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I have a playlist on Spotify that I listen to while reading my books and I had “It’s Complicated” track from “The Holiday” movie and other tracks from this movie on that playlist and enjoyed listening to it very much. But it’s been a few months that it has become unavailable on Spotify and I don’t understand why since other albums are accessible from Hans Zimmer except for this album, there’s only one track available in The Holiday album. I’ve contacted the Spotify for help but they said it has nothing to do with Spotify. I really like that track and I’d be grateful if it became available again. Thank you for your amazing music!@Hybrid<br>Snyder said on Vero a while back that the score was fully complete. Did Tom record with an orchestra or was it just the demos?<br><br>I have a good feeling we’ll see Snyder’s vision sooner or later, it seems like the push from the fans/celebs has genuinely had an impact.Don't remove this page. The score itself is competent, and I think this page should stay up to remind us of the garbage fire this film was.it doesn’t play chronologically?Anything New about the tracklist ?
Ramin's the only factor that's been consistent all throughout these shows whether its Game of Thrones or Westworld,he has constantly amazed every time.You're right Hybrid, remove this page, this abomination don't deserve a place here.No problem.Thanks so much!!!Nope, all you need is to go here:<br>https:// www.ascap.com /repertory#ace
Stupid question, but do you have to pay to gain membership into ASCAP before seeing cue credits?Correct.Thanks! Just credits, though, I presume - no music files/sound?Dumb thing to rumour but okay...So Pinar Toprak didn't work on the Wonder Woman cue after all? That rumor was all over the place...
If the time ever comes ;(I should remove this page.<br><br>This infamy doesn't belong here. Love you Geoff but sorry... lol<br><br><br>I'll rather add the page for Zack Snyder's Justice League, when the time comes, hopefully...Composer credits for this:<br><br>Danny Elfman, T.J. Lindgren<br><br>BATMAN ON THE ROOF<br><br><br>Danny Elfman, Geoff Zanelli<br><br>THE AMAZON MOTHER BOX<br>ANTI-HERO'S THEME<br><br><br>Danny Elfman, Geoff Zanelli, T.J. Lindgren<br><br>THE TUNNEL FIGHT<br>THE FINAL BATTLE (John Williams)<br><br><br>Danny Elfman, Pinar Toprak<br><br>HIPPOLYTA'S ARROW<br>FRIENDS AND FOES (John Williams)<br><br><br>Danny Elfman (Hans Zimmer)<br><br>WONDER WOMAN RESCUEWhat about his last cover of "Wicked Games"? What a great surprise! Actually, all the themes are being updated every week. Ramin's stealing the show again!Greetings! I have a question regarding the placement of certain cues. Here, "Mycroft Is Nude" is placed where it plays in the film. However, on the sheets, it's shown as being after "Paris Bombing Investigation." Was the scene originally supposed to be later in the film? I'd be curious to know.
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Benjamin Wallfisch
Composer
Shazam!
Label: WaterTower Music
Length:
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (863 votes)
  1. Shazam!
  2. The Consul Of Wizards
  3. Seeking Spell
  4. Compass
  5. Seven Symbols
  6. The Rock Of Eternity
  7. Subway Chase (From Shazam! – Original Motion Picture Soundtrack)
  8. It's You Or No One
  9. Dude, You're Stacked
  10. This Is Power
  11. Bus Rescue
  12. You're Like A Bad Guy, Right?
  13. Them's Street Rules
  14. Superman It
  15. Super Villain
  16. You Might Need It More Than Me
  17. Come Home Billy
  18. Give Me Your Power
  19. His Name Is
  20. Sentimental Nonsense
  21. Run!
  22. Play Time's Over
  23. All Hands On Deck
  24. I Can Fly!
  25. Fight Flight
  26. Finale
  27. We've Got A Lair
  28. I'm Home
  29. I Name The Gods
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Scorefan reply Replies: 1 || 2019-09-08 00:33:11
@Hybrid
Night Hunter Soundtrack

Music By Alex Lu and produced by Benjamin Wallfisch
Alex Lu works on RCP? Benjamin is only producer or he made additional music?
Thanks


Knight2019-09-08 01:06:29
Alex Lu is one of Ben's techies, he also wrote additional music for Hellboy

Iamtommie44 reply Replies: 0 || 2019-06-10 09:50:23
Very exited to hear Ben on Score: The Podcast tomorrow. Hope they'll talk about IT 2 & making Shazam!!!

Hari Haran reply Replies: 3 || 2019-04-06 21:51:43
Having heard the whole album a few times and gone through the process of what Wallfisch tried to do with his music for Shazam, this is not only the best DC album in years, it's also powerful enough to sit alongside (or at least close to) Williams's Superman. This is by and large (unless Hans comes back with a game changer for Dark Phoenix), the winning superhero film score of 2019.

Well played, Wallfisch!


mpolonest123 2019-04-07 02:02:55
It’s excellent in every respect. The orchestrations, mixing, and writing are all fantastic. The album does run a bit long (not a bad thing of course) and there are a lot of action cues piled on top of each other, but with some editing you have 50 minutes of Five-Star material.


Knight2019-04-07 02:16:20
While the score itself is great, I think Ben needs to use somebody like Alan Meyerson to mix his scores. I noticed that on almost every single one of his scores since A Cure for Wellness his mixing/recordings have been a bit shit. The mix problem is EXTREMELY prominent in Serenity, The Darkest Minds, Hellboy, Hostile Planet and to a lesser extent, Shazam and Wellness.
His scores are starting to sound too dry and "synthy" for lack of a better word. Listen to the orchestral recordings in Hostile Planet and Serenity, can anyone honestly tell me that they sound good?
I would love nothing better than to get another score from him on the level of Summer in February, Mully or Gamba cause those sound great.


Edmund Meinerts2019-04-09 17:06:47
Gotta say I somewhat disagree with the lavish praise here. The main theme is fantastic; the melody itself isn't that memorable, but the quality of the orchestral writing surrounding it is high. Indeed, the orchestrations and textures are of a very high standard throughout. However, far from there being 50 minutes of 5* material, I find that outside the suite presentation, the rest of the score feels messy. It's one of those scores that reacts to what's happening onscreen rather than actively driving it, so there are a ton of changes of direction. I feel like you can sort of tell that the director comes from a horror background because there's a lot of that stop-start quality you get from horror scores in the action music here, and I'm not a fan of that philosophy. I much prefer action music to have a more constant pulse while still developing in a dynamic way to match the scene (my perfect example of that balance being the wedding cue from At World's End).

Knight reply Replies: 4 || 2019-04-07 01:36:29
Apparently there was a 3rd score release from Ben this that just flew under the radar. A documentary score no less.
https:// itunes.apple.com/no/album/hostile-planet-vol-1-music-from-na tional-geographic/1458809087

Tracklist
1. The Hostile Planet (2:07)
2. Gosling Jump (5:30)
3. Snow Leopard (2:12)
4. Gelada Army (5:36)
5. Eagle Battle (4:01)
6. Avalanche (3:23)
7. Marine Underworld (4:47)
8. Seal Defense (2:56)
9. Ocean Predator (3:17)
10. Turtle Hatchlings (2:20)
11. Rockhopper Penguins (4:29)
12. Beach Return (2:06)


Anonymous2019-04-07 01:53:49
and why isn’t it on here?


Knight2019-04-07 02:29:16
/shrug
The staff here don't seem to care too much as of late about adding new stuff from RCP composers that aren't the big names. Jasha and Atli are still missing their latest efforts, and the new release of one of Mancina's old scores ain't here.


Hybrid Soldier2019-04-07 11:11:24
Probably because it'd be a good time for me to stop H-Z.com after 11 years ?


Knight2019-04-07 14:16:16
Are you stopping upkeep of this website in favor of the new one you mentioned earlier?

Jean-Luc reply Replies: 1 || 2019-03-29 15:38:56
A few minutes ago about WaterTower Music release subway chase on YouTube today! It's a cool song.


MG2019-04-02 03:38:08
Sounds fantastic.

mpolonest123 reply Replies: 2 || 2019-03-29 02:02:04
That main theme is incredible!

It’s basically a mix of John Williams and Wallfisch, and if the rest of the score is the same quality we might have one of the best scores this year.


Michael Baker2019-03-29 03:59:39
I agree. Great stuff. It's nice to hear some fun superhero bombast every once in a while. If the rest of the score is like the cues we've heard, I'll definitely be getting this one.


mpolonest123 2019-03-30 15:30:14
Does anyone else feel like 2:15-3:00 sounds exactly like Wallfisch’s “flying” music for “Peter Pan”?

Little side note: the minute I heard the song I immediately thought of the main tune from “Islands of Adventure” (Call To Adventure). Great theme if you haven’t had a chance to check it out...

Hari Haran reply Replies: 0 || 2019-03-29 15:01:41
I can't wait for this. After the debacle of JL, The DCEU has got back on track musically with Aquaman serving harmonic and electronic interpolation in spades, and Shazam seems to capitalize on that with a more traditional sound.

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MG reply Replies: 2 || 2019-03-29 03:59:17
29 tracks? Woohoo!


Edmund Meinerts2019-03-29 10:47:06
I'd rather have 10 tracks and 70 minutes than 29 tracks and 40 minutes. :p


Iamtommie2019-03-29 13:10:20
It's 1 hour and 13 minutes long

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Shazam! soundtrack - Benjamin Wallfisch 2019