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i read in the FSM forum a few years ago, that Intrada was working on it.@Hybrid, do you know if any label like Intrada or LLL are interested in make an official release for the complete score?Hi Mr. Hans Zimmer,<br><br>I really admire your work, your music is inspiring for my creations as a designer. You are a genius.<br><br>In your honor, I made a landing page concept: https://dribbble.com/shots/11000345-HANS-ZIMMER-LANDING-PAGE -CONCEPT<br><br>I hope you would like.<br><br>Kind Regards,<br>Paulo FerreiraIs there somewhere I can purchase this soundtrack?As much as I love Ramin, this was pretty unexceptional, unlike the most recent Elephant. Still, really cool of him to do a trailer for a card game. Who knows, maybe they'll ask him to do the upcoming Netflix anime series.
i would like to know the lyrics of the choir part in Pearl Harbor Sountrack, in "December 7th". I guess it's a sort of religious song. What is the title of this hymn? thank you for your help!Too bad there is no official release of this single,it had so much potential.We just finished watching this film at home with my kids. It's ok but Sometimes Nature's cruel and gods fight cue in the film is drastically different than the soundtrack album version. It sounds like Powell had to re-write the cue for the film.I have a playlist on Spotify that I listen to while reading my books and I had “It’s Complicated” track from “The Holiday” movie and other tracks from this movie on that playlist and enjoyed listening to it very much. But it’s been a few months that it has become unavailable on Spotify and I don’t understand why since other albums are accessible from Hans Zimmer except for this album, there’s only one track available in The Holiday album. I’ve contacted the Spotify for help but they said it has nothing to do with Spotify. I really like that track and I’d be grateful if it became available again. Thank you for your amazing music!@Hybrid<br>Snyder said on Vero a while back that the score was fully complete. Did Tom record with an orchestra or was it just the demos?<br><br>I have a good feeling we’ll see Snyder’s vision sooner or later, it seems like the push from the fans/celebs has genuinely had an impact.
Don't remove this page. The score itself is competent, and I think this page should stay up to remind us of the garbage fire this film was.it doesn’t play chronologically?Anything New about the tracklist ?Ramin's the only factor that's been consistent all throughout these shows whether its Game of Thrones or Westworld,he has constantly amazed every time.You're right Hybrid, remove this page, this abomination don't deserve a place here.
No problem.Thanks so much!!!Nope, all you need is to go here:<br>https:// www.ascap.com /repertory#aceStupid question, but do you have to pay to gain membership into ASCAP before seeing cue credits?Correct.
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John PowellBatu SenerPaul MounseyJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicOrchestrator
The Call Of The Wild
Label: Hollywood Records / 5 Cat Studios
Length: 67'23
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (356 votes)
  1. Wake The Girls (2:37)
    John Powell
  2. Train North (4:02)
    John Powell
  3. Skagway, Alaska (2:31)
    John Powell
  4. Snowy Climb (1:25)
    John Powell, Paul Mounsey
  5. First Sledding Attempt (2:27)
    John Powell
  6. The Ghost Wolf Of Dreams (1:06)
    John Powell
  7. Joining The Team (2:59)
    John Powell, Batu Sener
  8. Ice Rescue (2:26)
    John Powell, Batu Sener
  9. Sometimes Nature's Cruel And Gods Fight (4:57)
    John Powell
  10. Buck Takes The Lead (4:54)
    John Powell, Batu Sener
  11. We Carry Love (3:02)
    John Powell, Batu Sener
  12. Couldn't Find The Words (2:22)
    John Powell, Paul Mounsey
  13. Overpacked Sled (2:31)
    John Powell, Paul Mounsey
  14. Newfangled Telegram (2:23)
    John Powell
  15. In My Bed? (2:54)
    John Powell
  16. Buck & Thornton's Big Adventure (4:36)
    John Powell, Batu Sener
  17. Finding Bears And Love In The Woods (2:57)
    John Powell
  18. They're All Gone (2:51)
    John Powell
  19. Rewilding (3:48)
    John Powell
  20. Animal Nature (2:34)
    John Powell
  21. Come Say Goodbye (2:09)
    John Powell
  22. What An Adventure (3:02)
    John Powell
  23. The Call Of The Wild (2:51)
    John Powell
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Hybrid Soldier reply Replies: 16 || 2020-02-21 20:17:50
Credits added !


ThePhantasm2020-02-22 17:39:09
Damn Powell is doing a lot of music on his own now a days with not many additional writers. I hope he takes on more project that aren’t just animated. I really miss his music, he’s so ridiculously talented.


Kleius2020-02-24 08:21:01
<3 Buck Takes the Lead


Edmund Meinerts2020-02-24 21:42:12
Hats off to Batu Sener for working on many of the score's best cues though!


MrZimmerFan2020-02-28 09:11:51
Now, i believe, is one of the best (i was more enganging with this one more than Solo, wich i still found good, but not the best from Powell, sorry) scores written by Powell, still, not has tremendous as the HTTYD trilogy, but one of the most incredible, beautiful and heart-warming scores written by him.

Powell found himself comfortable with this style of americana/folk (Wake the Girls, is a such good start the album) and combining it with his action/adventure style of writing ('Snowy Climb', the incredible -one of the best cues of the album- 'Buck Takes the Lead', 'Ice Rescue'), but when it comes the emotional -not discover nothing new-, man, Powell is fricking good: 'We Carry Love', 'Finding Bears and Love in the Woods' or 'Come Say Goodbye'.

One of the best scores of 2020, by far.


Edmund Meinerts2020-02-29 11:00:46
The Call of the Wild has a bit more heart than Solo but Solo is just on another level in terms of complexity and ambition. The HTTYD scores are the best of both worlds.


MrZimmerFan2020-02-29 12:11:28
Solo has more problems, aside for the action writing (can't excels the levels of The Last Stand even Paycheck or the HTTYD trilogy) and the emotional aspects, the main theme did nothing to me and the use of SW themes is far more problematic than Rogue One (which btw, for me, is a much better score). The Call of the Wild is more engaging in his themes, is more simple?, probably, but has more emotion than Solo.


Edmund Meinerts2020-03-01 00:15:29
What can I say...I could not agree with you less about the use of SW themes especially. Powell does it so, so much more naturally and gracefully than Giacchino did on Rogue One.


MrZimmerFan2020-03-01 10:28:03
We agree to desagree

Specially when he comes with the use of such an amazing cues in the SW saga and misused like that, like TIE Fighter Attack (Williams used in TLJ has more emotion and exiciting than Powell in Solo)


MrZimmerFan2020-03-01 12:33:22
disagree*


superultramegaa2020-03-01 19:45:57
Powell's use of all of the themes was great, natural, and fluid except for Luke's theme. That theme has no reason to exist outside of the original trilogy, but because of Lucas' choice to use it in the prequels, all of the original meaning and power it once had has been sucked dry.

Solo wasn't the cause of this, but sadly it continues this trend. Plus the way it's used is just so ham-fisted and cheesy.


Kleius2020-03-07 20:31:20
Solo is really good, disagreed with the Luke theme, as it is now more accepted as the overall main theme of SW.

Back to The Call of the Wild, there are some complex action writing in this score, especially Rewilding. The whole album feels better and better after each listen.


MrZimmerFan2020-03-07 20:59:36
The problem is BECAUSE that theme dosen't mean nothing with the Han Solo's character.

Is like putting every cue when Han Solo in involved in the original trilogy, or anything the Millenium Falcon is involved, that's not things work, specially when Powell used The Imperial March and the Death Star motif for the Empire, when those things are enterally different.

My problem with that score (i consider good, but not that good) is Powell using those themes because the character is involved in those moments (is like putting the Luke's theme in anything that involved that character because is only for that)


Kleius2020-03-08 19:57:36
The main theme is heard like 3 times. I’m sure it wasn’t Powell going out of his way to use it. Filmmakers must have wanted it.


Kleius2020-03-15 23:06:18
Sometimes Nature's Cruel and Gods Fight is pure fantastic Powell. His writing ever since his choir works album has been more mature. Even though Buck Takes the Lead may be the highlight of this album, track 9 is the best one.


Hybrid Soldier2020-03-15 23:10:14
I guess being able to work that close to John Williams changes a man... :)


Kleius2020-04-09 04:37:12
We just finished watching this film at home with my kids. It's ok but Sometimes Nature's cruel and gods fight cue in the film is drastically different than the soundtrack album version. It sounds like Powell had to re-write the cue for the film.

Ian Brown McCarthy reply Replies: 4 || 2020-03-17 02:47:45
@Hybrid speaking of which, I so wish Williams and Hans had collaborated at least once, even though I get the sense Williams barely knows who he is (being honest)


Ian Brown McCarthy2020-03-17 02:48:19
Whoops, intended this to be part of the previous thread


Macejko2020-03-17 09:10:41
Williams can't possibly be that senile/ignorant as to not know very well who Hans is.


superultramegaa2020-03-17 15:28:01
They probably haven't collaborated because Williams doesn't usually do so anyway, and I doubt he was terribly interested in working with Hans, as their styles are so drastically different from each other.

Powell is at least known for a lot of rhythm and drum work in addition to his melodic style, so it makes sense even there. Williams barely ever writes rhythm focused scores in comparison.


Ro2020-03-17 17:57:13
Interesting pairing. Hard to imagine these two men's musical style coexist under the same roof. Especially when you think of their approach to Superman.

Though we might have had a somewhat close glimpse of what such a collaboration could have sound like from a track called, "Love", from Hans' score for Boss Baby. Williams wasn't involved obviously but Conrad Pope was, and the orchestrations and arrangements he applied to Hans' notes in that track is pretty close to the "sound" one normally expects from a score with JW's name on it.

Now, speaking of collaborations, I wonder why Hans never collaborated with idol, Ennio Morricone. I can imagine Ennio not being a collaborative guy the same way as Hans is, but that could have been interesting.

Powellfan reply Replies: 2 || 2020-02-24 16:55:20
Still no news on his next score? Is he taking a break or something? Working on more concert stuff?

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Knight2020-02-24 17:56:05
Powell only does 1 score a year.


Powellfan2020-02-24 18:42:55
These day, sure. But we usually get news of the next one by the time he's finished wrapping up the current one.

Kleius reply Replies: 0 || 2020-02-21 19:58:04
All sounds really good!
Tracks 1, 4, 6, 7, 9, 10, 11, 16, 19 are wonderful.

MrZimmerFan reply Replies: 4 || 2020-02-20 13:10:11
Up in Itunes NZ

https:// music.apple.com/nz/album/the-call-of-the-wild-original -motion-picture-soundtrack/1498520127

Sounds pretty, pretty good


FaresTdkr2020-02-20 16:30:21
Yeah,pretty good


Kleius2020-02-20 18:35:26
Nice!


MrZimmerFan2020-02-20 22:08:45
It is good, very good.

But still no manage to top his work in HTTYD, but, really impressive.


dingoutback2020-02-21 18:34:18
I really like it! It's like a HTTYD with a twang to it.

jjstarA113 reply Replies: 6 || 2020-02-05 05:47:14
Huh, I'm surprised there are no 5+ minute tracks. Not that that's indicative of the score's quality, but Powell's albums in recent years tend to have a few sweepingly-long cues that I get really excited for, so that's just a wee bit disappointing.


Kleius2020-02-05 16:43:52
Tracks 9 and 10 seem pretty long. If the names are any indication, something big must be going on in around that part of the film.


Edmund Meinerts2020-02-05 18:05:06
Well...it depends on the music itself really. "Armada Battle" and "Madrid Finale" are recent examples of quite long tracks from Powell scores that nevertheless feel like they jump all over the place, which kind of defeats the purpose. I'd rather have 4 or 5 minute tracks that feel really cohesive (after all, Solo was mostly like that).


Kleius2020-02-05 18:48:09
Agreed. It's curious that some tracks are rather short for Powell standards. Like "The Ghost Wolf of Dreams" or track 4, really.
It's rare to see short tracks like those from him.


MrZimmerFan2020-02-05 19:04:25
I rare times care about the short cues in an album, if the album is cohesive and good.

Actually, i really like Armada Battle from HTTYD 3. ;D


Ds2020-02-06 17:11:38
@Kleius: you should check out Ice Age 3... the average track length is probably about 1 minute :D


Kleius2020-02-15 17:52:39
:) getting pretty excited for this score after watching some of the clips online!

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The Call Of The Wild soundtrack - John Powell 2020