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Yes, the sound mixing in the movie is bad, you can't listen the music properly, is buried under a lot of sound effects.<br><br>It was one of those situations where 'the music is trying to overlook the thunderous sound effects',I do kinda prefer the 2014 score over the KOTM score, but McCreary's work does deserve more love than just being called a 'retreat of the original theme'.<br>It also deserved to be heard more, but the movie's sound mixing was terrible.Wasn't expecting to see someone else here for the same reason. Really hoping those two soundtracks return, they're great for studying music.Are Steve Jablonsky and Rupert Greyson-Williams still apart of RCP or they went solo too?I wouldn't disagree that Godzilla KOTM is a good score since it works very well for the movie and by itself. I'm just saying that Junkie XL can bring something new and interesting to the franchise which hasn't been done before.
Before someone jump, i will said in this kind of movies, change a composer is very common, don't say i don't want McCreary will be back, only i prefer other people try other things.<br><br>Like i said, i listen very OFTEN the three scores in this movies, and i love each style (as for the movies... well, prefer G14 and KSI over KOTM)@Moggyman<br><br>If you think that all McCreary did was modernize the Godzilla theme, you clearly haven't listend to the score.<br>He indeed used and modernized the themes for Godzilla & Mothra.<br>Besides that he wrote new themes for Rodan, Ghidorah, Monarch, The Russel Family and a theme he called the Ancient theme.<br><br>Besides this, he used the orchestra, choir, soloist and specialty instruments in the best way they can be used.<br><br>His score was one of the best blockbuster and orchestral scores of the last couple of years, in my opinion.<br><br>Until I hear Holkenborg's score I can't really comment on if it will be good. But at the moment I am sad McCreary isn't coming back. But I am very curious what Holkenborg will doI disagree, the McCreary's score in that movie is really, really good... but I put this, as myself i listen very often the other two: G14 and Skull Island, also really, really good, can't put a score over another because one composer uses a theme (a very mytical one, if you are a movie monster fan), specially in that franchise.<br><br>Yes, Ifukube create a wonderful theme (and the original movie have a really tough score to listen isolated of the movie), but other composer make a wonderful themes (and polaraising), like Otani (which his score for GMK is FULL electronic, but really good) or Oshima (great theme, maybe the inspiration for Desplat's theme), even the most forgotten Reijiro Koroku create a terrific theme for the character in 1984Bear McCreary is a good composer but all he did for Godzilla KOTM was modernize the original Godzilla theme, which isnt super creative. Junkie, on the other hand, may give us a really creative score based on his eagerness to do the project.Yeah besides the massive disappointment that is the movie Godzilla: King of the Monsters, the even bigger disappointment is that Bear McCreary won't be back for more.
you fool.... its impossible ! everybody knows that there is only one batman theme.... (joke)In a recent interview, Junkie mentioned that he's bringing back themes for Superman and Wonder Woman, while everything else is new. I wonder if he's gonna make a new Batman theme.It's true, there is completely different team from composer to director in crossover :)But the film was particularly bad...<br><br>So I rather have a whole other team do something ELSE lol...Yeah... McCreary's score is one of the best from last year so I'd rather have him again.
I open to ANY composer in this movies.<br><br>To answer the question, YES, i'm ready<br><br>Specially to a guy, who loves G14, KSi and KOTMNo way. After what Bear McCreary did on King of the Monsters last year I definitely want him back.Atli still has his studio at Remote but mostly works from home in Iceland.<br><br>Guillaume game back to settle to Remote a couple of years ago (before he was splitting time between RCP & France).<br><br>Heitor still is at RCP as far as I know, haven't heard anything in a while.<br><br>Nathan Stornetta left Remote in 2015 (against Hans' will !! :)) cause he didn't fancy much that whole Hollywood business. He is home in Switzerland doing his own projects, but also touring with Hans...Atli Örvarsson, Heitor Pereira, Guillaume Roussel and Nathan Stornetta ?Marc left RCP in like... 2003 ? lol<br><br><br>And yes he is, check his page, he just doesn't have much going on anyway.
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Geoff ZanelliZak McNeil
ComposerAdditional Music
You Should Have Left
Label: Back Lot Music (Digital Download Only)
Length: 36'05
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (369 votes)
  1. Unreliable Geometries (3:19)
    Geoff Zanelli
  2. Ceremonial (2:10)
    Geoff Zanelli
  3. There Is Nothing Wrong With The Thoughts You Have (2:30)
    Geoff Zanelli
  4. Old Man, Sunblock! (1:41)
    Geoff Zanelli, Zak McNeil
  5. Welcome Home (1:07)
    Geoff Zanelli
  6. Did Daddy Kill Her? (2:28)
    Geoff Zanelli
  7. You Know What Is Really Happening (1:10)
    Geoff Zanelli, Zak McNeil
  8. OK With Me (1:09)
    Geoff Zanelli, Zak McNeil
  9. You Look Lost (1:24)
    Geoff Zanelli
  10. Drive Safe, Sweetie! (2:53)
    Geoff Zanelli, Zak McNeil
  11. Looks Like A Wall To Me (4:14)
    Geoff Zanelli
  12. Road Into Town (2:22)
    Geoff Zanelli, Zak McNeil
  13. Do You Still Love Mommy? (1:23)
    Geoff Zanelli
  14. You Can't Run Away From A Shadow (4:05)
    Geoff Zanelli, Zak McNeil
  15. I Belong Here (4:10)
    Geoff Zanelli
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Jack Afrogarrix reply Replies: 0 || 2020-06-22 14:23:43
Booklet Credits:

Music Composed and Produced by Geoff Zanelli
Additional Music and Arrangements By Zak McNeil
Technical Score Engineer By Nicolas Salinardi
Technical Music Assistant By Charles Sicouri
Music Coordination By Encompass Music Partners
Music Recorded By Geoff Zanelli & Shane Clark
Tagleharpa, Crwth and Bowed Psaltery Performed By Geoff Zanelli
Piano Performed By Hsin-I Huang
Cello Performed By Jacob Braun
Music Mixed By John Witt Chapman
Music Mix Assistant By Jacob Moreno

Knight reply Replies: 0 || 2020-06-19 19:18:16
Album credits: (from Spotify)

Geoff Zanelli, Zak McNeil

OLD MAN, SUNBLOCK!
YOU KNOW WHAT IS REALLY HAPPENING
OK WITH ME
DRIVE SAFE, SWEETIE!
ROAD INTO TOWN
YOU CAN'T RUN AWAY FROM A SHADOW

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Please enter number: 1840 

Hybrid Soldier reply Replies: 1 || 2020-06-18 21:45:36
New Geoff !


Samuel2020-06-19 12:28:55
anyone listened to it yet? What is it like?

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You Should Have Left soundtrack - Geoff Zanelli 2020