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Well, it isn't..Truth or Dare additional credits:<br><br>I DON'T WANT TO PLAY<br><br>Matthew Margeson, Daniel James<br><br>SPRING BREAK PACKING<br><br>Matthew Margeson, Jason Soudah<br><br>THE GAME<br><br>Matthew Margeson<br><br>FOLLOW THE RULES<br><br>Matthew Margeson<br><br>BREAK OLIVIA'S HAND<br><br>Matthew Margeson, Daniel James<br><br>MARKIE'S DAD<br><br>Matthew Margeson<br><br>TYSON'S INTERVIEW<br><br>Matthew Margeson, Andrew Kawczynski, Daniel James<br><br>ROOFTOP TRUTH OR DARE<br><br>Matthew Margeson<br><br>INTRUDER<br><br>Matthew Margeson, Daniel James<br><br>OLIVIA AND LUCAS<br><br>Matthew Margeson<br><br>INEZ<br><br>Matthew Margeson<br><br>OLIVIA'S SECRET<br><br>Matthew Margeson<br><br>RETURN TO MISSION<br><br>Matthew Margeson<br><br>THE GAME WILL NEVER END<br><br>Matthew Margeson<br><br>Credits taken from GEMAyears agoWhen did this album come out?MOVIE CREDITS:<br><br>Music Composed And Conducted By<br>HARRY GREGSON - WILLIAMS<br><br>Additional Music By<br>STEPHANIE ECONOMOU<br><br>Music Edited By<br>BYFAR MUSIC, INC.<br><br>Orchestrated By<br>ALISTAIR KING<br><br>Score Recorded At<br>ABBEY ROAD STUDIOS<br><br>Score Recorded & Mixed By<br>PETER COBBIN<br><br>Record & Mix Editorial<br>KIRSTY WHALLEY<br><br>Score Mixed At<br>SWEET THUNDER STUDIO<br><br>Assistant Engineers<br>JOHN BARRETT<br>STEFANO CIVETTA<br><br>Assistant Music Editor<br>PAUL THOMASON<br><br>Digital Score Recordist<br>PAUL THOMASON<br><br>Score Production Supervisor<br>MONICA ZIERHUT<br><br>Music Preparation By<br>JILL STREATER<br><br>Orchestra Contractor<br>JENNY NENDICK<br>For<br>ISOBEL GRIFFITHS, LTD.<br><br>Choir & Whistlers<br>APOLLO VOICES<br><br>Acoustic Guitar & Ukulele<br>VIVIAN MILANOVA<br><br>Ethnic Flutes<br>CHARLES ADELPHIA<br><br>Bass<br>FRANCISCO OJEDA<br><br>Drum Programmer<br>SATNAM RAMGOTRA<br>
Honestly I am more annoyed that the soundtracks still put in endcredit songs despite them being the easiest to rip.Season 8 OST better have Jennys SongThat track is "Risen From Darkness" off the complete score.the zimmer info available on this site is always fun to read. thanks to hybrid and the rest for providing a fun place to discuss and review. if any fellow fans are interested in a run through of my entire physical Hans collection, check this out :)<br><br>https://www.youtube.com/watch?v=WsSQ6ohbFc8<br><br>I love it! <br>The Penguin March is perfect for Penguin based music!
Hello, does anyone know the name of the song played during scene in which Alfred and Bruce discuss rumors about bane in the batcave? Thanks in advancetread carefully hybrid might ban you for posting credits here lmaoThe only credit that I've found for Stephanie on this one is Shark Cage. It's literally the only cue with her name on it on both BMI and GEMA.Some Stephanie credits from GEMA:<br>BLOOD STAIN<br>CAR WRECK<br>CHICKEN COOP<br>EVA AND SANDO ARGUE<br>FIRST WAVES<br>LOONIE'S ACCIDENT<br>OLD SMOKEY<br>He said a few days ago on twitter that he was still working on it. What is making it take this long, I have no idea.
Maybe he's just busy working on other scores at the moment. You're better off just waiting for the sessions to leak at this point.Rabin has been touring with Jon Anderson and Rick Wakeman the last couple of years.what track is used in the trailerCan you explain which cue is from which movie??.....synthesizered
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Harry Gregson-WilliamsAlan MeyersonMarc StreitenfeldJustin Burnett
ComposerMusic Scoring MixerMusic EditorMusic Programmer
Phone Booth
Label: Trauma
Length: 41'16
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4180 votes)
  1. First Call (1:25)
  2. Trapped (3:40)
  3. NYPD (4:28)
  4. The Rifle (2:04)
  5. Confession (2:45)
  6. Times Square (2:04)
  7. Stu's Secret (2:42)
  8. Publicist Talk (0:51)
  9. Last Booth In NYC (3:35)
  10. It's Me You Want (1:38)
  11. Center Of Attention (5:28)
  12. Telephone Users (1:20)
  13. Is He Coming Out? (2:15)
  14. Phone Vs. Gun (2:38)
  15. Just Say The Word (1:30)
  16. It Could Be Anyone (2:53)
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Bayhem reply Replies: 0 || 2018-06-28 12:25:42
Well, the two guys below me said what I wanted to say on this subject. I will just add that this score was definitely an inspiration for Henry Jackman when he was working on Man on a Ledge : )

Minimalistic, stripped out of any fanfare and bombast (no Inception-style "Vrooooom", "Broooooooom") and to the point. Both scores work perfectly and they're the type of scores that (sadly) we almost don't hear these days.

Rgravity reply Replies: 0 || 2008-05-06 00:00:00
This score is the reason why I enjoy listening to Harry, the undertone drum loops mixed with the electric cello makes this score worthwhile. Even though its not a fast paced score like Spy Game, its still worth a check.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
A very good minimalistic score with distorted piano, dark synthesized underscore, electronic sound effects, drum loops and percussion. A decent enough effort althouth i prefer his sensitive writing for strings and interesting electronics, the trademarked sound of the composer as presented in SPY GAME and MAN ON FIRE instead of this. Composers like Cliff Martinez can do this anytime, a 1000 times better.

Demetris Christodoulides

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Phone Booth soundtrack - Harry Gregson-Williams 2002