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Right. Hopefully the other missing stuff gets released on the 2nd CD though.why does Amity say (traditional)?Just rip it off the DVD....no biggieAll credits added for the OST, even though since it's long montages from lots of cues, it doesn't make THAT much sense... :)Which cues were written by Steve Jablonsky?
me too!No piano. I believe it was mostly strings and had a small bit of the choir.Which instruments were used to play the love theme? Piano?<br>There was also a Jean/Scott love theme that was briefly used in the bedroom scene after they return from space. It was included in the end credits suite as well.CD RELEASE?
Yes! That piano part is amazing! <br>„when charles and jean stand in front of the school“Saw the movie. Great score and it really fits the movie.<br><br>Missing stuff:<br>- 25 seconds of a piano version of Gap without the brass and bells<br>- a 30 second badass version of the main theme during the mageneto/jean helicopter stand off<br>- 1.5 minute end credits suite. Typical Zimmer to leave the best and most epic track and best main theme version off the album. I hope it will be on CD2, but knowing Zimmer the best tracks always remain unreleased. This is another escape from ship...after listening and listening...this score is truly amazing! i love it so much! i want the suites and ideas NOW! :DWhere can I find this?been listening to this score for a week now and i am going to wait a little more before putting a comment on it here... but there's something else i have been saying for a while now. let's stop associating scores with movies and start seeing them as a work of art in their own rights. (albeit inspired by movies)<br><br>people are here complaining about the movie that it didn't speak to them. and then i have the feeling that they project their disappointment on the soundtrack. but both pieces of art co-exist and not depend on each other. i, for example, seldom watch any of these movies. but i have listened to their soundtracks and love them.<br><br>also i never asked for an extended CD before... but we need one for this one. it's very clear that tracks like gap and coda were definitely shortened.<br><br>also i never asked for an extended CD before but we need one for DP. it's clear that tracks like gap and coda were definitely shortened.
There's nothing unique about those choirs, standard East European chorus stuff mixed with Johansson. Check out Debbie Wiseman's Warriors from 2000 and you'll get a much more elaborate version of this music.I cant say that this chorus reminds me of anything I have heard Zimmer done before. And I have played all his scores to death.I agree that Gap is the best track. My main complain with this score is that it feels that Zimmer composed it on autopilot. For me those choirs sounded too much to Electro's Theme in TASM. Is too standard and has very few remarkable moments. The movie itself lacks of personality and the score is part of that problem. I think they just wanted "dark" and hired Zimmer for making his dark ostitatos.I thought I read somewhere Armageddon was the last bay film that hgw was a part of<br>===============================<br><br><br>Well, Bay and HGW were not exactly best friends during Armageddon. Bay is very demanding and tough. HGW is also not a shy dude. He is an opinionated guy who stands his ground, as you can tell by his interviews. He reminds me of Mancina…..He's not afraid to speak up and have his opinion heard. And just like Mancina, his relationship with the Bay/Bruckheimer family seemed to be...….a bit complicated. Yet, he worked on Bad Boys 2 and Deja Vu. Now, it is possible - tho not likely - that Bay didn't even know that HGW did some work on BB2. Maybe it was just a favor for Steve and Trevor. Under the table, so to speak..... Personally, I don't believe that's the case. Whatever the truth, this is a great example of how different those composers are. Trevor and Steve work great with Bay/Bruckheimer and they always deliver great results. While composers like HGW and Mancina have problems with more demanding filmmakers. And apparently they don't even like action cinema. I don't necessary blame them, even though Mancina certainly didn't do himself any favors by trashing the genre and the people who back in the 90's gave him a shot to prove himself as a composer.Love John Powell. But he is not even close to Williams. Williams made his mark on every genre of film scoring. He freaking turn a holocaust movie score into a masterpiece for the ages.<br><br>Today, that score would have been some generic sound design.<br><br>Powell is an incredibly gifted orchestral composer. But he doesn't have the dimensions of someone like Williams. <br><br>
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Additional MusicOrchestratorOrchestrator
Klaus BadeltRamin DjawadiBlake NeelyBruce Fowler
ComposerAdditional MusicOrchestratorOrchestrator
The Recruit
Label: Varese Sarabande
Length: 49'21
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4899 votes)
  1. Main Title (2:22)
  2. Spartacus (1:29)
  3. To The Farm (3:14)
  4. CIA Training (3:39)
  5. Lie Detector (1:50)
  6. Talking Over Crabs (1:13)
  7. Hijacked (6:47)
  8. You're Going To Langley (1:46)
  9. Layla (2:32)
  10. Under Covers (1:52)
  11. A Bug For Breakfast (7:08)
  12. Aftermath (4:28)
  13. Nothing Is What It seems (6:31)
  14. Target is Burke (4:30)
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Dingmaster reply Replies: 1 || 2011-06-27 19:15:36
Just curious; is this score performed with a full live orchestra or are the string parts just synthesized string parts?

Prott2011-06-27 19:27:54
The strings in this one are recorded live (although there are a lot of other synthetic instruments/sounds). .-)

Antas, Webmaster reply Replies: 0 || 2007-07-25 00:00:00
Here it is ;o)
www.hans-zimmer.com/fr/disco_detail.php?id=709

Hybrid Soldier reply Replies: 0 || 2007-07-24 00:00:00
Tracklist of the Complete :

CD1
01 - Main Title (2:22)
02 - MIT Job Fait (1:29)
03 - Spartacus Demo (0:52)
04 - Til Noon Tomorrow (2:32)
05 - Trust Yourself - CIA Entry Test (3:39)
06 - To The Farm (3:15)
07 - Training Part I (3:42)
08 - Training Part II (3:20)
09 - Poker Game (0:26)
10 - Blue Ridge Bar (1:12)
11 - OP Completed (0:39)
12 - Lie Detector (1:56)
13 - Talking Over Crabs (1:13)
14 - James & Layla Make Up - Hijacked (9:36)
15 - Burke Sneaks In (0:28)
16 - Layla Is A Mole (6:38)
17 - You're Going To Langley (1:45)
18 - Tailing Layla (1:46)

CD2
01 - Bugging Layla (6:25)
02 - Love (2:30)
03 - Layla's Laptop (1:53)
04 - James Gets A Gun (1:01)
05 - Bug For Breakfast - Chasing Layla (15:09)
06 - Post Car Crash (4:26)
07 - Burke Chasing James (8:47)
08 - The Target Is Burke (4:33)
09 - End Credits (4:01)

Length : 95:51

;-)

Hybrid Soldier reply Replies: 0 || 2007-02-12 00:00:00
I've found a Complete 2 CD for this one...

18 + 9 tracks...

About 90 minutes I think...


Seems to be great, I'll tell more later about it...

Seth Merlo reply Replies: 0 || 2005-06-14 00:00:00
This was a very slick album. I think the first half was slightly stronger than the second though. The only problem I had with this album is that it nicks the 'Patricide' theme from Gladiator. The electronics on here are very well done as well, with the drums acutally being programmed rather than a using a loop. I always prefer it when a composer programmes their own drums rather than rips a pre-made loop off a sample CD. 8/10
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The Recruit soundtrack - Klaus Badelt 2003