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Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.
The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.
You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
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<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
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<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
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<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...
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Max ArujSteffen ThumLorne BalfeQueenie Li
ComposerComposerExecutive Score ProducerMusic Production Coordinator
Crawl
Label: Paramount Music (Digital Download Only)
Length:
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (980 votes)
  1. Race Day (2:36)
  2. Reckless (1:26)
  3. Family Photos (1:03)
  4. Ghost Town (1:22)
  5. Shattered (1:02)
  6. Crawl Space (2:41)
  7. Red Eyes (3:52)
  8. Tag Team (1:44)
  9. Wounded (1:04)
  10. Gas Station Attack (1:56)
  11. Trapped (1:05)
  12. Open Water (2:48)
  13. Years Lost (2:40)
  14. Battle Plan (3:23)
  15. Gator Nest (2:52)
  16. Dive (3:22)
  17. Drowning (1:46)
  18. Survival (1:18)
  19. Washed Out (1:24)
  20. Swim For It (1:35)
  21. Higher Ground (2:01)
  22. Confessions (1:00)
  23. Death Roll (1:46)
  24. Help Arrives (1:58)
  25. Haley's Theme (2:12)
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Boris reply Replies: 3 || 2019-08-28 14:51:14
So Balfe is now doing the new Brad Pitt movie Ad Astra?when does he sleep?

Interesting news because I thought they had Max Richter on it for ages ?


ThePhantasm2019-08-29 03:27:43
I love Balfe a lot but wtf this is too much. I was interested in listen to what Max would of done.


mpolonest123 2019-08-29 04:27:13
Yeah this is getting a bit crazy (no hate on Balfe though, man’s making a living).

I think because of his ability to write as fast as he does, more producers tend to trust him with these projects and meeting the deadlines. Also having Lorne on a score usually means a pretty safe bet on the style of music.

I haven’t been keeping up with all of his output as of late (because honestly, who can?) but it seems like you either get “Good Lorne” (MI6, Lego Batman, Geostorm) or “Bad Lorne” (PR:U, Hurricane Heist). Honestly, I would much rather have him focus his attention on some bigger projects where he can write quality music, as opposed to spreading himself thin.


ThePhantasm2019-08-29 18:46:29
Yeah Hurricane heist was horrible, I'd be so excited to hear what he'd do with a super hero movie. It has taken forever

johny555 reply Replies: 4 || 2019-08-23 19:39:14
LOL, Lorne is co-composing "Ad Astra" with Max Richter, that guy is everywhere


Miralsice2019-08-23 21:11:35
Seriously? Why they make this decision? They want to sound like Interstellar or what?


johny5552019-08-23 22:22:29
I have no idea why, filmmusicreporter wrote about it...


Ahmad2019-08-24 02:41:53
GITS 2.0? I hope not.


Anonymous2019-08-24 20:55:52
Lorne has nothing to do with interstellar

iamtommie44 reply Replies: 8 || 2019-08-14 23:07:44
Soooo... Balfe is scoring the new HBO Series 'His Dark Materials'.

I'm glad that Lorne gets so much work, but I really wanted somebody else for this series.

Lorne is doing so much, that I'm afraid some things will turn out generic. Hope this doesn't happen. But we'll see (hear).

No very excited at the moment, but maybe this will change when I hear it.


Edmund Meinerts2019-08-15 10:32:18
Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.


Mikeal 2019-08-16 22:22:10
Typical Edmund response!!
Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????
Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.


Knight2019-08-16 22:49:56
Nice strawmanning there Mikeal


Steve2019-08-17 06:37:11
Edmund maybe listen and watch the show first before being negative about it?


Edmund Meinerts2019-08-17 09:23:53
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :p


Micheal2019-08-17 10:00:27
Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.


superultramegaa2019-08-17 18:41:18
Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;

"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.

Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)


Mephariel2019-08-17 19:48:06
This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door.

Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).

Scorefan reply Replies: 0 || 2019-08-15 00:31:46
The movie is awesome, the score is great. Excellent work from Max and Stteffen

theGordo reply Replies: 0 || 2019-07-18 22:46:15
Recently in China, a movie was released called Looking Up, and the soundtrack was released with Steffen Thum's score and main theme/additional music by Lorne Balfe.

Iamtommie44 reply Replies: 0 || 2019-07-12 23:37:40
It appears that this movie is pretty good.
It has a 88% on RT and I personally liked it a lot!


Anonymous reply Replies: 0 || 2019-07-11 20:48:25
That track list sound like fun score to me. I can't wait to hear all tracks till midnight.

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Crawl soundtrack - Max Aruj - Steffen Thum 2019