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Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.
Sure thing. PM me on YouTube, I'll send you  the link :)I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.
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Tom Holkenborg (Junkie XL)Antonio Di IorioConrad Pope
ComposerAdditional MusicConductor
Mortal Engines (Complete Score)
Label: 182'05
Length: Bootleg
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (88 votes)
  1. Prologue (1:29)
    Tom Holkenborg
  2. London Chase (Part 1) (5:14)
    Tom Holkenborg
  3. London Chase (Part 2) (1:06)
    Tom Holkenborg
  4. Empty Stomach (Part 1) (1:38)
    Tom Holkenborg
  5. Empty Stomach (Part 2) (2:36)
    Tom Holkenborg
  6. Arrival (0:34)
    Tom Holkenborg
  7. Museum (5:07)
    Tom Holkenborg, Antonio Di Iorio
  8. Katherine Escorts Tom (3:55)
    Tom Holkenborg
  9. Hester Stalks (1:37)
    Tom Holkenborg
  10. Hester Attacks - Tom Chases (6:12)
    Tom Holkenborg, Antonio Di Iorio
  11. Who Was She? (1:58)
    Tom Holkenborg
  12. Tom & Hester In The Outlands (2:31)
    Tom Holkenborg
  13. Magnus & Valentine - Who's Hester Shaw? (2:22)
    Tom Holkenborg, Antonio Di Iorio
  14. Never Head South - Old Tech (3:45)
    Tom Holkenborg, Antonio Di Iorio
  15. Tom's Story (1:34)
    Tom Holkenborg
  16. Night Hunt (2:21)
    Tom Holkenborg
  17. She's Not My Girlfriend (1:00)
    Tom Holkenborg, Antonio Di Iorio
  18. Bevis & Katherine (1:39)
    Tom Holkenborg, Antonio Di Iorio
  19. Hester's Story (5:44)
    Tom Holkenborg
  20. Meet Shrike (Part 1) (0:37)
    Tom Holkenborg
  21. Meet Shrike (Part 2) (6:49)
    Tom Holkenborg
  22. Time To Check Out (2:23)
    Tom Holkenborg
  23. Slave Market (1:37)
    Tom Holkenborg, Antonio Di Iorio
  24. Meet Fang (3:13)
    Tom Holkenborg
  25. Shrike Attacks (5:14)
    Tom Holkenborg
  26. He Raised Me (2:30)
    Tom Holkenborg
  27. Hester & Shrike's Story (4:38)
    Tom Holkenborg
  28. Hester Escapes Shrike (4:10)
    Tom Holkenborg
  29. Air Haven (5:17)
    Tom Holkenborg
  30. Valentine's Rebuilt Medusa (7:37)
    Tom Holkenborg
  31. Shrike At Air Haven (4:33)
    Tom Holkenborg
  32. Death Of Shrike (4:08)
    Tom Holkenborg
  33. The Shield Wall (3:23)
    Tom Holkenborg, Antonio Di Iorio
  34. We Strike First (3:41)
    Tom Holkenborg, Antonio Di Iorio
  35. Medusa Fires (Part 1) (2:05)
    Tom Holkenborg
  36. Mesuda Fires (Part 2) (1:50)
    Tom Holkenborg
  37. Hell Has Been Unleashed (3:37)
    Tom Holkenborg
  38. Counter Attack (5:54)
    Tom Holkenborg, Antonio Di Iorio
  39. Valentine VS Fang - Showdown (1:23)
    Tom Holkenborg, Antonio Di Iorio
  40. Final Confrontation (8:55)
    Tom Holkenborg, Antonio Di Iorio
  41. Aftermath (4:39)
    Tom Holkenborg, Antonio Di Iorio
  42. London Suite (3:08)
    Tom Holkenborg
  43. The Chase Theme Suite (4:08)
    Tom Holkenborg
  44. Shrike Suite (4:40)
    Tom Holkenborg
  45. Tom Theme Suite (1:34)
    Tom Holkenborg
  46. Katherine Theme Suite (4:15)
    Tom Holkenborg, Antonio Di Iorio
  47. Fang Theme Suite (1:25)
    Tom Holkenborg, Antonio Di Iorio
  48. Valentine & Medusa Suite (1:59)
    Tom Holkenborg, Antonio Di Iorio
  49. Wind Flower Suite (2:28)
    Tom Holkenborg
  50. Shrike Attacks (Alternate) (2:01)
    Tom Holkenborg
  51. Final Confrontation (Alternate) (8:43)
    Tom Holkenborg, Antonio Di Iorio
  52. Aftermath (Alternate) (3:24)
    Tom Holkenborg
  53. The Chase Theme Suite (Version 2) (4:08)
    Tom Holkenborg
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FaresTdkr reply Replies: 1 || 2019-07-19 12:01:29
Just want shrike death cue!


mpolonest123 2019-07-19 14:08:50
Same here. The cue I want the most is “We Strike First”.

mpolonest123 reply Replies: 0 || 2019-07-14 06:56:03
Tom Holkenborg’s best score imo!

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Mortal Engines (Complete Score) soundtrack - Tom Holkenborg (Junkie XL) 2018