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OST album additional credits:<br><br><br>Geoff Zanelli (James Newton Howard)<br><br>MISTRESS OF EVIL<br><br><br>Geoff Zanelli, Phill Boucher<br><br>ETIQUETTE LESSONS (James Newton Howard)<br>IT IS LOVE THAT WILL HEAL YOU<br>BACK TO THE MOORS  (James Newton Howard)<br><br><br>Geoff Zanelli, Zak McNeil<br><br>WHAT IS GOING ON HERE? (James Newton Howard)<br>PINTO'S RECON MISSION<br>ORIGIN STORY<br>THE DANCE OF THE FEY<br>YOUR MAJESTY, THEY'RE COMING FROM THE SEA<br>THE PHOENIX (James Newton Howard)<br><br><br>Geoff Zanelli, Phill Boucher, Zak McNeil<br><br>ALL HE WANTED WAS PEACE<br>YOU DON'T HAVE TO CHANGE (James Newton Howard)<br>I'VE MADE MY CHOICE<br>PROTECTING OUR KIND<br>MALEFICENT RETURNS (James Newton Howard)<br>HELLO, BEASTIE! (James Newton Howard)<br>TIME TO COME HOMEMaybe the reuse of MW 2 is not Lorne's choice after all. Maybe the movie was temptracked with it, before scored, and the director got attached to it. So Lorne had either to "imitate" it or just use the same cues, since they were his. <br><br>This is just a speculation I made, since this happens quite often. I remember the Elfman - Raimi conflict about the train sequence in Spiderman 2, where Raimi asked Elfman to "copy" a cue from Hellraiser.Guys are you serious ? Iím currently reading comments about how Modern Warfare 2 is in the score. In Bad Boys for Life you can heard firstly  : The Rock, Speed, Bad Boys, ... MW2 is just a reharsch of these score instead with some Black Hawk Down soundscape. Have you heard any MV score post 2005? &#128517;As much as I think that the choice of movie Powell makes, which up till now have created amazing scores, I do wish we'd get more than 1 score of his every year. Even if the quality is like Solo or The Hidden WorldI actually don't know which I prefer. I guess nostalgia might be clouding my judgement, since the album version was the one used on the DVD menu. Both are still pretty good, nonetheless.
Yeah no contest IMO, it's much more dynamic and more "Powell-y" compared to that Superman-style rhythm he uses in the album version and elsewhere in the score. Must have been a hasty last-minute redo or something to not show up on the album.The films Powell is currently choosing allow him to write much more interesting music than your average Marvel movie... ;)<br><br>Excited for Call of the Wild in a few weeks.Does anyone know what the correct chronological tracklist for this would be?Honestly, i think i will be that few people who likes Lights Out. But his best horror score is A Cure for WellnessThatís a cool choice, Iím hoping for something more like ďItĒ and less like ďLightís OutĒ.
Wallfisch has compose the score for The Invisible Man, another horror score for the best guy today for the jobPowell has his personal reasons, but I sincerely hope he comes around to do another superhero score again, especially for MARVEL since his style isnít fit for the likes of DC as of now.I like the film version of Bathroom Titles better.LOL!<br><br>He has had some experience with animated projects, Iím interested to hear him do more diverse projects like that.I will never understand when people can't stand people opinions and 'attack' them.<br><br>If some loves Trent Reznor (i hate the guy's music), is his opinion and i no one to say nothing about it.
Bring on the remixes!LOL!!! You have no idea about film music<br>====================<br><br><br>It's his opinion, my friend.<br><br>And his opinion is equally as valid as the opinion of someone who thinks this score is the worst crap ever. Why? Because when it comes to appreciating art (movies, books, music...) it is all completely subjective. <br><br>I always use this example: I have two friends - educated, family men - who have seen The Godfather. One of them thinks it's one of the greatest movies ever, while the other one barely finished watching it. <br><br>At the end of the day, just because a group of people (film critics, film buffs, etc) proclaim that something is "good" or "bad" doesn't mean that it's automatically a holy statement that everyone should agree with. <br><br>We are all different :)<br><br>Cheers!Judging by the clips of this movie, it will be a good choice.<br><br>I can't wait for this one, after seeing those clipsAccording to Film Music Reporter, Tom is also scoring Scoob!MMichaels LOL!!! You have no idea about film music

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Steve JablonskyDavid FlemingGary DworetskyLuke Richards
ComposerAdditional MusicAdditional MusicAdditional Music
Transformers - The Last Knight (Complete Score)
Label: Unofficial Release
Length: 195'18 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (317 votes)
  1. Opening Battle (1:42)
  2. Merlin (0:29)
  3. Merlin Gets The Staff - Battle Won (3:07)
  4. Troubled Times (1:55)
  5. No-Go Zone - Kids (3:29)
  6. Sqweeks - Canopy (2:22)
  7. Canopy Death (0:40)
  8. Cade Arrival (1:17)
  9. Knight Gives Cade Medal Disk - Cade Captured (2:27)
  10. Stand Down (1:46)
  11. That Voice (0:52)
  12. Barricade - Megatron (0:38)
  13. Quintessa (Part 1) (1:07)
  14. Quintessa (Part 2) (1:31)
  15. Cade Driving Amulet (0:58)
  16. Polo (0:44)
  17. Vivian Arrives At Museum (0:27)
  18. Vivian Museum (1:07)
  19. Quintessa (Part 3) - Optimus Redemption (0:58)
  20. Cade's Junkyard (0:45)
  21. Talisman (The Medal) (1:00)
  22. No Home (0:58)
  23. Too Tough To Share (1:32)
  24. Horns From Hell (Part 1) (1:09)
  25. Horns From Hell (Part 2) (0:23)
  26. Dad (1:25)
  27. Megatron Montage Front (1:37)
  28. The Tank - Megatron Names His Crew - TRF Plans (3:38)
  29. We Hunt (Decepticons Hunt) (1:46)
  30. Izzy & Cade Fix Voicebox (1:21)
  31. Lennox Mounts Up - Code Red (2:13)
  32. Standoff - TRF - Cade (1:25)
  33. Megatron Has Sqweeks - Put Him Down (1:24)
  34. Drone Chase (5:08)
  35. Cade Meets Cogman - Chosen (2:18)
  36. One True Night - Quintessa (Part 1) (0:22)
  37. Freak Anomaly (0:41)
  38. One True Night - Quintessa (Part 2) (1:00)
  39. Father's Study - Car Abduction (3:05)
  40. Cade & Bee Arrive At Burton's (0:52)
  41. Keep A Secret - Viv Arrives At Castle Folgen (1:22)
  42. American Man - Viv & Cade Talk To Burton (1:13)
  43. Witwiccans - Nazis - Battle Memories (4:24)
  44. Every Myth (0:53)
  45. Roundtable Organ Source - Cogman Choir (2:10)
  46. The Staff (2:26)
  47. Better Get Cracking (5:01)
  48. Planetary Vampirism (1:21)
  49. Vivian Follows Merlin - Car Chase (2:54)
  50. HMS Alliance (0:54)
  51. Too Old (2:19)
  52. Underwater (3:16)
  53. Burton Visits The Prime Minister (1:12)
  54. Submarine (1:59)
  55. Two Moons (2:03)
  56. Slimy Staff Search (0:42)
  57. Merlin's Tomb (3:19)
  58. Space Station (0:38)
  59. Claim The Staff (3:37)
  60. Ship Rise - Top Side Fight (Prime VS Bee) (2:46)
  61. Your Voice - Knighted (4:34)
  62. Shut It Down (2:46)
  63. Soldiers Take Position - Burton Dies (2:29)
  64. Back In The Tank - Quintessa Shoots Blue Light (1:00)
  65. Crush Zone - Prison Ship Hangar (1:29)
  66. Fly With Me (0:46)
  67. Ospreys (1:49)
  68. Gunfire (3:44)
  69. Dante - Prime Kills Dante (1:57)
  70. We Have To Go - Zero Gravity (5:21)
  71. Fall & Grab - Ending (3:16)
  72. Unicron (0:57)
  73. Sacrifice Suite (6:47)
  74. The Coming Of Cybertron Suite (4:59)
  75. Merlin's Staff Suite (5:49)
  76. Stay & Fight Suite (6:26)
  77. Izzy Suite (4:00)
  78. Purity Of Heart Suite (3:34)
  79. Seglass Ni Tonday Suite (6:27)
  80. Quintessa Suite (6:37)
  81. Vivian Suite (3:53)
  82. We Have To Go Suite (5:49)
  83. Sir Edmund Burton Suite (4:10)
  84. Father's Study (Alternate) (1:10)
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GermanRCPFan reply Replies: 8 || 2019-07-19 18:26:44
Finally! It would be nice to have composers credits

johny5552019-07-19 20:35:59
oh yes please, including Balfe - donīt start yelling, Iīm just really curious who did what

Hybrid Soldier2019-07-19 20:39:24
Cuesheet is blank.

Mr.Unbreakable2019-07-19 21:31:22
Use your hybrid skills to unravel the mysteries of the score.

Scorefan2019-07-19 22:06:36
@Hybrid is this the combination of FYC promotional score + official release by LLL?

Hybrid Soldier2019-07-20 10:28:01
Yes it is because the FYC is horrible... The OST is what Steve & co wrote. The FYC is what came out of the Music Editing Factory, which I don't dig at all. Lots of micro edits & transformations Steve probably didn't even hear... lol

Real final mixes would look like the OST, not like the FYC...

superultramegaa2019-07-20 15:34:59
I'm just curious why there's so much dead air in the FYC tracks. Cues like "Shut it Down", "Burton Visits Prime Minister", or "Megatron has Squeeks" just have nothing to them!

No themes to speak of besides one horn blast of "Quintessa", no interesting melodies, or rhythm, just dead electronics and weak-feeling drums and strings which really doesn't fit in with the series' style. Not even the fourth movies'.

Anonymous2019-07-20 18:31:34
how about credits for the LLL set then?

johny5552019-07-21 14:02:10
yea, that should be enough for me© 2001-2018 OST 
Transformers - The Last Knight (Complete Score) soundtrack - Steve Jablonsky 2017