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and Zimmer was also involved in this movie as if it was in the previous ones?Really waiting for this soundtrack and hope Wallfisch will bring new vision into Hellboy universe.@Hybrid thanks a lot for your answers and your detective work!<br>Funny to see that Lorne does that much uncredited help (I know it’s only the tip of the iceberg, and that he isn’t the only one, as Bayhem said the rcp composers must help each other every time...)Please Hybrid. Make a forum with register members.It and A Cure For Wellness by Benjamin Wallfisch.<br>.....................<br><br>Well, I'll be goddamned! I totally forgot about 'A Cure For Wellness'. I absolutely loved the movie and yes, the score is truly great and memorable, especially the main theme. Wallfisch knocked it out of the park with that one.<br><br>It seems that every time Gore Verbinski makes a horror movie we're treated with a great score. First it was 'The Ring' - which IMO is one of the best horror scores ever - and more recently 'A Cure For Wellness'. Both very immersive, creepy and atmospheric scores. Exactly the type of horror scores that I love.
I think it's safe to say that the power anthems and the tracks that were very much an homage to the 90's MV/RC sound were done by Jablonsky. Balfe was never a "power anthem" type of composer. He's more like John Powell, while Steve is more like Hans. Steve has embraced the MV/RC sound, while Lorne is more "reserved".<br><br>That's why I'm extremely curious to hear Lorne's music for SIX UNDERGROUND. The 13 Hours score is great but it was very, for lack of a better word, contained. Which is understandable, considering the subject matter. But Six Underground is a huge balls-to-the-wall action adventure that takes place all over the world and Lorne really has a shot to go as wild and big as he can. I'm sure Bay would love that :)We'll see...When is the new website gonna be up? and will there be a forum with registered members?I remember seeing discussion several times on this forum about how Lorne would often reply to people on his social media accounts when they asked him for his credits in the scores he did additional music for. So does anyone have any credits that he or other composers have shared about this film?This feature will be gone from the future website, AT LAST...
I just saw the show last night in London and loved the visual integration  of the movies into the show .<br><br>Overall I reckon I preferred his show last time in London as he did not do interstellar which was really disappointing for me :( I also wish he did more tracks from the dark knight series as they were my faves at his last show.<br><br>In all the soundtracks the voters give very low note. You are a gang of unhappy people.Probably.Are there any other tracks in the album which were composed by Balfe? Just wondering...I assumed you meant the forums themselves. I knew composer websites were a way to find their credits, I just didn't think to do it for this score yet for some reason.
See the guys uotop listed next to jablonsky? click their names and go to their websites. You have to do the work. But there they are. Right on this site.^ Have to agree with you there. It’s not a terrible film by any means, but given the concept it is surprisingly bland. There were so many opportunities to do something cool with the dream concept, but it felt to me like they played it “safe”. And yes, the characters are extremely forgettable. I will give credit to Jackie Earl Haley, he does a pretty good job with the material he is given.<br><br>And I just remembered 2 excellent horror scores from the past few years: <br>It and A Cure For Wellness by Benjamin Wallfisch."Luke Richards did “Ospreys” and Gary Dworetsky did “Calling All Autobots”. You can find that out from this very site." <br><br>I've looked through this thread several times and I never saw that information, but I appreciate you filling me in! And yeah, Hybrid, it is kind of difficult for me to distinguish between Lorne and Steve's TF styles. They both kind of blend in since the style was established with their heavy collaboration in the first 2 films.<br>The music is good, definitely better than Amityville (which I never found scary or interesting). The overuse of the cello and ambient/atonal cues gets annoying at times, but unlike a lot of modern horror there is real substance here. A decent amount of themes (but not too many), some decent suspenseful ostinato bits, good use of children's choir, and good thematic development. I don't have any interest in Steve's ambient horror scores because I really dislike that type of music.<br><br>As for the remake it's really mixed for me. There are genuinely creepy visuals and ideas, but with often poor execution. My go-to example is there's a great dream sequence with "not-Johnny Depp" in the library with dream-like visuals such as Freddy turning around inhumanly quickly. But that final visual is accompanied by a jump-scare for no reason and completely kills the impact of it. If his turning was completely silent, it would have been much more terrifying. <br><br>Jackie Earle Haley did a really good job as Freddy, (especially in the alternate ending), and Rooney Mara executed the material she was given very well. But unfortunately the characters are bland, all fitting into the emo/hipster teenager stereotype and little else. It also doesn't help that much of the deleted and alternate scenes ended up being much more interesting than the final ones we were stuck with, (Hospital Opening, Dean's original death scenes, and Alternate Ending).Ummm @Hybrid, what do you think about Holly Amber Church. I listened two scores from her and they are really good scores.
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Additional MusicAdditional Musicorchestrator : synthesizer
Klaus BadeltRamin DjawadiGeoff ZanelliHenning Lohner
ComposerAdditional MusicAdditional MusicOrchestrator
Ned Kelly
Label: Decca Records
Length: 56'48
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4451 votes)
  1. Shelver For My Soul (4:50)
    Bernard Fanning, Klaus Badelt
  2. Saving A Life (3:17)
    Klaus Badelt, Ramin Djawadi
  3. Ned Kelly (5:37)
    Klaus Badelt
  4. Destiny (4:24)
    Klaus Badelt, Ramin Djawadi
  5. The Light (2:00)
    Klaus Badelt, Ramin Djawadi
  6. Julia (1:21)
    Klaus Badelt
  7. Stringybark Creek (3:21)
    Klaus Badelt, Ramin Djawadi
  8. Back Home (6:23)
    Klaus Badelt, Ramin Djawadi
  9. Moreton Bay (2:50)
    Bernard Fanning, Claire Jordan
  10. Doomed (5:11)
    Klaus Badelt, Ramin Djawadi
  11. Outlaws (5:31)
    Klaus Badelt
  12. The Jerilderie Letter (2:08)
    Klaus Badelt
  13. Father (1:29)
    Klaus Badelt
  14. The Glenrowan Inn (7:01)
    Klaus Badelt
  15. Remembering Ned Kelly (1:24)
    Klaus Badelt
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Hybrid Soldier reply Replies: 2 || 2013-07-02 00:00:54
Little "who did what" on that score... :)

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Jimmer2013-07-02 01:18:06
Any chance for a tracklist for the sessions that were leaked a while back? That'd be great, as I hate the slate numbers as track names.


Ned2015-11-15 22:58:54
Hybrid. Any chance you provide the track titles of the complete score? I can't seem to find them nowhere.

fabien reply Replies: 0 || 2013-09-16 13:25:52
a beautiful Badelt score, one of the best...

Jimmer reply Replies: 0 || 2013-01-28 17:26:48
@Hybrid: Do you have a tracklist for the complete score that was recently released?

Seth Merlo reply Replies: 1 || 2005-06-10 00:00:00
The only thing letting this album down was 'Moreton Bay'. It should have been put either at the beginnng or the end of the album. Otherwise, Badelt's score is amazingly bittersweet and I always get goosebumps everytime I listen to this album.


Jimmer2011-08-20 04:11:16
Wow! I am just now sitting through a listen of this soundtrack and here's yet another gem produced by Badelt! His orchestrations are fabulous here and I too get chills listening to this score! What a great find.

Jacob reply Replies: 0 || 2005-04-19 00:00:00
I live in Australia and so was lucky enough to be able to buy this easily. It is a brilliant soundtrack and is particularly good due to the fact that the music is at times both uplifting and saddening. The songs by Berard Fanning (the lead singer from Powderfinger) are also good.

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Ned Kelly soundtrack - Klaus Badelt 2003