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Most of them are done actually and should have been released a while ago !Hybrid why is HZ scoring so many films lately, has he placed a bet with himself or something? lol<br><br>Looking forward to it. Boss Baby was a really fun score.I'm confident he would care. Not saying he has any control over it. <br>I don't think Mondo should be making any money from this release. It ought to be canceled and removed from their website. <br><br>It's more than just a tempo issue. The tone is entirely off, and parts that were once pleasing to hear, now sound awful to my ears.<br><br>Seems Mondo is lacking the proper quality control. Hopefully this is a wake up call for them. If enough people avoid buying this album or return it, they'll get the message. I like to see capitalism work properly. <br>Maybe Pope is involved.Great news! The first one is fun, not Zimmer’s best animated score imo but it’s still pretty enjoyable. I almost wish they got Conrad Pope involved again, “Love” is one of the most beautiful cues of the past few years.
The first one was quite pretty good.We knew Steve would return for quite some time, but I was surprised Hans would actually return too. But he's very involved with that one.Who is Hans Zimmerman?i want it so much <3I guess it's only fair that they do shoulder the blame, considering again that releases like these aren't really the norm for them. I still wouldn't expect a recall and replacement, since it'd be a lot of money down the drain there. Their loss ultimately at the end of the day.<br><br>A bit disappointed about the content being the exact same as the leak, as I would've liked some of the film edits or at least the alt mixes I've seen pop up. I guess I'll just have to hope Disney does end up cooperating with LLL sooner than later.
You gotta realize one thing, most of the time, Hans doesn't even know about these releases (and honestly I think he doesn't care). Only a few labels like LLL play ball and have him involved (but as Hans doesn't own most of his music, they have no other reason than courtesy to do so).<br><br>As for MI2, people who complained about the "content" instead of the tech aspect of it were goddamn wrong. Yes, the film mixes / OST mixes are pretty different. Because you have suites & sometimes material specifically arranged for the album or alternate cues.<br><br>Mondo having released the final mixes (and I know what Paramount provided them, it's just exactly the same 2 CD set copy that leaked years ago), I have no problem if the content is different.<br><br>And that's the topic on which they answered, James. Technically, they're not wrong, but they are ditching the REAL problem, for which they are responsible for ! The speed issue is on them, not on what they got.Considering the recent issues with the isolated score on Days of Thunder's 4K release sounding very inconsistent, I do wonder if Paramount has simply been poor in preserving stuff. Especially when they mention the studio and not the record label, which might've had a better copy on hand (they did finally put the OST on digital recently, after all).<br><br>I am not going to hold Mondo responsible for this, especially considering they normally do just press the regular OSTs onto LPs. I don't expect them to be fully privy to if a score sounds fine or not, since they're often just given the stuff prepared for them. Besides, repressing records would be a super expensive ordeal, especially with how limited they're often designed to be now.<br><br>And honestly: since no one has made the comparison to Sherlock 2 yet, how bad sounding is it really? I'd much rather it be slightly off than it being complete trash like the Perseverance release of Rain Man was. If HZ was able to let that slide once, then he won't be so worked up over a small tempo issue.So this is what Mondo had to say about their massive screw up. I've never heard something so stupid in my life. If I had a direct line to Hans Zimmerman himself I'd call him about this. I'm sure he would be interested to know they butchered his album. <br><br>"Hi James,<br><br>I talked with the soundtracks department and here's what they had to say:<br><br>We’ve been made aware of a discrepancy between how the audio sounds on our album versus how it was previously released in original releases.<br><br>Our masters came directly from the studio and from original recording sessions, and we did not do any adjustments to the masters in post other than standard vinyl mastering process. But it seems any previous post production on those original releases, and cues used in the film itself, are absent from our release and may account for the differences you notice.<br><br>We currently do not have any plans on remastering the score."<br>Great. Thx.<br><br>Score has much similarities with Sherlock, so there is many of Lorne's cues...Known credits are Runaway Train for Mazzaro (was on his website), for Andrew K : The Rangers, Cannibal, Dead Rangers & Finish Him (on his Soundcloud). Geoff is the only guy with Ann Marie Simpson that got the privilege of cuesheet credit.
<br>Battle of Aughrim arrangement (so everything lifted from "Silver") is Hans & Ann Marie.
<br>Geoff did a good part of the score, every other classical pieces arrangements are his (so, everywhere the William Tell Overture appears). Train Chase, the End Credits, This Is A Robbery.
<br>The stuff that sounds more or less like Sherlock have definitely Lorne. And I suspect a bit more epic drama have RGW.
Hello there!<br>Hybrid, do we have some composer's credits on this score?<br>Or this is situation like on Transformers score?<br><br>Somewhere I read that Geoff Zanelli helped Hans on Train Chase (pts 1&2), Mazzaro did Runaway Train and Kawczynski did like 2 or 3 tracks (the rangers, finish him). Is that correct?<br><br>btw good score, not genius, but pretty good action score.<br><br>Made in Italy<br><br>Beautiful new score by Alex Belcher, check it out!Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...

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Steve JablonskyDavid FlemingGary DworetskyLuke Richards
ComposerAdditional MusicAdditional MusicAdditional Music
Transformers - The Last Knight (Complete Score)
Label: Unofficial Release
Length: 195'18 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (629 votes)
  1. Opening Battle (1:42)
  2. Merlin (0:29)
  3. Merlin Gets The Staff - Battle Won (3:07)
  4. Troubled Times (1:55)
  5. No-Go Zone - Kids (3:29)
  6. Sqweeks - Canopy (2:22)
  7. Canopy Death (0:40)
  8. Cade Arrival (1:17)
  9. Knight Gives Cade Medal Disk - Cade Captured (2:27)
  10. Stand Down (1:46)
  11. That Voice (0:52)
  12. Barricade - Megatron (0:38)
  13. Quintessa (Part 1) (1:07)
  14. Quintessa (Part 2) (1:31)
  15. Cade Driving Amulet (0:58)
  16. Polo (0:44)
  17. Vivian Arrives At Museum (0:27)
  18. Vivian Museum (1:07)
  19. Quintessa (Part 3) - Optimus Redemption (0:58)
  20. Cade's Junkyard (0:45)
  21. Talisman (The Medal) (1:00)
  22. No Home (0:58)
  23. Too Tough To Share (1:32)
  24. Horns From Hell (Part 1) (1:09)
  25. Horns From Hell (Part 2) (0:23)
  26. Dad (1:25)
  27. Megatron Montage Front (1:37)
  28. The Tank - Megatron Names His Crew - TRF Plans (3:38)
  29. We Hunt (Decepticons Hunt) (1:46)
  30. Izzy & Cade Fix Voicebox (1:21)
  31. Lennox Mounts Up - Code Red (2:13)
  32. Standoff - TRF - Cade (1:25)
  33. Megatron Has Sqweeks - Put Him Down (1:24)
  34. Drone Chase (5:08)
  35. Cade Meets Cogman - Chosen (2:18)
  36. One True Night - Quintessa (Part 1) (0:22)
  37. Freak Anomaly (0:41)
  38. One True Night - Quintessa (Part 2) (1:00)
  39. Father's Study - Car Abduction (3:05)
  40. Cade & Bee Arrive At Burton's (0:52)
  41. Keep A Secret - Viv Arrives At Castle Folgen (1:22)
  42. American Man - Viv & Cade Talk To Burton (1:13)
  43. Witwiccans - Nazis - Battle Memories (4:24)
  44. Every Myth (0:53)
  45. Roundtable Organ Source - Cogman Choir (2:10)
  46. The Staff (2:26)
  47. Better Get Cracking (5:01)
  48. Planetary Vampirism (1:21)
  49. Vivian Follows Merlin - Car Chase (2:54)
  50. HMS Alliance (0:54)
  51. Too Old (2:19)
  52. Underwater (3:16)
  53. Burton Visits The Prime Minister (1:12)
  54. Submarine (1:59)
  55. Two Moons (2:03)
  56. Slimy Staff Search (0:42)
  57. Merlin's Tomb (3:19)
  58. Space Station (0:38)
  59. Claim The Staff (3:37)
  60. Ship Rise - Top Side Fight (Prime VS Bee) (2:46)
  61. Your Voice - Knighted (4:34)
  62. Shut It Down (2:46)
  63. Soldiers Take Position - Burton Dies (2:29)
  64. Back In The Tank - Quintessa Shoots Blue Light (1:00)
  65. Crush Zone - Prison Ship Hangar (1:29)
  66. Fly With Me (0:46)
  67. Ospreys (1:49)
  68. Gunfire (3:44)
  69. Dante - Prime Kills Dante (1:57)
  70. We Have To Go - Zero Gravity (5:21)
  71. Fall & Grab - Ending (3:16)
  72. Unicron (0:57)
  73. Sacrifice Suite (6:47)
  74. The Coming Of Cybertron Suite (4:59)
  75. Merlin's Staff Suite (5:49)
  76. Stay & Fight Suite (6:26)
  77. Izzy Suite (4:00)
  78. Purity Of Heart Suite (3:34)
  79. Seglass Ni Tonday Suite (6:27)
  80. Quintessa Suite (6:37)
  81. Vivian Suite (3:53)
  82. We Have To Go Suite (5:49)
  83. Sir Edmund Burton Suite (4:10)
  84. Father's Study (Alternate) (1:10)
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GermanRCPFan reply Replies: 8 || 2019-07-19 18:26:44
Finally! It would be nice to have composers credits

johny5552019-07-19 20:35:59
oh yes please, including Balfe - don´t start yelling, I´m just really curious who did what

Hybrid Soldier2019-07-19 20:39:24
Cuesheet is blank.

Mr.Unbreakable2019-07-19 21:31:22
Use your hybrid skills to unravel the mysteries of the score.

Scorefan2019-07-19 22:06:36
@Hybrid is this the combination of FYC promotional score + official release by LLL?

Hybrid Soldier2019-07-20 10:28:01
Yes it is because the FYC is horrible... The OST is what Steve & co wrote. The FYC is what came out of the Music Editing Factory, which I don't dig at all. Lots of micro edits & transformations Steve probably didn't even hear... lol

Real final mixes would look like the OST, not like the FYC...

superultramegaa2019-07-20 15:34:59
I'm just curious why there's so much dead air in the FYC tracks. Cues like "Shut it Down", "Burton Visits Prime Minister", or "Megatron has Squeeks" just have nothing to them!

No themes to speak of besides one horn blast of "Quintessa", no interesting melodies, or rhythm, just dead electronics and weak-feeling drums and strings which really doesn't fit in with the series' style. Not even the fourth movies'.

Anonymous2019-07-20 18:31:34
how about credits for the LLL set then?

johny5552019-07-21 14:02:10
yea, that should be enough for me© 2001-2018 OST 
Transformers - The Last Knight (Complete Score) soundtrack - Steve Jablonsky 2017