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It'd be awesome if Hans and co. went the Thor: Ragnarok route and created some kickass psychedelic synth ballads. I'm interested to hear how they interpret their WW theme for this setting.Is there a date for Lisbon, Portugal?<br>Thank youthis is never hans :DI just finished the movie last week and the score was the best thing about the film. The scene using the cue "Simba is Alive!" is perfect.Not all synths. Mazzaro and Fleming posted pictures of them recording the score at Air Studios early in November so there will be some orchestral or instrumental music.
As the trailer posts, soundtrack coming from WaterTower Music.No, it's just a slight rework of Blue Monday by New Order. Admittedly, it's quite catchy. Nothing from Hans tho, not even the WW-theme at the end which they did for the first movies trailers. Guess we have to wait till the movie comes out.The only thing that matters to me about the movie is Hans, so I wonder, has the trailer musicalized Hans?Synth Hans Iím guessing ;-)Yeah, it's a nice little mini HTTYD score. It's a bit frustrating that he's seemingly never allowed to develop an idea for very long before moving on to the next thing and the next (probably because of the pacing of the short), but I like the way he plays around with Powell's themes. It makes me think that if they ever decide to make a fourth HTTYD movie and Powell decides he's said all he has to say in the series, Willis would be a good choice to continue it (Zanelli/Pirates style).
He's also credited on one short cue from Ice Age: Dawn of the Dinosaurs, but other than that, nothing that I know of...Just saw the movie. Seemed like the score is enjoyable enough, but I didn't hear much that would distinguish it from the first one really except some kind of standard villain material.Because those have nothing to do with Hans Zimmer or associated composers....How come the Pixar franchise albums like "Toy Story," "Monsters, Inc.," "Finding Nemo" and "Cars" didn't make it in this website?Anthony Willis (additional composer on HTTYD 2 & 3) just wrote a nice score for HTTYD Homecoming, a "christmas special" short. The score is based on Powell's themes and style, which is a nice addition to the trilogy.<br><br>You can listen to excerpts here :<br>https://www.animationmagazine.net/tv/exclusive-music-clips-h ow-to-train-your-dragon-homecoming-holiday-special/
Michael John Mollo - I've never seen that name before. Has he done any other RCP work?Does anyone know where this can be located or purchased? I would buy this complete score from a legal source if it were available."Might not have happened with Poltergeist, but it did with 300 ROAE !"<br><br>Yes, I can accept that, as I don't know much about that production, and I apologize for hijacking the "300" discussion, but:<br><br>"https://www.independent.co.uk/arts-entertainment/films/news / poltergeist-steven-spielberg-director-conspiracy-theory-conf  irmed-tobe-hooper-a7846651. html"<br><br>I'll trust at least two actors, whom working with is literally a director's job description, over a very green AC on a production with numerous moving parts always working at once.Might not have happened with Poltergeist, but it did with 300 ROAE !Lorne: "6 Underground has been a fantastic experience. I started writing just before he (Bay) started filming. And then while he was filming, I was writing throughout that process so he was able to hear the music and work with it during the early stages of editing. Itís just a fantastic movie.<br><br>Thereís nobody that can shoot like Michael Bay. Itís exciting and itís pure. Itís the reason why I got into movies. My movies that I would sit as a young teenager and look at were made by Jerry Bruckheimer and were films like Bad Boys or The Rock. Con Air and all these movies were what made me want to get into film and if Crimson Tide is on the television, thatís me for the next two hours. Iím not leaving. That was what made me fall in love with film. And so itís great to be able to work with Michael and Jerry. So yeah, 6 Underground was just an absolute blast and great fun."<br><br>- https://collider.com/lorne-balfe-interview-gemini-man-his-da rk-materials-bad-boys-3/<br>
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Additional MusicAdditional Musicorchestrator : synthesizer
Klaus BadeltRamin DjawadiGeoff ZanelliHenning Lohner
ComposerAdditional MusicAdditional MusicOrchestrator
Ned Kelly
Label: Decca Records
Length: 56'48
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4695 votes)
  1. Shelver For My Soul (4:50)
    Bernard Fanning, Klaus Badelt
  2. Saving A Life (3:17)
    Klaus Badelt, Ramin Djawadi
  3. Ned Kelly (5:37)
    Klaus Badelt
  4. Destiny (4:24)
    Klaus Badelt, Ramin Djawadi
  5. The Light (2:00)
    Klaus Badelt, Ramin Djawadi
  6. Julia (1:21)
    Klaus Badelt
  7. Stringybark Creek (3:21)
    Klaus Badelt, Ramin Djawadi
  8. Back Home (6:23)
    Klaus Badelt, Ramin Djawadi
  9. Moreton Bay (2:50)
    Bernard Fanning, Claire Jordan
  10. Doomed (5:11)
    Klaus Badelt, Ramin Djawadi
  11. Outlaws (5:31)
    Klaus Badelt
  12. The Jerilderie Letter (2:08)
    Klaus Badelt
  13. Father (1:29)
    Klaus Badelt
  14. The Glenrowan Inn (7:01)
    Klaus Badelt
  15. Remembering Ned Kelly (1:24)
    Klaus Badelt
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Hybrid Soldier reply Replies: 4 || 2013-07-02 00:00:54
Little "who did what" on that score... :)

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Jimmer2013-07-02 01:18:06
Any chance for a tracklist for the sessions that were leaked a while back? That'd be great, as I hate the slate numbers as track names.


Ned2015-11-15 22:58:54
Hybrid. Any chance you provide the track titles of the complete score? I can't seem to find them nowhere.


Ned2019-10-14 19:20:19
push...

please add them...


ThePhantasm2019-10-15 05:26:40
Damn i miss Klaus, he needs a damn come back. Stupid talented

fabien reply Replies: 0 || 2013-09-16 13:25:52
a beautiful Badelt score, one of the best...

Jimmer reply Replies: 0 || 2013-01-28 17:26:48
@Hybrid: Do you have a tracklist for the complete score that was recently released?

Seth Merlo reply Replies: 1 || 2005-06-10 00:00:00
The only thing letting this album down was 'Moreton Bay'. It should have been put either at the beginnng or the end of the album. Otherwise, Badelt's score is amazingly bittersweet and I always get goosebumps everytime I listen to this album.


Jimmer2011-08-20 04:11:16
Wow! I am just now sitting through a listen of this soundtrack and here's yet another gem produced by Badelt! His orchestrations are fabulous here and I too get chills listening to this score! What a great find.

Jacob reply Replies: 0 || 2005-04-19 00:00:00
I live in Australia and so was lucky enough to be able to buy this easily. It is a brilliant soundtrack and is particularly good due to the fact that the music is at times both uplifting and saddening. The songs by Berard Fanning (the lead singer from Powderfinger) are also good.

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Ned Kelly soundtrack - Klaus Badelt 2003