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i read in the FSM forum a few years ago, that Intrada was working on it.@Hybrid, do you know if any label like Intrada or LLL are interested in make an official release for the complete score?Hi Mr. Hans Zimmer,<br><br>I really admire your work, your music is inspiring for my creations as a designer. You are a genius.<br><br>In your honor, I made a landing page concept: https://dribbble.com/shots/11000345-HANS-ZIMMER-LANDING-PAGE -CONCEPT<br><br>I hope you would like.<br><br>Kind Regards,<br>Paulo FerreiraIs there somewhere I can purchase this soundtrack?As much as I love Ramin, this was pretty unexceptional, unlike the most recent Elephant. Still, really cool of him to do a trailer for a card game. Who knows, maybe they'll ask him to do the upcoming Netflix anime series.
i would like to know the lyrics of the choir part in Pearl Harbor Sountrack, in "December 7th". I guess it's a sort of religious song. What is the title of this hymn? thank you for your help!Too bad there is no official release of this single,it had so much potential.We just finished watching this film at home with my kids. It's ok but Sometimes Nature's cruel and gods fight cue in the film is drastically different than the soundtrack album version. It sounds like Powell had to re-write the cue for the film.I have a playlist on Spotify that I listen to while reading my books and I had “It’s Complicated” track from “The Holiday” movie and other tracks from this movie on that playlist and enjoyed listening to it very much. But it’s been a few months that it has become unavailable on Spotify and I don’t understand why since other albums are accessible from Hans Zimmer except for this album, there’s only one track available in The Holiday album. I’ve contacted the Spotify for help but they said it has nothing to do with Spotify. I really like that track and I’d be grateful if it became available again. Thank you for your amazing music!@Hybrid<br>Snyder said on Vero a while back that the score was fully complete. Did Tom record with an orchestra or was it just the demos?<br><br>I have a good feeling we’ll see Snyder’s vision sooner or later, it seems like the push from the fans/celebs has genuinely had an impact.
Don't remove this page. The score itself is competent, and I think this page should stay up to remind us of the garbage fire this film was.it doesn’t play chronologically?Anything New about the tracklist ?Ramin's the only factor that's been consistent all throughout these shows whether its Game of Thrones or Westworld,he has constantly amazed every time.You're right Hybrid, remove this page, this abomination don't deserve a place here.
No problem.Thanks so much!!!Nope, all you need is to go here:<br>https:// www.ascap.com /repertory#aceStupid question, but do you have to pay to gain membership into ASCAP before seeing cue credits?Correct.
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Harry Gregson-WilliamsAlan MeyersonMarc StreitenfeldJustin Burnett
ComposerMusic Scoring MixerMusic EditorMusic Programmer
Phone Booth
Label: Trauma
Length: 41'16
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4572 votes)
  1. First Call (1:25)
  2. Trapped (3:40)
  3. NYPD (4:28)
  4. The Rifle (2:04)
  5. Confession (2:45)
  6. Times Square (2:04)
  7. Stu's Secret (2:42)
  8. Publicist Talk (0:51)
  9. Last Booth In NYC (3:35)
  10. It's Me You Want (1:38)
  11. Center Of Attention (5:28)
  12. Telephone Users (1:20)
  13. Is He Coming Out? (2:15)
  14. Phone Vs. Gun (2:38)
  15. Just Say The Word (1:30)
  16. It Could Be Anyone (2:53)
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NB reply Replies: 0 || 2020-03-24 02:38:21
Still one of my favourite and most nostalgic HG-W scores! And one the first scores I listened to when I was discovering his work, back in the day.
Great atmosphere throughout, and fits the (also great) movie like a glove.

Bayhem reply Replies: 0 || 2018-06-28 12:25:42
Well, the two guys below me said what I wanted to say on this subject. I will just add that this score was definitely an inspiration for Henry Jackman when he was working on Man on a Ledge : )

Minimalistic, stripped out of any fanfare and bombast (no Inception-style "Vrooooom", "Broooooooom") and to the point. Both scores work perfectly and they're the type of scores that (sadly) we almost don't hear these days.

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Rgravity reply Replies: 0 || 2008-05-06 00:00:00
This score is the reason why I enjoy listening to Harry, the undertone drum loops mixed with the electric cello makes this score worthwhile. Even though its not a fast paced score like Spy Game, its still worth a check.

Anonymous reply Replies: 0 || 2004-12-01 00:00:00
A very good minimalistic score with distorted piano, dark synthesized underscore, electronic sound effects, drum loops and percussion. A decent enough effort althouth i prefer his sensitive writing for strings and interesting electronics, the trademarked sound of the composer as presented in SPY GAME and MAN ON FIRE instead of this. Composers like Cliff Martinez can do this anytime, a 1000 times better.

Demetris Christodoulides

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Phone Booth soundtrack - Harry Gregson-Williams 2002