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It's criminal that Mr Charles, Strategy, and It's a Trap weren't included on the OST. I guess we did get It's a Trap as a bonus track, but it wasn't the film version.Well with that score we got pretty lucky in term of theme suites being released, with 5 of them. I don't know for sure if there's more but I think we have it covered.Hybrid, do you know if any suites were written besides the ones that they released?“Our World” is a pretty amazing track, the “Murph” suite is also incredible just in how it gradually builds to that finale...Dust, Who's They, and Our World are other favorites, for sure. Our World is some fantastic ambient music. Before the film was released, I expected most of the score to sound like "Our World."
Mountains too... The Tick Tock suite.<br><br>"Our World" is a fav' of mine too, how could they not release it ?Coward is amazing. Ntfc is overratedDon’t forget Coward! :DI don't think Cornfield Chase is underappreciated because that is the cue everyone is talking about besides No Time for Caution and Mountains. The most underappreciated cue to me is Dust. The amount of mystery, wonder, and curiosity from that cue is amazing.
The development of the music in season 2 is great.<br>Love the Westworld suite, a lot of Person of Interest in this cue :)<br>Listening With A Million Ears In the West :)Mike, I definitely agree with you. I think that Cornfield Chase is an excellent example of Zimmer's diversity in music. It shows that He can compose themes that are adventurous and light-hearted rather than being so dark, which is quite different from a lot of his works including his other collaborations with Nolan.So everybody talks about No Time for Caution, and that is a great cue, but I think an underappreciated track from this score is Cornfield Chase. It sounds so whimsical and uplifting. It captures the wonder and fun of childhood really well. The fact that it's so driven by the pipe organ makes it even better. I love how Hans incorporated the organ into most of the tracks.Does Paul Mounsey secretly compose everything??? He seems to be involved in so many scores.Hi guys. Do you know who will compose the score of wonder woman 1984 ? Rupert again ? Or hans ?
General Kenobi!Isolated score is coming:<br><br>https://twitter.com/chrismcquarrie/status/103052206820136140 9?s=19I hope the site hasn’t gotten in any trouble for posting the lists :-(I haven't in a long time, you'll notice...@Hybrid I don't get it. You usually post lists anyway when stuff like this happens. Why is it such a big deal when someone else does it?
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Shirley WalkerHans Zimmer
ComposerExecutive Score Producer
Chicago Joe And The Showgirl (Complete Score)
Label: Unofficial Release
Length: 54'20
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (2818 votes)
  1. Track 01 2:37
  2. Track 02 1:47
  3. Track 03 1:03
  4. Track 04 1:27
  5. Track 05 1:06
  6. Track 06 2:21
  7. Track 07 1:57
  8. Track 08 2:37
  9. Track 09 1:29
  10. Track 10 0:35
  11. Track 11 1:29
  12. Track 12 1:56
  13. Track 13 0.25
  14. Track 14 2:33
  15. Track 15 2:39
  16. Track 16 1:06
  17. Track 17 4:02
  18. Track 18 1:21
  19. Track 19 1:47
  20. Track 20 1:14
  21. Track 21 0:42
  22. Track 22 5:16
  23. Track 23 2:33
  24. Track 24 1:19
  25. Track 25 1:00
  26. Track 26 0:50
  27. Track 27 1:13
  28. Track 28 1:53
  29. Track 29 2:54
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HWShawn reply Replies: 0 || 2018-02-14 08:01:08
From Wiki:
"As Walker stated in an interview, for legal reasons Hans Zimmer had to take credit, but she was the one who composed the score."

 HANS-ZIMMER.com© 2001-2017 OST 
Chicago Joe And The Showgirl (Complete Score) soundtrack - Shirley Walker 1990