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You gotta realize one thing, this score is US recorded so every new 15 min of score you release, you gotta pay back reuse fees. So it's very complicated & costy and that's why they released "only" 15 min of extra score.<br><br>If it was recorded in the UK, they could have released 2 hours of bonus tracks it wouldn't have cost anything more... :)<br><br>As for a chrono order, since all cues are mixed together in different tracks in the OST, it gets complicated... It works like that :<br><br>ARTHUR => Theme Suite + 5m30 + 1m05<br>KINGDOM OF ATLANTIS => 3m20-21<br>IT WASN'T MEANT TO BE => 1m01 + 1m04B<br>ATLANTEAN SOLDIERS => Theme Suite + 5m33 + 2m12<br>WHAT DOES THAT EVEN MEAN? => Theme Suite<br>THE LEGEND OF ATLAN => 6m39 + 4m23<br>SWIMMING LESSONS => 3m19 + 3m19B + 3m19C<br>THE BLACK MANTA => Theme Suite + 9m69<br>WHAT COULD BE GREATER THAN A KING? => 7m54 + 7m55 + 7m55A<br>PERMISSION TO COME ABOARD => 9m64 + 2m07<br>SUITED AND BOOTED => 8m57 + 8m59<br>BETWEEN LAND AND SEA => 7m51 + 8m61<br>HE COMMANDS THE SEA => 8m60 + 9m65<br>MAP IN A BOTTLE => 6m42 + 8m56<br>THE RING OF FIRE => 5m29 + 8m62<br>REUNITED => 9m68<br>TRENCH ENGAGED => 7m52<br>MERA MONTAGE => 6m43B + 6m48<br>HOME INVASION => 1m04 + 3m15<br>SAVING POPS => 3m18<br>AHAB WAVES => 3m17 + 2m06B<br>ASK THE SEA => 2m08B<br>OBLIGATION => 5m32<br>DUNES => 5m37-38Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musiciansSounds like a Zimmer version of the Top Gun Anthem to me. Whoever did it, it works!me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.<br><br>based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me. <br><br>i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.<br><br>that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.To be honest. I love the bonus score tracks, nut those remixes are a wazte of disc soace in my opinion. I would've rather have 20 extra minutes of score.<br><br>Let the Complete Score come!
For everyone that's heard it, is the Deluxe Edition worth a double dip?@Hybrid is this the combination of FYC promotional score + official release by LLL?Use your hybrid skills to unravel the mysteries of the score.Cuesheet is blank.oh yes please, including Balfe - don´t start yelling, I´m just really curious who did what
Finally! It would be nice to have composers credits@DT<br>Disney definitely tries to put quality into their projects, which is why I admire them. As you’ve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material. <br><br>The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.This is where I wish we could edit our comments.<br><br>Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.<br><br>If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.Order I went with for the album<br><br>Everything I Need (Film Version)<br>Arthur		<br>Home Invasion (Bonus Track)<br>It Wasn't Meant To Be<br>Permission To Come Aboard<br>Ask the&#8239;Sea (Bonus Track)<br>Atlantean Soldiers<br>Ahab Waves (Bonus Track)<br>Saving Pops (Bonus Track)	Soundtrack	0	1<br>Swimming Lessons	<br>Kingdom of Atlantis<br>The Legend of Atlan	<br>The Ring of Fire	<br>What Does That Even Mean?Soundtrack	0	<br>Obligation (Bonus Track)	<br>Dunes (Bonus Track)	<br>Map In a Bottle<br>Mera&#8239;Montage	<br>The Black Manta	<br>Trench Engaged (From Kingdom of the Trench)	Soundtrack	0	<br>Reunited		<br>What Could Be Greater Than a King?<br>Suited and Booted		<br>Between Land and Sea		<br>He Commands the Sea	<br>Ocean To Ocean (feat. Rhea)	<br>Everything I Need		<br>Suited & Booted (Our Empire Remix)<br>The Black Manta (feat. Jim Davies) [Future Funk Squad Remix]<br>Atlantean Soldiers (Glen Nicholls 'March In Formation' Remix)	<br>Kingdom of Atlantis (Glen Nicholls 'Escape to Atlantis' Remix)
Same here. The cue I want the most is “We Strike First”.@Edmund<br>I can’t agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. I’m not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which I’m not crazy about, tried something new. <br><br>Another BIG issue I’ve noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.Best shot <br>It wasnt meant to be<br>Home invasion<br>Ahab waves (0:39-end)<br>Permission to come aboard?<br>Ask the sea<br>Ahab waves (0:00-0:38)<br>Saving pops<br>Swimming lessons<br>Kingdom of atlantis<br>Legend of atlan<br>Ring of fire<br>What does that even mean?<br>Ocean to ocean<br>Obligation<br>Dunes<br>Map in a bottle<br>Black manta<br>Mera montage<br>Between land and sea<br>Trench engaged<br>What could be greater than a king?<br>Suited and booted<br>He commands the sea<br>Reunited<br>Everything i need<br><br>"Arthur" and "Atlantean Soldiers" are probably suitesJust want shrike death cue!I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.<br><br>I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.
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Hans ZimmerSteve MazzaroDavid FlemingNick Glennie-Smith
ComposerAdditional MusicAdditional MusicConductor
The Lion King
Label: Walt Disney Records
Length: 77'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (242 votes)
  1. Circle Of Life - Nants' Ingonyama - Lindiwer Mkhize & Lebo M (4:01)
  2. Life's Not Fair (1:43)
  3. Rafiki's Fireflies (1:52)
  4. I Just Can’t Wait To Be King - JD McCrary, Shahadi Wright Joseph & John Oliver (3:22)
  5. Elephant Graveyard (6:38)
  6. Be Prepared (2019 Version) - Chiwetel Ejiofor (2:03)
  7. Stampede (7:46)
  8. Scar Takes The Throne (2:50)
  9. Hakuna Matata - Billy Eichner, Seth Rogen, JD McCrary & Donald Glover (4:11)
  10. Simba Is Alive! (3:38)
  11. The Lion Sleeps Tonight - Billy Eichner & Seth Rogen (1:24)
  12. Can You Feel The Love Tonight - Beyoncé, Donald Glover, Billy Eichner & Seth Rogen (3:02)
  13. Reflections Of Mufasa (5:09)
  14. Spirit - Beyoncé (4:37)
  15. Battle For Pride Rock (11:01)
  16. Remember (3:09)
  17. Never Too Late - Elton John (4:09)
  18. He Lives In You - Lebo M (5:05)
  19. Mbube - Lebo M (1:56)
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Anonymous reply Replies: 0 || 2019-07-20 09:09:28
Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musicians

Edmund Meinerts reply Replies: 11 || 2019-07-18 13:26:05
I feel like this is simultaneously the most enjoyable and least interesting Zimmer score of the last several years. It's nice to listen to, but it's basically the 1994 score rerecorded and tweaked in just a few places. Those tweaks do produce some highlights especially in the stampede and final battle sequences, but it's hard to think of this as a major effort, really. Yeah, it's good, but we've known that The Lion King is good for 25 years.


vced2019-07-18 18:57:18
Most of it sounds like a high quality youtube remix to me, honestly. it's serviceable but unnecessary.


NB2019-07-18 21:37:03
I have to agree. It's a stellar score and I love it, but it was written 25 years ago, nevertheless.
Still, credit where credit's due, as you mentioned, the new 'Stampede' is a beast of a track, really added to the original, as well as the 'Battle' cue, awesome stuff for sure.
Haven't seen the movie yet, but I really hope it measures up, at least in the same way the score does.


DT-20172019-07-18 23:08:59
Didn't Menken do much the same with Aladdin and Beauty and the Beast? I think the only ones who have been the most original with the scores to these remakes have been Danny Elfman and John Debney.

My personal view is this serves as a great compliment to the 1994 soundtrack, not an outright replacement. If you combined the two you'd get quite the meaty soundtrack.

As for the film itself, I highly doubt it will be as 'great' as the original, but that's not to say that it deserves the slating critics have given it either. I personally can't say - I haven't seen it yet.


mpolonest123 2019-07-18 23:28:01
Having seen it I can say visually it is incredible, definitely a work of art on that level. What sets it back (for me personally) is the lack of a strong emotional core. The choice to make the animals realistic looks great, but doesn’t have the same range that the hand drawn version had in terms of giving the animals the facial characteristics like the original. Soulless might be kind of harsh, but I didn’t feel anything throughout. Also doing a shot-for-shot remake probably wasn’t the best approach.

Musically though; this definitely was a great reminder as to why the original score is still a classic. Like everyone has said, it’s a perfect companion piece that actually fixes some minor flaws and fleshes out some ideas much better. Some important cues missing though.


Mephariel2019-07-19 05:29:44
This is the perfect companion piece to the original. It is like the high level concert version that Zimmer never did with the original Lion King.


Edmund Meinerts2019-07-19 11:50:09
I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.

I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.


mpolonest123 2019-07-19 14:08:03
@Edmund
I can’t agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. I’m not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which I’m not crazy about, tried something new.

Another BIG issue I’ve noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.


DT-20172019-07-19 17:12:46
I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.

If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.


DT-20172019-07-19 17:25:16
This is where I wish we could edit our comments.

Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.


mpolonest123 2019-07-19 18:20:58
@DT
Disney definitely tries to put quality into their projects, which is why I admire them. As you’ve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material.

The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.


nvictor2019-07-20 01:32:40
me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.

based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me.

i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.

that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.

Soldierofrome reply Replies: 3 || 2019-07-16 19:22:50
Who composed Circle of Life flute part?


Mephariel2019-07-17 05:46:18
Flute or panpipes? I already thought the sound was from panpipes.


Soldierofrome2019-07-18 17:16:08
panpipes or flute doesnt matter, i just wondering who composed this :D


DT-20172019-07-18 17:49:10
Probably Zimmer, in 1994. It's part of the demoes he included on the Legacy set so I'd say it's a safe bet.

D A R T H reply Replies: 11 || 2019-07-11 19:23:32
A lot of missing tracks, i hope there are an expanded score one day


DT-20172019-07-11 19:56:04
I'm amazed that you can know this given the film isn't out for another week.


D A R T H2019-07-15 07:52:40
Yes, but, Sorry, but i see it ...


Rafael2019-07-17 19:18:15
Saw the film today, there is a LOT of music missing.


DT-20172019-07-17 22:11:16
Well, now we have somebody who's seen it (and yes, it's out in some countries today), we know for certain.

I wouldn't expect anything official any time soon unless Zimmer wants to release a second CD.


Hybrid Soldier2019-07-17 22:18:51
I confirm I'm back from it, there's quite a bit of unreleased score.


Anonymous2019-07-17 23:16:26
Is it all material from 1994 or is it new 2019 score?


DT-20172019-07-18 10:08:24
Wonder if it will take 20 years for an official complete score XD Not to mention any unofficial leaks (it took a long time to even get that for the original film). TBH, I'd prefer a proper release of any score any day of the week.

To answer the question above me: Mostly it's new material using the same themes from 1994, though if my interpretation the OST is correct, the hyenas and Timon and Pumbaa get new themes. The only true 'copies' of music from 1994 are Circle of Life and Remember, but even then, they are at least partially-new recordings.


Edmund Meinerts2019-07-18 10:45:17
The second half of the new "Elephant Graveyard" is basically note for note "I Was Just Trying to Be Brave" from the 1994 version as well, just with a few changes in orchestration


Ahmad2019-07-18 11:04:47
I seriously don't understand why they didn't do two separate releases like most musicals do (La La Land comes to mind - perfect release).

A soundtrack album and a score album. No missing tracks, no fuss. And optional 2-CD set containing both.

Instead, they went with a soundtrack album with some of the score and another song album for whatever reason that is lol.


DT-20172019-07-18 15:08:11
Hey, this is Disney we're talking about. Never expect this sort of thing for that. The ONLY film from them that immediately springs to mind that got that the first time round was Frozen.


Ahmad2019-07-18 15:20:13
And that's why it bugs me so much lol. They're literally the biggest studio out there, so it would've been nice to see them go to the max with this release. Especially since it's one of their most popular IPs if not their most popular IP.

superultramegaa reply Replies: 7 || 2019-07-12 19:17:34
Well, if nothing else, it's just really nice to know that Hans Zimmer can still write completely orchestral pieces when needed. Hopefully he gets asked to do this style more often again.


imbatman2019-07-13 03:05:43
Yes. Exactly. This is HZ style we want. Not the other over-used electronic synthesizers which he have been constantly using since Inferno.


nvictor2019-07-13 19:31:39
people, Hans Zimmer has been doing synths way before people got him to do orchestra. it's weird to hear that he "has been doing synth lately" talk...


DT-20172019-07-13 21:48:50
I don't think that's the argument people are trying to make. It's that his style has moved away from these big, symphonic scores to, according to some, nothing but mere background noise. Most people attribute that to around the time of The Dark Knight Trilogy. I'm not 100% sure I agree - there are quite a few scores from after then that Zimmer has done that I personally don't like but I can appreciate he's basically been experimenting.


...2019-07-13 22:53:49
The thing is, a lot of people got to know zimmer during the 2000s. During those years he did Gladiator, Last Samurai, Pirates of the Caribbean, Batman, Inception etc. While many of his scores from that period had synths, they usually had a lot of orchestra and for the people who think of that as "old Zimmer", these new scores like Widows & Inferno seem a bit different and less interesting.


MrZimmerFan2019-07-17 11:59:36
Widows is terrible score, Inferno was ok, far from things like Da Vinci Code or Angels & Demons.

But yes, listen this one, is gratifying see Zimmer can make things with orchestra like early 2000s. And this comes from a guy who loves Inception, Interstellar or Chappie


Mephariel2019-07-17 16:25:27
I absolutely disagree with you saying Widows is a terrible score. It may not be great on album, but the music fits very well with the film.


superultramegaa2019-07-17 16:48:55
We've had this argument before, almost any score can fit in a film. But what separates the mediocre composers from the best is the ability to make great music that works on its own, outside of the film.

Hans has had a lot of work lately that hasn't been doing that, and it's the reason people want him to work with orchestra again and produce is 2000s, late 90s type of style. Because those scores, for whatever problems they had, they felt distinct, memorable (for the most part), and easily could have been enjoyed away from the film.

Good scores have themes and ideas that both enhance the film, and enhance the listener's experience. Music like Dunkirk, Inferno, or Widows just feel like shallow and empty committee scores that the studio/directors didn't want too much thought put into. "Ah just write one main theme, and fill in the rest with electronics, Hans, it'll be fine!"

Thomas reply Replies: 1 || 2019-07-17 12:29:27
Request the king of pride rock with circle of life


Thomas2019-07-17 12:54:16
NM

Mephariel reply Replies: 4 || 2019-07-12 08:16:59
What is your favorite part of the score?

For me, it is "Battle for Pride Rock" from 5:04 to 7:21.

The most glorious 2+ mins of the score.


ram2019-07-12 08:50:00
Simba Is Alive and Rafiki's Fireflies. I think those are much better from the original corresponding.


imbatman2019-07-12 15:47:04
"Life's Not Fair"
"Rafiki's Fireflies"
"Scar Takes The Throne" and
"Battle for Pride Rock"


Mephariel2019-07-12 16:41:17
I think Stampede now my new favorite cue. And one of the best of the year.


DT-20172019-07-13 21:49:33
Stampede, without a doubt. It's a huge elaboration on the original and to me it's much more impactful.

imbatman reply Replies: 0 || 2019-07-12 15:42:40
I agree with you all. I'm fully happy after listening to the score. This is the Lion King score I've been waiting for. Thank u Hans.

The track "Scar Takes The Throne" and the first few moments of "Battle For Pride Rock" are my favorites. The whole tracks just sound more mature and epic. Loved it !

Peter Bezemer reply Replies: 1 || 2019-07-12 10:40:36
Thematically I prefer the original, but this one is pretty epic


circleoflife2019-07-12 14:36:30
I like a couple of the new arrangements, and the percussion patches sound as good as ever, and the melodrama in the first half of "Stampede" and "Scar Takes the Throne" works very well.

But I disagree on "epic": the orchestra recording sounds really lifeless and dry in quite a few places. I also don't like the solo cellist overdubs: their performance isn't appropriate for the material and its overbearing presence in the mix wrecks several cues for me sadly.

It's generally fine but lots of it makes me feel like I'm listening to a YouTube cover album. Which can be all right but it's still just a clone when all said and done.

Hari Haran reply Replies: 7 || 2019-07-11 18:22:12
Battle for Pride Rock sounds much more poignant and crisper this time round.

It's too early to say how it shapes up to the original, in part due to the Legacy 2018 release for the original still being fresh.

That being said, this 2019 revisit from Hans is knocking all the emotional centers overboard.


DT-20172019-07-11 18:40:21
I'd say this perfectly compliments the Legacy set.

Though I must wonder how deep Zimmer had to dig in oder to find those percussion patches given I haven't heard them on many of his scores since the 90s :P


Iamtommie442019-07-11 18:47:59
Zimmer also made some sort of creepy choral laughing motof for the hyena's. It love it. I think this is Zimmer in top level. I think it's really great!!


mpolonest123 2019-07-11 19:23:23
Nothing can top the original...

But this comes pretty close. As everyone has already said, the mixing is so much better here than in the ‘94 score. There is a more mature, epic sound in the recording. You can almost hear the difference and maturity in Zimmer’s voice and style when you compare the two.

I also love that Zimmer stuck close enough to the previous version while still embellishing the music enough for it to be fairly different in parts. Gone are “Bowling for Buzzards” and the Scar/Hyena theme (at least judging by the album).
It might be sacrilegious to say but I actually even prefer this version of “Stampede” over the original.

As for the songs; they are good. “Circle of Life” and “Can You Feel...” are both incredible. “Be Prepared” is completely different, definitely sounds more evil. The rest are good, pretty much by the numbers.

Overall I think this is a success, it won’t top the original but it definitely is much better than I expected. Especially on Zimmer’s part, you can tell he treated the material with a lot of respect.


JBSO992019-07-11 20:12:19
mpolonest123, I think I agree with you in almost everything you say, and I definetly like this version of Stampede more. It sounds more epic, more aggressive and even more dramatic on the final section.

One of my favourite tracks for now is Rafiki's Fireflies, with its new variation of the main theme that is really beautiful.

Overall a really great score and a pleasant change in direction (at least for me) from the latest Zimmer efforts.


mpolonest123 2019-07-12 04:01:26
Some notes;

1. Simba’s “tune” seems to be underused here, which is strange given how prominent it was in the original. The only times I picked it out was the Fort Walton/True Romance take at 2:20 in “Simba is Alive” and the middle of “Remember”. Maybe it’s used more in the film.

2. The first 30 seconds of “Battle....” are an arrangement of the original opening of “Be Prepared”. “Life’s Not Fair” also incorporates “Just Can’t Wait To Be King”. Not sure if any other song melodies are used.

3. My personal favorite ‘Zimmerism’ is the epic take on the main theme at 3:40 in “Stampede”. Holy shit that’s cool!


badbu2019-07-12 07:12:01
first of all, i like it! but i prefer the original one :-)
"stampede" is very good but i have more feelings for the "first" one. "Scar Takes The Throne" is an amazing cue. The best one for me on this "new" score. It reminds me a little bit of Trevors deep blue sea :D idk why^^ it's a very good zimmer score and i can't wait to see the movie again :-)


Mephariel2019-07-12 07:47:40
This score is a perfect compliment to the original.

"Rafiki's Fireflies" is basically "This Land" I don't think it has the majesty of the original, but it is more beautiful and peaceful. Not sure which version I prefer, but this one sounds more like organic and wild, natural.

"Elephant Graveyard" is basically modern day Zimmer sneaking into The Lion King. The dark snare atmosphere with clock ticking. But overall, I love the darker version of this cue, especially in the second half.

"Stampede" is the one cue that I think Zimmer expanded upon the most. I think the original is more intense and flows better, but this version is more complex, and actually has more narrative. This is the one cue where I think I prefer intensity of the original but I love the longer, more ebb and flow of this one. The ending is awesome as well.

"Scar Takes the Throne." Like Lio mentioned, I prefer the Oboe over the string. I feel like Zimmer want to turned this cue into something like “This Land” with solidarity and weight, but I don’t think it works that well.

"Simba is Alive" is one of my favorite cues. It basically a reprise of the main themes, but the performance is just so heartfelt.

“Reflections of Mufasa” is a pivotal cue that is beautifully orchestrated, but doesn’t have the connective tissue and the reflectiveness of the original cue “Remember Who You Are.” I prefer the original but wouldn’t mind listening to this one as well.

“The Battle for Pride Rock” vs “The Rightful King” sums up this score versus the original. “The Rightful King” wins in composition, storytelling and overall flow, but “The Battle for Pride Rock” is bolder, louder, more bombastic and better orchestrated. I think the original wins, but again, I wouldn’t mind putting this one on repeat either.

“Remember.” What can I say…this is the soul of The Lion King. If you don’t like this, you won’t like this score. The only thing I don’t like is that this version doesn’t have the “Busa” ending.

Overall, the original score is better written and stronger for sure. But this one is more about the performance and the orchestration. I think they are a great companion to each other actually.

You can't complain either way. Thematically, this is some of the best music ever written anywhere.

e reply Replies: 0 || 2019-07-11 20:43:42
I really like the integration of the Stampede theme in the final battle.

I prefer this version to the 1994 one because the orchestration is sharper, the themes are better integrated, while still being meaty and having a real 'Zimmer' sound. Great job Hans and team!

Johnny reply Replies: 5 || 2019-07-11 17:07:50
Out now! Listening on iTunes <3


Anonymous2019-07-11 17:13:41
Same. Sounds much better mixed than the original. More grand and less dry


...2019-07-11 17:15:29
Is it the same score, rerecorded or is it different?


DT-20172019-07-11 17:17:41
I imagine that's because there's none of the 'toy orchestra' elements of the demoes that Jay Rifkin thought was a good idea to mix in. It sounds more like the Legacy set than it does the original 1994 release for sure.

I do find it intriguing that they seem to have reused the 1994 Circle of Life instrumental, though I guess that Zimmer thought it was good enough on its own. Either that, or Favreau wanted it untouched.


Anonymous2019-07-11 17:21:04
It sounds re recorded enhanced with some Zimmer trademark synths. I like it. Excepts the songs. Not into that


DT-20172019-07-11 17:26:29
Um, yes? This score is 're-recorded', or should that be re-orchestrated?

The only part that doesn't sound like it is Circle of Life's instrumental. Perhaps they added to it. I don't know, because I don't have the release myself - I'm going off the samples I heard via Amazon.

Soldierofrome reply Replies: 4 || 2019-07-11 10:50:40
why wasn't it released?


DT-20172019-07-11 13:52:57
It's being released 8AM Pacific Time


Soldierofrome2019-07-11 15:22:51
Source?


Kusi2019-07-11 15:35:38
official channel of Disney Music


DT-20172019-07-11 16:00:49
I got that time from the official Disney Music Twitter page.

Thomas reply Replies: 9 || 2019-07-11 01:08:05
Why hasn’t the soundtrack been released yet?


badbu2019-07-11 07:03:59
don't know...i thought 11th digitally and 19th physical...


DT-20172019-07-11 08:02:12
I thought so too? Isn't that what the press release said?


Anonymous2019-07-11 08:18:51
Hopefully they release the soundtrack tomorrow


ram2019-07-11 08:34:29
maybe at midnight in California?


Thomas2019-07-11 08:48:16
Or 9:00 or 10:00 because they sometimes release the soundtrack at these times


DT-20172019-07-11 09:14:13
Confirmed via Twitter it'll be out 8AM PT.


Thomas2019-07-11 09:19:02
Tomorrow and can you give me the link?


DT-20172019-07-11 09:26:07
Link to what? A download? This isn't a piracy site.


DT-20172019-07-11 09:40:30
First, this site disallows links, second, who's being the jerk here, given that comment was so ambiguous it could be taken a dozen different ways, and third, is it REALLY that hard to go on Twitter, to the official Disney Music Twitter page and see it for yourself?

Leo reply Replies: 0 || 2019-07-11 08:47:48
It says here that the release date is in the 13th and not 11th, maybe the outlets got it wrong or it got postponed?
https://www.highresaudio.com/en/album/view/zi6pah/various-ar tists-the-lion-king-the-lion-king-original-motion-picture-so undtrack

Leo reply Replies: 1 || 2019-07-10 07:04:50
Is this track 14?
https://www.youtube.com/watch?v=mXblqtzy_tE


DT-20172019-07-10 09:16:26
Looks to be.

Thought it would be the case that Beyonce gets first rights to releasing it.

mpolonest123 reply Replies: 6 || 2019-07-03 00:00:14
Initially I was against Hans remaking arguably one of his most famous scores, but seeing the trailers and marketing have hyped me up very much. As much as I can’t wait to hear the classic themes, I’m interested to what new material he’s going to bring to the table.

I also wonder if any of the sub-themes are going to be left out (Scar/Hyena motif, Timon & Pumba’s Theme)


Iamtommie442019-07-03 00:10:17
Well, I hope he builds on them and explores them more, like Alan Menken did with Beauty And The Beast!
1 week till the soundtrack. 2 weeks till the movie. Very excited!!


Jsdamian2019-07-03 17:30:58
Or aladdin


Josiah2019-07-05 06:14:30
Why the devil would you not want Hans Zimmer to compose one of his masterpieces? The music needed his touch and beauty. I would have been absolutely pissed if another composer took on the work of The Lion King.


DT-20172019-07-07 10:15:05
Because his style is different now than it was in the 1990s.

Debney could have done well (he's Favreau's go-to composer and worked with him on The Jungle Book). Having said that, if he's going back to a score odds are he's revisiting that style anyway. I'd definitely be interested to hear it not least because unlike the 1994 score this one will be mixed how he wants it from the off.


mpolonest123 2019-07-07 17:21:53
@Josiah
The Lion King seemed to be a very personal score for Zimmer, so seeing him tackle the same project does have me a bit nervous. Not that I don’t think he will deliver a great score, but it will def. be hard to capture that lightning in a bottle twice.

Also, I’ve personally not liked any of these Disney “Live Action” remakes from the past few years. “The Jungle Book” being the only exception. This looks like it’s going to be following the trend of doing a shot-for-shot remake while adjusting some scenes/songs with small additions.


superultramegaa2019-07-07 18:53:19
Yeah, I really don't see this score being anything worth talking about in regards to Zimmer. It's probably going to be forgotten soon afterwords, unless Hans somehow pulls off some really impressive orchestral writing that surpasses the original.

Jsdamian reply Replies: 0 || 2019-07-03 18:00:32
Does anyone know the duration of the songs? What is clear is that the mysterious song is a song created by beyonce, lebo and zimmer

Hari Haran reply Replies: 1 || 2019-06-29 14:32:52
I really am gonna wipe manly tears again when Stampede hits, aren't I? :(


superultramegaa2019-06-29 17:48:15
Well, as long as Hans doesn't re-orchestrate it to sound worse.

Sam Whitacre reply Replies: 0 || 2019-06-27 23:15:12
Original songs: Music by ELTON JOHN, Lyrics by TIM RICE

Original score composed and arranged by
HANS ZIMMER

Music conducted by
NICK GLENNIE-SMITH

Music assistants
STEVE MAZZARO
DAVID FLEMING

Vocalist
LEBO M.

Songs produced by
LEBO M, MARK MANCINA, STEPHEN LIPSON AND PHARRELL WILLIAMS

Ravi Krishna reply Replies: 3 || 2019-06-25 08:20:48
I'm posting here after goodness knows how long, but there couldn't be a better occasion. This is my most anticipated score of the year and I cannot wait to hear how HZ has adapted his classic melodies here. I really hope they do release a Deluxe edition with the rest of the score at some point.

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DT-20172019-06-25 11:08:07
Out of the scores I've been looking forward to this year, I can say that I've already had my most anticipated :P

I doubt we'll get 'all' of the score. IF a Deluxe Edition happens it will probably have some suites on it. I do wonder what this will sound like.


Ravi Krishna2019-06-25 16:10:24
I guess so. I wish we had gotten something like the soundtrack of the Beauty & The Beast remake, which had the second CD devoted to the score alone. But I understand this album arrangement. I hope the tracks are long and score portion runs at least 45 minutes. Can't wait to hear the stampede and final battle tracks in particular.


Mephariel2019-06-25 16:24:41
That is what I am hoping for as well. Long tracks. I think if each track is at least 5 mins long, we get at least 45 mins of music. I suspect the last 2 or 3 tracks will be closer to 10 mins long.

iamtommie44 reply Replies: 1 || 2019-06-25 11:14:12
Love to know what scene "Rafiki's Fireflies" & TBA will be. So excited for this score and movie. Bought my tickets yesterday!!


DT-20172019-06-25 12:47:32
Rafiki's Fireflies is probably the scene where he 'marks' Simba in his tree.

As for TBA, it's the Beyonce song so it's possible Beyonce insisted that she gets to reveal it or release it as a single first.

DT-2017 reply Replies: 0 || 2019-06-24 23:24:10
An interesting album arrangement given the 1994 album arranged the tracks into suites and it seems that's not happening here (and we all know how much hans loves his suites). Seems like it's going to hit every major note that the previous Legacy set does and then some.

D A R T H reply Replies: 1 || 2019-06-24 22:52:45
1. “Circle of Life”/“Nants’ Ingonyama” – Performed by Lindiwe Mkhize; African vocals performed by Lebo M; written and composed by Elton John and Tim Rice; “Nants’ Ingonyama” written by Lebohang Morake and Hans Zimmer; produced by Hans Zimmer; vocals produced by Stephen Lipson

2. “Life’s Not Fair” – Hans Zimmer

3. “Rafiki’s Fireflies” – Hans Zimmer

4. “I Just Can’t Wait to Be King” – Performed by JD McCrary, Shahadi Wright Joseph and John Oliver; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson

5. “Elephant Graveyard” – Hans Zimmer

6. “Be Prepared” (2019 Version) – Performed by Chiwetel Ejiofor; written by Elton John and Tim Rice; produced by Hans Zimmer and David Fleming

7. “Stampede” – Hans Zimmer

8. “Scar Takes the Throne” – Hans Zimmer

9. “Hakuna Matata” – Performed by Billy Eichner, Seth Rogen, JD McCrary and Donald Glover; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson

10. “Simba is Alive!” – Hans Zimmer

11. “The Lion Sleeps Tonight” – Performed by Billy Eichner and Seth Rogen; written by Luigi Creatore, Hugo Peretti, George David Weiss and Solomon Linda; produced by Pharrell Williams

12. “Can You Feel the Love Tonight” – Performed by Beyoncé, Donald Glover, Billy Eichner and Seth Rogen; written by Elton John and Tim Rice; produced by Pharrell Williams; co-produced by Stephen Lipson

13. “Reflections of Mufasa” – Hans Zimmer

14. TBA

15. “Battle for Pride Rock” – Hans Zimmer

16. “Remember” – Hans Zimmer

17. “Never Too Late” – Performed by Elton John; African vocal and choir arrangements created and produced by Lebo M; written by Elton John and Tim Rice; produced by Greg Kurstin; additional production by Elton John and Matt Still

18. “He Lives in You” – Performed by Lebo M; written by Mark Mancina, Jay Rifkin and Lebohang Morake; produced by Lebo M and Mark Mancina

19. “Mbube” – Performed by Lebo M; African vocal and choir arrangements created and produced by Lebo M; written by Solomon Linda; produced by Pharrell Williams


DT-20172019-06-24 23:22:58
Does this mean that He Lives In You and Mbube are not new recordings, or at least not entirely new recordings?

Mephariel reply Replies: 2 || 2019-06-24 19:32:20
Hybrid, I counted only 9 tracks from Zimmer. Is this the complete score or will there be a separate album with more music?


Hybrid Soldier2019-06-24 19:50:18
Probably not.


D A R T H2019-06-24 22:56:16
do you have Informations about a limited edition ?
(like BR2049, interstellar,...)

Soldierofrome reply Replies: 2 || 2019-06-24 19:57:05
Hybrid did Hans do everything the same? or is there any difference in this score? Yes or no :D


Mephariel2019-06-24 20:15:43
The movie is like 30 minutes longer than the original so I don't think it can be the same all the way through.


D A R T H2019-06-24 22:53:56
it's a complete new recording

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The Lion King soundtrack - Hans Zimmer 2019