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Seems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits updateA bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.
Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is Balfe
I hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.
@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.Just listening to this again. It really is a best of both score. What I think is so great, is that you can hear both of the brothers' own voice but they blend so well together!! Really really great score!<br><br>It's a really remarkable score, the swifts in tone between dramatic and jazz is top-notch. It's higher on favorite list from 2019 already, than I thought it would ever be.<br><br>Give me more Gregson-Williams brothers scores!!!!!!I was hoping for JNH, but we'll see what he does. JNH's themes were amazing zo it would be stupod not to use them. But he used the Pirates themes, so I'm feeling actually quite ok about it
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Harry Gregson-WilliamsJohn PowellJames McKee SmithToby Chu
ComposerComposerAdditional MusicAdditional Music
Shrek
Label: Varese Sarabande
Length: 44'29
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5071 votes)
  1. Fairytale (1:27)
  2. Ogre Hunters - Fairytale Deathcamp (1:36)
  3. Donkey Meets Shrek (2:38)
  4. Eating Alone (1:18)
  5. Uninvited Guests (2:09)
  6. March Of Farquuad (0:39)
  7. The Perfect King (1:18)
  8. Welcome To Duloc (0:34) *
  9. Tournament Speech (0:51)
  10. What Kind Of Quest? (2:23)
  11. Dragon! - Fiona Awakens (2:06)
  12. One Of A Kind Knight (1:19)
  13. Saving Donkey's Ass (0:43)
  14. Escape From The Dragon (1:58)
  15. Helmet Hair (2:08)
  16. Delivery Boy Shrek - Making Camp (0:48)
  17. Friends Journey To Duloc (2:42)
  18. Starry Night (0:58)
  19. Singing Princess (1:36)
  20. Better Out Than In - Sunflower - I'll Tell Him (2:11)
  21. Merry Men (0:43) **
  22. Fiona Kicks Ass (0:29)
  23. Fiona's Secret (3:02)
  24. Why Wait To Be Wed - You Thought Wrong (1:59)
  25. Ride The Dragon (1:37)
  26. I Object (1:51)
  27. Transformation - The End (3:26)
*Written by Mike Himelstein, lyrics by Eric Darnell

**Written by Kirby Tepper, Andrew Adamson & Conrad Vernon
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Popper(spain) reply Replies: 1 || 2015-05-31 16:01:41
I seen that in the upcoming Disney (Zootopia)the music will be composed by Harry Greson-Williams and John Powell. Is this true?


Edmund Meinerts2015-06-01 08:54:40
That seems HIGHLY unlikely...remember when those two were rumored to be scoring Breaking Dawn together? :p

Mike reply Replies: 0 || 2014-10-28 22:18:38
Any particular reason John Powell didn't work on the next 3 Shrek films?

Felix reply Replies: 0 || 2014-04-11 15:44:05
The Demos have 41cues

amgory reply Replies: 0 || 2009-09-10 00:00:00
Very good, emotive music

tja reply Replies: 0 || 2007-09-03 00:00:00
Without Hans compositions shrek wouldnt be what it is, everyone remembers the music from shrek.

Per reply Replies: 0 || 2007-09-03 00:00:00
LOL

Hans (Zimmer) didn't make the music for the first Shrek film. Harry Gregson-Williams have been the composer for all three films (toghether with John Powell on the first one).

Galideon reply Replies: 0 || 2007-08-16 00:00:00
I really liked this score!!!

Mikel Carmona S.i.W reply Replies: 0 || 2006-08-17 00:00:00
Very good, emotive music

Frederic reply Replies: 0 || 2005-06-24 00:00:00
i think he is a tremendous composer. Shrek had brilliant music in it.

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Shrek soundtrack - Harry Gregson-Williams - John Powell 2001