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It's really cool. Very beautiful scoresScore out today. Already available on Amazon. Hopefully soon on iTunes, can't find it. <br><br>Tracklist: - 99 min. <br><br>1. Main Title Theme – Westworld (1:41)<br>2. Journey Into Night (5:29)<br>3. Runaway (2:48)<br>4. Myself (4:02)<br>5. The Entertainer (1:06)<br>6. Is This Now? (4:23)<br>7. Seven Nation Army (2:12)<br>8. The Raj (2:47)<br>9. Les Écorchés (4:12)<br>10. Heart-Shaped Box&#8239; (Orchestral) (3:24)<br>11. Akane no Mai (3:33)<br>12. Paint It, Black (5:42)<br>13. C.R.E.A.M. (1:46)<br>14. Virt&#249; e Fortuna (2:18)<br>15. A New Voice (3:30)<br>16. Kiksuya (3:23)<br>17. I Remember You (5:22)<br>18. Heart-Shaped Box (Piano) (1:57)<br>19. Take My Heart When You Go (4:10)<br>20. Virus (2:52)<br>21. My Favorite (3:35)<br>22. Vanishing Point (3:01)<br>23. My Speech (1:17)<br>24. A Passage to Another World (4:14)<br>25. I Promise (4:34)<br>26. Core Drive (3:53)<br>27. Westworld (5:21)<br>28. Codex (3:34)<br>29. We’ll Meet Again (3:10)Thank you. Do you know which segment of the track?Something tells me they're not going to.Wait, that describes many film score leitmotifs doesn't it? Is it just used to describe Zimmer-type of music simply because he uses them more often, or are his main themes almost always power anthems?
Maybe I am wrong about this, but a power anthem is a cue that revolves around a soaring, powerful melody that repeats itself throughout composition to represent a character, a team, or a specific sequence in the movie. Power anthems usually have minimal focus on developing complex B-sections, transition elements, and deep narratives.<br><br>I think the best example is Jablonsky's "Arrival to Earth" in Transformers. My personal favorite is "Show Me Your Firetruck" in Zimmer's Backdraft.Politics. Zimmer was supposed to be doing Last Samurai, So he recommended Badelt when Bruckheimer asked him to do it. But in the end he ended up writing the main theme and the bulk of the score and KB has not worked with HZ since.I like this one too. xDThis is somewhat random, but can someone define for me what exactly qualifies as a power theme/anthem in reference to film scores? That term is used all the time to define Hans' music and I have a vague idea of what it means, but I'd like to know exactly what it refers to.Hybrid, there’s a cool organ variation of Davy Jone’s theme in the film that comes right before Liar’s Dice, although I don’t see it listed here. Is it mixed in with another unreleased cue or is it not on the list at all?
YesHi , why in the end credits of the movie , hans was not mentioned as composer and we had only klaus badelt credit ?<br>It would have to be suites because the better parts of each are only like 20 seconds or 50 seconds long...if he can put it all into a suite that's fine.meh<br>I dont want a soundtrack of just suites<br>The Batman Suite (9:50) - is this part of Men Are Good on the OST album?
I expect the following tracks:<br><br>A Delos suite<br>A new MIB suite incorporating all of the music from Episode 9<br>A Dolores Suite that showcases all of the uses of her theme (battlewise, anyway)<br>A Ackecheta Suite<br>The Samurai World suite<br>The obvious cover songs already released<br>Anything from Season 1 that was left out. <br>- Somehow I dont think this soundtack will be 2 volumes, like the last one...but this will do <br>  <br>I’m using the ASCAP titles in conjunction with the film. Certain cues on the OST are stitched together with several shorter cues (Lipstick and Terrible Darkness for example) and are out of order. I think Hybrid posted the film order.Are you using the OST to break this down or all cuesThis was such a nightmare to try and break down. Much like IT, there are dozens of short cues that bleed into each other. Not 100% Complete (missing 5 or 6 cues) but for the most part in correct order...<br><br>Logos - Buildings<br>Dead Morris<br>Elevator - Boardroom<br>Pembroke’s Letter<br>Someone More Senior<br>Train<br>Laptop Battery<br>Mother’s Music Box<br>Drive To Castle - Arrival <br>Vent Pulse<br>Water Glass<br>Drive<br>Mother Flashback Pulse<br>Mother Crematorium<br>Deer Crash<br>Exploring The Spa<br>Steam Room<br>Hannah Hums<br>Waiting<br>Nosebleed Bend<br>Volmers Diagnosis<br>Urine Sample<br>Isolation Tank<br>Bridge Flashback<br>There’s Something In The Water<br>Caretaker Gurney<br>Terrible Darkness<br>Church Remains<br>Hannah Pond<br>Ballerina Sting<br>Bike To Town<br>Crayon Picture<br>Tampon<br>Cow Fetus<br>Bar Fight<br>Lipstick<br>Hannah Bedroom Nightmare<br>Tooth Pull<br>Lower Corridors<br>Embryonic Chamber<br>Constabulary<br>Toilet Eels<br>Lockhart’s Letter<br>Underground<br>Volmer’s Lab<br>Grotto Fight<br>Zombies<br>OS Orchestra<br>Blue Dress - Volmer’s Vitamins<br>Monk Chant<br>Ballroom<br>The Rite<br>Pulse<br>Photo Sting<br>Unmasked<br>Fire Waltz<br>Actually I’m Feeling Much Better<br>Main On Ends<br>End Roller Pts. 1 & 2I'm really curious about this one.<br><br>But for August, i expected most The Meg
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Composer - Musician : GuitarAdditional Music - Musician : Guitar
John PowellJames McKee SmithJoel J. RichardBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
The Bourne Identity
Label: Varese Sarabande
Length: 55'01
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4420 votes)
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  1. Main Titles (4:17)
  2. Bourne Gets Well (1:20)
  3. Treadstone Assassins (2:09)
  4. At The Bank (4:07)
  5. Bourne On Land (1:42)
  6. Escape From Embassy (3:12)
  7. The Drive To Paris (1:29)
  8. The Apartment (3:25)
  9. At The Hairdressers (1:29)
  10. Hotel Regina (2:11)
  11. The Investigation (1:34)
  12. Taxi Ride (3:43)
  13. At The Farmhouse (2:54)
  14. Jason Phones It In (3:04)
  15. On Bridge Number 9 (3:41)
  16. Jason's Theme (2:20)
  17. Mood Build (3:34)
  18. The Bourne Identity (6:00)
  19. Drum And Bass Remix (2:15)
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El Baradei reply Replies: 2 || 2013-09-11 18:39:40
If you listen to Escape from Embassy: this cue was used for many other movies:
Harry Gregson-Williams used it for Man on Fire and Wolverine;
Vangelis for Alexander;
Alberto Iglesias for The Constant Gardener.


Eddard Stark2016-11-08 22:42:17
And the second half of The Apartment is mother of Hans' Time from Inception xD


Frank2016-11-08 22:52:38
No, they're both the heir of Journey to the Line

Adriaan reply Replies: 7 || 2007-09-23 00:00:00
Hey.. no comments? This is the best Bourne Score!
Too bad the music piece under when he faces Wombosi and his child isnt uncluded...!
But a part from that, this is by far the best Score!


Mike2012-12-04 00:27:53
A great score indeed. Too bad the second and third films were so heavily temp tracked. And shame Powell didn't return for no. 4.


Anonymous2012-12-04 05:30:18
There's a detailed explanation on a John Powell fansite that explains that it wasn't temping per se, but a remix by Powell of old cues than cannot be emulated using the already available versions.


Mike2012-12-04 08:24:50
Oh really? Interesting. Even if it were temping, I still love the scores to all three.


Edmund Meinerts2012-12-04 17:31:05
Other than the unfortunate blip on JNH's career also known as The Bourne Legacy (so...boring...), I'd actually say that this is the worst Bourne score. The blend between orchestra, percussion and electronics is a lot more accomplished in Supremacy and Ultimatum, and the action cues have much better structure. Identity does, as Peter down there said, feel more like a box of demo ideas rather than a complete score. The best track is the Main Titles, and that cue was done better in "The Drop" from Supremacy.

As for the temping issue, well, I do have a complete version of Ultimatum that contains no temping and is almost two hours long, probably representing what Powell originally wrote for the film before the temp cues were inserted. So I wouldn't lay the blame at his feet!


Mike2012-12-04 18:00:35
Interesting again. And yes, this score did have a sort of "awkward" sound with all the different styles meshing together. Though I disagree about the Main Titles vs. The Drop. Not exactly sure why, but I like Main Titles better.


Ds2012-12-04 20:48:04
Agree with Edmund Meinerts on this, the 2nd & 3rd are much better. Especially the 2nd, it's more structured imo.


Mikel SiW (a fan from Spain)2012-12-05 12:43:57
I love this Musical Trilogy !

Ruthlessgravity reply Replies: 0 || 2008-12-13 00:00:00
Yeah, obviously the Bourne soundtracks have plenty of missing cues. Sadly there is yet to see a bootleg of expanded score or even a release of the retail version of a complete score.

There was an expanded score of this one but it was fake and it had to much loud SFX to even be called an expanded score.

Peter reply Replies: 0 || 2008-07-09 00:00:00
The best bourne score is The bourne ultimatum-masterpiece-and this one...well..i'm calling this cd ' box with ideas'-some of themes who will help powell in the future build two great action-scores

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The Bourne Identity soundtrack - John Powell 2002