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As for Ad Astra, unfortunately i can't hear anything from Ad Astra aswell :/ It's just MW2 mixed with Mancinas themes for me. And the cues from MW2, they aren't just drums, all the guitars, melodies, vibes, even the choir or the voices are included. The above mentioned cues from MW2 are not complete, there are plenty of them, but these will give you the idea of what we've mentioned. Again, i'm not mad, i'm happy that a wider audience can hear these cues, but then again, on MW2 they sounded better and fresher than on the BB3 score (i mean the quality of the recordings - you can hear the cues and instruments more directly. On the BB3 score it sounds like being in a bathroom hearing to the MW2 score). And as i said earlier, i would like to understand or know what Lorne thought about using all these cues. Time pressure? Unused opportunity for a wider audience? And then again that synth-sound even using a real orchestra :/@ Mr Tweedy:<br><br>MW2 has hundred of cues, which has all the special atmosphere and sound-effects, but try listen to these cues to understand what i and others mean:<br><br>- Guerilla Tactics <br>- Guerilla<br>- Contingency<br>- Breach<br>- Retreat and Reveille<br><br>Funny thing, play the cue "Guerilla Tactics" from MW2 and let Shazam try to find out what track that is. It shows me as "Lorne Balfe - We're Dangerous People" from BB3 :DI really like this score!<br>Sure he used Mancina's Theme, that's allright cool, I don't hear anything similar to Ad Astra....don't know why somebody compare this score with Ad Astra....<br>That MW2 sounds are very great, he don't copy himself, he just used the Drums, what's definitely be OK!!<br><br>I don't know why people always want to compare scores....Everybody use his own Temp Music sometimes, that's normal!Please could you give me the exact name of the track from MW2 that is used in BB3? I’d like to compare both!I love Lorne´s music and all, but I am genuinely wondering, why they decided to re-use MW2 so much in the score
as for the drums, yes, i would understand. but the orchestra? you're recording the strings from a real orchestra, so why the downgrade in sound-quality?Because that parts are sampled drums and there are no real?i don't know what to think about the use of mw2. i mean, i love his work for mw2, it's TOO good to be just a score for a game, a wider audience should hear this, so i'm kind of happy to hear some parts of it here. BUT somehow, it's kind of a lazy move just to copy that 1:1. some cues are untouched and some cues are layered with some themes of mancina. i would be interested to know what was he thinking while doing this? <br><br>i followed his video uploads on his social media channels, where he showed some snippets of the orchestra and i truly loved that. but while hearing at the score, i'm dissappointed to hear the quality as it sounds like synth. i mean that typically Balfe synth sound quality. if he uses truly orchestra, than it's a shame and pitty that it sounds like synths in the end. he needs a better recording or mixing or whatever to get rid of that synth-quality-design and having the true-orchestra feelingMancina's theme + Ad Astra + MW:2= Bad boys for Life.Please enlighten me on how Bad Boys 3 sounds the same as Lego Batman or Genius: Picasso
why his music always sound the same...if he doesn't have time why he keep scoring more and more films per year? is it all about money?Modern Warfare 2 is a lot in the album!<br><br>- It's Good Shit Lieatenant<br>- We're Dangerous People<br>- What Else You Got (Bad Boys Remix)<br>- God's Gun (Bad Boys Remix)<br>- We Ride Together, We Die Together (Bad Boys Remix)We're Dangerous PeopleCall of the Wild coming by Hollywood Records, that means, digital.Bloodshoot coming from Sony Classical
Can confirm is in the albumavailable in nz itunes store. on the cover its correct now....motion picture score.What was Hans’ role in the treatment of Mantovani’s “Charmaine”. It sounds like the original, but cleaner, clearer, & without the limitations of 50/60’s recording technology. I’ve been fascinated by this piece for 25+ years, as it seems almost a precursor to Jarre & even Zimmer’s electronic music, while being entirely orchestral. Links to info appreciated.@Scorefan: You know what "Motion" means right? Motion picture = moving picture = movie. U either call it "Original Movie Score" or "Original Score from the Movie" or u call it "Original Motion Picture Score". But u can't say "Movie Picture" lol. Its just wrong or like Macejko said.. "a retarded mistake" ;-)@Maho: Dude I know why its stated "Score", but thats NOT the issue. What I'm talking about here is "Movie" which should be called "Motion".
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Additional MusicAdditional MusicOrchestrator
Harry Gregson-WilliamsHalli CautheryChristopher WillisLadd McIntosh
ComposerAdditional MusicAdditional MusicOrchestrator
Shrek Forever After (Complete Score)
Label: Unofficial Release
Length: 63'03
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (290 votes)
  1. Once Upon A Time (2:00)
    Harry Gregson-Williams
  2. Rumpelstiltskin (1:57)
    Harry Gregson-Williams
  3. Days Go By (4:03)
    Harry Gregson-Williams
  4. Calliope Music (2:15)
    Harry Gregson-Williams, Christopher Willis
  5. Shrek & Fiona Fight (1:38)
    Harry Gregson-Williams
  6. Shrek Meets Rumpel (0:54)
    Harry Gregson-Williams
  7. Rumpel's Carriage (0:18)
    Harry Gregson-Williams
  8. Shrek's Wish (1:49)
    Harry Gregson-Williams
  9. Shrek Signs (1:07)
    Harry Gregson-Williams
  10. Not Part Of The Deal (1:50)
    Harry Gregson-Williams
  11. Captured (1:18)
    Harry Gregson-Williams
  12. Shrek In Cage (0:25)
    Harry Gregson-Williams
  13. Rumpel's New Kingdom (1:41)
    Harry Gregson-Williams, Halli Cauthery
  14. Rumpel's Party Place (1:29)
    Harry Gregson-Williams
  15. Shrek Was Never Born (2:22)
    Harry Gregson-Williams
  16. My Angry Wig (0:23)
    Harry Gregson-Williams
  17. Shrek Cries (1:47)
    Harry Gregson-Williams
  18. Exit Clause (1:02)
    Harry Gregson-Williams
  19. Fiona Is Gone (1:41)
    Harry Gregson-Williams
  20. Waffles (2:38)
    Harry Gregson-Williams
  21. She's Back (0:47)
    Harry Gregson-Williams
  22. Witches (0:51)
    Harry Gregson-Williams
  23. Rumpel Meeting (2:02)
    Harry Gregson-Williams
  24. Plan Of Attack (1:12)
    Harry Gregson-Williams
  25. Alternate Universe (0:33)
    Harry Gregson-Williams
  26. Puss (0:24)
    Harry Gregson-Williams
  27. Feed Me (0:11)
    Harry Gregson-Williams
  28. Gift Basket (0:12)
    Harry Gregson-Williams
  29. Fiona Throws Shrek Out (0:14)
    Harry Gregson-Williams
  30. Pay The Piper (0:44)
    Harry Gregson-Williams
  31. Flute On Ogre (0:12)
    Harry Gregson-Williams
  32. Din Din (0:36)
    Harry Gregson-Williams, Christopher Willis
  33. Fiona Train (0:30)
    Harry Gregson-Williams
  34. Darling I Do (1:30)
    Landon Pigg, Lucy Schwartz, Harry Gregson-Williams
  35. You Are The One (1:20)
    Harry Gregson-Williams
  36. Rumpel's On The Move (2:00)
    Harry Gregson-Williams
  37. Kissed By Me (0:48)
    Harry Gregson-Williams
  38. Big Eyes (2:50)
    Harry Gregson-Williams
  39. Rumpel's Announcement (1:17)
    Harry Gregson-Williams, Halli Cauthery
  40. Gingy (0:23)
    Harry Gregson-Williams
  41. Deal Of A Lifetime (3:05)
    Harry Gregson-Williams
  42. The Main Event (1:06)
    Harry Gregson-Williams, Halli Cauthery
  43. Ball Full Of Ogres (0:59)
    Harry Gregson-Williams
  44. Rumpel's Defeat (2:23)
    Harry Gregson-Williams
  45. All Over Again (2:46)
    Harry Gregson-Williams
  46. Never Been Better (1:31)
    Harry Gregson-Williams
  47. Gingy (Alternate) (0:27)
    Harry Gregson-Williams
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Shrek Forever After (Complete Score) soundtrack - Harry Gregson-Williams 2010