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Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.
Sure thing. PM me on YouTube, I'll send you  the link :)I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.
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Matthew MargesonAndrew KawczynskiPaul MounseyJason Soudah
ComposerAdditional MusicAdditional MusicAdditional Music
Rings (Complete Score)
Label: Unofficial Release
Length: 104'56
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (106 votes)
  1. Opening Plane Crash (3:27)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  2. VCR Reveal (0:28)
    Matthew Margeson, Fabio Marks
  3. Gabriel Watches (3:34)
    Hans Zimmer, Matthew Margeson
  4. Orpheus Story - Holt Says Goodbye (3:06)
    Matthew Margeson
  5. Interrupted Skype (0:43)
    Matthew Margeson, Paul Mounsey
  6. Chosen You (1:19)
    Matthew Margeson, Andrew Kawczynski
  7. Goint To Holt (3:15)
    Hans Zimmer, Matthew Margeson
  8. Holt's Cell - The Key (1:13)
    Matthew Margeson, Jason Soudah
  9. Julia Follows Gabriel (3:46)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  10. Twisted Faces (0:17)
    Matthew Margeson, Fabio Marks
  11. I Can Help You (1:25)
    Hans Zimmer, Matthew Margeson
  12. Don't Watch! (7:09)
    Hans Zimmer, Matthew Margeson
  13. Holt Explains (3:18)
    Hans Zimmer, Matthew Margeson
  14. Morphed Hands (1:37)
    Matthew Margeson, Andrew Kawczynski
  15. Seven Days (1:56)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  16. The Bird - It's Started (2:09)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  17. Marked On Day One (0:21)
    Matthew Margeson, Fabio Marks
  18. For Julia Alone (6:48)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  19. Drive To Sacrament Valley (2:35)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  20. Girl With The Violin (1:14)
    Matthew Margeson
  21. AA Meeting - Gabriel Translates (3:27)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  22. Samara's Crypt - The Well (3:34)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  23. Meet Galen Burke (0:38)
    Matthew Margeson, Paul Mounsey
  24. Burke Explains (4:00)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  25. Flash Flood Electrocution (2:37)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  26. Going To Get Something To Eat (1:21)
    Matthew Margeson
  27. Julia Watches Again (1:15)
    Hans Zimmer, Matthew Margeson, Jason Soudah
  28. Julia Finds The Chamber (2:18)
    Matthew Margeson, Andrew Kawczynski
  29. The Chamber (4:42)
    Hans Zimmer, Matthew Margeson
  30. Since He Went Blind (0:20)
    Matthew Margeson, Fabio Marks
  31. Tea With Burke - You're Samara's Father (5:30)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  32. Hallway - Bird Room (3:22)
    Hans Zimmer, Matthew Margeson, Andrew Kawczynski
  33. Death Of Burke (4:24)
    Hans Zimmer, Matthew Margeson
  34. Cremation - Morning After (1:32)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  35. Shower - Rebirth (3:49)
    Hans Zimmer, Matthew Margeson
  36. Main On Ends (1:25)
    Hans Zimmer
  37. Interrupted Skype (Alternate) (1:41)
    Matthew Margeson, Andrew Kawczynski
  38. Julia Follows Gabriel (Alternate) (2:49)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
  39. The Chamber (Alternate) (4:42)
    Hans Zimmer, Matthew Margeson
  40. Cremation - Morning After (Alternate) (2:12)
    Hans Zimmer, Matthew Margeson, Paul Mounsey
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Felix reply Replies: 2 || 2019-07-16 23:54:29
I thought Matthew uses just the Themes by HZ, or did he really compose here ?!


Hybrid Soldier2019-07-17 00:07:33
Just themes used, but Hans kept things close, just like for The Ring Two, supervising & debriefing the whole thing. He originally put Ben Wallfisch to score it but after Ben got other business to attend, he got Matt in... The irony, is that Matt only had a few weeks to score it in a rush in september 2016, only to find out when he finished mixing that the film was... pushed back to early 2017 !


Negan_n_Lucille2019-07-17 02:02:39
I’m curious to what this is. Never saw the film, but I loved the first two films and their soundtracks. There’s a theme in part two where she’s driving to the Morgan ranch (I think that’s the title) but not on official release.

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Rings (Complete Score) soundtrack - Matthew Margeson 2017