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Mark Mancinas Score for the First - Good!<br>Trevor Rabin for the second - Fantastic Great Action Score I LOVE IT! Steve Jablonsky work too on it! The Dr. Dre Music in this too..<br><br>Lorne Balfe to the third - meeehhh buuuuhhh!!!When does this come out? I can't find it anywhere online. And if it has already come out, does anyone know where it's available?Just saw the trailer...…<br><br>Not exactly an epic movie but I'm still quite excited for Steve's music. Deepwater Horizon contained some pretty cool cues so I'm definitely in for another Berg/Jablonsky collaboration.I’m assuming the first track is the end credits sequence? Lorne confirmed the end credits are included... and they are awesome.The score is getting release by Paramount Music, in other words, digital and same day as the movie opens (31th January)
Any news on if we get an album for The Rhythm Section?I wish to see you in concert in Poland it is so close to Germany and i think that you have many fans heere :)Booklet credits:<br><br>NIMEPATA UPENDO<br><br>Performed by The Mully Children’s Family Choir<br>Choir Director: Dickson Mulli<br>Lyrics by Scott Haze, Carol Wilhelm & Mercy Waitherero Macharia<br>Music by The Mully Children’s Family Choir and Benjamin Wallfisch<br><br><br>LOVE WILL BE YOUR SHELTER<br><br>Written by Siedah Garrett and Benjamin Wallfisch<br>Vocals: Siedah Garrett <br>Orchestra: Macedonian Radio Symphony<br>Produced and Mixed by Benjamin Wallfisch<br><br>Music Composed and Produced by Benjamin Wallfisch<br><br>Executive Producer: Robert Townson<br><br>Score Orchestrated by Arturo Rodriguez, Benjamin Wallfisch<br><br>Featured Vocalist: Tori Letzler<br><br>Guitars: Owen Gurry<br><br>Synthesizer Programming: Steve Davis, Evan Goldman<br><br>Cello Solos: Tim Hugh<br><br>Violin Solos: Stephanie Gonley<br><br>Orchestra: The Chamber Orchestra of London<br><br>Orchestra Contractor: Gareth Griffiths<br><br>Orchestra Conductor: Geoff Alexander<br><br>Score Recorded by Steve Price <br><br>Assistant Engineer: Alex Watson<br><br>ProTools Recordist: Chris Parker <br><br>Music Preparation: Jill Streater<br><br>Score Recorded at Angel Studios, London<br><br>Score Mixed at Mirai Sevens <br><br>Score Mixed by Satoshi Noguchi<br><br>Score Mix Assistant: Coleen Lutz<br><br>Score Technical Assistant: Max Sandler<br><br>Mastered by Patricia SullivanMahatma sisaGgrAmayiSu ...almost sure that first line is " Mah&#257;tm&#257; sisaGgrAmayiSu " in Sanskrit: "great soul wishing to start a war"<br>
Nah, it's just a retarded mistake.LOL@Evenstar maybe just to make a difference from maybe cues with rap or another kind of music that serves as additional score for the movie. For example Bad Boys 2 has Trevor Rabin and many composers as additional music but that's the composer music. Dr. Dre. write additional music but that was rap remixes. So, that's why i think the take movie picture score instead motion picture score.Yep, i think it was in the movie 2 times, first the motorcycle chase scene, second the action scene in the endDamn I knew I heard some MW2 in the score! Glad I'm not alone. :D
Well, not that new... aka 'Wonderland'New assigment for Jab: Spenser Confidential with Peter BergI wonder if the Modern Warfare 2 favela music which was in the movie, that will be on the album or not.@ MrZimmerFan<br><br><br>Yes, same thing with 6 UNDERGROUND. There were a lot of songs as well. Now we know why Lorne had the time to do all of those big movies in such a short period of time. lol.<br><br>Now if this was Transformers, it would've been a whole different story.....I want! I want!
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Hans ZimmerGeoff ZanelliJim DooleyClay Duncan
ComposerAdditional MusicAdditional MusicAdditional Music
Matchstick Men (Complete Score)
Label: Unofficial Release
Length: 131'19
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (3711 votes)
  1. Flim Flam (0:15)
  2. Ichi Ni San (3:03)
  3. Prizes (1:30)
  4. Victim Of Fraud (0:53)
  5. Open Window (0:57)
  6. Grocery Store (1:33)
  7. Losing The Pills (1:36)
  8. Shoes Off (0:19)
  9. Shrink (0:51)
  10. I Have A Daughter? (1:20)
  11. Suzi's Topology (0:50)
  12. Meeting Angela (2:27)
  13. Lunch (0:50)
  14. Frechette (0:53)
  15. Moving In (2:00)
  16. Obsessive Compulsive (2:05)
  17. The Club (0:43)
  18. Let Us Greed (1:17)
  19. Nosy Parker (1:35)
  20. Con Artist Teaching (2:05)
  21. Not Bad (4:31)
  22. Realizing (0:43)
  23. Scouting (1:48)
  24. In The Airport (0:55)
  25. Do You Mind If I Seat There? (1:36)
  26. Walk Him To The Plane (1:18)
  27. Airport Con (1:15)
  28. Do I Get A Cut? (1:40)
  29. Parking Escape (0:57)
  30. Angela Arrested Before (1:41)
  31. No More Cigarettes (1:18)
  32. No More Pills (1:29)
  33. Vitamins (1:02)
  34. Visiting Klein (1:45)
  35. Frechette is Shot (4:33)
  36. Heaven (0:45)
  37. Interrogation (1:27)
  38. Dear Roy (2:53)
  39. No Baby (1:53)
  40. Carpeteria (3:19)
  41. I'm Grown Up (1:16)
  42. Happy Ending (2:27)
  43. Waltz Suite (3:05)
  44. Flim Flam (Alternate I) (0:16)
  45. Flim Flam (Alternate II) (0:16)
  46. Ichi Ni San (Alternate I) (1:49)
  47. Ichi Ni San (Alternate II (2:55)
  48. Losing The Pills (Alternate) (1:35)
  49. Shoes Off (Alternate) (0:19)
  50. I Have A Daughter? (Alternate) (1:21)
  51. Meeting Angela (Alternate I) (2:31)
  52. Meeting Angela (Alternate II) (1:37)
  53. Lunch - Frechette (Alternate I) (2:33)
  54. Lunch - Frechette (Alternate II) (2/33)
  55. Moving In (Alternate I) (2:00)
  56. Moving In (Alternate II) (2:03)
  57. Obsessive Compulsive (Alternate) (2:36)
  58. The Club (Alternate I) (0:42)
  59. The Club (Alternate II) (0:44)
  60. Let Us Greed (Alternate I) (1:16)
  61. Let Us Greed (Alternate II) (1:27)
  62. Not Bad (Alternate) (4:31)
  63. Scouting (Alternate) (1:46)
  64. Do You Mind If I Seat There? (Alternate I) (1:37)
  65. Do You Mind If I Seat There? (Alternate II) (1:40)
  66. Walk Him To The Plane (Alternate) (1:32)
  67. Airport Con (Alternate I) (3:53)
  68. Airport Con (Alternate II) (2:00)
  69. No More Pills (Alternate) (0:52)
  70. Visiting Klein (Alternate I) (1:34)
  71. Visiting Klein (Alternate II) (1:25)
  72. Dear Roy (Alternate) (2:18)
  73. No Baby (Alternate) (1:59)
  74. Carpeteria (Alternate I) (2:32)
  75. Carpeteria (Alternate II) (5:06)
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Dr. Vinny G. reply Replies: 0 || 2008-03-21 00:00:00
As an accomplished composer/musician/performer, I feel compelled to enter a comment. I saw “Matchstick Men” shortly after it was released on DVD. 2004, I think. And I write this as an individual whose brain has cataloged a SURPLUS of music over many years.

I remember distinctly watching the "making of matchstick men" where Ridley Scott gave Hans such a hard time about the score. And again, as someone who has such a catalog of music in the brain, I have found myself humming or whistling "THIS" score over and over in the last 4 years. With no likely end in sight. It's catchy. It's contagious. And it's my opinion. I even caved and got some ring tones. (Shocked all my colleagues.) I’m more curious to what the rejected scores sounded like. Maybe he used them for other films. Take that Mr. Scott!

Since, I have been more aware of Mr. Zimmer's works over the last 4 years and now I have a clearer understanding of why some of my favorite films (before and since “Matchstick Men”) are some of my favorite films, i.e. “Mission Impossible II” & “Gladiator”. Answer – “Zimmer scores”. And really, if you take away the score, "Matchstick Men" as a film, is average at its best. The score, is what makes this film. Period!! Maybe that's why Ridley pushed Hans like he did?

It’s no wonder that someone would create a web site of this like. As well, he is now someone I would like to converse and/or collaborate before I go to the other side. John Williams, take a vacation. There’s a new sheriff in town, and his name is Hans!!

Kindly,
Dr. Vinny G.
Rochester, NY
(Home to Hochstein and Eastman) schools of Music that is. &#61514;

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Jack reply Replies: 0 || 2007-08-01 00:00:00
Hi everyone! I've got this question: some days ago I was listening to this score and I realised that the first part of track "Weird Is Good" has a particular style, something I've only heard in Gotan Project's songs: so, Is that an omage by Hans Zimmer to this fantastic (IMHO) group?

thanks

bye

Ted reply Replies: 0 || 2006-09-15 00:00:00
What is the name of the song that was playing when roy sent angela away with frank after the shooting?

BobdH reply Replies: 0 || 2005-08-27 00:00:00
Hmm... the only thing track 8 (Mines) makes me think about is Journey to the Line, from The Thin Red Line. Man, how obvious is it which track was the temp-score?!?

ABC reply Replies: 0 || 2005-08-27 00:00:00
I think the reason why Track 8 sounds like Journey to the Line is because it should sound like Journey to the Line --)

axel jespersen reply Replies: 0 || 2005-07-18 00:00:00
track 8 is what made the film what it is.

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Matchstick Men (Complete Score) soundtrack - Hans Zimmer 2003