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Because if the film is an american production, it has no choice but be recorded in the US... That's the rule...<br><br>When the film is a UK co-production, and/or partly shot in the UK etc... (like, for instance, every Nolan film, or King Arthur), it can be recorded in the UK... That's why it's way easier to get an expanded set of The Dark Knight or Interstellar than... the POTC saga...<br><br>I remember the AFM (American Federation of Musicians) wasn't pleased when Interstellar got recorded at Air Studios in London, claiming it had to be US Recorded... But Nolan's a brit, Syncopy is a British operation based in London...> You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>> If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>Wow, I didn't know that. So, why not record every movie in the UK/Europe then? Not sure how long it will take but I think this re-use fee will drop once they record every score outside the US.<br>However, how much money did the movie make in the Boxoffice and Home Entertainment? I'm sure that money can't be an issue here.<br><br>How cool would it be to officially buy the sessions in a collectors box (in general for all movies), signed by the composer and director and maybe cast members... I'm sure that could be sold for $200+. The studios are wasting an opportunity here... Sure, you can copy music but you can't copy the signatures.That's exactley what I thought.<br><br>There was one other thing I thought was great.<br><br>I went with my parents, who have heard Zimmer's music, from when I'm listening to it, but they said to me that you can hear, that it's him, without even knowing all of his music.<br>They said, the thematic content, the bombast of it, it is just pure Zimmer.<br><br>Hope Spongebob & Wonder Woman 1984 are with a large orchestral/choir ensemble, and with WW1984 some 80's synths!!Having seen it, the biggest thing I realized was that I missed this kind of scoring in movies. When the HZ of the 90s-2000s left in favor of experiments, it seems no one replaced him, so this area of "big sounding scores with instantly memorable and beautiful themes" has just been abandoned. Hopefully seeing/hearing this version of The Lion King now will give some ideas to executives/directors regarding musical choices!No GITS cannot be released, it's technically not possible... That's why Lorne leaked his part of the score himself...
This is great news.Maybe Balfe’s scores to Ghost in the Shell now can get released.<br>Over 6000 people have signed the petition for Ghost.yea, that should be enough for meIt's comforting to get a reconfirmation that it's coming. <br>Now we'll just have to cross our fingers that the process doesn't take months like that one other release ;) <br><br>Which one will be out first: End Credits or X-Periments? :Pyes!yes!yes!<br>i can't wait!!!!!!!And I can tell you Hans brought the matter to the very head of Disney Music... Everyone seems game to release it, just need to work out some technicalities...
He mentions the Dark Phoenix second CD here. 20:33 onwards.<br><br>https: //www.youtube.com/watch? v=mHmKZbUZiIA<br><br>"I did a film recently that got away, but we wrote 16 hours of music. We're actually fighting to get another CD released because the film didn't do anything, just to have it out there. Because you can't use again in something else, so it'd be nice to have it out there. So that it doesn't disappear into a rubbish bin".Life's Not Fair first part is similar > Tears of the Sun - Yekeleni Part 1 lolAny idea on the name of the song from the trailer?Honestly the biggest problem with this new version for me is the lack of new variants of the themes. They mostly just repeat verbatim Hans' original ideas with little to no innovation or changes made most of the time. <br><br>It also doesn't help that cues that did have wonderful variations such as "Nala Attacks", and "Nala & Simba" have been shortened to mostly cut them out. The worst cut being  for the ending to "Mufasa's Ghost" which originally peaked the emotion with that lovely variation of Simba/The One True King theme transitioning into the Pride Rock theme, all of which is absent now.The comic con trailer for Season 3 looks excellent.<br><br>Really looking forward to next season & score.<br><br>I saw some early 1900 world. (One of the other parks?) Hope Djawadi does something cool with that.<br><br>Very excited
After Original Score<br><br>Tracklist:<br>1. Opening (1:33)<br>2. Class Start (0:51)<br>3. Tessa Meets Hardin (1:40)<br>4. Hardin in the Cafe (0:47)<br>5. Party Kiss (1:10)<br>6. Text in Bed (1:30)<br>7. Sotto’s Class (1:08)<br>8. The Lake Kiss (4:18)<br>9. Touched on the Dock (1:46)<br>10. What Are You Dreaming About (0:37)<br>11. Pool House (2:45)<br>12. Pool (2:18)<br>13. Noah Breakup (1:24)<br>14. You’re My Drug (1:25)<br>15. Planetarium (0:57)<br>16. Apartment (1:23)<br>17. Hardin’s Story (1:44)<br>18. Bath (1:02)<br>19. The Truth Comes Out (2:00)<br>20. Going Home (1:21)<br>21. The Letter (2:46)<br>22. After – Coffee Shop (1:29)<br>23. Poolside alt (2:26)<br>24. Main Theme (2:20)<br><br>Hybrid this score is good?It's indeed a shame so much mhsic is missing from the official album.<br><br>Love to hear more!how about credits for the LLL set then?I'm just curious why there's so much dead air in the FYC tracks. Cues like "Shut it Down", "Burton Visits Prime Minister", or "Megatron has Squeeks" just have nothing to them! <br><br>No themes to speak of besides one horn blast of "Quintessa", no interesting melodies, or rhythm, just dead electronics and weak-feeling drums and strings which really doesn't fit in with the series' style. Not even the fourth movies'.Thanks Hybrid for explaining that. Makes more sense now.
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Nick Glennie-SmithNathan Stornetta
ComposerComposer
Les Musiques Du Puy Du Fou
Label: Warner Classics
Length:
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (284 votes)
  1. Le Marchand De Quenouilles (From "La Cinéscénie") (Nick Glennie-Smith) (2:34)
  2. Duo Pastoral (From "Le Secret De La Lance") (Carlos Nunez) (1:14)
  3. N'Kara's Theme (From "Attila") (Nick Glennie-Smith) (1:53)
  4. Introduction (From "Les Chevaliers De La table Ronde") (Frédéric Dunis) (2:13)
  5. Le Concerto De L'Adieu (from "Les Orgues De Fer") (Prague Symphonic Ensemble) (2:20)
  6. La Parade (From "Le Signe Du Triomphe") (Nathan Stornetta) (3:35)
  7. The Masked Ball (From "The Man In The Iron Mask") (Nick Glennie-Smith) (1:30)
  8. Brest (From "Le dernier Panache") (Nathan Stornetta) (1:41)
  9. Le Combat (From "Les Chevaliers De La Table Ronde") (Fédéric Dunis) (1:02)
  10. Agitator (From "Le Signe Du Triomphe") (Nathan Stornetta) (2:19)
  11. To Rome (From "Attila") (Nick Glennie-Smith) (2:52)
  12. La Danse Des Cabosses (From "Le Dernier Panache") (Nathan Stornetta) (1:36)
  13. Les Cavaliers Voltigeurs (From "Le Secret De La Lance") (Carlos Nunez) (3:37)
  14. Le Ballet Vénitien (From "La Cinéscénie") (Nick Glennie-Smith) (2:18)
  15. Le Final (From "Les Chevaliers De La Table Ronde") (Frédéric Dunis) (1:29)
  16. L'Arrivée De Jeanne (from "Le Secret De La Lance") (Carlos Nunez) (2:03)
  17. Omnia Vincit Amor (From "Le Signe Du Triomphe") (Nathan Stornetta) (2:41)
  18. Rien Ne Se Perd Jamais (From "Le Dernier Panache") (Nathan Stornetta) (3:56)
  19. Le Ballet D'Hiver (from "La Cinéscénie") (Nick Glennie-Smith) (2:19)
  20. Le Final (From "La Cinéscénie") (Nick Glennie-Smith) (3:38)
  21. Le Ballet Des Sapeurs (From "Le Ballet Des Sapeurs") (Nathan Stornetta) (8:22)
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Les Musiques Du Puy Du Fou soundtrack - Nick Glennie-Smith - Nathan Stornetta 2018