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Any idea about Bobby's credits here Hybrid? ASCAP doesn't list anything for the specific album cues and I got no idea what to search for regarding session names. Bobby is credited on the "Outlander Theme" though, so does that mean that every cue with the main theme present he should be credited?If you have no idea what exactly Flood contributed to the cues then theres not much reason to be sad about it.Credits for Jay Flood taken from his soundcloud: <br><br>Divine Magic Kingdom (Prelude)<br>Blessing (Annette Raleigh Theme)<br>Wonderland (Mark Theme)<br><br>Kind of sad to see "Blessing" and "Wonderland" were at least partially composed by Flood instead of Jablonsky, as those were the most rich, unique, and impressively composed.Some credits for Jay Flood taken from his soundcloud: Flashback, and Flying Battle<br><br>Sadly no credits for Pieter A. Schlosser that I've been able to find...The greatest thing that could happen, if Katsuhiro Otomo, who returns after very long 15 years break, reunited with Steve for his new anime «Orbital Era». I don't know the story behind the creation of «Steamboy» and how Steve get that job, but this was one of the best works of Jablosnky and my favorite. <br><br>It could be the greatest joy to hear Steve in full-orchestral mod and in anime-project like this.<br><br>I know, that all of this is a long shot and almost imposible, but you never know how things could turn.
Sure thing. PM me on YouTube, I'll send you the link :)I am still surprised that "X-SS" isn't inserted into "Gap." That is easily the best iteration of the main theme.This is seems like HBO wanting to get Djawadi and couldn't get him so they get the guy next door. <br><br>Honestly, they should have gone for Wallfisch or Harry Gregson-Williams (probably too busy with Mulan).Poor Micheal thinks Mikeal's response is simple disagreement when it contains sentences like;<br><br>"Also film music doesn’t have to sound like it’s from the 1960’s all the time." Implying that's the only music Edmund likes.<br><br>Also, poor Micheal thinks pages can't have any other discussion other than the movies on them! (Plus, considering the fact that Balfe does do projects in a short time span all the time, it's not exactly negative to point out that producers hire him for that task too much.)Poor Edmund thinks disagreeing is having a go !thought this page was about crawl and the music by Aruj and Steffen????they did a great job and the film was fun.
Been a while since one of Balfe's paid (or unpaid?) shills had a go at me. I'm almost nostalgic. :pEdmund maybe listen and watch the show first before being negative about it?Nice strawmanning there MikealTypical Edmund response!!<br>Balfe doesn’t always write the most amazing scores but when he does it’s the best.if Balfe was only “good enough” why do the world top directors want to work with him ????????<br>Also film music doesn’t have to sound like it’s from the 1960’s all the time.Balfe seems to choose projects that don’t always require big melodies all the time.Zaras a girl and I agree with Edmund there is some sine signals and noise in the upper register that is noticeable in some cues. But that's the nature of the media it was recorded on. <br><br>You could use a spectral repair tool and non-destructive noise removal tool to fix them, such as those found in iZotope RX<br>
so only you can hear it eh? Zaralyth? that you? lolWhile I'm sure the Lorne haters will be unhappy, I was very excited today to learn that Mr. Balfe is composing the score for the BBC's new "His Dark Materials" series (adaption of the same book that guided the 2007 film "The Golden Compass", composed by Desplat). I think there might actually be enough emotional material in this project to have Lorne finally write some melodies again! :)Has anyone noticed a high-pitched whining in the background of some tracks? It's particularly bad in the mid-section of "Witt in Brig/Tall and Quintard", from about 4 minutes onwards. It's such a high frequency that I bet a lot of people wouldn't hear it (including the QA team at LLL, I guess), but I can and it's really debilitating.Great work, Macejko. Do you have a lossless link for this?Yeah it's an underwhelming choice for me. Balfe feels like the guy you get when you want "good enough", or when you need a score turned over in a really short time. Doesn't speak to much ambition on the showrunners' part when it comes to the music in this series. I'm sure it won't be bad, but I doubt it will be amazing.
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Klaus BadeltRamin DjawadiGeoff ZanelliBlake Neely
ComposerAdditional ArrangementsAdditional ArrangementsOrchestrator
K-19 - The Widowmaker
Label: Hollywood Records
Length: 69'00 (Score: 60'55)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4273 votes)
  1. Fear - Largo (4:03)
  2. Fate - Adagio (2:42)
  3. War - Allegro (3:39)
  4. Soul - Misterioso (5:30)
  5. Home (4:01)
  6. Heroes (8:20)
  7. Journey (13:11)
  8. Capt. Alexi Vostrikov (2:05)
  9. Missile Launch - The Rescue (10:00)
  10. Reactor (Selections From "Voices Of Light") - Richard Einhorn (8:06)
  11. Reunion (7:15)
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MacArthur reply Replies: 5 || 2014-02-13 15:16:23
Just bought this score. I saw the movie I thought that the music was pretty good in it.

Edmund Meinerts2014-02-13 17:02:10
Yeah, it's not bad. Some Gladiator type action and a lot of Russian-styled music.

Mike2014-02-13 17:18:17
I heard the score within the movie and thought it was kinda….ugly. Maybe I'll have to listen to it on its own. :)

Edmund Meinerts2014-02-13 17:39:26
Ugly? I'd say the biggest problem with it is that a lot of it is quite dour and depressing. It's very weighty and Eastern European-sounding (not unlike The Peacemaker in parts). But "ugly" is not a word I'd use to describe it!

Mike2014-02-13 19:09:10
As I said, I'll probably have to give it another listen. It was a year or so ago, and my tastes were somewhat different then.

MacArthur2014-02-14 01:14:13
I think it's a very beautiful score now that I just finished listening to it.

Jimmer reply Replies: 0 || 2011-08-13 22:34:07
Would anyone have any idea what cues were composed by whom? Like, which ones did Geoff Zanelli help on and so forth.

Aggelos reply Replies: 0 || 2010-07-30 00:00:00
Valery Gergiev needs to give some Leonidas Leonardi orchestrations.
Mussorgsky-Leonardi "Pictures at an exhibition" FTW!

thomson reply Replies: 0 || 2006-10-19 00:00:00
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Angel reply Replies: 0 || 2005-09-10 00:00:00
Yay, War-Allegro is an outstanding brass-heavy theme that reminds The Battle"-- from Gladiator. THRILLS GALORE!!!!!
I only wish that it were longer!

The rest of the score is very emotional &-- mournful russian classic style music, that made me cry!!!

Especially the "--Journey"-- with the Kirov Chorus is so...... *cries*

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
Large and slow orchestra passages, an action music track that clearly sends us to Zimmer's 'The battle' / 'The Barbarian Horde' or a.k.a 'The Gladiator Waltz' from Gladiator and some beautiful solo soprano and choir work make up for this outstanding work by Badelt. Definetely one of his best works so far, the others being the TIME MACHINE, INVINCIBLE (with Zimmer) and NED KELLY.

Demetris Christodoulides

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K-19 - The Widowmaker soundtrack - Klaus Badelt 2002