NewsHans' BiographyTeam (Present & Past)DiscographyMediaArchivesJukeboxFan CoversAbout/Feedback

 SEARCH
 

 FAN COMMENTS
@Bob<br><br>Thank you for the enlightment, I will consider opening my wrists for misconduct in the next few days, thank you very much... :o<br><br><br><br>Ok seriously though, you guys should know that if there's one guy that could not care less about awards... it's Hans... :)I am really enjoying his season of the Crown.a big balfe influence in this season with hints of Churchil and Genius I think. Really excellent music/ it's me@ds "Ramin is also doing a lot of projects but is far, far behind in terms of styles and creativity."<br> <br>I think the same for Jablonsky, Zanelli, XL, Jackman and Mancina.@macejko<br><br>"All the time he acts like the hottest shit in town, refusing to score basically everything they offer him"<br><br>You said in another comment that you never read an interview with Powell, so not reason you take that kind of conclusion of your character.<br><br>"The man hides in a cave, doesn't evolve at all and for some mysterious reason he is still revered like a second coming of Jesus Christ."<br>Powell is a clearly talented composer. He suffered criticism at the beginning of his career by sounding like Zimmer, but soon showed substance. And much more than that created an identifiable style, which today is reference to other scores of modern animations (which may be good or bad to depend on of the point of view).<br>Today he is an established composer and it is common for these composers to move away for a few years or even close their careers without many explanations for the public. In recent years we watched the estrangement of Silvestri, Horner, Williams and in the past we saw Faltemeyer, Bill Conti and Brad Fiedel drop their careers when they were at the top of the game.<br><br>" Say anything you will about Lorne Balfe, but at least he is working his ass off and slowly getting better and better"<br><br>As they said in another comment, you're compared to newbies and veterans. Balfe's having the opportunity of his life now. Take it or leave it. There's no choice. Powell, as well as Zimmer others, on the other hand, is a "senior member" of the club. He can afford to go away for a few years to resolve comprehensible personal problems without affecting the hard work he has developed in the last 20 years. Will Balfe continue to be so creative in 10 or 15 years?<br><br>@ds<br><br>"<br>Powell has nothing to prove, he has already mastered all genres"<br><br>That's funny, but it's fair. Powell Is a good composer. Not the best, far from it. Your style really narrows your work down, but we can say that from all the composers out there. So it's not a problem.The problem is he wants to limit his work to animations and fantasy.because he abhors gratuitous violence.<br><br>@george<br><br>". Although, I hate to say it, we could say the same for Zimmer in my opinion"<br><br>Zimmer's at the end of his career. All the other composers when they arrived at 60 years (with the exception of JNH, Goldsmith and Morricone) reduced the amount of projects per year and went on to choose their work best. It's a natural way.Over the years, it tends to get worse with one exception here and there. Don't keep expectations like he's in his prime<br><br>"he has "nothing more to prove", he is creatively dead."<br><br><br>Powell will work with a little more frequently in the coming years (or not) that only depends on his ambitions. However, frankly, he's never going to do three again. 4.5. 6 projects in a year. It takes a lot of motivation for that.<br><br><br><br><br><br><br><br><br><br>
Just listened to the whole thing, kind of a let down. Nothing interessting except for some action moments. Donít even recall hearing some sort of theme. Overall it was like listening to Cars 4: Spanish World Cup.I have already listened to The Jumanji Overture and I must say it sounds really great. Let's see how the rest of the score sounds.Tracklist with track duration:<br>01. The Jumanji Overture (03:20)<br>02. Digging Up The Past (01:43)<br>03. Brantfort High (01:09)<br>04. Into The Jungle (01:23)<br>05. Out of Character (02:31)<br>06. The Legend of the Jewel (02:23)<br>07. The Adventure Begins (01:40)<br>08. Special Abilities (01:16)<br>09. The Bikers (03:44)<br>10. Van Pelt (01:00)<br>11. A Test Of Friendship (01:22)<br>12. The Bazaar (01:16)<br>13. Snake Charmer (03:41)<br>14. The Power of Bravestone (01:04)<br>15. Seaplane McDonough (02:17)<br>16. The Missing Piece (01:46)<br>17. Lost In Time (01:18)<br>18. Flirting With Danger (01:36)<br>19. Albino Rhinos (03:44)<br>20. Retrieving the Emerald (01:54)<br>21. Out of Lives (01:49)<br>22. First Kiss (01:22)<br>23. The Jaguars (03:03)<br>24. Ring of Fire (02:07)<br>25. Begin The Climb (01:56)<br>26. Call Out Its Name (02:23)<br>27. leaving Jumanji (03:03)<br>28. An Older Friend (02:40)<br>29. Back To School (01:53)@ds the same for desplat's victory with Budapest Hotel.Maybe. I'd sure be happy for you lot ;) And I'd definitely rather see Powell attached to a project than, say, RGW, Junkie or Desplat. <br><br>That Solo movie is going to be a disaster, though.
One more thing: if indeed the reason for Powell's semi-hiatus was to be with his family as much as possible, we may well see his activity increase again in coming years now that his wife has passed away and his son is close to graduating high school (I couldn't find an exact date of birth for him but I think he's 16 or 17). Him taking on a project as big and ambitious as Star Wars isn't exactly the sign of someone who wants to take it easy. It's too early to say yet though.hans should win the oscar for best sound effects and not for the best music/score. just as a statement.And it's also unfair to use Balfe to criticize Powell. He started working on American projects in 2005 with Batman Begins, and only after 2010 did he receive individual projects. Is it accurate to compare someone who entered the party at the last minute with two others who are in it for 20 (Powell) and 30 (Zimmer)?<br><br>I'm in a hurry and I put everything into a translator. Forgive the many mistakes.<br> <br><br><br>Composers do not need to worry about the attention, acceptance of the public of the same or the same intensity as pop music artists do. There's no need to do that. Occasionally some name draws attention to the public and causes many people to be in the genre, Williams and Zimmer are the main examples that I can bring the table. However it is not because Williams or Zimmer are extremely popular and perhaps worry about the material they are offering to the public who adores them that all the composers of the world need to do equal. Most of these men and women even enxeega as "celebrity". They are more like artisans or the rest of the crew of a film that occupies with the lights, effects and costumes and that will never have the same response from the public as the main actor. And they don't even expect it. So I think it's foolish to wait for Powell to occupy himself in 2,3 movies a year to please a fanbase.<br><br>I'll agree with you when it says it's deplorable to see CPR composers who talk so much about building a single voice and giving emerging talent the opportunity to use so many additional composers (many of them with a possible promise that in the future they will work with Zimmer and thus have the opportunity to show his face in Hollywood.The sense is almost always these.You start with a secondary composer, he arrives at Zimmer and gains some kind of notoriety). But Powell is not the only one who does this. So he should not be the only one criticized.Well...it's a film score. It has no obligation to provide a pleasant or enjoyable listening experience, and for an award like this that doesn't really come into consideration. So if it works in the film, it did its job and that's all that matters.<br><br>For me personally, as someone who cares about music first and films second, a score like Dunkirk has little value. A few years ago I probably would have been pretty mad about this score winning awards and acclaim (you should have seen how salty I got when The Social Network beat out HTTYD), but these days... *shrug*. I know what I like, Dunkirk isn't it, and that's fine. It wasn't written for me. Do I wish Hans still wrote the kind of music I like? Of course. But he gets to make his own choices as an artist, just as I get to choose what to listen to as a fan.
The score is already on itunes.This score... so many mixed emotions. Does it work for the film? Heck yeah. Does it improve the film? So much so. Did Hans do what he set out to do? Totally. Is it an award winning masterpiece? Um, not so fast.<br><br>Dunkirk, while super effective within the context of the film (I wouldnít change a thing about it), I must admit, it doesnít have nearly the same effect as a stand-alone listen. Itís literally the same textures and notes over and over again, just slightly rising and falling in pitch and tempo. Does that make it ďawardĒ worthy? Iím not sure. If based solely on the film, you betcha. If based purely on the music itself, I donít think so. Thatís where Interstellar succeeds so far and away over Dunkirk. As a pure listening experience, Interstellar is interesting, multi-layered and emotional. Whereas Dunkirk is just flat, void of any sort of feeling or ďactualĒ music (again, works IN the film). Itís glorified sound FX (save for the end, which, no doubt, is in large part to Ben).<br><br>Hmm... Iíve never had a score tear me apart more than this one. I both love it and hate it. Maybe it did itís job... lol.<br><br>Excuse me while I go listen to No Time for Caution yet again.I think most of us agree that he should've won for Interstellar but I think Dunkirk deserves it too. The work Hans and the music department did on this movie is just incredible. Must've been a lot of hard work. <br>An award is an award, Hans' 2nd Oscar is long overdue so I'd be glad to see him win. But it would be weird to see him win for THAT score, after all the greatnesses of the past 20 years. Same thing with Morricone who won his only Oscar for his very light and insignificant work on Hateful Eight. Good for the man, good for the fans, but doesn't really make sense. But have Oscars ever made sense? :-phaha hybrid :D made my day
Latest

Please install Flash®
and turn on Javascript.


Rate those CD:
Top 50





Hans ZimmerNick Glennie-SmithMark MancinaBruce Fowler
ComposerAdditional MusicAdditional MusicAdditional Arrangements
The Lion King Special Edition
Label: Walt Disney Records
Length: 52:17
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (7376 votes)
  1. Circle Of Life (performed by Carmen Twillie)
  2. I Just Can't Wait To Be A King (performed by Jason Weaver)
  3. Be Prepared (performed by Jeremy Irons)
  4. Hakuna Matata (performed by Nathan Lane and Ernie Sabella)
  5. Can You Feel The Love Tonight (performed by Joseph Williams and Sally Dworsky)
  6. The Morning Report (performed by James Earl Jonesā Jeff Bennett and Evan Saucedo)
  7. This Land (instrumental)
  8. ...To Die For (instrumental)
  9. Under The Stars (instrumental)
  10. King Of Pride Rock (instrumental)
  11. Circle Of Life (performed by Elton John)
  12. I Just Can't Wait To Be A King (performed by Elton John)
  13. Can You Feel The Love Tonight (End Title) (performed by Elton John)
  14. Can You Feel The Love Tonight (remix) (performed by Elton John
Create Topic

Tori reply Replies: 1 || 2005-08-27 00:00:00
we should be aloud to download all of them
!!!!!!!!!!!!!!!!!!!!!! coz i want themoring report


MARIO2012-05-03 13:05:02
BY MARIO
I LOVE HAKER
www2.0zz0.com/2012/05/03/11/988963026.png

Anonymous reply Replies: 2 || 2011-09-20 17:54:45
So the film is in theaters (again), and it is doing remarkably well (considering it is a re-release). This is the third time this movie is making its way to the top of the charts, yet even now there is no proper score release. Whatever happened to that "expanded Lion King" album that Hans Zimmer promised? I thought he said "one of these days [he] will be good; [he] will ask Disney 'hey let's do an expanded Lion King score', and [Disney] will say yes."? I remember he said the score is not expensive to release, and he even claimed he is looking Lion King his tapes up, and he is finding things no one has ever heard, etc, etc.

So. Why is it that the newly announced Lion King Deluxe Edition album is once again a song collection? How is it that everything is getting an expanded release of some sort (most of which don't even need one), but this one is still a no-go? I am sure Mr. Zimmer can make it happen if he really wants to. But then again it appears that he is so indifferent about his fans. Oh brother...


Smith2011-09-20 20:10:59
supporting you in every phrase you've written.
a shame we haven't something until now. and people moaning about inception and transformers, while these beauties haven't got any love since years.


Obelisk2011-09-20 20:19:25
Well said. I recently purchased the new DVD and it was like falling in love all over again with the score. Fingers crossed that the new Intrada/Disney collaboration might finally do this masterpiece the justice that it's been denied since 17 years. And there couldn't be a better opportunity to coincide it with than the diamond edition Blu-ray release!

Anonymous reply Replies: 0 || 2011-01-21 00:00:00
I'm glad to listen to my favorate Lion King Score is King of Pride Rock.

Jordan reply Replies: 0 || 2010-12-05 00:00:00
I am glad to listen to my favorate song is King of Pride Rock.

Pridelander reply Replies: 0 || 2009-12-20 00:00:00
> About orchestra

I've never seen any particular name of the orchestra on TLK, but according to the end credits, the music was recorded at:
MEDIA VENTURES (USA), TODD A-O SCORING (USA), ANGEL STUDIOS (UK), BOP STUDIOS (South Africa)
http://www.lionking.org/endcredits.html

And according to DVD commentary the chorus was a mix of London chorus & South African choir.
The songs of voice actors were probably recorded in the US & UK.
Plus, most Disney scores are recorded in America, so I think the orchestra was recorded only in the US (Todd A-O), with musicians of Hollywood, as Ravi said.

Ravi Krishna reply Replies: 0 || 2009-12-12 00:00:00
I think the purely orchestral material was recorded in the US, so it should be the Hollywood Symphonic Orchestra. The material featuring both African choir and orchestra (both score and the underscore for the songs) was recorded in South Africa and UK so LSO could be the one in UK.

Prott reply Replies: 0 || 2009-12-11 00:00:00
e.buening@faz.de : LSO?

e.buening@faz.de reply Replies: 0 || 2009-12-11 00:00:00
Can anybody tell me, whats the name of the orchestra playing the the original-soundtrack?

Rapier reply Replies: 0 || 2008-02-20 00:00:00
All you Hans Zimmer/Lion King/Disney fans, if you can, please take some time to read and sign the following petition to get the complete score of The Lion King released officially -
www.petitiononline.com/LIONKING/petition.html

Thanks! ;)

Anonymous reply Replies: 0 || 2007-12-02 00:00:00
No doubt this is the best score of Hans Zimmer, and personaly i think it is the most beautiful and dramatic music ever written!
the movie is also great!

Anonymous reply Replies: 0 || 2007-05-24 00:00:00
Oah, "This Land" is so much more than life, it is, oh, something so great. Plenty o' feelings, happiness, sorrow, strength and honor, bloody hell, perfect! Thanks, Hans!
Intro of Be Prepared sounds like Nightwish, hmm...

batman5 reply Replies: 0 || 2007-04-18 00:00:00
agreed that you need to get a job and get money to buy his cd. hans i love king of pride rock one of the best youve ever done. very awesome job

Suicune reply Replies: 0 || 2007-01-11 00:00:00
Honestly, I don't see much difference between this CD and the '94 one. At first, I was hoping that it will contain more score tracks than the first CD but, instead, it contains two new tracks which are not very special. So, I don't think that it is greater than the first one. I like the artwork on this one and that's all. So, if they want to release a real Special Edition, then they should add more score tracks and, why not, release a special edition on double CD because a movie with music like this really deserves to be in any music fan collection. I don't say that this CD is a waste of money but, like I said before, it's not very special. So, think twice if you have to choose between this and the '94 one. This is my advice.

GT Master reply Replies: 0 || 2006-09-04 00:00:00
The Lion King great movie great music. Thanks Mr. Zimmer

Tyler reply Replies: 0 || 2006-06-30 00:00:00
*agrees with Jamie

Caephalo Trecca reply Replies: 0 || 2005-12-05 00:00:00
Me too

Jamie reply Replies: 0 || 2005-11-17 00:00:00
I just want to tell you - that would mean, you can download the whole CD without paying anything. That is not okay! Hans Zimmer also has to earn money. Don't be so selfish.
I love your music, Hans Zimmer!

jax reply Replies: 0 || 2005-11-11 00:00:00
yeah i agree i want other music 2

 HANS-ZIMMER.com© 2001-2017 OST 
The Lion King Special Edition soundtrack - Hans Zimmer 2003