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Oh, yes.<br><br>Maybe this month, right?The album is ready. Just waiting for legal to settle it... It'll happen.And about The Rhythm Section?, Mazzaro said the score is mastered...If there'd only been the first movie prior, I think I'd get it a bit more. But the 2nd film did have a proper score release, so the only reason at this point is that it just isn't on Nick's mind after all the delays.Whoa, why not? Every obscure random shit gets released these days but a Hans Zimmer score to a fairly big mainstream movie doesn't?
I doubt there'll be a score release.The Spongebob movie is being released next Friday here in Canada, could we see a release of the album soon? Assuming of course that there will be an album at all /:I gotta say that short film was spectacular even with I Phone 11, the score by Lorne Balfe fitted very well with the scenes introduced.I'd say that this anthem was pretty great for Zimmer to score a soccer team that has been alive for 25 years.Cheers guys, much appreciated!<br>In my mind I had some video interview though, as I always like watching those as well. I do wonder if there was an extra section on the home release of the movie where ideally there might be.
Hans Zimmer is one of the biggest film composers working in the industry today.  He won an Academy Award for his work on The Lion King, and has been nominated for six other films including Gladiator, The Thin Red Line, and As Good As It Gets. With The Last Samurai he celebrates his 100th film score, and SoundtrackNet had an opportunity to talk with Hans a few weeks ago during a rare break in his busy schedule working on Something's Gotta Give.<br><br>You've scored many projects during your career, and The Last Samurai is being touted as your 100th film score…<br><br>Well, I'm terrible with math, so I'm not doing the counting. It could be more, it could be less – but apparently it's the 100th.<br><br>So how did you get involved with the project?<br><br>If you're lucky enough to get nominated for an Oscar, you get invited to the Oscar nominee's luncheon where they hand out these little nomination certificates. There are usually 150 people standing there, and people are invited up in alphabetical order, starting with the As. By the time they get to the Cs, everybody's already back at their table chatting and eating, and while the first people called get thunderous applause, you can imagine what it's like when your name starts with Z!<br><br>So Ed Zwick and I were standing there, waiting at one of these luncheons about four years ago, and we started talking to each other. I asked him what he was working on and he told me about this movie called The Last Samurai, which I thought sounded interesting and I asked him to send me a script. After the script arrived, I didn't hear from him for a long time and I thought he'd forgotten about me, not thinking about how difficult it is to set up a samurai movie these days. The other thing I liked about the project was that Tom Cruise was involved, so it was like returning home, since I've scored a bunch of his movies – I knew we were going to have a good time.<br><br>Did it end up that way?<br><br>Ed and his editor Steve Rosenblum are such gentlemen, so together and professional, and they basically did one cut of the film, screened it, and everyone loved their work. So after this, they had plenty of time to come and hang with me, and while I usually love the re-cutting process because it's a diversionary tactic to keep the director and editor out of my life, these guys were great to have around. <br><br>Of course, my sense of paranoia made me think that something was going wrong all the time, waiting for the other shoe to drop, as it were, but it never happened. Ed phoned this morning and I thought, "Oh my god – rewrite!" It's just how my brain works. But I think he and I feel a bit odd now: we've been seeing each other every day for months, and suddenly we're done. I completely understand why people have a problem finishing a movie, because there's something really nice about the process – completion is far more boring.<br><br>For Samurai, you used Japanese percussions and ethnic woodwinds, without getting too 'Japanese'.<br><br>My problem is that I feel Japanese music is really inaccessible to Western ears, and I was really struggling with this film initially, trying to figure out what I was doing. This idea popped into my head for using Western-style themes, but applying a Japanese aesthetic to them, which sounds great of course, until I had to ask myself what I meant! Actually, I think it's just my way of not overloading certain things with too many colors, or being geometrically precise about my cues and not making them too flowery.<br><br>The Tom Cruise character is one of those nasty drunks at the beginning, who obviously has some serious problems he's trying to deal with, or not deal with. He's obnoxious and restless, suffering sleepless nights and is very un-Tom. For me, this character's journey was about his need to earn tranquility and peace, so within the score there's this very romantic, overblown and passionate theme. It's like a juvenile way of dealing with life and death – the pain and liebestod.<br><br>However, to contrast with these very relentless themes, there are a number of stark, formal and sober pieces, because I wanted to take Tom's character on a journey. He comes from America and ends up in this foreign place where he doesn't speak the language or understand the culture. But at the end of the movie, I want the audience to think that there isn't a more beautiful place for him to be, that he is at home in Japan and finally at peace.<br><br>There are many useless acts of bravery we do out of misguided romanticism, and this movie is full of courageous and dignified acts of bravery. So I wanted to play off these acts, since both the American and Japanese cultures have a concept of heroism, and I just wanted to see if I could play with the nature of the two different concepts.<br><br>So you didn't want to do the stereotypical Japanese thing...<br><br>Absolutely not! Take Akira Kurosawa's Ran, for example, which has this brilliant score where Takemitsu writes Western music, but with an Eastern accent. Somebody asked me a few days ago why As Good As It Gets was European – why did I write a European score for a quintessentially American story? For me, it's because Jack Nicholson was crazy in the movie, and I felt one of the great things about America is how they always think we Europeans are crazy. So by writing a European-styled score, it's my way of saying that Jack is crazy, but it's alright!<br><br>How do you feel about people who criticize your work for not fitting into the time period, like Gladiator?<br><br>The reason I take these jobs is because I'm interested in foreign cultures, and every time I get to work on a movie I'm thrown into the adventure of whatever that culture is, the time, and wherever the story's taking place. So one of the things I'm very careful about is not to be historically correct to the culture, but, on the other hand, not to insult the underlying aesthetics of that culture either. I remember watching Chariots of Fire and thinking how brilliantly the music worked, never missing that it wasn't period instruments! I grew up listening to Bach played by a symphony orchestra – it's the wrong sized orchestra with the wrong instruments, but I don't think that's the point.<br><br>With Gladiator, Pietro Scalia brought in a CD saying "this is Ancient Roman music," and I said, "Says who? You went to the Ancient Roman music store and bought an Ancient Roman music CD? Bullshit!" We're not anthropologists. Look at he costumes Ridley Scott had: they were more Napoleonic than Roman, which was perhaps fitting since Napoleon had stolen all of his good ideas from the Romans regarding how to make his generals look cool – and so did Hitler! So I got criticized for making the "Entry into Rome" cue too Leni Riefenstahl – but that was the joke! I am allowed to have a sense of humor in my music!<br><br>Earlier this summer your credit on Pirates of the Caribbean was "Score Overproduced by". What was the deal with that?<br><br>Well, I thought honesty was a virtue! But seriously, Jerry Bruckheimer quite rightly asked me not to give him "that old-fashioned Pirate music," and Gore Verbinski, who I adore and did The Ring with, said, "Well, it is a pirate movie, so we have to disguise it." In the end, I spent a day and a half writing tunes, Klaus Badelt wrote a lot of stuff, and we rolled up our sleeves, got drunk, behaved in a debauched way, and produced a score!<br><br>There was a lot of criticism regarding that score, but in the end it had to serve the film - which it did. You seem to get a lot of criticism on any project you do.<br><br>I had the misfortune of going onto the Film Score Monthly web site recently to look something up and vanity made me type in my own name. I suddenly realized that you can't ever get it right. Who do people want me to be? The guy that writes Matchstick Men? Or the guy that writes The Rock? Or the guy that writes Driving Miss Daisy? My need is ultimately to write for myself. I mock myself and I'm ironic about the way I speak about it because if I take it too seriously, it would be a pompous and boring thing to do. But at the same time I take each note I write very seriously – none of them are random.<br><br>The Internet Movie Database always lists you as being attached to multiple projects, so I was curious, what's Sharktail?<br><br>I complained to Jeffrey Katzenberg that I couldn't cross any more Red Seas, or deal with any more horses that can't speak – I wanted to do one of the fun animated movies instead. There's also a hip-hop element in Sharktail, and I haven't been there yet, so it's new territory! King Arthur is still in production, and I literally just got the first bits of footage just before you came here.<br><br>Are you working on all of these projects simultaneously?<br><br>I'm thinking about them! I'm also working with Jim Brooks on his new comedy, Spanglish.<br><br>And speaking of comedies, you recently did Matchstick Men for Ridley, which had a very Nino Rota vibe to it....<br><br>And I gave him credit! I thought, what if Nino had written the theme and I was just doing the variations? But I bet I'm going to get criticized for that because it's not like Gladiator.<br><br>So when did you last have a vacation?<br><br>Well, I went to Japan for a couple of days at the end of November for the Japanese premiere of Samurai, but look, I love what I do! In January I'll travel to Morocco because Ridley will be shooting his next movie, Kingdom of Heaven, so that's like a holiday!<br><br>My family and I are going away at Christmas, and what we used to do would be to rent a house in the mountains and go on these skiing holidays. It would be a crappy house, not as nice as the one we live in, my wife was still going to the market, and we're still washing our plates – so it wasn't a vacation, it was a lot of work! It's taken us a long time, but we just figured it out: we're not practical with vacations – we're staying at hotels! But while the Zimmer family isn't talented when it comes to vacations, we're talented when it comes to work!<br><br>I sat through Samurai the other day, and for the first time watched the whole movie from top to tail with everything finished and completed. It felt really good, better than a vacation. But luckily there were enough things wrong for me to think that I learned something from the experience, and now I can't wait for the next project to try these new ideas out.<br><br>The soundtrack to The Last Samurai is available from Elektra Records, and the film is currently in theaters. Matchstick Men is available on Varese Sarabande Records.<br><br>With thanks to Chet Mehta at Chasen & Co, Jason Cienkus at Warner Brothers, and Nina Lynch and Mark Wherry at Media Ventures for helping with this interview. And, of course, special thanks to Hans.Mulan get his release... through Disney+, 4th September.Mulan is being released on sept 4th. Can't wait to hear Harry's score!!!!Here's an interview about Last Samurai from Soundtrack.net https: //www.soundtrack. net/content/article/?id=112You can find an interview with Hans on his process for TLS on soundtrack.net somewhere, back in 2003 or 2004
The tracklist they posted has 58 tracks and yours contains only 54<br>interesting thing, He never really spoke about Last Samurai. but you have to realize, even when He speaks, its not always the truth. <br><br>The only thing I know, in 2013 doing press for Rush, He really said the hardest job was Last Samurai, well its not true according to himself, if you watch the behind the scenes stuff from Matchstick Men from 2003, right there He says that he was working on 3 huge films, (tears of the sun / Pirates / last samurai) and Mathstick men was the absolute hardest for him.<br><br>also Ed Zwick talks about working with Hans on the dvd commentary sometimes, but nothing really fancy.<br><br>Im sure there is an interview for this film with him, since he was at the premierI am struggling to find an interview where Hans speaks about this soundtrack. Does it even exist? <br>I spent the last hours digging but nothing. I always desired to hear some comments about it, like he does for the other works he's done.<br>I know it's a far stretch for Hans To release docu scores, but am really curious as to what Brave Miss World, Believer and Jalous of the Birds sound like...<br><br><br>@Mephariel<br>You can find Great Bear Rainforest on bleedingfingersmusic.com under Anze RozmanMondo only offered to send me a return label and a refund. No info yet on if they plan to fix it. :-/
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HANS ZIMMER LIVE 2021







Tickets & Info at HansZimmerLive.com

HANS ZIMMER RETURNS to the stage in 2021


Following a world tour which drew over one million fans to arenas, stadiums and open air sites, Oscar, Grammy and Golden Globe Award-winning composer Hans Zimmer returns to the stage for a major new arena tour through Europe from February to April 2021. It will be a new show with Zimmer joined by a band, orchestra and choir to perform hit compositions from fan favorite films as well as newer material and pieces not often performed live.

Hans Zimmer has created some of the best-known and most influential film scores of our time. The composer – who received his 11th Oscar nomination in 2018 for the film score of Christopher Nolan’s box office hit Dunkirk – has reinvented the format for live film music performance.

The audience can expect another lavish set of performances. Zimmers previous show “Hans Zimmer Live”, which ran from 2014 – 2019, surprised both: audiences and critics. Instead of a maestro or projected film scenes, Hans Zimmer took centre stage as musician and host alongside an orchestra, choir, and band, allowing listeners to completely immerse themselves in his much-loved film soundtracks.

With the “Hans Zimmer Live - Europe Tour 2021” the popular film composer is back live on stage by popular demand. The German-born composer chose Berlin to launch his new live tour in 2021.

About Hans Zimmer

Hans Zimmer has scored more than 200 projects across all mediums, which, combined, have grossed more than $28 billion worldwide. Most recently, Zimmer scored the live-action remake of THE LION KING, which was released by Disney in July and has earned over $1.6 billion so far at the box office, breaking numerous box office records. Upcoming, Zimmer will compose the music for WONDER WOMAN 1984 set to be released by Warner Brothers June 5, 2020 and TOP GUN MAVERICK, the highly anticipated TOP GUN follow-up which will be released in June of 2020 by Paramount. Zimmer has won an Academy Award®, two Golden Globes®, three Grammys®, an American Music Award, and a Tony® Award. Past notable scores of Zimmer’s include GLADIATOR, THE THIN RED LINE, AS GOOD AS IT GETS, RAIN MAN, THE DARK KNIGHT TRILOGY, INCEPTION, THELMA AND LOUISE, BLACK HAWK DOWN, THE LAST SAMURAI and DUNKIRK. Recently, Zimmer completed highly successful Hans Zimmer Live tour stops across Asia and Australia and continues to perform concerts around the globe.


11 February 2021 - Berlin (Germany) - Mercedes-Benz-Arena
13 February 2021 - Prague (Czech Republic) - O2 Arena
14 February 2021 - Vienna (Austria) - Wiener Stadthalle - Halle D
17 February 2021 - Munich (Germany) - Olympiahalle München
19 February 2021 - Cologne (Germany) - LANXESS Arena
21 February 2021 - Antwerp (Belgium) - Sportpalais Antwerpen
23 February 2021 - Mannheim (Germany) - SAP Arena
25 February 2021 - Stuttgart (Germany) - Hanns-Martin-Schleyer-Halle
27 February 2021 - Amsterdam (Netherlands) - Ziggo Dome
28 February 2021 - Amsterdam (Netherlands) - Ziggo Dome
02 March 2021 - Dublin (Ireland) - 3 Arena
05 March 2021 - London (United Kingdom) - The O2
07 March 2021 - Manchester (United Kingdom) - Arena
11 March 2021 - Paris (France) - AccorHotel Arena
14 March 2021 - Zurich (Switzerland) - Hallenstadion Zürich
15 March 2021 - Zurich (Switzerland) - Hallenstadion Zürich
17 March 2021 - Bologna (Italy) - Unipol Arena
18 March 2021 - Milan (Italy) - Mediolanum Forum
20 March 2021 - Oberhausen (Germany) - König-Pilsner-Arena
22 March 2021 - Hamburg (Germany) - Barclaycard Arena
23 March 2021 - Copenhagen (Denmark) - Royal Arena
31 March 2021 - Oslo (Norway) - Telenor Arena
01 April 2021 - Stockholm (Sweden) - Globen


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Karina reply Replies: 1 || 2020-06-29 21:23:55
Please tell me. When time come to Moscow.


Randy Watson2020-06-30 13:48:23
You are aware that there's a pandemic going on right now, right?

Hans Christian reply Replies: 0 || 2020-05-22 07:55:20
Österreich freut sich auf Sie und Ihre neuen Meisterwerke.

Mozart, Beethoven, Schubert, Hans Zimmer.
No more words needed.

HautZoli reply Replies: 0 || 2020-05-08 10:56:07
Budapest is waiting for you again!!!

Boris reply Replies: 0 || 2020-04-21 22:34:26
Surprise yourself and us an come to Belgrade, Serbia, in Belgrade-Stark Arena.

Here is list of previous performers: 50 Cent, Anastacia, Backstreet Boys, Beyoncé, Andrea Bocelli, Deep Purple, Montserrat Caballé, Nick Cave, The Chemical Brothers, Eric Clapton and Steve Winwood, Joe Cocker, Leonard Cohen, Phil Collins, The Cult, Bob Dylan, Fatboy Slim, Peter Gabriel, Guano Apes, Guns N' Roses, Hurts, Il Divo, Iron Maiden, Jean-Michel Jarre, Elton John, Tom Jones, Judas Priest, Alicia Keys, Mark Knopfler, Lenny Kravitz, Massive Attack, Nicole Scherzinger and The Pussycat Dolls, Queen + Paul Rodgers, Eros Ramazzotti, Jennifer Lopez, Rammstein, Chris Rea, RBD, Rihanna, Sade, Simple Minds, Shakira, Slash, Slayer, Slipknot, Sting, Whitesnake, Roger Waters, Zaz, ZZ Top, OneRepublic and many others.

Alexander reply Replies: 0 || 2020-04-07 15:27:51
Anything New about the tracklist ?

  Your name :   

Please enter number: 1798 

Er reply Replies: 2 || 2020-03-21 00:12:20
When time come to Istanbul?


Edmund Meinerts2020-03-22 17:37:23
Maybe wait for the plague to die down first?


Nick2020-03-23 02:08:16
@Edmund Meinerts

Hans Zimmer: Live in Plague

Tianhao reply Replies: 0 || 2020-03-04 03:11:57
Chinese fans want you!

Nathan reply Replies: 1 || 2020-03-03 22:05:20
With regards to all the europe dates. May i ask what the stage language is, as in, in between all of the pieces when addressing the crowd, is it english? I'm considering making this a big trip and travelling to see him, but if its in an language i can't understand its a little wasteful.


Ds2020-03-03 23:58:55
In the last tour it was all in English, except (I think) for the German dates where Hans was doing some (or all?) of his speech in German.

Just don’t pick up a German speaking country and you’ll be fine :-p

Anonymous reply Replies: 0 || 2020-02-29 21:00:45
USA tour, pleasssssse

Anonymous reply Replies: 0 || 2020-02-29 20:59:18
USA tour???

Alex reply Replies: 1 || 2019-12-12 21:40:40
Visit Ukraine!


Michael2020-02-25 05:02:17
An awesome venue would be the Opera House in Odessa.

Hani reply Replies: 1 || 2020-02-19 13:16:52
Budapest, please :(


Chris2020-02-23 12:40:46
Agree!!!!! Please organize a concert in Budapest again! The 2017 live concert and this year's World of HZ concert was totally full house in Budapest!

Konrad reply Replies: 0 || 2020-02-21 20:27:18
Sehr Geehrter Herr Zimmer, du hast viele Fans in Polen. Lassen Sie es uns wissen, wenn Sie nach Polen kommen. Wir haben mehrere Orte, an denen Sie Ihre Arbeit präsentieren können. Sie sind hier herzlich willkommen.
-------------------------
Dear Mr. Zimmer, you have many fans in Poland. Let us know when you come to Poland. We have several places where you can present your work. You are very welcome here.

Michael reply Replies: 1 || 2020-02-07 12:25:19
I see this is a European tour, but please consider taking it to the USA next, particularly Houston, Austin, Dallas, or San Antonio. I will travel to any of these cities to see you and your wonderful musicians, Hans!


Gary2020-02-20 01:53:48
California here. Will travel to Europe to see you. No need to come to USA. We will come to you. Best regards, Gary

No reply Replies: 3 || 2019-11-11 09:55:34
I am really sorry but WHY THERE IS NO CONCERT IN POLAND???


KKJ2019-11-25 18:50:31
All date is not up yet


V4132020-02-16 15:49:24
Ist there any chance for concert in Poland during this tour?


JK2020-02-19 12:15:51
Same question here, is concert in Poland even concidered to occur?

Tino reply Replies: 0 || 2020-02-16 13:52:40
Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?

Joel reply Replies: 0 || 2020-02-05 14:59:31
Just bought tickets for the show in Copenhagen! I'm really excited and hoping you will play interstellar, fingers crossed :)

Wiola reply Replies: 0 || 2020-01-31 07:45:51
Poland &#10084;&#65039;&#10084;&#65039;&#10084;&#65039; Please I wish to see You in co cert in Poland &#10084;&#65039;

Przemo reply Replies: 0 || 2020-01-21 12:01:33
I wish to see you in concert in Poland it is so close to Germany and i think that you have many fans heere :)

Patricia reply Replies: 0 || 2020-01-19 16:48:38
Come to Spain, please!!

John Boyd reply Replies: 1 || 2020-01-11 20:28:38
No visit to the uk this time, shame?


Tim2020-01-18 11:49:30
There are 2 dates in the UK, London and Manchester on the fifth and seventh of March.

Tony reply Replies: 0 || 2020-01-13 11:11:46
Please, a concert in the south of France !

JMC reply Replies: 0 || 2019-12-26 12:21:31
Hans, you are great, pleasae add Barcelona to your European Tour.

Oscar reply Replies: 0 || 2019-12-22 14:09:52
Please, we'd like to see you again in Barcelona.

Ben reply Replies: 1 || 2019-12-14 22:20:36
Sorry, das ist doch ein Witz, Dortmund ist nicht dabei :(


Edmund Meinerts2019-12-16 18:11:36
...weil es eine solche Odyssee von Dortmund nach Oberhausen ist? -_-

Collector reply Replies: 0 || 2019-12-16 11:07:47
Any chance of stopping by in Slovakia between Vienna and Munich dates? Would love to see the new show!

Carlos Alberto Silva reply Replies: 0 || 2019-12-13 14:28:19
Come to Portugal again.

Vitor Carralas reply Replies: 0 || 2019-12-13 09:53:56
Do not forget Lisboa

Giuseppe reply Replies: 1 || 2019-12-12 14:16:28
A Napoli non &#232; possibile?


Giuseppe2019-12-12 14:18:52
Ho visto il concerto a Berlino The World of Hans Zimmer il 29 aprile 2018. Vorrei vedere lui con la sua orchestra a Napoli.

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