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So Zimmer being listed as the main theme composer at the top of the page is inaccurate too? It definitely sounds more like Lorne than Hans.h ttps://www.youtube.com/watch? v=sekmQqx OhWM<br><br>From the developers.<br><br>Producer: Hans Zimmer<br>Composer: Lorne Baffle<br>Symphony Orchestra: Chamber Orchestra of London<br>Recording Studio: Abbey Road Studio<br><br>Fun theme by Lorne.But maybe at that time he didn’t have that version yet (in his mind i mean)<br>But... the intensity was crazy!Everything is great, except one thing - he did not add that intense music that played on the train when there was a battle. Well maybe I missed something while listening the album.Zimmer = Lorne is your answer.
WAA WAA WAAAAAAAAWhat's with the credits here? Howard Shore? No Lorne Balfe?I genuinely was surprised that they went with Richter in the first place. <br><br>Literally just came out of the movie and I can’t believe such a dull and generic score could come from the names attached. What happened? Other than that beautiful almost sweeping string theme (that went nowhere) - there’s nothing. <br>I kept waiting for the music to peak and reach a hundred but it never did. <br><br>It’s no Interstellar, no First Man, no Gravity, not even The Martian.Link to said theme?The synth man creating a mostly synthesizer score? what a shock
...because that's what Hans doesMain theme is on Youtube. I quite like it. I prefer Hans doing themes like this rather than the stuff he is doing with FIFA.I'm surprised no one is talking about this one, its one of Rupert's best scores imo.Lately I have been listening to the album carefully, and the truth is that I did not quite understand why Hans did not just use a big orchestra instead of the synthesizer.It would have really been interesting to see Ritcher scoring a chase on the photo, although without a doubt his work would not have been anything generic.
Richter is a conceptual artist, I love his Leftovers score, but come one, scoring to picture ?<br><br>He writes pieces that are used in scenes, not the other way around...<br><br>Richter scoring a moon buggy chase ? Hell no... lol you could see from day one it was gonna be replaced...^ Yeah the edit floating around matches Felix’s almost to a T. Only major difference is <br><br>“Our Final Stand - Showdown - United Greece - Finale”<br><br>Which is broken up into four separate cues. Realistically you could edit it anyway you want if you prefer the smaller cues. Personally, I like the long suite-like format of this release. Kinda like the album release for “Event Horizon” lol.I hope they at least release Richter's score.My Edit:<br><br>01. Rise Of An Empire - Marathon - King Darius - Artemisia - Man To God - War (13:36)<br>= <br><br>M1A Rise of An Empire (09:48)<br>M1B From Man to God King (03:44)<br><br>02. Greek Council - Persian War Plan - Spartan Fight Training - Greek Conversation - Your Commander Is Greek (10:47) <br>=<br><br>M2 Greek Council (03:39)<br>M3 Greek Conversation (07:06)<br><br>05. Suicide - General Bandari - Circle Battle (7:30) <br>=<br><br>M6 Suicide/General Bandari (02:10)<br>M7 Circle Battle (05:16)<br><br>06. Sex - Fire Battle (12:04) <br>=<br><br>M10 Sex (05:36)<br>M11 Fire Battle (06:21)<br><br>11. Our Final Stand - Showdown - United Greece - Finale (16:08) <br>=<br><br>M15-17A Our Final Stand/Showdown Pt.1 (08:19)<br>M17B-19 Showdown Pt.2/Finale (07:37)I'm not really interested in Balfe's part of work, but it would be a big disappointment if Richter's work wouldn't released.<br><br>But I think there's a good chance that movie (and music in particular) get an Oscar nominations, so let's just hope for the best.
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Nick Glennie-SmithNathan Stornetta
ComposerComposer
Les Musiques Du Puy Du Fou
Label: Warner Classics
Length:
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (410 votes)
  1. Le Marchand De Quenouilles (From "La Cinéscénie") (Nick Glennie-Smith) (2:34)
  2. Duo Pastoral (From "Le Secret De La Lance") (Carlos Nunez) (1:14)
  3. N'Kara's Theme (From "Attila") (Nick Glennie-Smith) (1:53)
  4. Introduction (From "Les Chevaliers De La table Ronde") (Frédéric Dunis) (2:13)
  5. Le Concerto De L'Adieu (from "Les Orgues De Fer") (Prague Symphonic Ensemble) (2:20)
  6. La Parade (From "Le Signe Du Triomphe") (Nathan Stornetta) (3:35)
  7. The Masked Ball (From "The Man In The Iron Mask") (Nick Glennie-Smith) (1:30)
  8. Brest (From "Le dernier Panache") (Nathan Stornetta) (1:41)
  9. Le Combat (From "Les Chevaliers De La Table Ronde") (Fédéric Dunis) (1:02)
  10. Agitator (From "Le Signe Du Triomphe") (Nathan Stornetta) (2:19)
  11. To Rome (From "Attila") (Nick Glennie-Smith) (2:52)
  12. La Danse Des Cabosses (From "Le Dernier Panache") (Nathan Stornetta) (1:36)
  13. Les Cavaliers Voltigeurs (From "Le Secret De La Lance") (Carlos Nunez) (3:37)
  14. Le Ballet Vénitien (From "La Cinéscénie") (Nick Glennie-Smith) (2:18)
  15. Le Final (From "Les Chevaliers De La Table Ronde") (Frédéric Dunis) (1:29)
  16. L'Arrivée De Jeanne (from "Le Secret De La Lance") (Carlos Nunez) (2:03)
  17. Omnia Vincit Amor (From "Le Signe Du Triomphe") (Nathan Stornetta) (2:41)
  18. Rien Ne Se Perd Jamais (From "Le Dernier Panache") (Nathan Stornetta) (3:56)
  19. Le Ballet D'Hiver (from "La Cinéscénie") (Nick Glennie-Smith) (2:19)
  20. Le Final (From "La Cinéscénie") (Nick Glennie-Smith) (3:38)
  21. Le Ballet Des Sapeurs (From "Le Ballet Des Sapeurs") (Nathan Stornetta) (8:22)
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Les Musiques Du Puy Du Fou soundtrack - Nick Glennie-Smith - Nathan Stornetta 2018