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And even then, people rate before listening to it...The version on this page is actually sound effects-free!Sehr Geehrter Herr Zimmer, du hast viele Fans in Polen. Lassen Sie es uns wissen, wenn Sie nach Polen kommen. Wir haben mehrere Orte, an denen Sie Ihre Arbeit präsentieren können. Sie sind hier herzlich willkommen.<br>-------------------------<br>Dear Mr. Zimmer, you have many fans in Poland. Let us know when you come to Poland. We have several places where you can present your work. You are very welcome here.Credits added !All sounds really good!<br>Tracks 1, 4, 6, 7, 9, 10, 11, 16, 19 are wonderful.
Macejko: i do tooI for one believe they should not allow user ratings until the album has been released.I really like it! It's like a HTTYD with a twang to it.I do. And other collectors too. LOL.Felix: some people buy CD-s yet nowadays, some people thinks, if a music is a masterpiece in it's own, then they can appreciate the composer's work with some money, even that money going to the publisher
Who needs CDs?? LoLAs far as I know, no.<br><br>Sadly. <br><br>I would love to get my hands on a "clean" version. Love the score!Well ok, but how to get the song itself on physical cd, if its not on this soundtrack. There is now official Single CD yet for the Song ... :/Are there any versions that movie sound effects, such as car noise, have disappeared?I really hope that for the inevitable sequel they dump the songs and focus a bit more on the actual score. I listened to the album again and there's definitely a lot that they can expand upon. <br><br>Mike Bay (through his movies) is one of the "founders" of the MV/RC sound so it sucks to see him relying on so much freakin' songs nowadays. And it's not only him.....<br><br>That's why themes have disappeared. Composers just don't have the chance to create more.  And I'm sure it's frustrating for them to deal with all of this. So don't blame ONLY the composer when a score doesn't feel satisfying enough. God knows how many other people have a say in all of this...
Bay should work with Jerry Bruckheimer again.<br>================<br><br><br>That is something a lot of people are hoping for :)<br><br>The days of The Rock, Armageddon, Pearl Harbor and Bad Boys 2 were awesome. You saw trailers that simply said "From Michael Bay and Jerry Bruckheimer" and audiences knew exactly what they gonna get. Those were some very exciting days. <br><br>I don't think we will see another Armageddon-sized reunion of Michael and Jerry but hey......at least we have their previous movies to enjoy. I'm grateful for that :) <br><br>P.S. Armageddon NEEDS to be re-released in IMAX 3D. It's the perfect movie for this format.doesn't look like it but per the announcement on 007.com an 'epic sweeping instrumental orchestral version' of it will beWill the Song "No Time to Die" from Billie Eilish on the CD release of this Album?If you care about Ben's work in horror, you gonna like this (the strings and themes sounds mostly like A Cure for Wellness), and lots of abrasive electronics.<br><br>If you don't care, that's other story.It is good, very good.<br><br>But still no manage to top his work in HTTYD, but, really impressive.
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Hans ZimmerKlaus BadeltHeitor PereiraMartin Tillman
ComposerCo-ComposerAdditional MusicAdditional Music
The Pledge
Label: Milan Records
Length: 40'18
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5326 votes)
  1. The Angler (5:24)
  2. Boogie Man (1:28)
  3. Jerry & Lori (1:01)
  4. Church Nightmare (2:19)
  5. Revisit Crime Scene (1:16)
  6. My Coat (2:47)
  7. The Wizard (4:05)
  8. Ex Cop (1:50)
  9. He'd Rather Not (2:00)
  10. Land Of Christmas (1:22)
  11. Reading Stories (3:03)
  12. Turkeys (1:36)
  13. The Pledge (1:19)
  14. The Swing (2:20)
  15. Ginny's Picture (2:31)
  16. You're Crazy (5:57)
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Barbara reply Replies: 0 || 2012-03-10 10:17:44
This is a superb DVD! For a ivnlioist, Frank Peter Zimmermann represents the highest level of musicianship. The Documentary is not just about Bach, in fact it has lots of other footage, including his son and his own performance of the Sibelius Violin Concerto with the Danish Radio Symphony (this is excellent). He plays like Kogan, not surprisingly and his technique is as flawless as any ivnlioist I have seen or heard.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
Hans Zimmer and Klaus Badelt also worked together on various works including the GLADIATOR and INVINCIBLE soundtracks, but don't expect to listen to anything similar, in the score for THE PLEDGE.

Unlike the last few Zimmer scores, which were vast, dramatic, intense and epic, THE PLEDGE, is built on a more down-beat atmosphere (and that’s of course due to the nature of the movie) The score opens with a beautiful and haunting melody sang by a woman and repeated by a violin.
Track02 contains several percussion beats and creates a scary atmosphere. Parts like this can be found a lot in the score -- where percussion, electronic sounds and effects, scary voices, piano, violin, the female voice and mandolin create a creepy atmosphere, like track04, track05, track09, track12, track13, track15.
In track03, the main theme makes its first appearance. It consists of guitar, mandolin, violin and piano and can be heard several times in the film, sometimes in different versions - the main instrument could be piano in one, violin or guitar in other (track07, track08 (more upbeat and fast, played by beautiful guitar), track11, track15).
The score also has a piano theme that can be firstly heard in track06 and repeats itself several times during the film (like in track10). It has a sad and lovely tune, a real treat for the ears!
In track 12 we have the beautiful female voice again in another haunting melody that features great atmosphere, feeling and depth.
Track14 is a combination of all the themes and great parts of the entire score. It consists of the female voice, vastly beautiful and sad piano melodies and the violin for escort-- probably the best track in this album and some of Zimmer's greatest works up-to-date.
Track16, which closes the film, is also a combination of several themes and parts of the film. It starts with the piano theme (heard in track06 and track10) and goes on with haunting and scary electronic effects and sounds created by percussion, guitar, mandolin and creepy violin. Then the piano theme is played by violin this time and makes a great difference. The track, (at about 3 minutes of play), gets loud, creepy and scary-- then calms down and ends with a more intense variation of track 14, played by violin (as the main instrument) piano, mandolin, guitars and loud percussion, providing the score (and film) with a more up-beat ending.

The entire score is a great work, which has lovely melodies and themes for easy listening. All these create a sad and sometimes creepy atmosphere that fits perfect in the theme and subject of the film. THE PLEDGE is not your typical Hans Zimmer or Klaus Badelt score for sure, with the great choir themes, loud brass and dramatic, epic atmosphere and feeling. It's just lovely, sad and hauntingly beautiful - quality music for all the music and movie lovers, and -of course- Zimmer followers.

Demetris Christodoulides

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The Pledge soundtrack - Hans Zimmer 2001