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Feel free to correct me if I made a mistakeOkay so after cross-referencing the OST to the complete <br>and rearranging in chronological order heres what I came up with:<br>1234 A.D. - Atli Örvarsson, Martin Tillman<br>Season of the Witch - Atli Örvarsson<br>Behmen - Atli Örvarsson<br>Crusades - Atli Örvarsson, Matthew Margeson<br>The Plague - Atli Örvarsson, David Fleming<br>The Village - Atli Örvarsson<br>Is That the Witch? - Atli Örvarsson<br>Behmen & the Girl - Atli Örvarsson<br>Teach Him Some Manners - Atli Örvarsson<br>Eckhart's Funeral - Atli Örvarsson<br>Crossing the Bridge - Atli Örvarsson<br>Wormwood - Atli Örvarsson<br>Wolf Attack - Atli Örvarsson<br>Road to Severac - Atli Örvarsson<br>Clavis Salomonis - Atli Örvarsson<br>Dead Monks - Atli Örvarsson<br>Like Cockroaches - Atli Örvarsson, David Fleming<br>Kill the Demon - Atli Örvarsson, Bobby Tahouri<br>I Was There - Atli Örvarsson<br>Felson & Kay Fight (Alternate) - Atli Örvarsson<br>Anna & Kay (Alternate) - Atli ÖrvarssonThere were a few others but they aren't named on albumAccording to what I found on ASCAP, Metzger co-wrote:<br>Pontoons<br>We Got the Gear Box<br>It's Hip to be Cad<br>Cheers<br>Fire by the Lodge<br>Evacuation<br>Tourist Trapped<br>Rescue Harvey & WinnieHello everyone. I have recently watched "Son of God" and was blown away by the music in the scene where Jesus was lashed by the Romans. It's a slower and dramatic version of the main-theme. I was looking to find it on this soundtrack and also in "The Bible", but can't find it somehow?! Is it really not on the soundtrack, or am I just unable to find it? ^^<br><br>Please everyone, can you help me to find this cue or isn't it on the soundtracks? Thank you so much in advance and hope for your help.<br>
Fleming doesn't seem to have done much, and both Dave and Vorlander are credited on the Simulation Pt I.After digging through ASCAP a bit, I found Dave Fleming's and Vorlander's credits on this so here's what I found: <br><br>David Fleming:<br>1M01 Opening (this is a guess as there he is credited on a cue just named Divergent)<br>3M24 Grab the Rail<br>4M30 Weapon of Choice<br>5M56a Simulation of Four's Fears, Part I<br><br>Christian Vorländer:<br>1M03 Lining up for the Test<br>1M04 Simulation<br>2M08 Jumping from the Train<br>3M16 Training Begins<br>3M17 Tris Sees Tori<br>3M26 Knife Throwing<br>3M27 Jeanine at Dauntless<br>4M28 Tris vs. Peter<br>4M30 Weapon of Choice<br>4M31 Climbing the Ferris Wheel<br>4M32 Capture the Flag<br>4M38 Simulation / Crow Attack<br>5M42 Simulation / Trapped Water<br>5M49 Tris Attacked / Four Saves Tris<br>5M56a Simulation of Four's Fears, Part I<br>6M63 Zombies<br>Tris Takes the Final Sim TestThis album is the best!! I Love the movie and the music makes it.Does anyone know about the live performance of Fallout ?That makes perfect sense and I fully agree with you :p
Science & Religion on the OST is comprised of 4m25a Black Tongue part A and 6m38 God Save Us. Hope this helps!I was never extremely gung ho about any of the films, but I do agree that there feels like a bit of charm was missing from this one. Especially in the tidy way everything wrapped up. I also found the villain to be extremely forgettable, basically a lesser version of Drago. But hey, at least the visuals were great.<br><br>And I do partially agree on the score, although I think it is hard to give a fair opinion until the music has actually been released. But while HTTYD1 has all of the best highlights and HTTYD2 (my personal favorite) has the best narrative development, I feel like this one works as a solid score on it’s own. The weakest of the three but still a pretty good score, if that makes sense.Can someone please tell me which parts make Science & Religion and the rest of the Original Soundtrack release?I have to say I'm a little bit disappointed, movie wise and score wise. Although it's a very good score, it seems like all the highlights are when old themes come back. I'll definitely have to check it on album to see if this impression holds up, maybe it's only because I'm overly familiar with those themes, and new ones still have to grow on me (like with litterally every Powell release).<br><br>As for the movie, it felt like the charm and beautiful story of #1 have partly been replaced by poor jokes and loads of explosive action. There are moving moments here and there, but overall it left me quite cold.Assuming McQ changing up the crew for newer installments applies to the composers too, I'd certainly like to see someone else take the mantle. Would be interesting to see David Arnold tackle a different sort of spy film, or John Ottman taking a stab at it.<br><br>Though if anyone were to return, it'll likely be Balfe, just from all the buzz Fallout got. Would love to see Kraemer again, but the supposed BTS issues make that unlikely.
You seriously mean to tell me "Light The Fuse" isn't fun or creative in the slightest? Probably is my favorite rendition of theme regarding just the films. III was certainly dull, but GP proved Gia had a voice for the series.<br><br>Balfe does do some cool things with The Plot, but I fail to see how his renditions of the main theme add anything new. Even the epic choir gets mostly dialed out in the final film. They're perfectly solid, but nothing that I'd say is great.I don't know if it's just me but the music doesn't sound as amazing to me like it did for HTTYD 1 & 2, granted i've only listened to the previews but i did the same for 1 & 2 and it got me hyped. I hope I'm wrongSo having seen the film I can say that this is tonally the most mature score of the series. The old themes all get their moment to shine, but surprisingly are used far less than the previous 2. There also seem to be some temped moments, with one scene using portions of “Battle of the Bewilderbeast” and so on. It will be interesting to see what is missing from the album.<br><br>In terms of new stuff, both “The Hidden World” cue and the “Fury Love Theme” are obviously the standouts. Especially in the way they develop throughout. And without spoiling anything, there are some beautiful choral moments in the last 15 minutes. As for the villain material, there wasn’t really anything distinctive that I picked up, which might change with a few listens.As everyone has said for the billionth time, NO. These are all unofficial fan-made edits or rips.Is this cd of the complete score available for purchase somewhere?
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John PowellAlan MeyersonJoel J. Richard
ComposerMusic Scoring MixerAssistant To Composer
Two Weeks Notice
Label: Varese Sarabande
Length: 30'26
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3399 votes)
  1. Love Theme (1:38)
  2. Divorce (1:24)
  3. Take Away (2:40)
  4. Trying To Get Fired (1:31)
  5. Helicopter Ride (2:30)
  6. In The Limo (0:51)
  7. Bobcat Pretzel (3:15)
  8. Protest (1:26)
  9. Interviews (0:44)
  10. Emergency (1:40)
  11. Absolutely Beautiful (2:41)
  12. Sad Bowels (2:51)
  13. George's Speech (2:44)
  14. Finale (3:42)
  15. Epilogue (0:43)
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fabien reply Replies: 0 || 2015-04-12 12:58:37
one of my powell's favorite scores. Simple nice dancing one. thks.

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Two Weeks Notice soundtrack - John Powell 2002