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I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and GŲransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with GŲransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who Iíve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNHís themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
True, but he didnít really get credit for The Lone Ranger or any of the Pirates films other than #5... those are billed strictly as HZ scores. I would say Christopher Robin likely was a result of the success of his Pirates score, and Timothy Green wasnít really a Disney tentpole release. Maleficent isnít a Marvel or Star Wars level tentpole, but it is still a blockbuster film that I think heíll do an awesome job with.@Mephariel - youíre right. However Interstellar and Inception, musically speaking, are simple scores. They are moving, beautiful, and masterpieces, but still simple. Which is great! <br><br>But if we are wanting Zimmer to return to a type of music, Iíd much rather prefer something along the lines of Pirates, The Rock, The Last Samurai, Crimson Tide, etc. Tonally, of course it would be more modern and new, but melodically a return to those forms would be a dream come true.Geoff has done several other Disney projects besides Pirates 5.  (All Pirates movies since the first, Lone Ranger, Christopher Robin, Odd Life of Timothy Green). And I have to say that I would rather JNH return for the sequel, as that would allow him to expand on his fantastic score for the first film.@George<br><br>To be fair, Interstellar is a genuine masterpiece score and maybe one my favorite score of all time, but I am not sure when Nolan will allow Zimmer to return to that type of scoring. <br><br>Hell, Time is my favorite cue ever, but again, I am not sure if Nolan is interested in that kind of music anymore.  <br><br>I guess we will see with Tenet. And yes, I absolutely think GŲransson can be a future star in the making and if anyone is allow write his or her own "Time" cultural moment, it may as well be him.@mephariel @mpolonest123 - glad Iím not the only one whoís more excited for those compared to cold and dark Nolan/Zimmer scores. Iím kinda over those to be honest.
And if Iím completely honest, Iím more excited by WW84, Spongebob, Top Gun, and Dark Phoenix than another potential Nolan collab.@mephariel <br>I can definitely see that, especially with King Arthur and Spiderverse. I do think his music adds a lot to the films he scores (Steve Jobs and Man From Uncle being two great examples) where he consistently switches up styles and tones to keep things fresh. Maybe not the strongest theme writer but I do love his approaches.Geoff is doing Maleficent: Mistress of Evil! Happy for him... glad the Pirates 5 gig opened up the Disney door for him, he deserves it :)This is actually pretty shocking and completely unexpected. Even if he wasnít gonna score it, I was a 100% sure it was gonna be Lorne Balfe. Iím not crazy about Ludwig so for the first time ever in a long time Iím not particularly excited about a Chris Nolan movie soundtrack. I wonder if itís cause Zimmer is damn busy with concerts and movies, could sworn heíd go with someone from RCP@George<br><br>Like I said in another forum, Nolan/Zimmer is one of my favorite collaborations, but if the choice is Zimmer scoring Tenet or Dune, I much rather he than score Dune.<br><br>I honestly probably rather he score Wonder Woman 1984 than Tenet, because Zimmer needs to do more fun films. But then maybe I am making too much assumptions about Tenet. A Nolan espionage movie sounds incredible, but it is probably a cold and dark film.
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Benjamin Wallfisch
Composer
Hellboy
Label: Sony Classical
Length: 48'38 (Score: 44'24)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (269 votes)
  1. Big Red (5:29)
  2. Psychic Migraine (3:58)
  3. Gruagach (1:52)
  4. You Call Us Monsters (3:26)
  5. Baba Yaga (3:29)
  6. A New Eden (5:48)
  7. Destroyer Of All Things (4:33)
  8. Cathedral Fight (7:32)
  9. Anung Un Rama (2:16)
  10. This Isn't You (4:34)
  11. Hellboy (1:27)
  12. Rock Me Like A Hurricane (Spanish Version) - Unprotected Innocence (4:14)
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mpolonest123 reply Replies: 1 || 2019-04-07 04:25:55
As much as I like the ďhard punk rockĒ approach Wallfisch took with the character, this sounds exactly like how I imagined judging from the filmís trailers. Overly processed sound design, chopping ostinatos, etc.

Itís funny that this was released alongside Shazam, because this is definitely the antithesis of that score. Honestly not the worst thing ever, and there actually is some decent writing throughout, but it feels like another project that is way beneath his talents (kinda like The Darkest Minds from last year)


Meta2019-04-07 18:16:45
I have to disagree...I found this score nonsensical. Listen to Marco Beltrami and Elfman's efforts. This I cant even make out a theme....

MrZimmerFan reply Replies: 3 || 2019-03-26 17:08:18
Tracklist

1. Big Red
2. Psychic Migraine
3. Gruagach
4. You Call Us Monsters
5. Baba Yaga
6. A New Eden
7. Destroyer of All Things
8. Cathedral Fight
9. Anung Un Rama
10. This Isn't You
11. Hellboy
12. Rock Me Like a Hurricane (Spanish Version)


MrZimmerFan2019-03-28 14:32:08
April 5th, same day as Shazam!

https:// itunes.apple.com/nz/album/hellboy-original-motion-picture- soundtrack/1457868714


MrZimmerFan2019-03-28 14:33:23
Also, Shazam!

https:// itunes.apple.com/nz/album/shazam-original-motion-picture-sou ndtrack/ 1457628583


Andreas2019-03-28 16:15:45
Shazam! & Fight Flight are already released on youtube. Sounds like Wallfisch is going full John Williams on this one.

https://www.youtube.com/ watch?v=V9uCJjNWo8c
https://www.youtube.com/ watch?v=tP-5HUFmo7I

Me reply Replies: 6 || 2019-03-24 13:58:55
In all the soundtracks the voters give very low note. You are a gang of unhappy people.


Hybrid Soldier2019-03-24 14:38:08
This feature will be gone from the future website, AT LAST...


...2019-03-24 15:41:02
When is the new website gonna be up? and will there be a forum with registered members?


Hybrid Soldier2019-03-24 17:21:25
We'll see...


Mephariel2019-03-24 19:55:30
Please Hybrid. Make a forum with register members.


Edmund Meinerts2019-03-26 09:15:46
Thank Christ lol. That voting booth was good for absolutely nothing.


Knight2019-03-26 12:36:58
Hope you keep the staff ratings though, its useful for me as a lot of the people here have similar musical tastes to me and it helps to find ones that I might like.

Miralsice reply Replies: 3 || 2019-03-24 22:53:10
Really waiting for this soundtrack and hope Wallfisch will bring new vision into Hellboy universe.

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ThePhantasm2019-03-26 06:03:27
no infi on shazam still huh


ThePhantasm2019-03-26 06:03:54
Info*


MrZimmerFan2019-03-26 08:10:59
Shazam is going to be released, by WaterTower

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Hellboy soundtrack - Benjamin Wallfisch 2019