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cool!Whedon has his particular tastes which are guaranteed to be more sensible than 'Anonymous' below. This was a case where Snyder was facing an uphill struggle and a personal tragedy. He left the project. Josh came on board and he does not think highly of the RCP school, as anyone with a sensible ear will do. So he hired Elfman who did Age of Ultron for him after Tyler copy-pasted himself too much. It's ironic that fanboys here lambast Elfman for not being Zimmer enough in scope while Tyler does whatever he does, sounding EXACTLY the same on all projects. <br><br>But it's also heartening to see that all of the good RCP composers like Jackman, Junk, Balfe are now going for scores that sound a lot like 1990s or 2000s - Silvestri (Jumanji), Jones (Alita), or Shore (Dark Materials), respectively.Did Holkenborg finish his score and have time to record it? Is there an actual score? It seems to me he got jettisoned early in the process when Whedon came on board. It would be surprising if he had time to record an actual score with players and an orchestra.I can't decide whether or not some of the things I want to hear from him should be in his new show or a new World of Hans Zimmer show.@Ds Omar is saying that this was the direction Tom went with / what the score sounded like not that he was fired because he didnít deliver the sound heís known for :) <br>Of course he was replaced after Snyder left the project. <br><br>And yeah citation is needed.
Desperately hoping we'll hear something from Dune. He's said himself how excited he is to finally work on music for a Dune movie and turned down Nolan for it, and it will be out a few months before these shows begin.The FYC came out for this. Unfortunately, it's missing two entire tracks from the film. An extended "Busy, Busy Berk", and the film version of "Furies Captured" (which at least had a YouTube upload of the alternate version). <br><br>Guess we'll have to hope for a complete/recording sessions leak for everything else.Will he come to Sthlm / Gothenburg sweden???https://www.  axs.com/why-we-need-a-chicago-med-soundtrack-album-in-our-li ves-112620<br><br>Why they never release this?!....Omar: Well tried, but Junkie XL was replaced after Snyder was fired and Whedon came in.<br>And just in case Snyder actually wanted another sound, he would just have told Junkie at the beginning instead of firing him after he departed himself :-p
Citation neededZimmer and Djawadi are nominated for Grammys this year along with Hildur,Alan Silvestri,Marc ShiecmanTom's score for Justice League was basically a mix of Mad Max and Deadpool. Zack wanted to go with a different approach for the score and make it more "fun" than serious. He didn't want a Zimmer sound for the movie.I noticed that the other day as well on IMDB. I know thatís not always reliable, but that would be awesome if he was involved. Iíve missed the ďfunĒ side of Zimmer for awhile. The next couple of years hopefully produce a number of Zimmer classics.Whoah Whoah Whoah Whoah Whoah.  Whoah. Space Jam2?! You arenít serious.
I hope this one will leak very soon! A lot of great music that isnt releasedHybrid, is Zimmer really attached to Space Jam 2?<br><br>Will Hans Zimmer be coming to London in 2021 pls? Thanks MonicaWhy won't concert in Poland?! I love Hans Zimmer and his music and I was really waiting for it!! Last time in Cracow it was the best time ever for me! :(Isn't anyone except me wondering what kind of sound that 2-tone-pattern is? Is that something like ring-modulated strings? Or even FM? Sure it is something layered.
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Klaus BadeltRamin DjawadiGeoff ZanelliBlake Neely
ComposerAdditional ArrangementsAdditional ArrangementsOrchestrator
K-19 - The Widowmaker
Label: Hollywood Records
Length: 69'00 (Score: 60'55)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4346 votes)
  1. Fear - Largo (4:03)
  2. Fate - Adagio (2:42)
  3. War - Allegro (3:39)
  4. Soul - Misterioso (5:30)
  5. Home (4:01)
  6. Heroes (8:20)
  7. Journey (13:11)
  8. Capt. Alexi Vostrikov (2:05)
  9. Missile Launch - The Rescue (10:00)
  10. Reactor (Selections From "Voices Of Light") - Richard Einhorn (8:06)
  11. Reunion (7:15)
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MacArthur reply Replies: 5 || 2014-02-13 15:16:23
Just bought this score. I saw the movie I thought that the music was pretty good in it.


Edmund Meinerts2014-02-13 17:02:10
Yeah, it's not bad. Some Gladiator type action and a lot of Russian-styled music.


Mike2014-02-13 17:18:17
I heard the score within the movie and thought it was kindaÖ.ugly. Maybe I'll have to listen to it on its own. :)


Edmund Meinerts2014-02-13 17:39:26
Ugly? I'd say the biggest problem with it is that a lot of it is quite dour and depressing. It's very weighty and Eastern European-sounding (not unlike The Peacemaker in parts). But "ugly" is not a word I'd use to describe it!


Mike2014-02-13 19:09:10
As I said, I'll probably have to give it another listen. It was a year or so ago, and my tastes were somewhat different then.


MacArthur2014-02-14 01:14:13
I think it's a very beautiful score now that I just finished listening to it.

Jimmer reply Replies: 0 || 2011-08-13 22:34:07
Would anyone have any idea what cues were composed by whom? Like, which ones did Geoff Zanelli help on and so forth.

Aggelos reply Replies: 0 || 2010-07-30 00:00:00
Valery Gergiev needs to give some Leonidas Leonardi orchestrations.
Mussorgsky-Leonardi "Pictures at an exhibition" FTW!

thomson reply Replies: 0 || 2006-10-19 00:00:00
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Angel reply Replies: 0 || 2005-09-10 00:00:00
Yay, War-Allegro is an outstanding brass-heavy theme that reminds The Battle"-- from Gladiator. THRILLS GALORE!!!!!
I only wish that it were longer!

The rest of the score is very emotional &-- mournful russian classic style music, that made me cry!!!

Especially the "--Journey"-- with the Kirov Chorus is so...... *cries*

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
Large and slow orchestra passages, an action music track that clearly sends us to Zimmer's 'The battle' / 'The Barbarian Horde' or a.k.a 'The Gladiator Waltz' from Gladiator and some beautiful solo soprano and choir work make up for this outstanding work by Badelt. Definetely one of his best works so far, the others being the TIME MACHINE, INVINCIBLE (with Zimmer) and NED KELLY.

Demetris Christodoulides

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K-19 - The Widowmaker soundtrack - Klaus Badelt 2002