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I can't say that I am happy. I love Marr, but I don't want Marr in Lorne's position. #BalfeforBondJohnny Marr has been confirmed to be performing on the score...<br><br>Is there going to be a separate discussion thread for this btw?Dark Materials was anything but "a pure orchestral sound" lolIt largely has to do with the types of films he scores.Meh, you're not alone. Not a big fan of Desplat, especially when it comes to his contributions to pre-established franchises.
Track 9. Stop The Crane and 11. Burn Or Jump<br><br>Excellent.One of the most elite scores produced.I might get hate for this and Desplat might be a cool guy, but I have no idea why he gets so many Oscar nominations... please donīt kill meMan, I am actually excited to hear Balfe's score for Bad Boys for Life - the clips he's posted on his Facebook page sound awesome and like they could truly honour Mancina. The Balfe components sound epic and the Mancina integrations dynamic. What's to fear, right? <br><br><br>I do fear that someone makes Alan Myerson to distill these 100s of performers, choral and orchestral, to make the whole score sound like an 80s casio synth again - please don't!! Balfe's had huge success with Dark Materials and Gemini Man with a pure orchestral sound - don't fuck it up, PLEASE.meh to desplat. this score needs jackman...
The "Knight March" theme is really potent. Hans should release his suites for this! I know it'll never happen, but a CD of just his original demos for his various projects would be really fun to hear.I also want to remind people that Cate Shortland is directing this film. This is a director that said James Horner destroyed the movie Avatar with his manipulative music.<br><br>I wouldn't be surprised if most of the music is more tame without melodies. But then again, Disney is really the composer here, not Desplat.Shince, outside of the admittedly great main theme I do find Silvestri's Avengers music to be fairly forgettable...the sort of standard watered down orchestral sound that Marvel loves, not badly composed or anything but not particularly distinctive and a bit disappointing coming from a composer who in the past was capable of stuff like Judge Dredd, The Mummy Returns or Van Helsing.We never usually have the credits of Lorne's projects. Could Hybrid get the credits of Lorne's projects?Some additional credits from the cuesheet:<br><br>Lorne Balfe, Steffen Thum<br><br>COFFEE TIME<br>NIGHT VISITORS<br><br><br>Lorne Balfe, Steve Davis<br><br>FIRST CONFRONTATION<br>VAN ATTACK<br><br><br>Lorne Balfe, Sven Faulconer<br><br>MOTORCYCLE CHASE<br>URIE TALKS TO HENRY<br><br><br>Lorne Balfe, Max Aruj<br><br>BUDAPEST<br>TRAIN RIDE<br><br><br>Steffen Thum<br><br>MEET JACK
But the style in Bad Boys 2 is totally different to the style in part 1. so the explanation doesn't make much sense.I have met with Tony Scott, on the filming location of Spy Game I asked him, who will compose the music for the film, he answered Hans Zimmer. :) And it landed at HGW. And Tony had worked with HGW only since then. <br>Mancina dropped out because, he wanted to do something new for the movie and didn't want to repeat himself, and MB and JB didn't like the idea, and they wanted the same music style, so MC left the project.Last time Disney hired Desplat, he ended up... not doing the score at all...Oh, shit, i forgot Valerian, such an amazing epic/space score.<br><br>TerrificThe Deathly Hallows, Valerian and Godzilla by Desplat had quite memorable melodies IMO.
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Klaus BadeltRamin DjawadiGeoff ZanelliBlake Neely
ComposerAdditional ArrangementsAdditional ArrangementsOrchestrator
K-19 - The Widowmaker
Label: Hollywood Records
Length: 69'00 (Score: 60'55)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4384 votes)
  1. Fear - Largo (4:03)
  2. Fate - Adagio (2:42)
  3. War - Allegro (3:39)
  4. Soul - Misterioso (5:30)
  5. Home (4:01)
  6. Heroes (8:20)
  7. Journey (13:11)
  8. Capt. Alexi Vostrikov (2:05)
  9. Missile Launch - The Rescue (10:00)
  10. Reactor (Selections From "Voices Of Light") - Richard Einhorn (8:06)
  11. Reunion (7:15)
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MacArthur reply Replies: 5 || 2014-02-13 15:16:23
Just bought this score. I saw the movie I thought that the music was pretty good in it.

Edmund Meinerts2014-02-13 17:02:10
Yeah, it's not bad. Some Gladiator type action and a lot of Russian-styled music.

Mike2014-02-13 17:18:17
I heard the score within the movie and thought it was kinda….ugly. Maybe I'll have to listen to it on its own. :)

Edmund Meinerts2014-02-13 17:39:26
Ugly? I'd say the biggest problem with it is that a lot of it is quite dour and depressing. It's very weighty and Eastern European-sounding (not unlike The Peacemaker in parts). But "ugly" is not a word I'd use to describe it!

Mike2014-02-13 19:09:10
As I said, I'll probably have to give it another listen. It was a year or so ago, and my tastes were somewhat different then.

MacArthur2014-02-14 01:14:13
I think it's a very beautiful score now that I just finished listening to it.

Jimmer reply Replies: 0 || 2011-08-13 22:34:07
Would anyone have any idea what cues were composed by whom? Like, which ones did Geoff Zanelli help on and so forth.

Aggelos reply Replies: 0 || 2010-07-30 00:00:00
Valery Gergiev needs to give some Leonidas Leonardi orchestrations.
Mussorgsky-Leonardi "Pictures at an exhibition" FTW!

thomson reply Replies: 0 || 2006-10-19 00:00:00
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Angel reply Replies: 0 || 2005-09-10 00:00:00
Yay, War-Allegro is an outstanding brass-heavy theme that reminds The Battle"-- from Gladiator. THRILLS GALORE!!!!!
I only wish that it were longer!

The rest of the score is very emotional &-- mournful russian classic style music, that made me cry!!!

Especially the "--Journey"-- with the Kirov Chorus is so...... *cries*

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
Large and slow orchestra passages, an action music track that clearly sends us to Zimmer's 'The battle' / 'The Barbarian Horde' or a.k.a 'The Gladiator Waltz' from Gladiator and some beautiful solo soprano and choir work make up for this outstanding work by Badelt. Definetely one of his best works so far, the others being the TIME MACHINE, INVINCIBLE (with Zimmer) and NED KELLY.

Demetris Christodoulides

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K-19 - The Widowmaker soundtrack - Klaus Badelt 2002