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From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'
Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.Ist there any chance for concert in Poland during this tour?
How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.I really like the song. It has, I think, a Bangkok Dangerous vibe at first, before the first lyrics. <br>I read some comments on youtube stating its a bad Bond song because its too calm. I disagree. Sure, its less punchy than You Know My Name, but some previous Bond songs, like Tomorrow Never Dies, had the same "mood". <br>This song, No Time to Die, would also have been a prefect choice for the movie Quantum of Solace, which had this melancholic tone. i espacially picture this music during the train bar scene in Quantum of solace, when Bond is drinking thinking about Vesper and the past.
Man, i wan that score"Time to Get Out", “Pursuit At...”, “No Interest In...” and “I Never Left” all incorporate the piano motif from “Another Way to Die”. Granted, they are more like cameos than anything really substantial.Anybody who heard from Steve Mazzaro's website to listen by The Rhythm Section with soundtrack, it's ain't not bad at all.I’m aware about no good about goodbye and yes it’s in various cues. can you tell me where another way to die appears? also check out “talomne” it has you know my name on stringsSeriously, the complete score needs to come out. We NEED those Mazzaro suites on our devices!
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Hans ZimmerGeoff ZanelliJim DooleyClay Duncan
ComposerAdditional MusicAdditional MusicAdditional Music
Matchstick Men
Label: Varese Sarabande
Length: 55'28 (Score: 40'00)
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4827 votes)
  1. The Good Life (2:23)
    Bobby Darin
  2. Flim Flam (0:12)
    Hans Zimmer
  3. Ichi-Ni-San (2:51)
    Hans Zimmer
  4. Matchstick Men (2:09) *
    Hans Zimmer
  5. Weird Is Good (6:42) *
    Hans Zimmer
  6. Lonely Bull (2:15)
    Heb Alpert & The Tijuana Brass
  7. Ticks & Twitches (2:48) *
    Hans Zimmer
  8. I Have A Daughter? (1:06)
    Hans Zimmer
  9. Swedish Rhapsody (2:37)
    Mantovani & His Orchestra
  10. Keep The Change (1:24)
    Hans Zimmer
  11. Nosy Parker (2:44) *
    Hans Zimmer
  12. Leaning On A Lamp Post (3:00)
    George Formby
  13. Pool Lights (0:54)
    Hans Zimmer
  14. Pygmies! (2:07)
    Hans Zimmer
  15. Charmaine (3:05)
    Mantovani & His Orchestra
  16. Roy's Rules (2:04)
    Hans Zimmer
  17. Carpeteria (2:26)
    Hans Zimmer
  18. Shame On You (2:55)
    Hans Zimmer
  19. Tuna Fish And Cigarettes (1:55)
    Hans Zimmer, Geoff Zanelli
  20. No More Pills (4:39) *
    Hans Zimmer, Geoff Zanelli
  21. Tijuana Taxi (2:05)
    Herb Alpert & The Tijuana Brass
  22. The Banker's Waltz (3:07)
    Hans Zimmer
* Contains "La Dolce Vita" from La Dolce Vita written by Nino Rota.
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Mish reply Replies: 0 || 2020-01-23 04:03:40
What was Hans’ role in the treatment of Mantovani’s “Charmaine”. It sounds like the original, but cleaner, clearer, & without the limitations of 50/60’s recording technology. I’ve been fascinated by this piece for 25+ years, as it seems almost a precursor to Jarre & even Zimmer’s electronic music, while being entirely orchestral. Links to info appreciated.

isildur reply Replies: 2 || 2013-08-30 06:56:41
I really like this score. Don't know why so low rating. I thought it was really different from Mr. Zimmer's usual scores.


MacArthur2013-08-30 17:13:58
I Think that's why because by the looks of the cover it looks like an action film and its a rom-com.


Mike2013-09-09 19:11:18
Really different indeed. Reminds me in some ways of John Williams' "Terminal" score.

Anonymous reply Replies: 0 || 2013-09-09 13:27:24
The early parts of "Weird is Good" sound a lot like the ideas John Powell later incorporated in Mr. & Mrs. Smith. Maybe Powell helped with this cue here? Or maybe this cue was among the stuff Mr. & Mrs. Smith was temp-tracked with.

Scorefan reply Replies: 0 || 2013-08-31 03:44:43
Hybrid, is it true that there are 4 versions of the sessions for this movie?

Enrico reply Replies: 0 || 2009-06-25 00:00:00
I dislike this...Not good...5/10!!!

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Anonymous reply Replies: 0 || 2004-12-26 00:00:00
Si alguna vez escucharon la melodia para "--MEJOR IMPOSIBLE"-- entonces sabrán lo que están escuchando, pero esta vez es más ritmica.

Fabian Ek

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Matchstick Men soundtrack - Hans Zimmer 2003