019-02-13 15:15:15
So basically, this is LLL's release, chronologically presented. I see a few differences, some cues are split up, a few new tracks were added and (almost) all the alternates/unused tracks from LLL and the sessions are included.

So I guess Complete in this set means, everything Zimmer wrote for the movie, which is fine of course. However, Beam and source cues are still not included.



HunterTech2019-02-14 03:11:51
Unless they're composed by Zimmer or someone else from RCP, I wouldn't expect source cues to appear here. And there's like two tracks with Beam in the title listed, so what else would have that name?


StRuPiE2019-02-14 12:38:02
My definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.

The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.

In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music that made it into the cut, which hardly anyone ever talks about.

Anyway, maybe a future project will tackle most of these issues.

Hari Haran reply Replies: 0 || 2019-02-13 00:16:00
MOTHER OF GOD WE HIT THE JACKPOT

Edmund Meinerts reply Replies: 0 || 2019-02-11 16:01:08
An historic day for HZ.com...Hybrid finally caved and made a page for the TTRL complete score. :P

Sherlock Holmes next? ;)

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The Thin Red Line (Complete Score) soundtrack - Hans Zimmer 1998