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If Steffen & Max did anything, it's arrange Lorne's cues...Personally, I don´t think that Aruj and Thum got a chance (or time) to write anything for this film, but I may be wrong... who knowsIn which tracks does William's sad theme appear?Alright, these are my speculations on the credits for this version, mixed with what we already know about it from Soundclouds/websites/etc.<br><br>What we know:<br>Luke Richards - Today We Hunt, Running Out Of Tomorrows, Ospreys<br>Lorne Balfe - Battlefield<br><br>Gary Dworetsky - Final 50 seconds of Calling All Autobots<br><br>My personal speculation:<br>David Fleming - Drone Chase, Dive<br><br>Gary Dworetsky - History of Transformers<br><br>Max Aruj & Steffen Thum - Vivian Follows Merlin, Claim The Staff<br><br>I have no sources to back this up, these are just my guesses based on what I feel these composers' styles are.I watched the movie yesterday. Unfortunately,the songs are in Portuguese here, in Brazil (even "Spirit"! ). But Hans' work is still amazing, intense, he's stolen the show again!
Saw the movie but never listened to the score, is it worth listening to?This complete album sound like Lit!! I like to hear about this album in one day soon.I just hope they bring back William's sad theme and other variations of Dolores's theme which were unreleased in season 2It is, actually, completely in correct order. There's just 5 theme suites  here & there.Okay, I want this. Where, how much? lol<br><br>And I'm willing to bet that even those Jablonsky fans who didn't like the score wanna hear the complete album.
@Ahmad i think end credits :PDo you know the chronological order for this one Hybrid? I had quick glance at the complete here and the OST album seems massively out of order16 hours of music?<br>Can we hear those 16 hours of music one day?I saw the film today. It's amazing and wonderful. The feeling and emotions of the 1994 film keep untouchables. The score is simply breathtaking. The songs are incredible. The stampede scene is so intense just like the 1994. Hans has made an intense, epic and beautiful score.Additional arrangements instead of additional music? Even part of the score not on album?
Because if the film is an american production, it has no choice but be recorded in the US... That's the rule...<br><br>When the film is a UK co-production, and/or partly shot in the UK etc... (like, for instance, every Nolan film, or King Arthur), it can be recorded in the UK... That's why it's way easier to get an expanded set of The Dark Knight or Interstellar than... the POTC saga...<br><br>I remember the AFM (American Federation of Musicians) wasn't pleased when Interstellar got recorded at Air Studios in London, claiming it had to be US Recorded... But Nolan's a brit, Syncopy is a British operation based in London...> You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>> If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>Wow, I didn't know that. So, why not record every movie in the UK/Europe then? Not sure how long it will take but I think this re-use fee will drop once they record every score outside the US.<br>However, how much money did the movie make in the Boxoffice and Home Entertainment? I'm sure that money can't be an issue here.<br><br>How cool would it be to officially buy the sessions in a collectors box (in general for all movies), signed by the composer and director and maybe cast members... I'm sure that could be sold for $200+. The studios are wasting an opportunity here... Sure, you can copy music but you can't copy the signatures.That's exactley what I thought.<br><br>There was one other thing I thought was great.<br><br>I went with my parents, who have heard Zimmer's music, from when I'm listening to it, but they said to me that you can hear, that it's him, without even knowing all of his music.<br>They said, the thematic content, the bombast of it, it is just pure Zimmer.<br><br>Hope Spongebob & Wonder Woman 1984 are with a large orchestral/choir ensemble, and with WW1984 some 80's synths!!Having seen it, the biggest thing I realized was that I missed this kind of scoring in movies. When the HZ of the 90s-2000s left in favor of experiments, it seems no one replaced him, so this area of "big sounding scores with instantly memorable and beautiful themes" has just been abandoned. Hopefully seeing/hearing this version of The Lion King now will give some ideas to executives/directors regarding musical choices!No GITS cannot be released, it's technically not possible... That's why Lorne leaked his part of the score himself...
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Henry JackmanJeff MorrowMaverick DuggerMatthew K. Justmann
ComposerAdditional MusicAdditional MusicMusic Production Services
Pokémon Detective Pikachu
Label: Sony Classical
Length: 58'02
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (428 votes)
  1. Mewtwo Awakes (1:19)
    Henry Jackman
  2. Catching A Cubone (2:05)
    Henry Jackman, Kazuma Jinnouchi
  3. Bad News (1:17)
    Henry Jackman, Jeff Morrow
  4. Howard Clifford (0:56)
    Henry Jackman
  5. Ryme City (2:11)
    Henry Jackman
  6. A Key To The Past (2:06)
    Henry Jackman
  7. Aipom Attacks (1:58)
    Henry Jackman
  8. On The Case (1:26)
    Henry Jackman, Kazuma Jinnouchi, Jeff Morrow
  9. Childhood Memories (1:42)
    Henry Jackman, Evan Goldman
  10. Buddies (1:08)
    Henry Jackman
  11. The Interrogation Of Mr. Mime (1:53)
    Henry Jackman, Kazuma Jinnouchi
  12. The Roundhouse (1:50)
    Henry Jackman, Jeff Morrow
  13. Pikachu Vs. Charizard (3:06)
    Henry Jackman, Jeff Morrow
  14. Embrace (3:07)
    Henry Jackman
  15. Digging Deeper (3:55)
    Henry Jackman, Kazuma Jinnouchi, Maverick Dugger
  16. Unauthorized Access (3:38)
    Henry Jackman, Evan Goldman
  17. Greninja & Torterra (2:59)
    Henry Jackman, Evan Goldman
  18. The Forest Of Healing (3:53)
    Henry Jackman, Jeff Morrow
  19. Shock To The System (1:19)
    Henry Jackman
  20. Save The City (1:07)
    Henry Jackman
  21. True Colors (2:11)
    Henry Jackman
  22. Merge To One (2:08)
    Henry Jackman
  23. Game On (1:05)
    Henry Jackman, Evan Goldman
  24. Ditto Battle (2:26)
    Henry Jackman, Evan Goldman
  25. Howard Unplugged (2:35)
    Henry Jackman, Jeff Morrow
  26. Epiphany (2:22)
    Henry Jackman, Jeff Morrow
  27. Together (2:20)
    Henry Jackman
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Edmund Meinerts reply Replies: 1 || 2019-07-17 11:45:21
Strange and unexpected collection of additional guys for this score, Jeff Morrow who I associate with Christophe Beck rather than RC and then Kazuma Jinnouchi?! What happened to Jackman's regular dudes like Alex Belcher, Halli Cauthery etc?


Hybrid Soldier2019-07-17 12:30:51
Jeff & Alex & Evan Goldman are regular Jackman team now. Alex scored a bunch of projects, hence his absence here.

Then you have Halli, Anthony Willis or Mounsey doing all sorts of things when available.

Anonymous reply Replies: 0 || 2019-07-17 09:00:53
Gavin Greenaway is the conductor

Leo reply Replies: 2 || 2019-07-17 03:22:26
Kazuma Jinnouchi helped Jackman, that's a pleasant surprise!


Mephariel2019-07-17 05:47:48
Yep. Jinnouchi is a pretty talented composer.


ThePhantasm2019-07-17 08:06:36
He did a great job with Halo

Hybrid Soldier reply Replies: 2 || 2019-07-16 19:00:15
Composer credits, for those interested.


mpolonest123 2019-07-16 19:25:25
Thanks Hybrid. It’s cool to see that Jackman worked solo on the strongest cues in the score. I wonder why the end credits piece was not included on the album though.


DT-20172019-07-16 23:17:16
Probably because it includes the OG Pokemon theme.

DT-2017 reply Replies: 0 || 2019-05-16 23:03:24
This is an okay score. Nothing super spectacular, but it fits the movie very well. The only issue I really took is that the end credits arrangement of the Pokemon video game theme is absent from the CD - I would wager quite a few people bought the CD just for that only to be disappointed. For me, it would have ended the CD perfectly.

Anybody know why it was left off? Something Nintendo told them 'no' on?

mpolonest123 reply Replies: 9 || 2019-04-19 16:06:45
As someone who grew up with Pokémon as a kid, I am super pumped to see how Jackman approaches this. Seeing how the marketing is skewing to 80’s music (and the visuals have that neon color scheme to match the noir tone) I wonder if this will be either be fully orchestral or synthesizered.


mpolonest123 2019-04-19 16:08:08
And if he will incorporate any music from the show/games....


PikaPika2019-04-19 17:31:04
.....synthesizered


mpolonest123 2019-05-03 07:15:24
So Jackman did end up leaning heavily on the synths for this one.

While there are no standout themes here, I do think it’s a fun little score overall. “Ryme City” particularly sticks out to me as a great throwback type cue.


MrZimmerFan2019-05-06 14:34:04
There is a plenty of interesting synths here, but mostly it's ok.

Far for other works like Kingsman or Jumanji.


mpolonest123 2019-05-06 15:07:23
Jackman is one of those composers who I generally like, but not love. The only scores that he has done that have “wowed” me are both Kingsmans and to a lesser extent; Winter Soldier. (Birth of a Nation is also pretty solid)

Outside of those, most of his music ranges from fun to serviceable imo. He is talented for sure, but I’m still waiting for something else that blows me away.


JBSO992019-05-06 19:37:49
In my opinion, his Kingsman scores, Kick-Ass and his Wreck-It Ralph scores are the few great things I've heard from him, the rest being from good to generic.

I think he really has talent, but not many times is able to show it properly.

And I also think he works better in collaboration scores (like the ones with Matthew Margeson or his contributions to scores like At World's End)


anon2019-05-07 00:10:43
It's amazing how much better everyone magically sounds when working on a Zimmer score ;-).


mpolonest123 2019-05-07 01:21:52
^^ Wreck-it-Ralph, Jumanji, Predator, etc. are all good examples of scores that are enjoyable enough, but never quite impressed me on the same level as some of his peers. To his credit though, Jackman does have a fairly distinctive voice, with a slight hint of Silvestri.

I did forget to mention one of my faves from him, “First Class”.


MrZimmerFan2019-05-07 11:15:21
Jumanji and The Predator, at least for me, are from his best works.

Even First Class, with The Last Stand, my favs for X-Men

T-Mann034 reply Replies: 4 || 2019-05-02 19:20:59
I'm listening to this soundtrack right now...

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George2019-05-02 21:07:25
Thoughts? I haven’t heard it yet but I have it downloaded


Knight2019-05-02 21:28:27
According to a friend that listens to EVERYTHING, its a nothingburger.


George2019-05-02 21:59:34
Bummer, I was sorta looking forward to this one. I’ll still give it a listen, but I was hoping this would be another Jackman hit.


T-Mann0362019-05-03 01:39:00
Actually, it's a somethingburger. Most of the tracks have some OK, but very humorous. And one track had me in the feels. Overall, it's an above average soundtrack.

Vivien reply Replies: 0 || 2019-05-02 22:59:07
Ok Pixels has a music twin brother now lol

Anonymous reply Replies: 0 || 2019-04-19 13:57:37
Aviadable 3rd May

https://itunes.apple.com /es/album/pok%C3%A9mon-detective-pikachu-original- motion-picture-soundtrack/1460177128

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Pokémon Detective Pikachu soundtrack - Henry Jackman 2019