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One of this score's best and most underrated moments, especially in the context of the film, is the introduction of the Kraken's theme in "Row to Tia Dalma". The tense buildup while Gibbs describes the creature's horrors, then the brief pause as he names it, followed by the theme in the absolute lowest registers of the orchestra, quiet, but so so so menacing and also just SUPER FUCKING COOL.<br><br>It gives me goosebumps every time, in a *dialogue scene*. That is incredibly good musical storytelling.Edmund: And posted their one-sentence review of it on the Hans Zimmer fan site.Anything missed from the official release?oh damn really? huh that would be cool. even with the ultimate edition there’s still deleted scenes and I wish they were put on the Blu ray.<br><br>it plays during the scene after the knightmare when Clark is looking through the polaroids that say judge jury executioner on them. i don’t remember if that’s an extended scene or not as I’ve only seen the theatrical cut once in theaters. one and done lol"Chicken Run really makes you FEEL like you're in a concentration camp." - IGN
I guess it comes from a deleted scene where Jesse Eisenberg gets playful with his dinner. Rumor has it it's gonna be included in the Snyder Cut.I love the notion of Barack Obama and IGN teaming up to review 20 year old film scores.Smoothly done soundtrack. IGN - 10/10what the hell is Quaker steak and lube????I disagree on Catwoman. I love Zimmer's theme and I thought it is one of his most underrated themes.
Loved the new tracks!<br><br>Hans & Chris really did something special.<br><br>I enjoyed the Tenet score, but honestly Ludwig's work doesn't compare to Zimmer's. I just hope they work together again instead of Chris choosing Ludwig as his main collaborator from now on.Agreed.<br><br>I don’t know, TDKR feels a little oppressive to me in comparison with BB and TDK , probably as a result of Nolan’s musical tastes veering away from symphonic to more abstract. Reading the new book on Nolan gives me the impression that he has a very similar approach to his music as he does his filmmaking. With that said though, TDKR is still a solid conclusion to the franchise. Bane’s theme is excellent and the culmination of the various “Bat-Themes” do feel well earned. Catwoman’s theme is solid, but for some reason is dropped from most of the movie in favor of the repeating two-note phrase.<br><br>@Moggyman<br>Honestly I feel as if JNH’s work on the first two Hunger Games sequels showed a strong improvement in writing and theme building. The last score was a bit too much of a pastiche, but orchestrally a stronger fit than the first one. And “Crimes of Grindelwald” is easily one of the best sequel scores in the past few years (alongside Star Wars and HTTYD). Unfortunately we still don’t have a good album situation for that though. -_-Counterpoint: I liked Crimes of Grindelwald more than the first Fantastic Beasts. And forget Hanging Tree - "Air Raid Drill" from the first and "Sewer Attack" from the second Mockingjay are the best cues from that series. Plus, JNH honestly hasn't worked on that many sequels so we don't really have enough to go on here. <br><br>I think having JNH on board for Catwoman would have done wonders for this score. Hans' theme is okay, but feels like a bit of an afterthought compared to Bane.TDK & TDKR have amazing theme suites.<br><br>But as for the scores in film, they don't even get close to Batman Begins !I like Tom but idk he's gone downhill in my book. Alita was boring, i was over the moon excited for Terminator cause that was a perfect mix and it was disappointed big time. I'd love to hear Steve Jablonsky tackle that and get back to being as great as he used to, he has been phoning it in big time lately
Ok, before I eat my words, JNH did create the Hanging Tree in Mockingjay p1 which was good, but nothing else other than that in the sequels.For being the so called "weakest", it's very good. And if you think that Bane's theme is repetitive, I would say the same about the Joker's theme in TDK (to me they are both good though). <br><br>Now in all fairness, JNH could have probably added good material to the score since he's a genius, but I personally think he doesn't do well on sequels. Sure, in TDK he gave harvey dent a theme that resonated with his character (but was similar to material already used in BB). Yet, if you look at his work in the hunger games, its seems to me that he couldn't bring something both new and compelling to the sequels as he did in the first movie. I will agree with you that Batman Begins has the best music of the series though.After re-listening to this one, it's clearly the weakest of the trilogy. Of course it's not bad, the new themes are pretty good (though I think Bane's theme is a bit too repetitive and dry at times), there's still emotional moments, but JNH's absence really left a hole in this score.<br><br>I get to an extent that's the point, that all of Bruce's potential for a happy life is gone, but even the emotional tracks to me have nowhere near the emotional resonance that JNH's themes brought to the films. <br><br>"Come With Me" is the best example, where the slow emotional Selina Kyle chords just don't leave much of an impact. Definitely could have used JNH's "Courthouse Pt. 1" or the main theme from "Bruce Left For Dead" to emphasize Bruce's giving up of a quiet life. <br><br>Of course I still appreciate the way the 2 note motif is developed into a theme of its own, as well as the score as a whole, but then you get tracks like "Many Forms of Immortality" which just emphasize how much more effective the thematic work in Batman Begins was.It could also be Tom, who worked on Run All Night, and is already an established DC composer<br>Either way I'll be happyI lowkey think James is gonna score the Black Adam movie. it's the same director from Jungle Cruise so I'm sure he'll be brought along for it

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Hans ZimmerDavid FlemingSteven KofskyRyan Rubin
ComposerComposerMusic Production ServicesMusic Editor
Hillbilly Elegy
Label: Milan Records
Length: 42'07 rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (154 votes)
  1. Transformation (End Titles) (4:57)
  2. Rust (2:45)
  3. Kentucky 1997 (2:45)
  4. We Respect Our Dead (2:44)
  5. Suffocating (4:51)
  6. Bev (3:30)
  7. Resignation (2:01)
  8. Old Wounds (5:44)
  9. Responsibility (5:05)
  10. Usha (3:04)
  11. Steel In Our Veins (4:35)
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rockhound reply Replies: 3 || 2020-11-25 10:21:14
So no solo cello by Tina Guo? Is it digital then or is it no cello?

Knight2020-11-25 11:21:37
She definitely performed on the score, I don't know why she is uncredited...

Hybrid Soldier2020-11-25 12:21:32
Technical reasons ! lol ;)

But she was there.

rockhound2020-11-25 21:16:21
Thank you for your replies. On IMDB she is listed.

Knight reply Replies: 0 || 2020-11-24 15:58:24
Movie credits:

Music by Hans Zimmer & David Fleming

Music Supervisor: Joe Rudge

Score Produced by Hans Zimmer
Supervising Music Editor: Ryan Rubin
Music Editor: Nate Underkuffler
Music Production Services: Steven Kofsky
Additional Music by Ben Powell
Featured Guitar Soloist: Derek Trucks
Score Mixed by Seth Waldmann
Score Mix Assistant: Aldo Arechar
Technical Score Engineer: Chuck Choi
Technical Assistants: James Grimwade, Aldo Arechar, Steven Doar & Fabio Marks
Synth Programming: Hans Zimmer
Digital Instrument Design: Mark Wherry
Digital Instrument Preparation: Taurees Habib, Raul Vega, David Naroth & Paul Salerno
Studio Manager for Remote Control Productions: Shalini Singh
Assistant to Hans Zimmer: Cynthia Park
Score Mixed at Remote Control Productions, Santa Monica CA
Music Clearances: Jessica Dolinger

badbu reply Replies: 0 || 2020-11-24 14:29:17
thats true

fabien reply Replies: 3 || 2020-11-20 22:47:46

Jsdamian2020-11-24 11:45:39
Maybe WW1984

badbu2020-11-24 12:59:02
an oscar for this one? nahh...
maybe he gets a nomination for dune or bond

Macejko2020-11-24 13:17:46
Can't think of a more meaningless and laughable award than the Oscar.

NotSoAnonymous reply Replies: 0 || 2020-11-20 20:23:06
Full score is out now, and wow! I am pleasantly surprised by how much I enjoyed this. I expected it to work well for the film and be an interesting listen, but I am amazed by how melodic this was, as opposed to subtle string arrangements and drone / sound design, which are both still present but not the focus. Also, some of the rhythmic elements are presented in a way that felt like 90s Zimmer (in a good way).

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Mephariel reply Replies: 1 || 2020-11-13 06:58:28
Rust is out. And it sounds pretty good!

MrZimmerFan2020-11-13 12:12:09
I'm very interested in this one, specially after multiple big scores by Hans, is nice see him making a drama score.

Felix reply Replies: 6 || 2020-11-05 12:57:35
In the credits of The SpongeBob Movie they say that a Soundtrack Album is available under Neon 16/Interscope Records

Marco Ludema2020-11-05 15:14:18
Well, here's hoping the specifics will be brought out soon.

MrZimmerFan2020-11-05 17:21:57
Don't expect is going to be score album, Neon 16 is a label specialitated in song albums.

If is going to be a score album, Paramount Music is the label.

Chaval2020-11-05 18:05:53

Daniel2020-11-07 23:41:47
I think there is more Mazzaro than Zimmer

vced2020-11-09 07:08:45
Mazzaro's Spongebob score is fun. sadly the film itself is crap.

Chaval2020-11-09 15:25:26
the opening is great

Mephariel reply Replies: 1 || 2020-11-05 06:42:52
There are some excerpts on YouTube. Sounds really promising.

Daniel2020-11-06 05:22:47
yeah, rust is complete in score world. I like a lot.

jsdamian reply Replies: 0 || 2020-11-05 11:47:58
What a cover!!
I also think it will have great music

Steve_1618 reply Replies: 0 || 2020-10-24 03:31:50
Will the SpongeBob Movie - Sponge On The Run get a release?

badbu reply Replies: 0 || 2020-10-16 09:41:05
very excited!!!
@hybrid theme by hans and the rest david? :P© 2001-2018 OST 
Hillbilly Elegy soundtrack - Hans Zimmer - David Fleming 2020