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Steve provides what the director wants. Simple as that. It's not a surprise that the most beloved Jablonsky scores are for Michael Bay films. Because Bay wants it epic, Bay wants it orchestral, Bay wants it dramatic and emotional. He pushes all buttons and Steve delivers. On the other hand, Peter Berg - the Deepwater director who did a few other movies with Jablonsky - usually goes for sound design scores. In short, he's not as epic and melodic as Bay is. So if you want to blame someone for the fact that you didn't like the Deepwater score, blame Peter Berg.Probably Branderbourg Concerto no. 3Gold is a great term . Amazing musicI totally agree because I though Lego was brilliant but this shows his other side. Dare I say - better than Lego Batman !!!!!Is there any chance to Brazilian fans to see Zimmer's concert in Brazil ???? :)
Lorne strikes gold once again! I can't stop falling in love with Balfe's musical talent and technique.Really enjoying this soundtrack and glad they released so much music . Very emotional and the more I listen , the more I get into itSounds like 13 Hours was in temp!!!!Just saw the Movie few Hours ago and this is a really Great step back to the First one ! Like the fact that it's like in First one optimus vs megatron and Not some galvatron and his City-eatin ship stuff. When Classic themes Kicks in it feels like 2007 in the Cinema and it is much Fun! A Great direction and I Hope that we get Even more Original stuff in the next one ! <br>Go and See tranformers 5 especially of You saw the First one as a Child or if You just like it and enjoy the Music and Fun of it and don't throw it in the trash like many critics Are doin it ! <br>Yes I totaly Agree with You ! It just don't make Sense Even if musicians would get payed again they would Not lose Money. As I Said there Are many Bad Scores out there that got played by musicians and orchestra and the fact that there Are still on iTunes and so on Shows that Even These Not so good Scores Are paying out so as You Said it is just unlogical !
Love it too. Great track, very sweet, very tender. I really love the part from 2:49 utill the end.Yup, you're right about the Autobots theme. I liked the fact that they paid an homage to the first score. Could be wrong, but I don't think we got that in the last two movies. It's like they wanted to distance themselves from the first two scores. Which, to be honest, was something I didn't like. So I'm definitely glad that there are few bits from the first score in "The Last Knight". It was great to hear it all while watching the movie itself.No, what @MrZimmerFan meant is Hans took the idea of Jablosky and not that he developed it. Ramin was also inspired on this piece for another one of Game of Thrones.Thank god they did an additional intro in the Interstellar section with heavy organ, just like in the movie. I kind of missed this the previous year, and brought me right back to when I saw Interstellar Live in London.. And with the addition of the Wonder Woman theme, this was the best show ever. Hope he does another tour somewhere in the near future!To me the business case is very unlogical! A limitation of copies makes no sense, because you avoid higher revenues. The damage has already been done, because the TF3 movie is 6 years old and Warner Bros.Music has already lost higher revenues. But even other scores like "Black Hawk down" from Hans Zimmer are not featured in iTunes, but I could buy an analogue copy (CD) in a store.<br><br>@Hybrid Soldier: Where do you have your informations from? Is Steve answering on facebook or is this a quote from an interview?
Why is Hans uncredited? I'll take it that Bumblebee/AllSpark are Steve's themes then.Not at all! ; ) That's one of my favorite tracks as well. I would also throw in the major chord progressions of the Trident theme in "Power of the Sea" and the INSANE electric cello statement of Salazar's theme at 3:00 in "Kill the Sparrow". Great workout tracks!Nop, Hans took the idea from All Spark<br><br>;PReally ? Bumblebee is from Hans ?!?Its funny to read that allot of people think the music is for them, it is not and never will be. The person that has to like and approve the music is the director BAY. The music has to reflect what he wants it too, not what any of you want lol. <br><br>We are lucky we get music releases, lucky
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Additional Music
Rupert Gregson-WilliamsLorne Balfe
ComposerAdditional Music
The Night We Called It A Day
Label: Universal Music
Length:
HZimmer.com rating:        2/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3034 votes)
  1. Rod And Audrey - score Intro (0'59)
  2. One For My Baby (And One More For The Road) - Tom Burlinson
  3. Boogie (Part One) - Carson
  4. You Ain't Seen Nothing Yet - Bachman Turner Overdrive
  5. Papa loves Mambo - Perry Como
  6. Mannish Boy - Muddy Waters
  7. The Ratpack - Score (1'51)
  8. Night And Day - Tom Burlinson
  9. The Concert Montage - Score (2'55)
  10. I've Got You Under My Skin - Tom Burlinson
  11. Frank Gets Locked In - Score (1'25)
  12. That's Life - Tom Burlinson
  13. The Show Is Cancelled - Score (2'05)
  14. You Make Me Feel So Young - Tom Burlinson
  15. All The Way - Tom Burlinson
  16. Silvery Moon - Sherbet
  17. Takin' Care Of Business - Bachman Turner Overdrive
  18. Bewitched‚ Bothered and Bewildered - Tom Burlinson
  19. Tutti Frutti - Elvis Presley
  20. Road And Audrey - Score (3'29)
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The Night We Called It A Day soundtrack - Rupert Gregson-Williams 2003