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Some original cue titles with slates from a music mixing CD-R:<br>1M13 Transactions<br><br>2M16 Jake Gets Stoned<br>2M20A Alley<br>2M21 Rapists Castration<br><br>3M24 My Old Division<br>3M27 Go Fetch Dog<br>3M30 The Freeway<br>3M32 Alonzo Steals Money<br>3M33 Into The Jungle<br><br>4M41 Safety Is First / Busting Into Rogers<br><br>5M46 Helicopter<br>5M48 Sunset / Wet Streets<br>5M51 Jake Gets Beaten<br>5M52 Smiley Calls His Cousin<br><br>6M57 On The Roof<br>6M58 Jake Lands On Car<br><br>7M61 Alonzo Dies<br>7M63 Sun ShotMovie credits:<br><br>Music by Hans Zimmer & David Fleming<br><br>Music Supervisor: Joe Rudge<br><br>Score Produced by Hans Zimmer<br>Supervising Music Editor: Ryan Rubin<br>Music Editor: Nate Underkuffler<br>Music Production Services: Steven Kofsky<br>Additional Music by Ben Powell<br>Featured Guitar Soloist: Derek Trucks<br>Score Mixed by Seth Waldmann<br>Score Mix Assistant: Aldo Arechar<br>Technical Score Engineer: Chuck Choi<br>Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks<br>Synth Programming: Hans Zimmer<br>Digital Instrument Design: Mark Wherry<br>Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno<br>Studio Manager for Remote Control Productions: Shalini Singh<br>Assistant to Hans Zimmer: Cynthia Park<br>Score Mixed at Remote Control Productions, Santa Monica CA<br>Music Clearances: Jessica Dolingerthats trueCan't think of a more meaningless and laughable award than the Oscar.an oscar for this one? nahh...<br>maybe he gets a nomination for dune or bond
Maybe WW1984damn it would be kinda awesome and hilarious if Lorne Balfe got Lorne Balfe’d LOLYeah 100% fake... And there was HJ rumor on Black Widow sometimes last year, so if you do the math...Henry doesn't have an official Instagram. It looks like you are referring to the account "henry0262020" which appears to be a fake account, to the best of my knowledge.Henry Jackman is now Black Widow's composer, apparently in his instagram, posted a photo
Hah! Knew it. FYI, I'm not smoking anything. I don't smoke, and I abhor anyone who does.Oh interesting. When I said "refined his sound," I didn't mean that he was still trying to find his voice. This score absolutely exudes the qualities that make his work so appealing. You simply managed to put what I was trying to say in better terms. I'm definitely happy to give this one more goes in the future, but I remain more partial to some of the other installments.This is easily my favorite X-Men score, but I do agree there is a bit of an...*odd* feel to it sometimes. The impression I get is that Powell was reeeaallly pushing himself to write the most dense and complex and ambitious score he could, and I think he may have overreached a tad. There's definitely a big contrast between this score and the much tighter, more focused sound he was bringing in his action music from a couple years prior, like Paycheck or The Bourne Supremacy. I wouldn't say he "hadn't quite refined his sound yet" - this isn't Face/Off, his voice was pretty well established by this point - but he was trying to develop it a bit faster than it was naturally going to go.<br><br>At the same time, I love how this score goes for broke, and I hate to fault a composer for too much ambition. "Phoned in" is the LAST thing this score is. But Powell would iron out the kinks and by How to Train Your Dragon he was writing a score that was just as complex, but wore the complexity a bit more naturally than X3."There is nothing musically interesting in [Ottman's] X-Men scores except the main titles."<br><br>As if I didn't need a reminder that this place can house some ludicrous opinions sometimes (no offense intended there).<br><br>The Last Stand barely cracks the top 5 of X-Men scores for me, if only because I love the themes and it carries a lot of nostalgia for me. It's pretty clear imo that this score was at a point when Powell hadn't quite refined his sound yet. I wouldn't call it phoned in whatsoever, but it's easy to get lost at points when I'm listening to the full thing. But the highlights are too great for me to call it middling either, so it barely gets a solid grade in my book. <br><br>I'm likely in the minority when I say I actually prefer Dark Phoenix. It's much more solid as a whole product.I like the tracks
Wow!!!Still my favorite score from the X-Men series.Not too stoked on Powell, but the way Ottman's able to squander a good theme makes him close to the bottom of the barrel in my book. There is nothing musically interesting in his X-Men scores except the main titles.I don't know what you're smoking but you need to get off it. In the way is this phoned in, the orchestration and everything about it is perfect. No score for X-men has come close to this one except maybe X2That recording footage makes it all the more baffling to me why the end product sounds the way it does.
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Hans ZimmerLorne BalfePaul MounseyStephen Hilton
ComposerComposerAdditional MusicAdditional Arrangements
Kung Fu Panda 3 (Complete Score)
Label: Unofficial Release
Length: 93'59
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (1010 votes)
  1. Climbing The Hill (0:46)
    Hans Zimmer (John Powell)
  2. Kai & Oogway Battle (2:39)
    Hans Zimmer (John Powell)
  3. Hungry For Lunch (1:19)
    Hans Zimmer (John Powell)
  4. Bunny Slap (0:20)
    Hans Zimmer (John Powell)
  5. Dramatic Entrance (0:38)
    Hans Zimmer, Lorne Balfe
  6. Dramatic Exit (1:03)
    Hans Zimmer, Lorne Balfe
  7. Po's A Bad Teacher (0:39)
    Hans Zimmer
  8. The Power Of Chi (3:42)
    Hans Zimmer, Lorne Balfe (John Powell)
  9. Kai Arrives (2:01)
    Hans Zimmer, Paul Mounsey
  10. Bubble Broth (1:34)
    Hans Zimmer, Paul Mounsey (John Powell)
  11. The New Dad (3:28)
    Hans Zimmer, Paul Mounsey (John Powell)
  12. Hall Of Heroes (2:42)
    Hans Zimmer, Lorne Balfe (John Powell)
  13. Attack Of The Jade Masters (3:38)
    Hans Zimmer, Paul Mounsey (John Powell)
  14. The Legend Of Kai (4:23)
    Hans Zimmer, Lorne Balfe, Paul Mounsey (John Powell)
  15. Trek To The Village (1:24)
    Hans Zimmer, Lorne Balfe
  16. Panda Homecoming (4:28)
    Hans Zimmer, Lorne Balfe
  17. Potential (0:41)
    Hans Zimmer, Nathan Wang
  18. Mei Mei's Ribbon Dance (1:18)
    Hans Zimmer, Nathan Wang
  19. Crane & Mantis Jaded (2:16)
    Hans Zimmer, Lorne Balfe (John Powell)
  20. Eye Of The Panda (0:35)
    Paul Mounsey
  21. How To Be A Panda (2:07)
    Hans Zimmer, Lorne Balfe (John Powell)
  22. Portrait Of Mom (2:38)
    Hans Zimmer, Lorne Balfe
  23. Every Master Has Vanished (0:44)
    Hans Zimmer, Paul Mounsey
  24. Kai Destroys The Palace (4:20)
    Hans Zimmer, Paul Mounsey (John Powell)
  25. Village Music (0:32)
    Nathan Wang
  26. Po Belongs (0:53)
    Hans Zimmer, Lorne Balfe
  27. Kai Is Closer - You Just Did (3:16)
    Hans Zimmer, Lorne Balfe, Paul Mounsey
  28. Ping & Li - Two Fathers (1:25)
    Hans Zimmer, Lorne Balfe, Paul Mounsey
  29. An Army Of Your Own (2:35)
    Hans Zimmer, Lorne Balfe (John Powell)
  30. The Training (2:11)
    Hans Zimmer, Lorne Balfe
  31. Battle Plan (1:38)
    Hans Zimmer, Lorne Balfe (John Powell)
  32. Panda Kai Battle (4:43)
    Hans Zimmer, Lorne Balfe (John Powell)
  33. Spirit Warrior - Po's Sacrifice (3:14)
    Hans Zimmer, Lorne Balfe, Paul Mounsey (John Powell)
  34. The Spirit Realm (Part 1) (0:51)
    Hans Zimmer, Paul Mounsey (John Powell)
  35. The Spirit Realm (Part 2) (1:41)
    Hans Zimmer, Lorne Balfe, Paul Mounsey
  36. The Dragon Warrior (2:51)
    Hans Zimmer, Lorne Balfe
  37. Oogway Passes The Torch (4:15)
    Hans Zimmer (John Powell)
  38. Kung Fu Fighting (Celebration Time) (2:59)
    Carl Douglas, Hans Zimmer, Al Clay (John Powell)
  39. Try (4:00)
    Jay Chou, Patrick Basca, Vincent Fang, Celeste Syn, Hans Zimmer, Hans Chen, Josh Lo, Al Clay
  40. Oogway's Legacy Theme (2:01)
    Hans Zimmer
  41. Father & Son Theme (3:00)
    Lorne Balfe
  42. The Dragon Warrior (Alternate) (2:52)
    Hans Zimmer, Lorne Balfe
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Po reply Replies: 0 || 2020-11-08 17:08:50
impressive, sophisticated and always elegant

Alan reply Replies: 0 || 2020-10-02 09:59:46
where do I buy it?

Bob reply Replies: 0 || 2020-07-31 20:15:21
How to get this at all?

Mike reply Replies: 2 || 2019-09-03 02:29:06
So "Training" isn't solo Hans after all? That would make sense that Lorne is in there, given some of the trumpet material.


Edmund Meinerts2019-09-03 15:32:37
I always did think I could hear some flickers of Lorne in that cue.


Mike2019-09-03 17:35:15
The Kai vs. Oogway opening cue (just credited to HZ) is a surprisingly solid mix of the Oogway and Imagine Dragons themes. In some ways, I think animated scores like this bring out the best in Zimmer.

mpolonest123 reply Replies: 0 || 2019-07-17 20:30:36
I absolutely love Kai’s theme in this score, there are so many cool variations that weren’t on the initial album. Hans and Co. really stepped up their game here. I don’t feel the temp as heavily here as KFP2 (which is still an amazing sequel score).

coffin reply Replies: 2 || 2019-07-15 15:56:37
Hans's emulation of Powell's sound is more convincing than Mousney and Balfe's.


Edmund Meinerts2019-07-15 19:43:57
It's pretty good but I think it's the Mounsey cues that sounds the most convincingly Powellish here. Which makes sense given that he's worked on like every single Powell score of the last 10 years lol


coffin2019-07-17 16:56:33
Hybrid, did Lorne actually do a lot of writing on this one or is he just being credited for the theme?

....... reply Replies: 0 || 2019-07-14 15:56:23
Kai and Oogway Battle! :D

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Kung Fu Panda 3 (Complete Score) soundtrack - Hans Zimmer - Lorne Balfe 2016