NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback
 SEARCH
 

 FAN COMMENTS
Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.Why you haven't update about David Buckley with Angel Has Fallen score yet?Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!
He returns to the hitman's bodyguard part 2I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.
I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*OK, so a thought...<br><br>"Opening" and "SEAL Attack" are functionally identical; Hybrid says that Hans originally wrote it for the latter scene and it was then placed over the main titles of the film. However, the former is credited to Hans and NGS, the latter to Hans, HGW and Steven Stern. Presumably, since HGW/Stern aren't credited on "Opening", their contribution to "SEAL Attack" is limited to that first minute, which does indeed have a lot of HGW-ish percussion work to my ears. That leaves the rest of "SEAL Attack" as Hans' work alone, which begs the question: why the heck is NGS credited for "Opening", then, since it's basically identical? Screw it, I'm labeling that a solo Hans cue. Always bugged me that there wasn't at least one on this score. :pHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comHi dear hans , i'm farzin a film composer from iran , i composed many films & tv series in my country also winning some awards and some of them are in IMDB , but music comunity is verry small here and i think i'm wasting my time & music here , its pleasure to be your assistant or working with you or anything you think i can be useful (sorry my english language is not good). please please just listen to one track of my music (i will send some for you if you reply me with email) and if it was qualified email me and let me know , also i have to travel to california this December cause my family lives there. i'm always thankful hans for your help & attention. Email : farzingharahgozloo@yahoo.comThat's the 'Album Version' of Time To Suit Up
I'm "missing" three of the tracks for the complete score - CA Suite, WS Suite, and the alternate version of Time to Suit Up. <br><br>It looks like the CA and WS suites are pretty much the same ones on the official release as the lengths match up perfectly, but where can I find the alternate of Suit Up?Cheers mateI agree. Great score. This is "Hans Zimmer Dark Minimalism" done absolutely right. And the Oscorp stuff has to be temp. It goes up and down in just the right places.Forgot Macrotus, so the numbering messed up on 5-8 lol... Macrotus = Father to the Rescue + Hide in the Dark + Courthouse Pt. 1... Also, Myotis actually = Initiation into the League + Temple Fight. <br><br>If you have the End Credits too, that's a Batman Arrives/Backup mashup + Training + Father to the Rescue + Bruce Left for Dead + Batman Theme.<br>Gotcha covered. <br><br>1. Vespertilio = Batman Titles + The Long Walk<br>2. Eptesicus = Bruce Goes Home + Training <br>3. Myotis = Temple Fight<br>4. Barbastella = Mugging Pt. 2 + Bat Cave <br>6. Artibeus = Dockyard Ambush Pt. 1 + Meeting Ducard<br>7. Tadarida = Rachel in the Bat Cave + Fight in Crane's Lab Pt. 1 + Batman on Fire + Microwave Stolen<br>8. Antrozus = Facing the League + Gordon at Home <br>9. Nycteris = Prototypes + Why Bats? + Finders Keepers Pt. 1<br>10. Molossus = Batmobile Chase<br>11. Corynorhinus = Surveying the Ruins + Gordon Says Thanks <br>12. Lasiurus = Ra's al Ghul theme suite<br>
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerDavid FlemingSteve MazzaroSteven Kofsky
ComposerAdditional ArrangementsAdditional ArrangementsMusic Production Services
The Lion King
Label: Walt Disney Records
Length: 77'36
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (532 votes)
  1. Circle Of Life - Nants' Ingonyama - Lindiwer Mkhize & Lebo M (4:01)
  2. Life's Not Fair (1:43)
  3. Rafiki's Fireflies (1:52)
  4. I Just Can’t Wait To Be King - JD McCrary, Shahadi Wright Joseph & John Oliver (3:22)
  5. Elephant Graveyard (6:38)
  6. Be Prepared (2019 Version) - Chiwetel Ejiofor (2:03)
  7. Stampede (7:46)
  8. Scar Takes The Throne (2:50)
  9. Hakuna Matata - Billy Eichner, Seth Rogen, JD McCrary & Donald Glover (4:11)
  10. Simba Is Alive! (3:38)
  11. The Lion Sleeps Tonight - Billy Eichner & Seth Rogen (1:24)
  12. Can You Feel The Love Tonight - Beyoncé, Donald Glover, Billy Eichner & Seth Rogen (3:02)
  13. Reflections Of Mufasa (5:09)
  14. Spirit - Beyoncé (4:37)
  15. Battle For Pride Rock (11:01)
  16. Remember (3:09)
  17. Never Too Late - Elton John (4:09)
  18. He Lives In You - Lebo M (5:05)
  19. Mbube - Lebo M (1:56)
Create Topic

Pages << 1 2 >>

aria kumar reply Replies: 2 || 2019-08-15 01:01:10
We need the complete and expanded score available to us! This includes the score playing during mufasa's entrance to rescue zazu

Anyone else with me?? Hans is a legendary genius! <3


Soldierofrome2019-08-15 07:55:26
i like Rafiki theme. When Rafiki gets his old stick.


DT-20172019-08-15 10:03:04
Heh, if it's anything like the 1994 score, then you'll be waiting a LOOOOOOOOOOOOOONG time.

DT-2017 reply Replies: 0 || 2019-08-10 16:52:14
Am I the only one who thinks the different pitch of the second halves of "Stampede" and "Reflections of Mufasa" might have been altered in mixing?

mgbube reply Replies: 1 || 2019-07-30 21:18:38
this is mgbube for friends of the lion king and its composer hans zimmer i am very pleased that hans has dedicated a song to me in appreciation of enormous effort helmed by me in not so distant past to have complete score released by corporate monster disney corporation and which did in fact lead to ultimate release but allow me to point out the spelling is not correctly represented on this non official site run by hobbyists so it shall be excused however please do rectify this grave mistake and all is fine thanks mgbube oh and another thing edmund meinerts friend what are you doing here thanks mgbube


Edmund Meinerts2019-07-30 21:30:24
Wow, this was a blast from the past haha.

Anonymous reply Replies: 0 || 2019-07-25 22:18:00
Heitor Pereira, Richard Harvey and Satnam Ramgotra have any credits. Why ?
(Sorry for my english)

Scorefan reply Replies: 1 || 2019-07-22 05:08:29
I saw the film today. It's amazing and wonderful. The feeling and emotions of the 1994 film keep untouchables. The score is simply breathtaking. The songs are incredible. The stampede scene is so intense just like the 1994. Hans has made an intense, epic and beautiful score.

  Your name :   

Please enter number: 1704 


Gilvane Cezar 2019-07-22 17:05:25
I watched the movie yesterday. Unfortunately,the songs are in Portuguese here, in Brazil (even "Spirit"! ). But Hans' work is still amazing, intense, he's stolen the show again!

Leo reply Replies: 0 || 2019-07-22 04:52:55
Additional arrangements instead of additional music? Even part of the score not on album?

Ds reply Replies: 1 || 2019-07-21 21:37:58
Having seen it, the biggest thing I realized was that I missed this kind of scoring in movies. When the HZ of the 90s-2000s left in favor of experiments, it seems no one replaced him, so this area of "big sounding scores with instantly memorable and beautiful themes" has just been abandoned. Hopefully seeing/hearing this version of The Lion King now will give some ideas to executives/directors regarding musical choices!


iamtommie442019-07-21 21:46:37
That's exactley what I thought.

There was one other thing I thought was great.

I went with my parents, who have heard Zimmer's music, from when I'm listening to it, but they said to me that you can hear, that it's him, without even knowing all of his music.
They said, the thematic content, the bombast of it, it is just pure Zimmer.

Hope Spongebob & Wonder Woman 1984 are with a large orchestral/choir ensemble, and with WW1984 some 80's synths!!

Soldierofrome reply Replies: 0 || 2019-07-21 10:19:18
Life's Not Fair first part is similar > Tears of the Sun - Yekeleni Part 1 lol

superultramegaa reply Replies: 0 || 2019-07-21 04:22:13
Honestly the biggest problem with this new version for me is the lack of new variants of the themes. They mostly just repeat verbatim Hans' original ideas with little to no innovation or changes made most of the time.

It also doesn't help that cues that did have wonderful variations such as "Nala Attacks", and "Nala & Simba" have been shortened to mostly cut them out. The worst cut being for the ending to "Mufasa's Ghost" which originally peaked the emotion with that lovely variation of Simba/The One True King theme transitioning into the Pride Rock theme, all of which is absent now.

Soldierofrome reply Replies: 4 || 2019-07-16 19:22:50
Who composed Circle of Life flute part?


Mephariel2019-07-17 05:46:18
Flute or panpipes? I already thought the sound was from panpipes.


Soldierofrome2019-07-18 17:16:08
panpipes or flute doesnt matter, i just wondering who composed this :D


DT-20172019-07-18 17:49:10
Probably Zimmer, in 1994. It's part of the demoes he included on the Legacy set so I'd say it's a safe bet.


Iamtommie442019-07-20 21:30:47
It's indeed a shame so much mhsic is missing from the official album.

Love to hear more!

Anonymous reply Replies: 0 || 2019-07-20 09:09:28
Heitor Pereira, Satnam Ramgotra and Richard Harvey are credited musicians

Edmund Meinerts reply Replies: 11 || 2019-07-18 13:26:05
I feel like this is simultaneously the most enjoyable and least interesting Zimmer score of the last several years. It's nice to listen to, but it's basically the 1994 score rerecorded and tweaked in just a few places. Those tweaks do produce some highlights especially in the stampede and final battle sequences, but it's hard to think of this as a major effort, really. Yeah, it's good, but we've known that The Lion King is good for 25 years.


vced2019-07-18 18:57:18
Most of it sounds like a high quality youtube remix to me, honestly. it's serviceable but unnecessary.


NB2019-07-18 21:37:03
I have to agree. It's a stellar score and I love it, but it was written 25 years ago, nevertheless.
Still, credit where credit's due, as you mentioned, the new 'Stampede' is a beast of a track, really added to the original, as well as the 'Battle' cue, awesome stuff for sure.
Haven't seen the movie yet, but I really hope it measures up, at least in the same way the score does.


DT-20172019-07-18 23:08:59
Didn't Menken do much the same with Aladdin and Beauty and the Beast? I think the only ones who have been the most original with the scores to these remakes have been Danny Elfman and John Debney.

My personal view is this serves as a great compliment to the 1994 soundtrack, not an outright replacement. If you combined the two you'd get quite the meaty soundtrack.

As for the film itself, I highly doubt it will be as 'great' as the original, but that's not to say that it deserves the slating critics have given it either. I personally can't say - I haven't seen it yet.


mpolonest123 2019-07-18 23:28:01
Having seen it I can say visually it is incredible, definitely a work of art on that level. What sets it back (for me personally) is the lack of a strong emotional core. The choice to make the animals realistic looks great, but doesn’t have the same range that the hand drawn version had in terms of giving the animals the facial characteristics like the original. Soulless might be kind of harsh, but I didn’t feel anything throughout. Also doing a shot-for-shot remake probably wasn’t the best approach.

Musically though; this definitely was a great reminder as to why the original score is still a classic. Like everyone has said, it’s a perfect companion piece that actually fixes some minor flaws and fleshes out some ideas much better. Some important cues missing though.


Mephariel2019-07-19 05:29:44
This is the perfect companion piece to the original. It is like the high level concert version that Zimmer never did with the original Lion King.


Edmund Meinerts2019-07-19 11:50:09
I feel as though Menken did a bit more to differentiate his 2017 Beauty and the Beast from the 1991 one. The major pieces like "Prologue" and "Transformation" were left relatively intact but otherwise the rewrite was a bit more substantial than what Zimmer and crew did here. Compare the final battle music from the original (which consists to a large degree of upbeat instrumental versions of "Be Our Guest") to the remake (which is largely serious, straightforward orchestral action music). I haven't heard his new Aladdin so I'm not sure what the old:new ratio was there.

I'm not necessarily complaining, this is basically what I expected the score would be from the moment it was announced. The problem lies deeper, with the entire premise of these pointless remakes that allow very little wiggle room for freshness or creativity. Of course, I have no doubt this movie will make north of a billion dollars and give the Disney execs further license to print money. Maybe by the time they've remade every single film in their vault enough time will have passed that they can just start from the beginning again and nobody need ever be subject to the indignity of an original story ever again.


mpolonest123 2019-07-19 14:08:03
@Edmund
I can’t agree enough. These remakes suffer from the issue of being inferior to the original source material, mainly because they rely so heavily on copying the originals so heavily. I’m not necessarily against Disney updating their classics if they are willing to do new takes on the material. Take Jungle Book for example; they were able to do something fresh with the concept while keeping elements of the animated film. Even Maleficent, which I’m not crazy about, tried something new.

Another BIG issue I’ve noticed is the fact that they lean towards hiring actors who cannot sing, or at least cannot sing on the level required. Emma Watson, Will Smith, Chiwetel Ejiofor, etc.


DT-20172019-07-19 17:12:46
I feel like people are overreacting in a way that suggests these remakes have far more power than they actually do. The studio that makes them is separate from every other studio. WDAS is still creating new content and will be for many, many years to come, long after the remakes have had their heyday.

If anything, the proliferation of superhero films is far more likely to drown out originality on that front: there are multiple studios doing it.


DT-20172019-07-19 17:25:16
This is where I wish we could edit our comments.

Not only do you have WDAS doing mostly-new movies (I hesitate to say 'original') but you have Pixar doing them as well. Toy Story 4 was their last sequel for the foreseeable future, with them even eschewing the popular option of doing an Inside Out sequel for original projects.


mpolonest123 2019-07-19 18:20:58
@DT
Disney definitely tries to put quality into their projects, which is why I admire them. As you’ve said, WDAS and Pixar are both churning out some excellent and original films. Even Marvel, despite its formula and flaws, tries new things with the films and stick closely to the source material.

The problem with the remakes is that they seem to be nothing more than cash-grabs that prey on nostalgia. If you are going to retell a beloved story at least try something different and exciting, instead of trying to copy/paste what everyone has seen.


nvictor2019-07-20 01:32:40
me who seldom watch any of these superhero movies and remakes went and saw the new aladdin last weekend.

based on my own experience of that remake i have come to the conclusion that maybe some of the reviewers are stuck-up and not open-minded? i did enjoy the new takes on some of the songs. the new movie felt like that. a new different movie to me.

i decided that i will go and watch these movies for myself now. and i would not watch (or listen to original scores) in advance to build up expectation. i will go and enjoy my time and the songs.

that's all &#175;\_(&#12484;)_/&#175; you can't please everyone.

D A R T H reply Replies: 11 || 2019-07-11 19:23:32
A lot of missing tracks, i hope there are an expanded score one day


DT-20172019-07-11 19:56:04
I'm amazed that you can know this given the film isn't out for another week.


D A R T H2019-07-15 07:52:40
Yes, but, Sorry, but i see it ...


Rafael2019-07-17 19:18:15
Saw the film today, there is a LOT of music missing.


DT-20172019-07-17 22:11:16
Well, now we have somebody who's seen it (and yes, it's out in some countries today), we know for certain.

I wouldn't expect anything official any time soon unless Zimmer wants to release a second CD.


Hybrid Soldier2019-07-17 22:18:51
I confirm I'm back from it, there's quite a bit of unreleased score.


Anonymous2019-07-17 23:16:26
Is it all material from 1994 or is it new 2019 score?


DT-20172019-07-18 10:08:24
Wonder if it will take 20 years for an official complete score XD Not to mention any unofficial leaks (it took a long time to even get that for the original film). TBH, I'd prefer a proper release of any score any day of the week.

To answer the question above me: Mostly it's new material using the same themes from 1994, though if my interpretation the OST is correct, the hyenas and Timon and Pumbaa get new themes. The only true 'copies' of music from 1994 are Circle of Life and Remember, but even then, they are at least partially-new recordings.


Edmund Meinerts2019-07-18 10:45:17
The second half of the new "Elephant Graveyard" is basically note for note "I Was Just Trying to Be Brave" from the 1994 version as well, just with a few changes in orchestration


Ahmad2019-07-18 11:04:47
I seriously don't understand why they didn't do two separate releases like most musicals do (La La Land comes to mind - perfect release).

A soundtrack album and a score album. No missing tracks, no fuss. And optional 2-CD set containing both.

Instead, they went with a soundtrack album with some of the score and another song album for whatever reason that is lol.


DT-20172019-07-18 15:08:11
Hey, this is Disney we're talking about. Never expect this sort of thing for that. The ONLY film from them that immediately springs to mind that got that the first time round was Frozen.


Ahmad2019-07-18 15:20:13
And that's why it bugs me so much lol. They're literally the biggest studio out there, so it would've been nice to see them go to the max with this release. Especially since it's one of their most popular IPs if not their most popular IP.

superultramegaa reply Replies: 7 || 2019-07-12 19:17:34
Well, if nothing else, it's just really nice to know that Hans Zimmer can still write completely orchestral pieces when needed. Hopefully he gets asked to do this style more often again.


imbatman2019-07-13 03:05:43
Yes. Exactly. This is HZ style we want. Not the other over-used electronic synthesizers which he have been constantly using since Inferno.


nvictor2019-07-13 19:31:39
people, Hans Zimmer has been doing synths way before people got him to do orchestra. it's weird to hear that he "has been doing synth lately" talk...


DT-20172019-07-13 21:48:50
I don't think that's the argument people are trying to make. It's that his style has moved away from these big, symphonic scores to, according to some, nothing but mere background noise. Most people attribute that to around the time of The Dark Knight Trilogy. I'm not 100% sure I agree - there are quite a few scores from after then that Zimmer has done that I personally don't like but I can appreciate he's basically been experimenting.


...2019-07-13 22:53:49
The thing is, a lot of people got to know zimmer during the 2000s. During those years he did Gladiator, Last Samurai, Pirates of the Caribbean, Batman, Inception etc. While many of his scores from that period had synths, they usually had a lot of orchestra and for the people who think of that as "old Zimmer", these new scores like Widows & Inferno seem a bit different and less interesting.


MrZimmerFan2019-07-17 11:59:36
Widows is terrible score, Inferno was ok, far from things like Da Vinci Code or Angels & Demons.

But yes, listen this one, is gratifying see Zimmer can make things with orchestra like early 2000s. And this comes from a guy who loves Inception, Interstellar or Chappie


Mephariel2019-07-17 16:25:27
I absolutely disagree with you saying Widows is a terrible score. It may not be great on album, but the music fits very well with the film.


superultramegaa2019-07-17 16:48:55
We've had this argument before, almost any score can fit in a film. But what separates the mediocre composers from the best is the ability to make great music that works on its own, outside of the film.

Hans has had a lot of work lately that hasn't been doing that, and it's the reason people want him to work with orchestra again and produce is 2000s, late 90s type of style. Because those scores, for whatever problems they had, they felt distinct, memorable (for the most part), and easily could have been enjoyed away from the film.

Good scores have themes and ideas that both enhance the film, and enhance the listener's experience. Music like Dunkirk, Inferno, or Widows just feel like shallow and empty committee scores that the studio/directors didn't want too much thought put into. "Ah just write one main theme, and fill in the rest with electronics, Hans, it'll be fine!"

Thomas reply Replies: 1 || 2019-07-17 12:29:27
Request the king of pride rock with circle of life


Thomas2019-07-17 12:54:16
NM

Mephariel reply Replies: 4 || 2019-07-12 08:16:59
What is your favorite part of the score?

For me, it is "Battle for Pride Rock" from 5:04 to 7:21.

The most glorious 2+ mins of the score.


ram2019-07-12 08:50:00
Simba Is Alive and Rafiki's Fireflies. I think those are much better from the original corresponding.


imbatman2019-07-12 15:47:04
"Life's Not Fair"
"Rafiki's Fireflies"
"Scar Takes The Throne" and
"Battle for Pride Rock"


Mephariel2019-07-12 16:41:17
I think Stampede now my new favorite cue. And one of the best of the year.


DT-20172019-07-13 21:49:33
Stampede, without a doubt. It's a huge elaboration on the original and to me it's much more impactful.

imbatman reply Replies: 0 || 2019-07-12 15:42:40
I agree with you all. I'm fully happy after listening to the score. This is the Lion King score I've been waiting for. Thank u Hans.

The track "Scar Takes The Throne" and the first few moments of "Battle For Pride Rock" are my favorites. The whole tracks just sound more mature and epic. Loved it !

Peter Bezemer reply Replies: 1 || 2019-07-12 10:40:36
Thematically I prefer the original, but this one is pretty epic


circleoflife2019-07-12 14:36:30
I like a couple of the new arrangements, and the percussion patches sound as good as ever, and the melodrama in the first half of "Stampede" and "Scar Takes the Throne" works very well.

But I disagree on "epic": the orchestra recording sounds really lifeless and dry in quite a few places. I also don't like the solo cellist overdubs: their performance isn't appropriate for the material and its overbearing presence in the mix wrecks several cues for me sadly.

It's generally fine but lots of it makes me feel like I'm listening to a YouTube cover album. Which can be all right but it's still just a clone when all said and done.

Hari Haran reply Replies: 7 || 2019-07-11 18:22:12
Battle for Pride Rock sounds much more poignant and crisper this time round.

It's too early to say how it shapes up to the original, in part due to the Legacy 2018 release for the original still being fresh.

That being said, this 2019 revisit from Hans is knocking all the emotional centers overboard.


DT-20172019-07-11 18:40:21
I'd say this perfectly compliments the Legacy set.

Though I must wonder how deep Zimmer had to dig in oder to find those percussion patches given I haven't heard them on many of his scores since the 90s :P


Iamtommie442019-07-11 18:47:59
Zimmer also made some sort of creepy choral laughing motof for the hyena's. It love it. I think this is Zimmer in top level. I think it's really great!!


mpolonest123 2019-07-11 19:23:23
Nothing can top the original...

But this comes pretty close. As everyone has already said, the mixing is so much better here than in the ‘94 score. There is a more mature, epic sound in the recording. You can almost hear the difference and maturity in Zimmer’s voice and style when you compare the two.

I also love that Zimmer stuck close enough to the previous version while still embellishing the music enough for it to be fairly different in parts. Gone are “Bowling for Buzzards” and the Scar/Hyena theme (at least judging by the album).
It might be sacrilegious to say but I actually even prefer this version of “Stampede” over the original.

As for the songs; they are good. “Circle of Life” and “Can You Feel...” are both incredible. “Be Prepared” is completely different, definitely sounds more evil. The rest are good, pretty much by the numbers.

Overall I think this is a success, it won’t top the original but it definitely is much better than I expected. Especially on Zimmer’s part, you can tell he treated the material with a lot of respect.


JBSO992019-07-11 20:12:19
mpolonest123, I think I agree with you in almost everything you say, and I definetly like this version of Stampede more. It sounds more epic, more aggressive and even more dramatic on the final section.

One of my favourite tracks for now is Rafiki's Fireflies, with its new variation of the main theme that is really beautiful.

Overall a really great score and a pleasant change in direction (at least for me) from the latest Zimmer efforts.


mpolonest123 2019-07-12 04:01:26
Some notes;

1. Simba’s “tune” seems to be underused here, which is strange given how prominent it was in the original. The only times I picked it out was the Fort Walton/True Romance take at 2:20 in “Simba is Alive” and the middle of “Remember”. Maybe it’s used more in the film.

2. The first 30 seconds of “Battle....” are an arrangement of the original opening of “Be Prepared”. “Life’s Not Fair” also incorporates “Just Can’t Wait To Be King”. Not sure if any other song melodies are used.

3. My personal favorite ‘Zimmerism’ is the epic take on the main theme at 3:40 in “Stampede”. Holy shit that’s cool!


badbu2019-07-12 07:12:01
first of all, i like it! but i prefer the original one :-)
"stampede" is very good but i have more feelings for the "first" one. "Scar Takes The Throne" is an amazing cue. The best one for me on this "new" score. It reminds me a little bit of Trevors deep blue sea :D idk why^^ it's a very good zimmer score and i can't wait to see the movie again :-)


Mephariel2019-07-12 07:47:40
This score is a perfect compliment to the original.

"Rafiki's Fireflies" is basically "This Land" I don't think it has the majesty of the original, but it is more beautiful and peaceful. Not sure which version I prefer, but this one sounds more like organic and wild, natural.

"Elephant Graveyard" is basically modern day Zimmer sneaking into The Lion King. The dark snare atmosphere with clock ticking. But overall, I love the darker version of this cue, especially in the second half.

"Stampede" is the one cue that I think Zimmer expanded upon the most. I think the original is more intense and flows better, but this version is more complex, and actually has more narrative. This is the one cue where I think I prefer intensity of the original but I love the longer, more ebb and flow of this one. The ending is awesome as well.

"Scar Takes the Throne." Like Lio mentioned, I prefer the Oboe over the string. I feel like Zimmer want to turned this cue into something like “This Land” with solidarity and weight, but I don’t think it works that well.

"Simba is Alive" is one of my favorite cues. It basically a reprise of the main themes, but the performance is just so heartfelt.

“Reflections of Mufasa” is a pivotal cue that is beautifully orchestrated, but doesn’t have the connective tissue and the reflectiveness of the original cue “Remember Who You Are.” I prefer the original but wouldn’t mind listening to this one as well.

“The Battle for Pride Rock” vs “The Rightful King” sums up this score versus the original. “The Rightful King” wins in composition, storytelling and overall flow, but “The Battle for Pride Rock” is bolder, louder, more bombastic and better orchestrated. I think the original wins, but again, I wouldn’t mind putting this one on repeat either.

“Remember.” What can I say…this is the soul of The Lion King. If you don’t like this, you won’t like this score. The only thing I don’t like is that this version doesn’t have the “Busa” ending.

Overall, the original score is better written and stronger for sure. But this one is more about the performance and the orchestration. I think they are a great companion to each other actually.

You can't complain either way. Thematically, this is some of the best music ever written anywhere.

e reply Replies: 0 || 2019-07-11 20:43:42
I really like the integration of the Stampede theme in the final battle.

I prefer this version to the 1994 one because the orchestration is sharper, the themes are better integrated, while still being meaty and having a real 'Zimmer' sound. Great job Hans and team!

Johnny reply Replies: 5 || 2019-07-11 17:07:50
Out now! Listening on iTunes <3


Anonymous2019-07-11 17:13:41
Same. Sounds much better mixed than the original. More grand and less dry


...2019-07-11 17:15:29
Is it the same score, rerecorded or is it different?


DT-20172019-07-11 17:17:41
I imagine that's because there's none of the 'toy orchestra' elements of the demoes that Jay Rifkin thought was a good idea to mix in. It sounds more like the Legacy set than it does the original 1994 release for sure.

I do find it intriguing that they seem to have reused the 1994 Circle of Life instrumental, though I guess that Zimmer thought it was good enough on its own. Either that, or Favreau wanted it untouched.


Anonymous2019-07-11 17:21:04
It sounds re recorded enhanced with some Zimmer trademark synths. I like it. Excepts the songs. Not into that


DT-20172019-07-11 17:26:29
Um, yes? This score is 're-recorded', or should that be re-orchestrated?

The only part that doesn't sound like it is Circle of Life's instrumental. Perhaps they added to it. I don't know, because I don't have the release myself - I'm going off the samples I heard via Amazon.

Soldierofrome reply Replies: 4 || 2019-07-11 10:50:40
why wasn't it released?


DT-20172019-07-11 13:52:57
It's being released 8AM Pacific Time


Soldierofrome2019-07-11 15:22:51
Source?


Kusi2019-07-11 15:35:38
official channel of Disney Music


DT-20172019-07-11 16:00:49
I got that time from the official Disney Music Twitter page.

Thomas reply Replies: 9 || 2019-07-11 01:08:05
Why hasn’t the soundtrack been released yet?


badbu2019-07-11 07:03:59
don't know...i thought 11th digitally and 19th physical...


DT-20172019-07-11 08:02:12
I thought so too? Isn't that what the press release said?


Anonymous2019-07-11 08:18:51
Hopefully they release the soundtrack tomorrow


ram2019-07-11 08:34:29
maybe at midnight in California?


Thomas2019-07-11 08:48:16
Or 9:00 or 10:00 because they sometimes release the soundtrack at these times


DT-20172019-07-11 09:14:13
Confirmed via Twitter it'll be out 8AM PT.


Thomas2019-07-11 09:19:02
Tomorrow and can you give me the link?


DT-20172019-07-11 09:26:07
Link to what? A download? This isn't a piracy site.


DT-20172019-07-11 09:40:30
First, this site disallows links, second, who's being the jerk here, given that comment was so ambiguous it could be taken a dozen different ways, and third, is it REALLY that hard to go on Twitter, to the official Disney Music Twitter page and see it for yourself?

Leo reply Replies: 0 || 2019-07-11 08:47:48
It says here that the release date is in the 13th and not 11th, maybe the outlets got it wrong or it got postponed?
https://www.highresaudio.com/en/album/view/zi6pah/various-ar tists-the-lion-king-the-lion-king-original-motion-picture-so undtrack

Leo reply Replies: 1 || 2019-07-10 07:04:50
Is this track 14?
https://www.youtube.com/watch?v=mXblqtzy_tE


DT-20172019-07-10 09:16:26
Looks to be.

Thought it would be the case that Beyonce gets first rights to releasing it.

mpolonest123 reply Replies: 6 || 2019-07-03 00:00:14
Initially I was against Hans remaking arguably one of his most famous scores, but seeing the trailers and marketing have hyped me up very much. As much as I can’t wait to hear the classic themes, I’m interested to what new material he’s going to bring to the table.

I also wonder if any of the sub-themes are going to be left out (Scar/Hyena motif, Timon & Pumba’s Theme)


Iamtommie442019-07-03 00:10:17
Well, I hope he builds on them and explores them more, like Alan Menken did with Beauty And The Beast!
1 week till the soundtrack. 2 weeks till the movie. Very excited!!


Jsdamian2019-07-03 17:30:58
Or aladdin


Josiah2019-07-05 06:14:30
Why the devil would you not want Hans Zimmer to compose one of his masterpieces? The music needed his touch and beauty. I would have been absolutely pissed if another composer took on the work of The Lion King.


DT-20172019-07-07 10:15:05
Because his style is different now than it was in the 1990s.

Debney could have done well (he's Favreau's go-to composer and worked with him on The Jungle Book). Having said that, if he's going back to a score odds are he's revisiting that style anyway. I'd definitely be interested to hear it not least because unlike the 1994 score this one will be mixed how he wants it from the off.


mpolonest123 2019-07-07 17:21:53
@Josiah
The Lion King seemed to be a very personal score for Zimmer, so seeing him tackle the same project does have me a bit nervous. Not that I don’t think he will deliver a great score, but it will def. be hard to capture that lightning in a bottle twice.

Also, I’ve personally not liked any of these Disney “Live Action” remakes from the past few years. “The Jungle Book” being the only exception. This looks like it’s going to be following the trend of doing a shot-for-shot remake while adjusting some scenes/songs with small additions.


superultramegaa2019-07-07 18:53:19
Yeah, I really don't see this score being anything worth talking about in regards to Zimmer. It's probably going to be forgotten soon afterwords, unless Hans somehow pulls off some really impressive orchestral writing that surpasses the original.

Jsdamian reply Replies: 0 || 2019-07-03 18:00:32
Does anyone know the duration of the songs? What is clear is that the mysterious song is a song created by beyonce, lebo and zimmer

Hari Haran reply Replies: 1 || 2019-06-29 14:32:52
I really am gonna wipe manly tears again when Stampede hits, aren't I? :(


superultramegaa2019-06-29 17:48:15
Well, as long as Hans doesn't re-orchestrate it to sound worse.

Sam Whitacre reply Replies: 0 || 2019-06-27 23:15:12
Original songs: Music by ELTON JOHN, Lyrics by TIM RICE

Original score composed and arranged by
HANS ZIMMER

Music conducted by
NICK GLENNIE-SMITH

Music assistants
STEVE MAZZARO
DAVID FLEMING

Vocalist
LEBO M.

Songs produced by
LEBO M, MARK MANCINA, STEPHEN LIPSON AND PHARRELL WILLIAMS

Pages << 1 2 >>

 HANS-ZIMMER.com© 2001-2018 OST 
The Lion King soundtrack - Hans Zimmer 2019