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This^^^^Opening track available here : https://theplaylist.net/exclusive-stream-harry-gregson-willi ams-warsaw-zoo-1939-score-zookeepers-wife-20170329/it's just suggestive (between that and how he was announced so close to release) that LB was brought on at almost if not the very last minute to redo some of Mansell's early cues.<br><br>Also Clint's been eerily silent about the whole film on his Twitter and social media while Balfe has been hyping it quite a bit.I gotta agree with ds here. I love BACKDRAFT and I'm a pretty big hz fan but there is no comparison. Especially with HTTYD. IMO zimmer cannot orchestrate in the same way with an organic orchestra the same way as shore, Willian's and even powell. He adds a lot of extra layers through synth.  But zimmer is the best at the style of music he produces.The opening was definitely Lorne, it sounded like Terminator Genisys ! lol
It's not about who "needs" a break or "deserve" it. She got a chance, she blew it in the mind of people making this (probably very lame) film.One is HZ, the other (the album) is not. End of story... :PYes please! :)Listening to this complete score for the first time and it's really striking how different the mix is on the album. The snare drums are much further forward, and everything sounds a lot brighter and immediate but also "thinner" on the album. Whereas the film mix has synth parts I didn't even know exist, like at the very beginning of the main titles/"Fighting 17th".<br><br>I'm trying to decide which version I like more, and it's difficult! The film versions sound "richer" but I miss the ballsy snare drum rhythms...Hans Zimmer...Take me to your planet.<br><br><br><br><br>
im sure its because bruckheimer wants his typical sound and for this type of movie, its no surprise, that he wants a rcp score. i was very surprised when bruckheimer accepted christopher young for Deliver Us from Evil. but that movie was not typical rcp territory and the director worked also with young before.Well that is depressingly predictable. Pinar Toprak is incredibly talented, and it's not that Balfe *isn't*, but he's so ubiquitous. He's not the one in need of a big break. And for all Zimmer's talk recently of raising the profile of female composers in Hollywood...jerry bruckheimer came on board for re-shots, so ofc they also have to change the score now. i like lorne, but a score by pinar toprak would have been really nice.just came back from film.....did they shamelessly end up getting Balfe to rescore Mansell's main thematic material in the first half of the film including the shelling/opening titles (which btw, have the GHOST IN THE SHELL title appear TWICE?)? Because it's so different from the IMAX preview music wise, I was so bummed as Mansell's main theme was just amazing there, and in the finished it's just...eh? Mansell's original theme shines through the final third very nicely though.Wow, it's a surprise. From what i know, the movie should have arrived in 2016 and she worked on the movie for almost two years when it was in production.
Apparently she was replaced.What happened with Pinar Toprak? It supposed she will make the scoreBalfe is scoring Geostorm as well. Dudes everywhere!Great News. Enjoyed Planet Earth II immensely.One cues is missing. Rescue theme, with will.i.am voice i guess<br>04 Mad 2 1m11 Traveling Alakey<br>
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John PowellJames McKee SmithTJ LindgrenJohn Ashton Thomas
ComposerAdditional MusicAdditional MusicAdditional Music
Paycheck
Label: Varese Sarabande
Length: 48'08
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3204 votes)
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  1. Main Title (3:10)
  2. 20 Items (2:53)
  3. Wolfe Pack (2:54)
  4. Crystal Balls (2:09)
  5. Mirror Message (3:37)
  6. Imposter (3:53)
  7. Hog Chase Part 1 (3:13)
  8. Hog Chase Part 2 (4:04)
  9. I Don't Remember (1:28)
  10. Tomorrow's Headlines (4:02)
  11. Future Tense (7:14)
  12. Fait Accompli (6:09)
  13. The Finger (0:33)
  14. Rachel's Party (2:47)
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Kelly reply Replies: 1 || 2011-09-26 13:58:25
Tracklisting

CD1

01. Main Titles [03:25]
02. Slut Kiss [01:05]
03. Memory Wipe [00:49]
04. A Good Life [01:01]
05. Party Of Two [00:27]
06. Portents Crystal Balls [02:07]
07. Injection [00:29]
08. A 2nd Chance [01:52]
09. A 2nd Chance Free [02:11]
10. You are Done [01:12]
11. Freeze Frames [02:11]
12. Hot Seat [07:36]
13. The Ring [00:39]
14. Thats You [00:26]
15. 21 Items [05:32]
16. Twenty Items Remix [02:53]
17. Lucky Number [01:58]
18. Wolfe Pack [04:30]
19. Wolfe Pack Remix [02:54]
20. The Third Rail [03:37]
21. Reservations [03:19]
22. Mirror Msg Imposter [08:39]
23. Mirror Msg Edit [03:37]
24. Imposter Edit [03:52]
25. A Hog ChaseA [03:16]
26. Hog Chase B [04:06]
27. I Dont Remember RUFFMIX [01:49]
28. I Dont Remember (version 1) [01:27]
29. I Dont Remember (version 2) [01:28]


CD2

01. Tomorrows Headlines [04:21]
02. Return To Alcom [03:04]
03. Future Tense [07:54]
04. Future Tense Remix [07:13]
05. Bio Lab Bash [03:04]
06. Fait Accompli [06:39]
07. Fait Accompli Remix [06:09]
08. Aftermath [05:36]
09. Bio Lab Bash Demo [03:07]
10. Fate Rachael bline Ruff [01:34]
11. Groovy action Rough [03:01]
12. Quartet [02:53]
13. Rachel Action Ver [01:48]
14. Rachel Idea [02:21]
15. Rachel Idea No Bass [02:16]
16. Rachel Idea NoTune [02:14]
17. Rachel theme (band version) [02:13]
18. Rachelís Party [02:47]
19. Rachel Run 2 (Piano Stages) [02:37]
20. Rachels theme (Solo Piano) [01:13]
21. Ruff Sex [01:51]
22. The Finger (Alt) [00:33]
23. Whack ( Rough) [03:29]


//////2011-09-26 17:56:31
This is what I was talking about. And yet Hybrid bitches at me cause I posted LEGIT cues from ASCAP. Un-fucking believable......

Timi reply Replies: 0 || 2009-01-26 00:00:00
Great guy

Ant reply Replies: 0 || 2006-08-13 00:00:00
Personally, I think this turned out better than the Bourne scores, not in terms of themes, but in terms of orchestration and diversity.

Some very good synth elements in some parts, and the two Hog Chase tracks are some of the best action cues I've ever heard.

Anonymous reply Replies: 0 || 2005-07-22 00:00:00
This soundtrack is one of my favorites. Its one thing that made me enjoy the movie as much as I did. It's very diverse and has all types of moods, however you can always taste the recurring themes which nicely tie each track to one another.

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Paycheck soundtrack - John Powell 2004