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Its Imagine the Fire insertThe Japanese version can be ordered here: http: //www.cdjapan.co.jp/ product/WPCR-18185<br><br>The "Swan Song" is also included on the CD. So it has 3 additional tracks.Theres quite a bit of good unreleased stuff from this score. Stuff like the cue that plays during Alita's first game of motorball with the other kids, the bar fight music, the unused string rendition of Alita's theme and the end titles arrangement of Motorball/Swan Song.Does anyone have the "Motorball" cue from end credits? It sounds like the beginning of the "Motorball" track but it's different than on the OST. It plays directly after the Swan Song track...<br><br>Why is it left off the CD?Huh... Do people at RCP ask H-Z.com to use the official, less accurate credits in some cases? I seem to recall some credit fiasco on POTC4.
So what happened to the credits here? It used to be a mixture of solo Atli cues with Atli/Dave Fleming, and now all three guys are credited for every track even though Tillman is only listed as a musician? Is this like with Armageddon, where the "official" credits aren't as accurate as the older ones were? :pMost of the album is comprised of suites, with one consistent tempo per track. <br><br>The material that was scored to picture was scored using the risset rhythm technique, which gave a lot of those tracks their "infinitely getting faster" feeling in the film, so the tempo is always climbing in the film versions. The suites have a stable tempo (except for a couple normal tempo changes, which are different)Not really any... "Nothing Out There" contains the sad piano theme from Begins and Dark Knight, but otherwise the themes that get reprised are pretty much Hans stuff. <br><br>Speaking of credits, any chance the complete score page could be updated with what's out there and official?Could somebody tell me in what cues JNH's themes appear on album?Yeah, that cue was either a last minute rewrite or one of the music editors did it.... As for where you can find it...Google is your friend. But it's not going to be available anywhere officially.
I think it will be in between NOT ORDINARY CITIZEN / THE SLOW KNIFE and IMAGINE THE FIRE, Does anybody know where can I find it?<br>I noticed that this score doesn't has the soundtrack of the part where Blake is taking the people to the bridge and he is discusing with the other police officer before he blows the bridgeThat's right, I forgot about that... And I totally agree about the score vs. the album. I had no use for this score on album at first, but now that I've watched the movie a few times, I can really hear the logic behind the score and I "get it." <br><br>I still don't get the music as heard on album, though. Are the longer pieces some early suites Hans wrote? Or did he specifically make these arrangements for the album? Do you know the answer to that one, Hybrid?I wanna say I heard the full Cat Suite somewhere... I can't remember if it was legit, but it was 15:39 and it was indeed quite repetitive. It was basically the Selina Kyle Suite from the Z+ app, along with demos of several of the Catwoman-related cues in the final score. If you've listened through the score, you've basically heard the unreleased stuff.@Mike<br>Zimmer has said in interviews that he “mapped out” the film with one long piece of music to establish the changing tempo of the story, and apparently the script was written to capture the rhythmic feel of the film. So from the very beginning the story was always split up between the three.<br><br>I think a big part of the initial disappointment with the score was the album presentation, which gives off the impression that the music is just some sound design that Zimmer threw together (this is how I personally felt when I first gave it a listen). In actuality it’s a technically impressive score, I really can’t think of any other film score that is so synchronized with a film’s tempo and flows as one long piece of music. Apparently it was a nightmare for Hans, especially when the smallest edits to the film would ruin the flow.<br><br>Doing the 59-minute album was a pretty big disservice to the whole purpose of the music. If you remove one piece the whole thing falls apart, which is part of the reason the album feels so disjointed.
Anyone here listened "The Predator" FYC score? <br>Any chance to compare tracklist and running time with official release?These versions suites haven't been officially released, but maybe you can find them somewhere around the Internet unofficially.<br><br>As for the Cat Suite, the most important parts of it can be found in "Selina Kyle" (it's a shortened version of it actually) and "Mind if I cut in?" from the OST. I remember that Hybrid once said that the 15mins Cat Suite was too repetitive, that's why a 5min only version was released, so maybe you are just fine with those two.<br>Where can I listen to the Cat Suite? Or is it literally: Selina Kyle Theme? <br>The Mole P1 (0-1:57)<br>Regimental Brothers P1 (0-1:19)<br>The Mole P2 (1:57-3:44)<br>Regimental Brothers P3 (2:44 onward)<br>We Need Our Army Back<br>Shivering Soldier<br>Supermarine P1 (0-2:47)<br>The Mole P3 (3:45 onward)<br>We Need Our Army Back (again) <br>Supermarine P2 (*5:33)<br>Impulse<br>The Tide<br>Home <br>The Oil <br>Variation 15<br>End Credits <br><br>As everyone said already, the album is made up of suites that combine several cues and several "sounds" used in various places. For example, the is a sound in The Mole (At 2:05) that sounds like a fuse being ignited. This sound is actually right after The Tide in the film.<br>The only tracks that are almost identical to the film are: The Tide, Variation 15 and End Credits, the rest is different. <br><br>So if you were to order the tracks as first heard in the film it would be: <br>The Mole <br>Regimental Brothers <br>We Need Our Army Back<br>Shivering Soldier <br>Supermarine <br>Impluse <br>The Tide <br>Home <br>The Oil<br>Variation 15<br>End credits<br><br>As much as I enjoyed listening to this release, I wish they didn't butcher the score the way they did. I like the suites but there are so many great cues in this film that weren't released. If only they released an isolated score track on Blu-ray. Listening to film extracts is just not enough.I noticed that as well — the ticking goes all through the movie, except for the boat scenes, and only stops when they get on the train. <br><br>I wonder...could the film have originally been shot so that the beach, sea, and air sequences were there own arcs, and the longer album tracks were written for that? And then Nolan went in and turned the movie into the frenetic, constantly cutting-back-and-forth final product? <br><br>While the album is fine, I personally don't understand why we couldn't have just gotten the film cues. They might have had to stitch several together for each track, but it could have worked.
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Composer - Musician : GuitarAdditional Music - Musician : Guitar
John PowellJames McKee SmithJoel J. RichardBruce Fowler
ComposerAdditional MusicAdditional MusicOrchestrator
The Bourne Identity
Label: Varese Sarabande
Length: 55'01
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4661 votes)
  1. Main Titles (4:17)
  2. Bourne Gets Well (1:20)
  3. Treadstone Assassins (2:09)
  4. At The Bank (4:07)
  5. Bourne On Land (1:42)
  6. Escape From Embassy (3:12)
  7. The Drive To Paris (1:29)
  8. The Apartment (3:25)
  9. At The Hairdressers (1:29)
  10. Hotel Regina (2:11)
  11. The Investigation (1:34)
  12. Taxi Ride (3:43)
  13. At The Farmhouse (2:54)
  14. Jason Phones It In (3:04)
  15. On Bridge Number 9 (3:41)
  16. Jason's Theme (2:20)
  17. Mood Build (3:34)
  18. The Bourne Identity (6:00)
  19. Drum And Bass Remix (2:15)
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El Baradei reply Replies: 2 || 2013-09-11 18:39:40
If you listen to Escape from Embassy: this cue was used for many other movies:
Harry Gregson-Williams used it for Man on Fire and Wolverine;
Vangelis for Alexander;
Alberto Iglesias for The Constant Gardener.


Eddard Stark2016-11-08 22:42:17
And the second half of The Apartment is mother of Hans' Time from Inception xD


Frank2016-11-08 22:52:38
No, they're both the heir of Journey to the Line

Adriaan reply Replies: 7 || 2007-09-23 00:00:00
Hey.. no comments? This is the best Bourne Score!
Too bad the music piece under when he faces Wombosi and his child isnt uncluded...!
But a part from that, this is by far the best Score!


Mike2012-12-04 00:27:53
A great score indeed. Too bad the second and third films were so heavily temp tracked. And shame Powell didn't return for no. 4.


Anonymous2012-12-04 05:30:18
There's a detailed explanation on a John Powell fansite that explains that it wasn't temping per se, but a remix by Powell of old cues than cannot be emulated using the already available versions.


Mike2012-12-04 08:24:50
Oh really? Interesting. Even if it were temping, I still love the scores to all three.


Edmund Meinerts2012-12-04 17:31:05
Other than the unfortunate blip on JNH's career also known as The Bourne Legacy (so...boring...), I'd actually say that this is the worst Bourne score. The blend between orchestra, percussion and electronics is a lot more accomplished in Supremacy and Ultimatum, and the action cues have much better structure. Identity does, as Peter down there said, feel more like a box of demo ideas rather than a complete score. The best track is the Main Titles, and that cue was done better in "The Drop" from Supremacy.

As for the temping issue, well, I do have a complete version of Ultimatum that contains no temping and is almost two hours long, probably representing what Powell originally wrote for the film before the temp cues were inserted. So I wouldn't lay the blame at his feet!


Mike2012-12-04 18:00:35
Interesting again. And yes, this score did have a sort of "awkward" sound with all the different styles meshing together. Though I disagree about the Main Titles vs. The Drop. Not exactly sure why, but I like Main Titles better.


Ds2012-12-04 20:48:04
Agree with Edmund Meinerts on this, the 2nd & 3rd are much better. Especially the 2nd, it's more structured imo.


Mikel SiW (a fan from Spain)2012-12-05 12:43:57
I love this Musical Trilogy !

Ruthlessgravity reply Replies: 0 || 2008-12-13 00:00:00
Yeah, obviously the Bourne soundtracks have plenty of missing cues. Sadly there is yet to see a bootleg of expanded score or even a release of the retail version of a complete score.

There was an expanded score of this one but it was fake and it had to much loud SFX to even be called an expanded score.

Peter reply Replies: 0 || 2008-07-09 00:00:00
The best bourne score is The bourne ultimatum-masterpiece-and this one...well..i'm calling this cd ' box with ideas'-some of themes who will help powell in the future build two great action-scores

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The Bourne Identity soundtrack - John Powell 2002