NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
THIS, ladies and gents, is the greatest MediaVentures-RemoteControl score. No way you can convince me otherwise. lol! No seriously, even The Rock and Crimson Tide are inferior. The Armageddon score has it all, breathtaking and epic action cues, powerful dramatic cues, adventurous pieces, comedic cues. It literally covers the entire emotional spectrum. What other score can do that? Think about it and you'll see that I'm right.   <br><br>Cheers, <br><br>B.It'll come out at some point, but in reality the complete score wouldn't be too different from the album release. Jablonsky said in the all access interview that he wanted the album to contain the songs as he intended them to be, and not what Michael Bay edited everything down to be.The previous scores were leaked, AoE didn't even get recording sessions leaked. And yeah, TF5 earned half a billion, which isn't well for Paramount.<br><br>I don't doubt it will happen, we just won't know when, could be months or years.Why do you doubt it will happen? They released the other complete scores. Did TF5 not sell as well?Please make this a melodic memorable score. I understand due the context of the film their will most likely be sound design. All I want is one or two beautiful melodical electronic themes like the original Vangelis theme for BR. Hope to hear an epic emotional action sound similar to CHAPPiEs action themes. Please don't make another Dunkirk type score.
Great inside look!! And the things we got to hear sound pretty amazing. Can't wait for it!!!If Paramount makes another For Your Consideration campaign in november/december, but I heavily doubt that will happen.<br><br>If that doesn't happen, we will never know.Anyone have any idea when the complete score for this is coming out?https://player.fm/series/the-annotator-1543347/matthew-marge son-kingsman-the-golden-circle a nice commentary on the new score with a sneak peek into the score!oh yes! my bad... I understood the opposite  of what Edmund was saying...<br>And, yes, Tron 2 is not such a bad movie (partially thanks to the score :P )<br>
TRON 2 isn't a bad movie by any means, but I digress. I whole-heartedly agree with Edmund here; I could name dozens of bad movies with wonderful scores, and I'd say that the vast majority of them comes related to RCP.@Ahmad...yep...you're so right!!!Especially since Hans has just never used that particular slate system at all...Again, people! S.O.U.R.C.E please!<br>For now I'm gonna consider this bullshit trolling because this doesn't tell us anything.oO is this the complete list???? oO
? Whatís this, a complete cue list?1m01 <br>1m03 <br>1m03 (Alternate)<br>1m04 <br>1m05 <br>1m09 <br>2m01 <br>2m02 <br>2m03 <br>2m06 <br>3m01 (Insert)<br>3m05 <br>3m06 <br>4m02 <br>5m01 <br>5m02 <br>5m03<br>5m03 (Alternate)<br>5m05<br>5m07<br>6m01<br>6m02 <br>6m03<br>6m04 <br>7m01Tron 2."a bad movie can't have a very good score."<br><br>Bullshit!His music is considered cost-effective and popular for the times...Honestly for Zimmer to go away the times would have to go away. Also factor in progress in technology which is slowly making regular instruments obsolete...
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerKlaus BadeltHeitor PereiraMartin Tillman
ComposerCo-ComposerAdditional MusicAdditional Music
The Pledge
Label: Milan Records
Length: 40'18
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4243 votes)
0:00
0:00
controls_prev
controls_toggle
controls_next
player_volume

player_loop
player_shuffle
player_download


  1. The Angler (5:24)
  2. Boogie Man (1:28)
  3. Jerry & Lori (1:01)
  4. Church Nightmare (2:19)
  5. Revisit Crime Scene (1:16)
  6. My Coat (2:47)
  7. The Wizard (4:05)
  8. Ex Cop (1:50)
  9. He'd Rather Not (2:00)
  10. Land Of Christmas (1:22)
  11. Reading Stories (3:03)
  12. Turkeys (1:36)
  13. The Pledge (1:19)
  14. The Swing (2:20)
  15. Ginny's Picture (2:31)
  16. You're Crazy (5:57)
Create Topic

Barbara reply Replies: 0 || 2012-03-10 10:17:44
This is a superb DVD! For a ivnlioist, Frank Peter Zimmermann represents the highest level of musicianship. The Documentary is not just about Bach, in fact it has lots of other footage, including his son and his own performance of the Sibelius Violin Concerto with the Danish Radio Symphony (this is excellent). He plays like Kogan, not surprisingly and his technique is as flawless as any ivnlioist I have seen or heard.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
Hans Zimmer and Klaus Badelt also worked together on various works including the GLADIATOR and INVINCIBLE soundtracks, but don't expect to listen to anything similar, in the score for THE PLEDGE.

Unlike the last few Zimmer scores, which were vast, dramatic, intense and epic, THE PLEDGE, is built on a more down-beat atmosphere (and thatís of course due to the nature of the movie) The score opens with a beautiful and haunting melody sang by a woman and repeated by a violin.
Track02 contains several percussion beats and creates a scary atmosphere. Parts like this can be found a lot in the score -- where percussion, electronic sounds and effects, scary voices, piano, violin, the female voice and mandolin create a creepy atmosphere, like track04, track05, track09, track12, track13, track15.
In track03, the main theme makes its first appearance. It consists of guitar, mandolin, violin and piano and can be heard several times in the film, sometimes in different versions - the main instrument could be piano in one, violin or guitar in other (track07, track08 (more upbeat and fast, played by beautiful guitar), track11, track15).
The score also has a piano theme that can be firstly heard in track06 and repeats itself several times during the film (like in track10). It has a sad and lovely tune, a real treat for the ears!
In track 12 we have the beautiful female voice again in another haunting melody that features great atmosphere, feeling and depth.
Track14 is a combination of all the themes and great parts of the entire score. It consists of the female voice, vastly beautiful and sad piano melodies and the violin for escort-- probably the best track in this album and some of Zimmer's greatest works up-to-date.
Track16, which closes the film, is also a combination of several themes and parts of the film. It starts with the piano theme (heard in track06 and track10) and goes on with haunting and scary electronic effects and sounds created by percussion, guitar, mandolin and creepy violin. Then the piano theme is played by violin this time and makes a great difference. The track, (at about 3 minutes of play), gets loud, creepy and scary-- then calms down and ends with a more intense variation of track 14, played by violin (as the main instrument) piano, mandolin, guitars and loud percussion, providing the score (and film) with a more up-beat ending.

The entire score is a great work, which has lovely melodies and themes for easy listening. All these create a sad and sometimes creepy atmosphere that fits perfect in the theme and subject of the film. THE PLEDGE is not your typical Hans Zimmer or Klaus Badelt score for sure, with the great choir themes, loud brass and dramatic, epic atmosphere and feeling. It's just lovely, sad and hauntingly beautiful - quality music for all the music and movie lovers, and -of course- Zimmer followers.

Demetris Christodoulides

* * * Ĺ

 HANS-ZIMMER.com© 2001-2017 OST 
The Pledge soundtrack - Hans Zimmer 2001