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It was a missed opportunity.<br>Yeah... I'm not sure about Elfman's wave. The guy decided to bring back his old Batman theme instead of actually writing a new one. He has to re-invent himself. <br>Seven with ZimmerYeah, Silvestri, Newman, Goldenthal and JNH too. The six most popular "new" composers, along with Horner, of the  80's and 90's.I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't wait
I saw a few clips from the movie on youtube. The score sounded really good. Very unlike Djawadi and very beautiful fantasy music! Can't waitHonestly, I do feel bad for Elfman, because for Chrissakes hes been doing 50 Shades of Grey these days, and the last memorable scores I have of him are from 2012. But I don't think Zimmer or even Elfman for that matter are done as yet. I predict by the end of this decade Zimmer will have a new wave in popularity wash in. I'm just waiting for Elfman's wave right now...not quite seeing it yet.Glad you caught it Rockhound. Think the others were too wound up to notice !!i was trying to be funny.Pete you are funny, although u demand from others to talk about the actual soundtrack from this page, you start to talk also about another soundtrack. but ok.... i think Forgotten is a very boring track and adds nothing to the actual scene. a variation of his theme from the track Hero would have been much more intense for the ending. sadly we got 9 boring minutes of thematic development and instrumentation. Lorne can do much better as the track Hero from the same soundtrack shows.Zimmer got X-Men: Dark Phoenix this year. And I have a hard time believing he is only scoring that film this year. Zimmer always does more than 1 film a year.
No need for petty cursing .<br><br>We can discuss the soundtrack instead ! <br><br>Forgotten is cool track.Itís definitely one of Bayís best movies. Wish he would make more drama based film obvious with some action. Canít cope with more robots ! The ending of the film is so emotional and this track gave goosebumps at the end. Did sound very similar to the end of The Last Knight"Boring . Talk about the actual soundtrack or change the subject."<br><br>Ok, so someone else gets us on this topic, an arguement occurs, and NOW, only when you've realized you're losing the arguement, do you decide that this page is only for 12 strong. Which it's not. This is a forum we talk about whatever we want here.<br><br>But what a childish and pathetic attempt at avoiding our points. Just dismissively saying "Boring! Change the subject! My ears can't handle this criticism!!! Wah, wah, wah!" I guarantee you the next step after this is going to be petty cursing.Boring . Talk about the actual soundtrack or change the subjectUpset about success? Sounds like someone doesn't know a thing about reasonable criticism. :p<br><br>If anyone likes Balfe, then good on them. I only get annoyed when people decide he's suddenly the most amazing thing ever, which he really isn't. Even on his most competent scores, it's unlikely many would recognize him as one of the greats. Respect him, sure, but not think he's out of this world. Especially if people are still gonna be excited about hearing the work of someone else when a different person is hired (i.e. what JL might've been).Can we please change the subject !!!!!!!!it is so boring now.This page is ment to be about the sound track to 12 Strong
There you go again, accusing me of being upset about Balfe's success when I never said anything like that. Stop putting words in my mouth.AgreedThe point is Edmund and others  donít need to keep getting upset about Balfes success.Dont reply and just focus on other conversations.No one here is interested in hearing anyone bashing any of the great composers on this site from Remote. Grow up or move on.Appreciate the voice of support. :)Good god, this Balfe/Anonymous guys is wreaking havoc! Good thing Djawadi's fans are calmer than Balfe's.
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Harry Gregson-WilliamsAlan MeyersonMarc StreitenfeldJustin Burnett
ComposerMusic Scoring MixerMusic EditorMusic Programmer
Phone Booth
Label: Trauma
Length: 41'16
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3597 votes)
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  1. First Call (1:25)
  2. Trapped (3:40)
  3. NYPD (4:28)
  4. The Rifle (2:04)
  5. Confession (2:45)
  6. Times Square (2:04)
  7. Stu's Secret (2:42)
  8. Publicist Talk (0:51)
  9. Last Booth In NYC (3:35)
  10. It's Me You Want (1:38)
  11. Center Of Attention (5:28)
  12. Telephone Users (1:20)
  13. Is He Coming Out? (2:15)
  14. Phone Vs. Gun (2:38)
  15. Just Say The Word (1:30)
  16. It Could Be Anyone (2:53)
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Rgravity reply Replies: 0 || 2008-05-06 00:00:00
This score is the reason why I enjoy listening to Harry, the undertone drum loops mixed with the electric cello makes this score worthwhile. Even though its not a fast paced score like Spy Game, its still worth a check.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
A very good minimalistic score with distorted piano, dark synthesized underscore, electronic sound effects, drum loops and percussion. A decent enough effort althouth i prefer his sensitive writing for strings and interesting electronics, the trademarked sound of the composer as presented in SPY GAME and MAN ON FIRE instead of this. Composers like Cliff Martinez can do this anytime, a 1000 times better.

Demetris Christodoulides

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Phone Booth soundtrack - Harry Gregson-Williams 2002