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Sehr geehrte Hans Zimmer, und Ihre komplette Gruppe, Ihr seid bestimmt nicht von dieses Weld. Ich kann einfach anders meine Begeisterung nicht besser beschreiben. Ein tausend mal danke für ein bombastische CD, bitte nur noch es auf Hi-Res Audio Format zu Verfügung auf irgendwelche Musik Platform beibringen. Im voraus danke! LG, Jakob.Seems like this is going to be a Dark Phoenix situation where we don't have a tracklist, release date or cover until the week the movie releases. <br><br>I wonder if it's because Miller is still locking down the final cut and Tom's still scoring. Either way, definitely looking forward to this and the movie.Jackman's name has been taken off the IMDb page for Black Widow, so might just be one of those typical IMDb errors (I remember they had him up as the composer for Mission: Impossible - Fallout too).Thats not as annoying a difference as the choral elements for Electro's Death being so muted in the sessions.Everan, this doesn't make any sense, actually, "I'm Electro" is the film version of "Itsy Bitsy Spider Theme", if you watch the scene in the movie again, you will notice that the film version has the little fragment at the 0:13 seconds mark of "I'm Electro", while the unreleased "Itsy Bitsy Spider" listed here doesn't have it, better saying, "I'm Electro" is actually the true film version of "Itsy Bitsy Spider", while the version we know is just a Alternate.
You can find it easily on Youtube today, by the way, I can't find the alternate of Electro Showdown Part 1.mpolonest123, actually "unused source" is listed here, it's just with a different name "Farewell", I guess it was meant to be used between "Sins of The Fathers" and "Max Electrocuted", also, you've mentioned a film version of Norman's death song (Which is "Sins of The Fathers"), and If I'm not wrong, that track has just one version...Anonymous, I think he's referring to the film version of "Spidey Logo", the one in the official album releaseDT-2017, The film version of "Harry's Transformation" mixes "Sum Total" with the part between 2:04 and 2:58 from "Special Projects", but with less instruments and a additional electric guitar. I actually like both versions, if you hear the film version, it actually sounds like it was just edited in last hour to fit in the scene, while the version in the album, I'm almost sure it was meant to be used in the full scene, you know, the uncut scene, with the parts as Harry's teeth growing, his column being fused (or whatever is that thing), he looking at the screen, and more...but then they deleted the fragments, and for Zimmer the last hour plan was just throw the intense part of "Special Projects" into the song, and for me, that worked well, I would like to hear the Intense parts of the two alternates of "Harry's Transformation" isolated.There’s a 3-minute clip of the truck chase on YouTube and I have to say the score sounds pretty cool. A lot of string/percussion work with an awesome electronic motif for the new “Terminator” model. Also, Brad Fiedel’s theme is back. ;)
Hmmm, where do you have found the alternate of Electro Showdown Part 1? And what is the track "Farewell"? It is meant to be related to the Norman osborn scene? More likely "Sins of the Fathers" track?, I think not, because the track in that scene is 3 minutes long, while this "Farewell" is just 1 minute long<br>Also, you missed some tracks: Film Version of "Electro Showdown Part 2", Film Version of "Itsy Bitsy Spider" (which is actually the original version of the Album mix, yeah that one which was cut and renamed to "I'm Electro), an Alternate of "Truck Chase", and "Sins of the Fathers" which I mentioned before.<br>There's also two more alternates of "Flying Montage", one which is just 40 seconds long, and the film version, which doesn't have anything to do with the original version and the two alternates listed here.<br>And yeah, we can't forget about the second alternate of "I'm Spiderman" which is the film version of the track, and it was actually released in the album mix!Isn't his problem when people like Bruckheimer wanted a specific sound and give no freedom in his movies.<br><br>He works for what is given.I think Lorne already has enough noise behind her, for my liking I should start to give way to quality instead of quantity.ASCAP shows that "Farewell To Lilliput" is credited to Jackman/Willis. Is it correct or there is only Jackman? Just thought may be there is a typo on the site.Any news on the soundtrack for Jack Ryan season 2?
I was hoping for Ramin Djawadi to compose The Eternals, well Joseph Trapanese is a good composer so its good news.John powell is flying lowkey now which sucks, His X3 score is just jaw dropping. The Eternals would be perfect for him cause he'd make it epic but Joseph Trapanese is scoring that Surprised Jablonsky hasn't tackled DC or Marvel yet eitherDamn i miss Klaus, he needs a damn come back. Stupid talentedpush...<br><br>please add them...I’ve talked to Lorne (we follow each other on Instagram), he says he’s very open to doing a superhero movie.<br><br>Plus, Henry Jackman tackling Black Widow isn’t a surprise, but it’s pleasant news indeed. He’s scored for her during Winter Soldier, so I hope we get an expansion of whatever thematic material there was for her in the Captain America films.<br><br>P.S, it’s long overdue for Powell to score another superhero movie. X3: The Last Stand is a solid score and I’d like to hear his ideas for a MARVEL or DC film.
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Tom Holkenborg (Junkie XL)Antonio Di Iorio
ComposerAdditional Music
Terminator - Dark Fate
Label: Paramount Music / La-La Land Records
Length:
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (37 votes)
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BC reply Replies: 0 || 2019-10-16 23:44:52
Seems like this is going to be a Dark Phoenix situation where we don't have a tracklist, release date or cover until the week the movie releases.

I wonder if it's because Miller is still locking down the final cut and Tom's still scoring. Either way, definitely looking forward to this and the movie.

mpolonest123 reply Replies: 0 || 2019-10-16 00:45:45
There’s a 3-minute clip of the truck chase on YouTube and I have to say the score sounds pretty cool. A lot of string/percussion work with an awesome electronic motif for the new “Terminator” model. Also, Brad Fiedel’s theme is back. ;)

Kingfannypack is the MILFcommander reply Replies: 0 || 2019-10-09 07:11:10
DUN DUN DUN DUNDUN

DUN DUN DUN DUNDUN

T2 soundtrack is god

mpolonest123 reply Replies: 19 || 2019-10-04 02:57:51
Soon!

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Jean-Luc2019-10-04 13:32:23
I'm very excited about this soundtrack, I bet that the soundtrack will release on Halloween this month. I have a feeling about Terminator, Dark Fate score might sound like Mad Max Fury Road or something new like that. I hope terminator dark fate should bring terminator main theme from the first movie or second movie, it's would be cool to put in the beginning movie.


Anonymous2019-10-04 18:25:04
brad fiedel’s terminator theme is in every single film


Hybrid Soldier2019-10-04 21:59:33
It's not used in Salvation. Briefly in T3 (End Title ?) and there's a lot of Fiedel used in Lorne's.


johny5552019-10-04 22:02:00
it was used in Salvation, two times :D


mpolonest123 2019-10-04 22:09:11
The actual melody isn’t used in Salvation, just the “dun-dun-dundun”


mpolonest123 2019-10-04 22:10:30
^ Unless that was tracked in....


Anonymous2019-10-04 22:11:59
salvation still has it even if it’s not on the ost. it’s in the beginning of teh film


Scorefan2019-10-05 23:18:00
Ummmmm Tomo scored Alita Battle Angel and now Terminato Dark Fate. Is this a posibility Tom score Avatar sequels?


DT-20172019-10-06 09:50:36
Salvation just used the 'du-dun-dun-du-dun' part - in the opening titles, the Arnold reveal scene and in the finale. The actual theme itself is never used and apparently McG didn't want it used either. T3 had it but only in the end credits. Genisys at least used it in the opening of the film.

I get the feeling we'll get more arrangements of it this time around as well as a 'main title' arrangement.


Edmund Meinerts2019-10-06 10:13:40
Scorefan, I agree with you, it really feels like Cameron is using these projects to let JXL "audition" for the Avatar sequels. Alita wasn't a bad score and I think Terminator is a good fit for his style, but I still really hope Cameron goes a different direction with Avatar (hint: James Newton Howard). I don't think JXL has what it takes to follow in the footsteps of Horner.


MrZimmerFan2019-10-06 11:33:02
Edmund, Alita have many moments when you think Horner composed that.


johny5552019-10-06 11:36:14
Question of the day: would JXL use Horner's famous trumpet motif? :D


mpolonest123 2019-10-06 14:26:57
I wouldn’t be surprised if James Cameron was using these projects to test JXL’s ability to handle big budget films, as well as building a professional relationship with him. Seeing as how he only worked with two prior composers in the past, it would be an interesting collaboration.

And no, JXL is definitely no James Horner. But seeing how his involvement with Peter Jackson turned out Mortal Engines (the best score he has done so far imo), I would love to hear what he could deliver when working with a perfectionist like James Cameron.


Mr.Unbreakable2019-10-06 16:17:34
A good option would be to sign James Newton Howard and Hans Zimmer, but this time Newton Howard is the one who makes up the majority of the movie.


Hybrid Soldier2019-10-06 16:23:10
Hans is an absolute no go for Avatar 2 ! Trust me...


mpolonest123 2019-10-06 16:35:43
@Hybrid
Good! Considering there are about 50 sequels to Avatar in production I would rather have Hans working on a variety of projects, instead of devoting his time to those. JNH would be a cool choice, I think he has the chops to turn out some amazing themes.

And while on the topic of JXL, apparently Snyder is pushing to get his cut of Justice League completed/released. I wonder if there is a possibility of us finally getting to hear Junkie’s score finally, or at least having him actually get to finish whatever he started.


Mr.Unbreakable2019-10-06 17:01:18
Why is it that Hans doesn't want to make Avatar?


Anonymous2019-10-07 03:42:01
because hes worked with tony scott, ridley scott, michael bay and terrence malick. directors with a reputation about their music. he doesn't need to work with james cameron lmao


Miralsice2019-10-07 15:03:27
How about that Tim Miller hired Junkie again, since they had worked together on Deadpool and Tom write music for one episode of "Love Death and Robots" produced by Tim. And don't forget about Sonic live action where Miller also worked as executive producer. I think they are good friends, don't they?

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Terminator - Dark Fate soundtrack - Tom Holkenborg (Junkie XL) 2019