"Thunderbirds Are Go/Original TV Series Theme" Written by Barry Gray Arranged by Hans Zimmer
"F.A.B." Written by Barry Gray, Hans Zimmer, Ramin Djawadi & James Dooley Arranged by Hans Zimmer
Music by Hans Zimmer
Additional Music by Ramin Djawadi Additional Arrangements: James Dooley & Mel Wesson
Soundtrack Album Executive Producer: Nick Angel Soundtrack Album Produced by Hans Zimmer & Ramin Djawadi Soundtrack Album Compiled by Melissa Muik Soundtrack Album Mixed by Slamm Andrews
Executive in Charge of Music for Universal Pictures: Kathy Nelson Additional Electronica: Clay Duncan Music Editor: Mike Higham Orchestra Conducted by Nick Glennie-Smith Supervising Orchestrator: Bruce L. Fowler Orchestration: Suzette Moriarty, Walter Fowler & Elizabeth Finch Recording Engineer: Geoff Foster Score Coordination: Becky Bentham for Hot House Music Ltd
Orchestra Leader: Gavyn Wright Orchestra Contractor: Isobel Griffiths Limited
Copyist: Booker White Attendant Copyist: Jill Streater Score Reader: Michael Price Score Mix Engineer: Slamm Andrews Mix Assistant Engineer: Jeff Biggers Score Technical Supervisor: Clever Trevor Morris Score Engineering Assistants: Chris Barrett & Olga Fitzroy Score Technical Assistants: Thomas Broderick & Mark Wherry Assistants to Hans Zimmer: Moanike'ala Nakamoto & Andrew Zack
Music Recorded at Air Studios, Lyndhurst Hall, London
With very specal thanks to: Tim Bevan, Eric Fellner, Jonathan Frakes, Mark Huffam, Debra Hayward, Chris Clark, Liza Chasin, Angela Morrison, Michelle Wright, Sheeraz Shah, Sarah-Jane Wright, Grainne McKenna, Lucy Wainwright, Alexandra Hill, Christina Angeloudes, David Livingstone, Charlotte Saint, Justine Concannon, Susan Butterly, Jeanette Haley, Lucie Graves, Martin Walsh, Hans Zimmer, Ramin Djawadi, Robyn Klein, Becky Mancuso-Winding & all at Remote Control Productions, Mike Higham, Glenn Freemantle, Tanya Phegan, Lucian Grainge, Nick Gatfield, Jason Iley, Paul Adam, Liz Kessler & all at Universal-Island Records, Donna Cass, & all at Universal Classics & Jazz, Dawn Ahrens, Marcus Arredondo, Carla Bird, David Buntz, Kevin Campbell, Phil Cohen, Eddie Egan, Adam Fogelson, Aida Gaboyan, Harry Garfield, Christy Gerhart, Mary Parent, Lonnie Snell, Stacey Snider, Scott Stuber & all at Universal Studios, Simon Gray, Rachel Iyer, Caroline Hoole, Dan Bushell & all at Sony/ATV Music Publishing, Becky Bentham & Isobel Griffiths
Hans Zimmer would like to thank: Jonathan Frakes, Tim Bevan, Eric Fellner, Jo Burn, Liza Chasin, Debra Hayward, Mark Huffam, Robert Armstrong, Klaus Badelt, David Baerwald, Ronni Chasen, Michael Gorfaine, Jeanette Haley, Lucie Graves, Gavin Greenaway, Harry Gregson-Williams, Bart Hendrickson, Alexandra Hill, Steve Jablonsky, Jimmy Levine, Michael Levine, Henning Lohner, Bettina Lynch, Sir George Martin, Blake Neely, Heitor Pereira, Tanya Phegan, Che Pope, Sam Schwartz, Ryan A. Watkins, Geoff Zanelli, Larry Ziff, Suzanne Zimmer & the Mini-Z's, Zoe Zimmer, My Mom, the AIR Studios Team & the Remote Control Team
Ramin Djawadi would like to thank: Jonathan Frakes, Tim Bevan, Nick Angel, Hans Zimmer, Robyn Klein, Martin Walsh, Klaus Badelt, Ian Honeyman, the Remote Control Team, the Gorfaine/Schwartz Team, Ghafur Djawadi, Uli Kurtinat, Holly Williamson & Megan Weller
Release date : 07/27/2004
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i looooooooove the thunderbirds movie soooo much and i think Gordon tracy(Ben Torgersen), Scott Tracy(Philip Winchester), John Tracy(Lex Shrapnel), Virgil Tracy(Dominic Colenso), Brains(Anthony Edwards), Alan Tracy(Brady Corbet) and Jeff Tracy(Bill Paxton) were all so cute and good looking
Even if the movie was not a really great show, hans' music is always great with its unique style. Greats pieces for me are : track 2 - international rescue, track 12 - thunderize!, and the zimmer version of track 17 - fab
Zimmer manages to blend and interweave the main theme by Barry Gray into his score wonderfully. Some involving, busy and trademarked of the Zimmer sound action cues although they tire the listener at some points. The use of the electronics and beats is interesting at least and the Theme Zimmer created with the Barry Gray original one as a role-model is compelling and memorable. At times though, the whole score feels a little too much and intense to follow but it fortunately contains some memorable cues to hold on too. Another disadvantage is that it sounds a bit childish and too happy at times, but I am sure this is the movie’s fault. It’s not a film that calls for a masterpiece score! I wasn’t excited at all when I first listened to it but it’s a score that needs some more listens. I would recommend it to anyone who loves the Zimmer action sound with the usual and typical chord procession and cadenzas, and also wants a fine score of this kind with some melodic bursts, lots of electronics and 2 memorable themes, but don’t expect to be excited by anything new or impressive. I would recommend his excellent score for KING ARTHUR over this anytime.
4/5
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