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It'd be awesome if Hans and co. went the Thor: Ragnarok route and created some kickass psychedelic synth ballads. I'm interested to hear how they interpret their WW theme for this setting.Is there a date for Lisbon, Portugal?<br>Thank youthis is never hans :DI just finished the movie last week and the score was the best thing about the film. The scene using the cue "Simba is Alive!" is perfect.Not all synths. Mazzaro and Fleming posted pictures of them recording the score at Air Studios early in November so there will be some orchestral or instrumental music.
As the trailer posts, soundtrack coming from WaterTower Music.No, it's just a slight rework of Blue Monday by New Order. Admittedly, it's quite catchy. Nothing from Hans tho, not even the WW-theme at the end which they did for the first movies trailers. Guess we have to wait till the movie comes out.The only thing that matters to me about the movie is Hans, so I wonder, has the trailer musicalized Hans?Synth Hans I’m guessing ;-)Yeah, it's a nice little mini HTTYD score. It's a bit frustrating that he's seemingly never allowed to develop an idea for very long before moving on to the next thing and the next (probably because of the pacing of the short), but I like the way he plays around with Powell's themes. It makes me think that if they ever decide to make a fourth HTTYD movie and Powell decides he's said all he has to say in the series, Willis would be a good choice to continue it (Zanelli/Pirates style).
He's also credited on one short cue from Ice Age: Dawn of the Dinosaurs, but other than that, nothing that I know of...Just saw the movie. Seemed like the score is enjoyable enough, but I didn't hear much that would distinguish it from the first one really except some kind of standard villain material.Because those have nothing to do with Hans Zimmer or associated composers....How come the Pixar franchise albums like "Toy Story," "Monsters, Inc.," "Finding Nemo" and "Cars" didn't make it in this website?Anthony Willis (additional composer on HTTYD 2 & 3) just wrote a nice score for HTTYD Homecoming, a "christmas special" short. The score is based on Powell's themes and style, which is a nice addition to the trilogy.<br><br>You can listen to excerpts here :<br>https://www.animationmagazine.net/tv/exclusive-music-clips-h ow-to-train-your-dragon-homecoming-holiday-special/
Michael John Mollo - I've never seen that name before. Has he done any other RCP work?Does anyone know where this can be located or purchased? I would buy this complete score from a legal source if it were available."Might not have happened with Poltergeist, but it did with 300 ROAE !"<br><br>Yes, I can accept that, as I don't know much about that production, and I apologize for hijacking the "300" discussion, but:<br><br>"https://www.independent.co.uk/arts-entertainment/films/news / poltergeist-steven-spielberg-director-conspiracy-theory-conf irmed-tobe-hooper-a7846651. html"<br><br>I'll trust at least two actors, whom working with is literally a director's job description, over a very green AC on a production with numerous moving parts always working at once.Might not have happened with Poltergeist, but it did with 300 ROAE !Lorne: "6 Underground has been a fantastic experience. I started writing just before he (Bay) started filming. And then while he was filming, I was writing throughout that process so he was able to hear the music and work with it during the early stages of editing. It’s just a fantastic movie.<br><br>There’s nobody that can shoot like Michael Bay. It’s exciting and it’s pure. It’s the reason why I got into movies. My movies that I would sit as a young teenager and look at were made by Jerry Bruckheimer and were films like Bad Boys or The Rock. Con Air and all these movies were what made me want to get into film and if Crimson Tide is on the television, that’s me for the next two hours. I’m not leaving. That was what made me fall in love with film. And so it’s great to be able to work with Michael and Jerry. So yeah, 6 Underground was just an absolute blast and great fun."<br><br>- https://collider.com/lorne-balfe-interview-gemini-man-his-da rk-materials-bad-boys-3/<br>
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Additional MusicOrchestratorOrchestrator
Klaus BadeltRamin DjawadiBlake NeelyBruce Fowler
ComposerAdditional MusicOrchestratorOrchestrator
The Recruit
Label: Varese Sarabande
Length: 49'21
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (5080 votes)
  1. Main Title (2:22)
  2. Spartacus (1:29)
  3. To The Farm (3:14)
  4. CIA Training (3:39)
  5. Lie Detector (1:50)
  6. Talking Over Crabs (1:13)
  7. Hijacked (6:47)
  8. You're Going To Langley (1:46)
  9. Layla (2:32)
  10. Under Covers (1:52)
  11. A Bug For Breakfast (7:08)
  12. Aftermath (4:28)
  13. Nothing Is What It seems (6:31)
  14. Target is Burke (4:30)
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Dingmaster reply Replies: 1 || 2011-06-27 19:15:36
Just curious; is this score performed with a full live orchestra or are the string parts just synthesized string parts?

Prott2011-06-27 19:27:54
The strings in this one are recorded live (although there are a lot of other synthetic instruments/sounds). .-)

Antas, Webmaster reply Replies: 0 || 2007-07-25 00:00:00
Here it is ;o)
www.hans-zimmer.com/fr/disco_detail.php?id=709

Hybrid Soldier reply Replies: 0 || 2007-07-24 00:00:00
Tracklist of the Complete :

CD1
01 - Main Title (2:22)
02 - MIT Job Fait (1:29)
03 - Spartacus Demo (0:52)
04 - Til Noon Tomorrow (2:32)
05 - Trust Yourself - CIA Entry Test (3:39)
06 - To The Farm (3:15)
07 - Training Part I (3:42)
08 - Training Part II (3:20)
09 - Poker Game (0:26)
10 - Blue Ridge Bar (1:12)
11 - OP Completed (0:39)
12 - Lie Detector (1:56)
13 - Talking Over Crabs (1:13)
14 - James & Layla Make Up - Hijacked (9:36)
15 - Burke Sneaks In (0:28)
16 - Layla Is A Mole (6:38)
17 - You're Going To Langley (1:45)
18 - Tailing Layla (1:46)

CD2
01 - Bugging Layla (6:25)
02 - Love (2:30)
03 - Layla's Laptop (1:53)
04 - James Gets A Gun (1:01)
05 - Bug For Breakfast - Chasing Layla (15:09)
06 - Post Car Crash (4:26)
07 - Burke Chasing James (8:47)
08 - The Target Is Burke (4:33)
09 - End Credits (4:01)

Length : 95:51

;-)

Hybrid Soldier reply Replies: 0 || 2007-02-12 00:00:00
I've found a Complete 2 CD for this one...

18 + 9 tracks...

About 90 minutes I think...


Seems to be great, I'll tell more later about it...

Seth Merlo reply Replies: 0 || 2005-06-14 00:00:00
This was a very slick album. I think the first half was slightly stronger than the second though. The only problem I had with this album is that it nicks the 'Patricide' theme from Gladiator. The electronics on here are very well done as well, with the drums acutally being programmed rather than a using a loop. I always prefer it when a composer programmes their own drums rather than rips a pre-made loop off a sample CD. 8/10
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The Recruit soundtrack - Klaus Badelt 2003