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No.Any chance of a CD or Digital release?Yes, is coming this Friday, confirmed by TomI really like this score performed by tom holkenborg of the netflix series "White Lines" and my favorite track is "Infinity" which it was awsome and great dance music i ever heard.<br><br>Btw are any news from the Scoob! Original score by tom holkenborg coming out this friday, right?Time to buy a record player guys!<br><br>Honestly couldn't be more happy about this.
yes yes yes!!! the best MI Score :) can't wait!If I saw that cover art without the title text, the MI franchise would have been about the last thing that'd cross my mind. >_<Thanks to the way certain cues have to correspond to their album titles instead, it's hard to tell currently if this actually has everything from the film. Doesn't help that certain album suites are most certainly not here, and there's likely alt mixes that could've been included. We'll just have to see.<br><br>I get the feeling the reason this is LP only for now is due to Disney (who own Hollywood Records) being allowed to fully oversee this specific release. Any digital and CD re-releases are probably in legal lingo with Paramount, hence why the OST isn't available for streaming currently.Why only expanded?<br><br>The product page says:<br>"Mondo Music, in conjunction with Hollywood Records, are proud to present the premiere vinyl pressing of Hans Zimmer’s complete score to MISSION: IMPOSSIBLE 2."<br><br>So, it's the complete score... isn't it?So useless really, yeah... :(
Cool release but... Vinyl only ! :/I don't think originally Hans planned it that way. <br><br>Wonder Woman 1984 was supposed to come out November 2019. That didn't happen. No Time to Die wasn't on the radar originally and was originally supposed to come November 2019 as well. He was probably on track to finish Top Gun: Maverick early this year if it wasn't for No Time to Die. <br><br>If you take out WW84 and No Time to Die, he would only have 4 major projects this year (Spongebob, Dune, Hillbilly, and Top Gun).Hybrid why is Hans taking on so many projects this year? Any insights into that?Why remove them?Because there was no time for him to do WW 1.<br><br>He was on tour for months... Had 2 tours in early 2016/17 + Dunkirk to handle. Wouldn't have worked at all.
Really loved that song 'n lirycs. Always became my lulaby on the night.He did...once... ;)So why exactly did Hans fight for Rupert with Wonder Woman and why is he scoring '84? Not criticizing, I just remember him thinking that it was better for more women to be involved as composers or performers on Wonder Woman projects. <br><br>I don't even necessarily agree with the concept that a woman needs to score a movie about women, I'm just curious why he wanted Rupert in and why he himself took over for the sequel if he felt that way?I would have gone with...<br>Music was good, didn't fit the DCEU, film was the worst thing ever. <br><br>Hans is fine, prefer his older stuff.Hybrid, do you have the Inception credits?
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Steve JablonskyJeff BiggersLori Castro
ComposerMusic Scoring MixerScore Recordist
Spenser Confidential
Label: BMG Rights Management
Length: 54'09
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (410 votes)
  1. The Trial (2:27)
  2. Squeeb (1:45)
  3. Driscoll (1:43)
  4. Pearl (1:06)
  5. Boylan Murdered (3:46)
  6. Terrence Graham (1:34)
  7. Is This Revenge? (3:21)
  8. WTF Is A Cloud (1:35)
  9. Spencer Investigates (4:21)
  10. Yellow Corvette (2:01)
  11. Tracksuit Charlie (5:07)
  12. One World Only (4:04)
  13. In Deep (1:56)
  14. The Pony Express (1:25)
  15. Whole Lotta Drugs (2:15)
  16. They Got Henry (1:48)
  17. Wonderland (1:48)
  18. Hawk Has A Plan (3:49)
  19. Let's Go (3:19)
  20. Spencer's Theme (4:59)
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superultramegaa reply Replies: 11 || 2020-03-05 18:05:36
I think Steve's creative fire is gone. Every new release by him just has this air of "this is for a paycheck and nothing else." I know as composers they are work for hire, but usually there's an element of tangible care put into music.

Sure he'll say in interviews why he thought a movie he worked on gave him a great pallet to work with, but just listening to his modern work, it seems like he's been drained of any passion.

Maybe TF5 broke the camel's back, because of the way the score was butchered along w/ the film in editing. I do remember him being frustrated in interviews over how much of a mess the score's production was.

I don't blame him. If someone took melodies I composed & put my heart and soul into, and barely used/chopped them in the film or covered them up with the sound effects, I might just settle for sound design scores from then on too. That way you don't have as much attachment if the score is butchered.


MrZimmerFan2020-03-05 18:56:14
TF5 is not Spenser Confidential, is not the same thing.

If Peter Berg asked for something like sound design (the score is pretty disappointing, yes), that deliver that for the director, not because is frustated for other movie.

Not every composer have 5 masterpieces or good scores in one year. ;)


dingelding2020-03-05 18:59:19
In my eyes, you're all doing him wrong. Jablonsky never changed his style. But you are so boring and always want to have a Transformers-like score. Before Transformers, he used to make music with synthesizers and I think he can do it. He reinvents himself and doesn't always use the same samplers. Occurs but not as extreme as some others. Clearly it was a disappointment with the Transformers 5 that not all of its music was in the film and was changed. But nothing new! It has appeared in so many films! Even with the previous films in the Transformers series. Some pieces were not used completely or only appeared in the following film. Deepwater Horizon has a great score that just sounds a bit neutral and takes up the happenings atmospherically. Which fits very well! Likewise with Skyscraper these horny deep string sounds. Bloodshot never looked like a kindergarten Marvel movie or a DC movie to me. If Vin Diesel participates, it is known that he is invincible. Come on Bad Ass music. I've been a big fan of Jablonsky since his first Texas Chainsaw Massacre score. I couldn't say that he has let up. I don't always need music with a 100 man orchestra. Although I think that he relies on everything at Bloodshot. I like the guitars as much as the synthesizers. If the name Hans Zimmer were there some would say "What a masterpiece!" Like the poor Dunkirk Score or the not outstanding Inception Score. Likewise your super exaggerated hyped Lorne Balfe which I would rather hit one on the mouth. Because it is light years away from memorable music! BUT that was already the case when he composed the additional music. If I consider what Jablonsky, Harry Gregson-Williams, Geoff Zanelli etc. did as additional composers. Then there is a mess that Balfe has always been involved in the music of Michael Bay films. I'm getting sick! Steve Jablonsky has worked on Michael Bay films since 1998. Since 2003 he has been composing scores for the horror remakes. Since 2005 he has been the main composer of Michael Bay films. The fact that not every Jablonsky score is a hit is clear, but not very bad either. Like now Friday the 13th, I didn't have to have a score from. I also think it's good that Steve Jablonsky isn't just attached to Michael Bay. But also works with new directors. very good cooperation with Peter Berg. What about his score for Teenage Mutant Ninja Turtles - Out of the Shadows ?! Great work! Great theme for the Turtles! I liked it more than Brian Tyler's work on part one. Although I'm also a big Brian Tyler fan. I'm looking forward to the Spenser Confidential and Red Notice scores, and many more. But to assume that he would have lost his inspiration is already awesome. Just because he took a little time out for his children.


MrZimmerFan2020-03-05 19:09:57
@dingelding:

Actually, i never minded his work with sound design (The Island or Battleship, altough, never top his work in the Transformers series or Your Highness, only Age of Extinction was dissapointing), but Spenser wasn't good, specially with you compared with Skyscraper (is a much better score, altough is pretty ok to me) and Bloodshot (is a much better score than Spenser, and far more Jablonsky-esque)

Shit, even i think Gangster Squad and Pain & Gain are much better than Spenser


superultramegaa2020-03-06 00:53:44
@dingelding

First of all, I don't want nothing but Transformers. I would've preferred if Jablonsky stuck closer musically to things like Steamboy, Your Highness, or D-War. Second, I'm ok with synthesizers. Halo 3 ODST, Halo Reach, or the Batman Arkham series use them in very creative & organic ways.

However after listening to Spenser, it sounds like nothing but generic-o's, non-descript, studio/trailer/commercial music. Not only that, but the synths are mostly ugly/distracting and take away from the score, the horns (and the entire orchestra) are garbled because of how heavy the electric instruments are emphasized in the mix, and the guitars are performing simplistic & uninteresting patterns.

Plus any themes that might be in here, or so minimalist it doesn't matter. Bloodshot at least had tangible melody. However, I agree w/ @MrZimmerFan that the overall sound falls on Peter Berg's hands and not Steve Jablonsky, but it's annoying that we haven't had a standout score from the guy since 2017 at best.

P.S. @ dingelding
For the love of god space out your thoughts into paragraphs. Your comment is awful to read.


Brent2020-03-06 10:54:43
I am perhaps one of the biggest Jablonsky fans there is, but I do have to agree. This score is bland and is simply uninspired. However, I think it has more or less to do with the types of films he’s choosing to do more so than any draining of creativity. These last batch of films (Spenser, Bloodshot, Skyscraper, Game Over) have all been generic action thrillers with little to no substance. It’s an almost “been there, done that” approach. So, creatively, what is there ultimately to draw from?

I kind of liken this to the Gregson-Williams thriller scores verses everything else he’s done. His thrillers are {mostly} bland, uninspiring works that leave little to be desired, but most everything else he’s done is superb. I think this just shows that Steve needs a good push in a different direction. I mean, can we hand this guy another animated film already?!?!

I hope to God Red Notice gives Steve a little more to chew on (being so high profile and Netflix’s most expensive investment so far).

I also want to acknowledge the fact that Michael Bay is probably the culprit of Steve’s descent into playing it safe more than anybody. Like other people have mentioned, I can’t begin to seem to understand how he felt after something he worked so hard on (and the “grand finale” of a major series nonetheless) got oh so butchered. I mean, look at Balfe’s latest example. There was so much blatant temp tracking and straight up copy/paste jobs in 6 Underground, it was almost completely devoid of anything resembling creativity (and this is coming from a guy who seriously loves 13 Hours).

All this to say, I will continue to be a strong supporter of Jablonsky and am looking forward to what’s next. :)


Bayhem2020-03-06 11:58:25
I can’t begin to seem to understand how he felt after something he worked so hard on (and the “grand finale” of a major series nonetheless) got oh so butchered.
================


Wait, wait, wait...

I keep hearing from the same few folks here how "bad" Steve felt after TF5. Where exactly did you get this info? I follow Steve everywhere on social media, I've seen all of the interviews he's done and he never complained or acted weirdly about it.

Yes, he did talk about TF5 and some editing decisions but it was all in good spirits and certainly not something we haven't seen before. Keep in mind: he did FOUR TF movies before TF5. The TF2 schedule/editing process was a nightmare and Steve never complained.


==============
I also want to acknowledge the fact that Michael Bay is probably the culprit of Steve’s descent into playing it safe more than anybody.
==============

That is not a serious statement, my friend.

It is quite ironic actually, considering the fact that the most beloved and popular Steve scores are his scores for the Bay movies. Hell, even the "butchered" TF5 score is incredibly popular and there are several awesome tracks.

So let's not blame filmmakers who have nothing to do with Steve's recent work. You want to blame someone in this case? Blame Peter Berg.

He's the one who FOR YEARS have been pushing Steve to do "sound design" scores. Exactly the types of scores people complain about here...


Hybrid Soldier2020-03-06 12:48:22
Game Over, Man!, Keanu & TMNT 2 are absolute fun scores (TMNT 2 is probably one of my very favorites of Steve). Don't judge him only by what gets a soundtrack release.


TF5 was not a "nightmare", it's just that at the very end it got super frustrating that they had to reedit the movie so much and it was very complicated for him to meet the deadline so he called LB for help. But that was the same in TF3. Difficulties on Bay projects is simply a tradition. TF2 was complicated, but by then he was still at RCP so when you have a problem just knock the next door and Hans is around. TF1 was probably the most complicated of all but for very different reasons that had nothing to do with the film production itself or Michael Bay.


Knight2020-03-06 13:18:27
Can't exactly judge him by scores no one's able to listen to outside of the film either :p


Bayhem2020-03-06 14:40:34
TF5 was not a "nightmare", it's just that at the very end it got super frustrating that they had to reedit the movie so much and it was very complicated for him to meet the deadline so he called LB for help. But that was the same in TF3.
===============


Exactly!


MrZimmerFan2020-03-06 17:04:24
Saw the movie, and give to credit to Steve (and Berg), the score works well in the movie, yeah, lot of synthetizers and guitars (and disorted sound design for a much darker sequences), but accomplish the tone and Walhberg's character (plus, you get in the album the theme for him).

But still, i prefer Bloodshot over this.

PS: TMNT 2 is a blast


rockhound2020-03-07 22:58:23
I also have to say, that the music works in the movie good and is a nice combination with the songs. But nothing in this music says....this is Spenser Confidential. It has no own identity. Same goes with the last 3 Peter Berg movies. I guess Steve writes these scores for Peter Berg, because he just likes to work with him. The movie was also good. A nice little crime movie with a sloid story, down to earth action and good characters. But i hope Steve finds a movie soon again, where he will be asked to get more creative again.

MrZimmerFan reply Replies: 0 || 2020-03-05 14:08:30
Up in Itunes NZ

https://music.apple.com/nz/album/spenser-confidential-music- from-the-netflix-original-film/1500496292

superultramegaa reply Replies: 2 || 2020-03-03 00:42:47
Don't have much expectations for this one after Bloodshot, but I'm rooting for Jablonsky as always.


MrZimmerFan2020-03-04 17:55:03
Maybe i gave him more credit than that score deserves, but i have more enjoy with that, than with Skyscraper.


dingelding2020-03-05 03:13:47
YEAH GREAT JABLONSKY LOVE BLOODSHOT AND SKYSCRAPER!!!!!

Jack Afrogarrix reply Replies: 0 || 2020-03-02 22:46:37
Wow, I Can't wait to hear the score and see the film in netflix this friday.

Jack Afrogarrix reply Replies: 0 || 2020-03-02 22:46:29
Wow, I Can't wait to hear the score and see the film in netflix this friday.

MrZimmerFan reply Replies: 0 || 2020-03-02 20:31:47
I can't wait

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Spenser Confidential soundtrack - Steve Jablonsky 2020