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Meh. As long as Steve is still there trying to salvage the movies with his music I'll be fine.Not so fast!<br><br>h t t p s ://screenrant.com/transformers-movie-universe-reboot-cancell ed-rumors-denied/amp/It's probably for the best at this point. With the fifth film, the continuity was ripped apart and the story became unbelievably convoluted. So many characters have been wasted and killed off throughout the series. At this point, audiences don't really know what's going on. I think it's time they take a break, and then start anew. <br><br>I started watching the films when I was younger, and while I'd love for them to wrap up the "story", how many movies would it take to do so?Hey man, that was a really good score okay lol but i mean like a good superhero movie like a marvel or DCWell, there's always Catwoman...
Damn so he ruined his own career? i hope he gets a second shot. Would to see what he can do with a superhero movie. I know he'd kill it if given the chance. Hopefully disney will let him score Christopher Robin. Here's hoping!they are going to reboot transformers, oh my GOD!Rabin himself has never considered to be a Zimmer-guy.Lol, maybe Trevor can return for Deep Blue Sea 2! Not that THAT would help his career much....<br><br>im actually very happy, that trevor didn't renew his style like hans for a couple of times. i just wish, he would compose more for orchestra only without guitars and cheap sounding samples. scores like Remember The Titans, The Great Raid and Flyboys prove that he can do it. maybe bruckheimer will hire him someday again. trevor composed amazing scores for him....with help by rcp on a couple of movies. ;)
Yeah I agree, the problem with Trevor is that he never adapted to his environment, so to speak... He never changed his style, always the same kind of writing (big amazing theme + big action + guitars) and slowly lost the interest of everyone...<br><br>Key is being able to renew yourself (for better or for worse). But I miss his themes cause he's an amazing melody writer.<br><br>I know he wants to work, he wants to be hired to score, even if he doesn't "need" it really, and yes he has his solo/band career going on as well...<br><br>Funny story about Trevor he never really liked being listed on Hans-Zimmer.com as he never was a regular RCP occupant (even if I think having worked with Mancina and then done pretty much 5 scores at RCP, and then having in his team former RCP members, it did justify to me)... But since I'm probably the last one promoting his career on the internet, and having his brother-in-law Steve Kofsky being RCP's boss, I keep him there ! loltrevor rabin is taking a break from composing filmmusic and was on tour the last 2 years with jon anderson and rick wakeman from YES. they created a new band called ARW. at the moment they are working on new songs.and what about Trevor Rabin? He is amazing composer as well, sadly we don´t hear about him anymoreThanks Hybrid for those informations. I always had some fear Hans had his fingers in his departure from rcp and making his career-life as hard as it can get. It's too bad to see he doesn't appreciate the gift it was given to him. That talent was beyond, and the collaboration between Hans and Klaus was magical. I so would have wished it would never have stopped. And by reading your comments, Hans seems to think that aswell :(In fact, he's not even a composer anymore, he has his own company which deals with movie broadcasting worldwide... He does a score here & there but it never was his vocation... He just happened to be ridiculously talented (and Hans will confirm this to anyone even to this day).
On Hans ? No. On Klaus...<br><br><br>I'll say one thing : waste of talent... I loved Klaus' music and his amazing scores while he was in RCP, but he didn't need the help of anyone to destroy his own career... Too bad...klaus said in an interview last year, that he was looking to do some french movies, because he saw one on a flight to paris and was amazed by that movie and also because he loves paris and has a couple of friends there. he contacted people there to get in the french film business. he likes the way the people work there in the business. more freedom for him. in the interview he doesn't sound like he had to do these movies, because otherwiese he wouldn't get work. he really wanted to do these movies.because it would put a bad light to zimmer? are his hands involved in this that badelt isn't getting any big movies at all?There's a lot more to the Klaus story I can't really disclose here...I don't think so...remember those years when he did all sorts of random low-budget French comedies and thrillers? Didn't seem too choosy to me.<br><br>This is pure idle speculation, mind you, but I wonder if Klaus might not have burned some bridges here and there...his departure from the MV/RC/Hans inner circle seemed awfully abrupt.
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Additional Music
Rupert Gregson-WilliamsLorne Balfe
ComposerAdditional Music
The Night We Called It A Day
Label: Universal Music
Length:
HZimmer.com rating:        2/5
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  1. Rod And Audrey - score Intro (0'59)
  2. One For My Baby (And One More For The Road) - Tom Burlinson
  3. Boogie (Part One) - Carson
  4. You Ain't Seen Nothing Yet - Bachman Turner Overdrive
  5. Papa loves Mambo - Perry Como
  6. Mannish Boy - Muddy Waters
  7. The Ratpack - Score (1'51)
  8. Night And Day - Tom Burlinson
  9. The Concert Montage - Score (2'55)
  10. I've Got You Under My Skin - Tom Burlinson
  11. Frank Gets Locked In - Score (1'25)
  12. That's Life - Tom Burlinson
  13. The Show Is Cancelled - Score (2'05)
  14. You Make Me Feel So Young - Tom Burlinson
  15. All The Way - Tom Burlinson
  16. Silvery Moon - Sherbet
  17. Takin' Care Of Business - Bachman Turner Overdrive
  18. Bewitched‚ Bothered and Bewildered - Tom Burlinson
  19. Tutti Frutti - Elvis Presley
  20. Road And Audrey - Score (3'29)
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The Night We Called It A Day soundtrack - Rupert Gregson-Williams 2003