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Lorne has nothing to do with interstellarGITS 2.0? I hope not.I have no idea why, filmmusicreporter wrote about it...Seriously? Why they make this decision? They want to sound like Interstellar or what?LOL, Lorne is co-composing "Ad Astra" with Max Richter, that guy is everywhere
I think we can call Ian Brown McCarthy the Anti-MacArthur....lol.... Where MacArthur set out to prove everything was by Zimmer, Ian proves everything is by Lorne. ;)<br><br>Kidding, mostly. Lorne's contributions, especially where he has "producer" credits like on this score, are undeniably underrepresented. I've always considered Lorne a co-composer here, just like on Inception, Sherlock Holmes, and Kung Fu Panda 2-3.Not to nitpick, but even "near co-composer" is downplaying Lorne's role IMO; I've had him listed as co-composer in my personal library for a solid year now.<br><br>On a relate note: man, Hans and Lorne make damn good music together.What I want to know is if the album version of Nixon Defeated is the solo Hans alt or notFeels like there are more Balfe credits on this version than on the album (e.g. Status Suite, solo Hans on the album, Hans/LB here). In fact I'd go so far as to label him a near co-composer here, just like Inception and Sherlock Holmes.Any word on where this can be found, or if it actually exists? H-Z (here) is the only place any of these tracks (let alone mention of a complete version of this score) can be found.
Why you haven't update about David Buckley with Angel Has Fallen score yet?Yep, fun (if slight) score to a very fun movie. "Get it On" is a great action cue.It was also one of the first HG-W's scores I ever listened to (way back when!), so maybe it's just nostalgia talking. <br>But it's worth a listen at least.It's a shame no one talks about this score. <br><br>It's a great listen if you love heavily percussive music! <br><br>Not a highlight in HG-W's carreer by any means, but it's a fun ride, and has some neat unique sounding stuff courtesy of Heitor Pereira, as well as plenty of goold ol' MV style synth/orchestra pounding!He returns to the hitman's bodyguard part 2
I was honored, back in 2006, to meet both Nick Glennie-Smith and Harry Gregson-Williams.<br><br>I talked with both about The Rock, and here's what they told.<br><br>Nick & Hans worked very closely on most of their cues. That's why it's so hard to notice any difference between their own styles (and why they share most of the credits).<br>Harry worked separately from Nick & Hans. He remembered working on the San Francisco Chase (though we know Don Harper helped at some point in the process), and on "a lot of the action material from the second half of the movie, once the heroes reach Alcatraz".<br>The credits here tend to prove they were right.<br><br>All the Opening Titles / SEAL Attack is a bit complicated. Hans might have written the theme, but it also might be arranged for pictures by Nick Glennie-Smith (plus there's a lot more going on in these tracks than the man theme alone). So, well, I guess the final result still is a collaborative effort.A brilliant score, no matter what some people might say. Some of the darkest and most beautiful themes by Hans Zimmer were born here, as well as a lot of very exciting and propulsive electronic techniques. <br>Heck, I even like the movie! The score fits like a glove.<br>It helps that I'm a huge Tony Scott fan though.<br><br>Zimmer would even 'steal' from this score quite a bit in some of his later films. The 'Wayne Manor Suite' from TDKR comes to mind, as well as one of the Blade Runner 2049 themes being strangely similar to The Fan's 'Opening Titles' theme, and I'm sure there are other examples.<br><br>I would love for a complete version to be officially released sometime. It's very unlikely, but one can dream...Listen to the first demo at NGS demos album of "The Rock". The opening and SEAL Attack have a few notes from original NGS theme. That's why NGS is credited to it.I remember hearing something about NGS not wanting his name in the opening credits since it was a Hans cue playing. So yeah. I think the opening is really just Zimmer and the NGS credit is a formality since it was supposed to be Nick’s score.I'm sorry, disregard EVERYTHING I just wrote...The credit on "SEAL Attack" is HZ/NGS/Stern, not HZ/HGW/Stern. Not sure how I missed that. *facepalm*
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Tom Holkenborg (Junkie XL)Christian VorlanderStephen PeroneBob Badami
ComposerAdditional MusicAdditional ArrangementsMusic Supervisor
Mad Max - Fury Road (Complete Score)
Label: Unofficial Release
Length: 152'35
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (106 votes)
  1. Logo - Opening (1:40)
    Tom Holkenborg
  2. Attempted Escape (3:29)
    Tom Holkenborg
  3. Preparations (3:03)
    Tom Holkenborg
  4. Citadel Left Turn (6:13)
    Tom Holkenborg
  5. Blood Bag (3:40)
    Tom Holkenborg, Christian Vorländer
  6. Buzzards Arrive (1:26)
    Tom Holkenborg
  7. Spikey Car Attack (4:08)
    Tom Holkenborg
  8. Into The Storm (6:16)
    Tom Holkenborg
  9. Water (7:13)
    Tom Holkenborg
  10. This Rig Goes Nowhere Without Me (6:32)
    Tom Holkenborg
  11. Into The Canyon (2:49)
    Tom Holkenborg
  12. Rock Riders (6:24)
    Tom Holkenborg
  13. Immortan Gives Chase (3:17)
    Tom Holkenborg
  14. Immortan Suite (2:18)
    Tom Holkenborg
  15. Keep Moving (3:18)
    Tom Holkenborg (Eleni Karaindrou)
  16. On The Go Vault (12:32)
    Tom Holkenborg, Christian Vorländer
  17. Redemption - Many Mothers - No Green Place (8:58)
    Tom Holkenborg (Eleni Karaindrou)
  18. Hallucinations - We Return (5:18)
    Tom Holkenborg
  19. War Party Gives Chase (1:25)
    Tom Holkenborg
  20. Action (Part 1) (6:03)
    Tom Holkenborg, Christian Vorländer
  21. Action (Part 2) (1:06)
    Tom Holkenborg
  22. Action (Part 3) (6:49)
    Tom Holkenborg, Christian Vorländer
  23. Action (Part 4) (2:40)
    Tom Holkenborg
  24. Blood Transfusion (2:23)
    Tom Holkenborg
  25. Return To The Canyon (2:37)
    Tom Holkenborg
  26. Rock Riders Theme Suite (4:28)
    Tom Holkenborg
  27. Immortan Theme Suite (11:11)
    Tom Holkenborg
  28. Valkyrie Theme Suite (2:26)
    Tom Holkenborg
  29. Five Wives Theme Suite (1:43)
    Tom Holkenborg
  30. Many Mothers Theme Suite (4:43)
    Tom Holkenborg
  31. Music Box Source (0:16)
    Tom Holkenborg
  32. Preparations - Citadel Left Turn (Alternate) (8:58)
    Tom Holkenborg
  33. Redemption (Alternate) (1:46)
    Tom Holkenborg
  34. Action (Part 1) (Alternate) (5:44)
    Tom Holkenborg, Christian Vorländer
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Hans Zimmer reply Replies: 1 || 2019-08-15 00:18:20
@Hybrid, Junkie is with Kraft-Engel Agency. Is this a good or bad thing in terms of working with RCP?


Knight2019-08-15 00:39:49
Irrelevant, there are quite a few RCP composers represented by them, for instance Geoff Zanelli, John Powell, Henry Jackman and Heitor Pereira.

Bondo reply Replies: 3 || 2019-08-02 01:03:14
Are the suites on the OST?


mpolonest123 2019-08-02 01:42:17
Yep.

“Valkyrie” = “Mary Jo Bossa”
“Immortan” = “Immortan”
“Five Wives” = “We Are Not Things”
“Many Mothers” = “Coda”

Not sure about “Rock Riders”.


David2019-08-02 01:54:30
Rock Rider is the film version of Brothers In Arms!


Bondo2019-08-02 20:02:08
Thanks for the clarification!

DT-2017 reply Replies: 0 || 2019-08-02 17:50:45
Funny, when I mentioned the IT Chapter 1 unofficial expanded score it got removed and the implication from what I was told was that bootlegs were no longer being talked about here.

tilibro reply Replies: 0 || 2019-07-15 07:35:45
Didn't think there was more unreleased tracks from this score, aside from some suites, considering how much there was on the Deluxe Edition.

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Mad Max - Fury Road (Complete Score) soundtrack - Tom Holkenborg (Junkie XL) 2015