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A fun and really nice writen score, one of my favorites this year.Sonogram, Starlings, Will & Tom, Leaving the Reservation, How It Ends, all good stuffAtli is still the best! He also never disappoint!That's sad if it is true. I remember her from videos back in the 90's and in many photos with Zimmer himself.Is Hans no longer married to Suzanne Zimmer? I saw articles from Hollywood in Vienna that hes now married to Dina De Luca.
Really fun score. Definitely on par with Elfman's effort.Chronological order is near impossible for music in an open world game.Hello everyone, Does anyone know how I can find "Homecoming" song in the movie but the film version not the soundtrack version? The homecoming song as it was played in the film itself.was anyone ever able to put the OST and the unreleased tracks together in chronological order?Year, but seriously, these genres are where Harry Gregson-Williams always succeeded  (Animation and Fantasy). I have high hopes that he will do a decent job and find back to his roots from the 2000s.
i love this score so much. this comment is for Hans and team again for making such an amazing score. if they ever read what we write here lol : )<br><br>so, i am not a movie goer and many people claim and say that scores are to serve movies, and so and forth. well, i finally watched Dunkirk and it is an excellent movie. the movie did not do justice to the score imo.<br><br>here's an example. "Variation 15" on Nimrod is the "soothing" track for me in the whole score. much more soothing than "Home". i can play it in a loop. it surprised me that the cut gave it only a mere few seconds in the movie. now, i only watched Dunkirk once but i am pretty sure it played once, and for a few seconds, while "Bane" was in the plane.<br><br>another fact is that i always felt like being in a war plane when listening to "Supermarine". not an helicopter but more like a fast moving plane. that was before watching the movie and i never read about the movie. i knew it was about war and the only war machine i could think of was that. the fact that i was able to match the music with my own images says how great Hans and team were on that.<br><br>the constant tension felt in the "Mole", "Supermarine", etc. is more intense in the movie though. i liked that.<br><br>also, i watched the movie credits to the very end. i wanted to see if they would match it with the track. they did, and it ends exactly with the starting point as i expected. for me it was a cue that "the war didn't end there". sad, yes, but the effect was on point.<br><br>so okay, i am minority here in saying that a score album put together is its own thing. doesn't need a movie to exist. great movie. great score. both in their own rights!Don't want to be a downer but, really, let's all hope things won't blow to s*** like they did with Alien: Covenant or some other annoyance.Harry gregson williams will compose mulan ??!!!!! Come on this is blowing my mind. I truly hope for hans zimmer or other great composer like desplat or silvestri. I wanted hans to score a master piece like last samurai. But no offense to harry. He is good and more than good but disney live action like mulan really wanted something special that i think the right guy is hans !Hans will cowrite the score together with Faltermeyer... :) ;)It's me
Hello?Great news! Can't wait to see the concert online or Blu-Ray.Cool that you met Hans! As for Hans doing Top Gun 2, well there's some pleasantly surprising news!Yes!Hollywood in Vienna: Hans Zimmer was amazing! One of the best concerts Ive ever been to! I ended up meeting the man himself after the concert! Amazing programme!<br><br>Btw Tom cruise said (in a recorded message that was shown at the concert) that hed be working on Top Gun 2 with Hans! Pretty cool news!
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Harry Gregson-WilliamsAlan MeyersonMarc StreitenfeldJustin Burnett
ComposerMusic Scoring MixerMusic EditorMusic Programmer
Phone Booth
Label: Trauma
Length: 41'16
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3972 votes)
  1. First Call (1:25)
  2. Trapped (3:40)
  3. NYPD (4:28)
  4. The Rifle (2:04)
  5. Confession (2:45)
  6. Times Square (2:04)
  7. Stu's Secret (2:42)
  8. Publicist Talk (0:51)
  9. Last Booth In NYC (3:35)
  10. It's Me You Want (1:38)
  11. Center Of Attention (5:28)
  12. Telephone Users (1:20)
  13. Is He Coming Out? (2:15)
  14. Phone Vs. Gun (2:38)
  15. Just Say The Word (1:30)
  16. It Could Be Anyone (2:53)
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Bayhem reply Replies: 0 || 2018-06-28 12:25:42
Well, the two guys below me said what I wanted to say on this subject. I will just add that this score was definitely an inspiration for Henry Jackman when he was working on Man on a Ledge : )

Minimalistic, stripped out of any fanfare and bombast (no Inception-style "Vrooooom", "Broooooooom") and to the point. Both scores work perfectly and they're the type of scores that (sadly) we almost don't hear these days.

Rgravity reply Replies: 0 || 2008-05-06 00:00:00
This score is the reason why I enjoy listening to Harry, the undertone drum loops mixed with the electric cello makes this score worthwhile. Even though its not a fast paced score like Spy Game, its still worth a check.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
A very good minimalistic score with distorted piano, dark synthesized underscore, electronic sound effects, drum loops and percussion. A decent enough effort althouth i prefer his sensitive writing for strings and interesting electronics, the trademarked sound of the composer as presented in SPY GAME and MAN ON FIRE instead of this. Composers like Cliff Martinez can do this anytime, a 1000 times better.

Demetris Christodoulides

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 HANS-ZIMMER.com 2001-2018 OST 
Phone Booth soundtrack - Harry Gregson-Williams 2002