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Hybrid wrote somewhere here that something happened between Streitenfeld and Ridley during Prometheus,and that was why HG-W was brought on for some rescoringI was wondering about this too. Like all of a sudden, after a couple of Ridley Scott collaborations, he disappeared.Streitenfeld's score for "All I See Is You" isn't added to this site. Does it mean, that Marc left the company?Extremely pleased with the release, remastering, and liner booklet notes.  Nice to finally have all of this music.  Sure, some things could have been done differently, like anything else.  I'll be enjoying a thorough listen this weekend, and may watch the film again, as it's been years.Jasha just released a neat little piano album!<br>Go check it out: https://itunes.apple .com/no/album/time-lapse-ep/1452867752
My only real gripes left with the score is the somewhat uninspired choral writing (and the fact that the choir sounds like samples in a lot of moments) and the reused percussion samples from every JXL action score ever since Mad Max.After repeated listens of the score and seeing the film 3 times, I'd say now that the score is MUCH better than I initially gave it credit for.<br>Alita's theme (the 4 notes first heard at 1:53 in A Discovery) is used many times throughout the score in many instrumental varieties and variations, and used to great effect in emotional scenes<br>(I Don't Even Know My Own Name, What's Your Dream?, In Time You'll Remember, With Me, I'd Give You My Heart, What Did You Do), In the Clouds especially)<br>And do yourself a favor and get I See Church from somewhere, it's the 2nd best action track of the score after Motorball.<br>--------------------<br>In short, I would now give it a 4.5 / 5 from my previous 3 / 5Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?Oh man, that's a tough question...I haven't listened to Curse of the Black Pearl in a while.... He's credited on almost every track for themes used... "Fog Bound" is the big Klaus Badelt cue from that movie (the real, 5-minute one in the movie is pretty much all Klaus I believe). <br><br>But Hans appears almost everywhere in POTC 1. Sometimes it's arrangements of his themes by the other guys, sometimes it's parts of the tunes that he wrote put directly in like he wrote them... The following scenes are pretty much directly Hans, if I remember right (this is the list I'm referencing — but as you can see, Zimmer's name is almost everywhere hans-zimmer . com/index.php?rub=disco&id=1128): <br><br>3. Captain Jack Sparrow (Hans wrote the big theme here, as well as the Jack Sparrow stuff at the end)<br>8. Breaking the Chains (more Jack Sparrow theme...) <br>17. Boarding the Dauntless (Jack Sparrow theme...)<br>24. Moonlight Serenade (Zimmer said he wrote this scene like Cinderella walking into a Metallica concert)<br> <br>Aaaaand a lot of the final fighting music is lifted directly out of the suite Zimmer wrote, so it's 90% him. But once again, his themes as arranged by other people appear everywhere. Hybrid can answer way more about all this than I can.<br>Oh wow! That’s all really interesting. So how much of the OST is really HAnS Zimmer then???
Hans was composing The Last Samurai while the first POTC was being made. He had promised Tom Cruise and Edward Zwick (might have even signed a contract) that he would only work on The Last Samurai and no other movies at that time. So while Hans agreed to write the POTC themes for Gore Verbinski, he wasn't allowed to be credited due to his obligations to the Last Samurai. So he wrote a few themes and then handed the score off to Klaus Badelt, who got the "name" credit on the score. But the whole score is really Klaus, Geoff Zanelli, Nick Glennie Smith, Ramin Djawadi, and a few others doing arrangements of the theme that Hans wrote (and Hans writing for a couple scenes incognito, like when Elizabeth first sees the skeleton pirates). Then Klaus did do the dark "Fog Bound/Underwater March" tune, as mentioned.Can’t insult me! I am genuinely curious. What’s this about The Last Samurai???I'm not saying this to insult David, but it's funny to me that even now, 16 years later, after so many clarifications from HZ and others, people still get confused because of the way POTC 1 got credited. All because Hans had to work on The Last Samurai (which is one of my favorite scores of his, so I guess it was worth the confusion).Saw the film last sunday and loved it. Also loved what Tom Holkenborg did hear. It did not felt nor 300. RoE nor Mad MAx. It's something else and loved it how it worked in context.he is working on the new Terminator movie?! :O
Credits for Dua Lipa's single "Swan Song" for the movie:<br>Written by Dua Lipa, Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson & Tom Holkenborg<br>Produced by Mattman & RobinMy definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.<br><br>The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.<br><br>In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music  that made it into the cut, which hardly anyone ever talks about.<br><br>Anyway, maybe a future project will tackle most of these issues.So he's scoring that and the new terminator? Damn dude's getting as busy as Henry JackmanUnless they're composed by Zimmer or someone else from RCP, I wouldn't expect source cues to appear here. And there's like two tracks with Beam in the title listed, so what else would have that name?Tom is scoring the live action Sonic movie. He just confirmed that he is scoring it!
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Composer, KeyboardsThird Percussion from the left, composer forVocal Arrangement, Vocals, composerConcert Co-Producer, Arrangments
Hans ZimmerJohn PowellLebo M.Henning Lohner
ComposerComposerComposerArranger
The Wings Of A Film
Label: Decca Records
Length: 71:45
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7096 votes)
  1. Gladiator: Now We Are Free
  2. Gladiator: Am I Not Merciful
  3. Driving Miss Daisy: Driving
  4. Thelma & Louise: Thunderbird
  5. The Thin Red Line: Journey To The Line
  6. Mission: Impossible 2: Nyah And Ethan
  7. The Lion King: Lea Halalela
  8. Power Of One: Mother Africa
  9. Nine Months: Suite
  10. Rain Man: Main Theme
  11. True Romance: Main Theme
  12. The Lion King: Busa
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Michael Poleschuck reply Replies: 0 || 2017-02-14 09:08:25
Add Gavin Greenaway here, please! He's playing on the keyboards with Hans Zimmer and Rupert Gregson-Williams. And he was a bandleader on this series of concerts!

Ds reply Replies: 3 || 2015-01-02 22:20:00
Is this album worth paying for? I mean, is it a good recording?

Also, why is John Powell listed as composer?


Zimson2015-01-03 16:08:43
He worked on Thin Red Line


Ds2015-01-03 16:32:41
Yeah, but as an additional composer... And Journey To The Line is 100% HZ if I am correct...


Ds2015-01-04 17:31:17
I bought it, the booklet credits Powell as "third percussion from the left", that´s it :-p

Mike reply Replies: 0 || 2013-09-02 14:09:40
The version of "Driving" found in here is so...fun.

Primeaux reply Replies: 1 || 2008-02-09 00:00:00
The only track on this album that is worth a damn in Thunderbird . I will say that Thunderbird is the best music ever written. It makes me feel as though I were in Apache country.
Wish I could find it on a single track and not have to buy a damn album of junk I do not like.


Phill B2011-11-12 15:16:58
pleas respect this music and them artists

you can also express your meanings differently

thx ;)

ovidiu floca reply Replies: 0 || 2008-01-14 00:00:00
no 1 in all world

Suicune reply Replies: 0 || 2007-04-02 00:00:00
But I don't understand why they didn't released the whole show.

Suicune reply Replies: 0 || 2007-03-24 00:00:00
A very good live album. There is only a few composers who hold a concert and then release it, officially, as an audio CD. This is something special.

stevey reply Replies: 0 || 2006-04-21 00:00:00
when and where is the next hans zimmer concert
please let me now. stevenkazan@hotmail.com

emilio reply Replies: 0 || 2006-02-17 00:00:00
hellow i emilio from argentina thanks hans for thunderbird really powerfull theme

Kurt Miceli reply Replies: 0 || 2006-02-03 00:00:00
Would it be possible to translate the above article in English. It would surely be a great help to all Hans Zimmer fans - however it still transmitts the greatness of Hans Zimmer and his MediaVenture friends with the difficulties of performing live and what not.

Keep up the Great Work both to the best composer and his totally dedicated team!

Kurt (Malta)

Annika reply Replies: 0 || 2005-08-31 00:00:00
Ich würd ja gern auf englisch schreiben, aber für diese CD fehlen mir da einfach die Worte! Genial, und zwar jeder Song! Besonders die Stücke vom "--König der Löwen"-- sind genial! Keswa und Lebo M. haben so tolle Stimmen!
Hans Zimmer ist der beste !

Matteo Merli - Italia reply Replies: 0 || 2005-04-14 00:00:00
Great great Hans !! i'm an italian boy i love Ennio Morricone and the music of film like Per un pugno di dollari, per qualche dollaro in più ecc...But Hans is great composer. This Cd is fantastic !!

Demetris Christodoulides reply Replies: 0 || 2005-01-15 00:00:00
HANS ZIMMER - Wings of a film

One of the so rare cases where film music is actually recorded and released from a live perfomance. And believe me, it's so good! And with new, different versions of the pieces we already know, and with this tracklisting, nothing can go wrong, can it?

 HANS-ZIMMER.com© 2001-2018 OST 
The Wings Of A Film soundtrack - Hans Zimmer - John Powell - Lebo M. 2001