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You realize there is a very easy and free method to get the music from that site, dont you?Random thought but this got me thinking about Zanelli's history with fantasy.<br><br>Whatever happened to his score for Delgo?  I know it's been accused of being super derivative of his other works anyways but still, it's weird to see a RCP score just drop off the face of the Earth like that.There's just something really charming about seeing a prototype for a famous future theme showing up in an old score.<br><br>Or in PotC's case, SCORES.The only ones I've seen properly confirmed are the cues Badelt had listed on his website. The issue with everything else is that there's certain themes that's been associated with certain people, but aren't credited for every appearance. Not to mention that I've never really seen much official credits elsewhere, so I take any that I've seen with a grain of salt.This comment was made before that was properly confirmed, so he was likely going to do it solo at the time.
I thought Hans was collaborating with Faltermayer For Top Gun 2From both ASCAP and GEMACan these be accessed anywhere?The dream is collapsing... :oHoly f*ck, just listened to "Too Many Notes..." and its containing pirates theme itself from Pirates of the caribbean
'No Good About Goodbye' was never the intended song for QOS. It was composed after the film was completed using thematic material from the film for Shirley Bassey to perform on her, David Arnold produced album, 'The Performance'Those files are just sitting there.<br><br>Undownloadable.<br><br>Taunting me.@Ds<br>Siding with the guy that lied through his teeth to feign objectivity seems like a bad call.<br><br>In any case, modern Bay and Snyder don't deserve to be mentioned in the same breath as Fury Road.<br><br>I already discussed 300 and Pacific Rim.  Clearly deep scripts aren't what I'm aiming for here when I talk about good blockbusters.<br><br>What DOES matter is scripts with razor focus, sharp pacing, witty and/or charming humor (if it wants humor, that is), and characters likable enough to carry us through the narrative.<br><br>300's a great example of this, though unfortunately a lot of Snyder's other work isn't, and Bay is close behind.  Their films get bogged with way too much obnoxious bullshit to make the odd sequence worth it.<br><br>The Scorponok sequence from TF1, the warehouse fight from BvS, that's real standout stuff.  Stuff that loses a lot of its luster when surrounded by two-and-a-half, or god forbid THREE, hours of self-serious pretense, lazy humor, and/or annoying characters.<br><br>And again, the likes of Pacific Rim, or 300, or the first Pirates of the Caribbean, or the first Kingsmen, or John Wick, or most Guy Ritchie films, or the better fourth of superhero films, illustrate that Bay and Snyder have no excuse.<br><br>They just aren't very good filmmakers on the whole, and need to learn to consolidate their efforts into something that brings out their best and subdues their worst.  Snyder in particular has SERIOUSLY misjudged where his talent is lately.Well, Steve, about the score, says he still working on it.<br><br>I can't wait.A snippet of the verse (at 0:49) also shows up occasionally in the score, in Somebody Wants to Kill You, the end of Greene and Camille, and Field Trip.
Ist there any chance for concert in Poland during this tour?How do I listen to this ?Hybrid, what about any credits for this score?Looking to travel to Berlin for the kickoff. Reckon the concert is in german instead in english?100% agree.<br><br>“You Know My Name”, “Skyfall”, “Goldfinger”, etc. all stand out because they embrace the grander aspects of 007. Having a calm and reflective Bond song can be just as effective though. I feel like “No Time to Die” is basically trying to do what “Writing on the Wall” tried but succeeding much better.
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Hans Zimmer
Composer
Green Card
Label: Varese Sarabande
Length: 44'56 (Score: 34'50)
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6885 votes)
  1. Subway Dreams - Larry Wright (1:29)
  2. Instinct (3:33)
  3. Restless Elephants (2:55)
  4. Cafe Afrika (2:59)
  5. Greenhouse (3:15)
  6. Moonlight (1:24)
  7. 9AM Central Park (1:48)
  8. Clarinet Concerto In A Major: Adagio - W.A. Mozart (8:38)
  9. Silence (4:38)
  10. Instinct II (3:09)
  11. Asking you (1:45)
  12. Pour Bronté (6:19)
  13. Eyes On The Prize - The Emmaus Group Singers (3:04) *
*Written by Harry Stewart, Arranged by Hans Zimmer
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Michael Poleschuck reply Replies: 0 || 2017-02-15 09:40:02
Oh, who sings in Instinct? Such a beautiful, clean voice!

Debra reply Replies: 0 || 2015-03-08 23:42:56
What is the piano piece when Gerard is cutting out pictures and making a little photo album towards the end? Driving me crazy as it sounds like the score to Pearl Harbor (similar).
Thanks

Sim reply Replies: 0 || 2014-10-09 06:26:24
Is there anywhere I can download the sheet music for 'Pour Bronte'?

Anonymous reply Replies: 1 || 2014-01-19 19:54:12
"This score is as much Peter Weir's creation as it is mine & I think him for all his ideas & support" - Hans Zimmer.

If only his ghostwriters got such open credit!


Anonymous2014-01-20 02:49:23
They do. And, back then, there was no one else.

Malo reply Replies: 1 || 2009-02-28 00:00:00
What about the wonderful piano piece he plays, singing in French? who is the composer?


Frances2012-02-19 19:40:22
The track he plays on the piano is 'asking you' on the soundtrack but naturally the words are not included on the soundtrack, musically it was composed by hans but the words were composed by peter weir.

matthew reply Replies: 3 || 2011-05-08 12:12:54
There's pretty good music when they running through the central park. Who composed that? Can't find it anywhere!


zimm442011-05-08 19:47:10
It's ENYA :)


Thorsten2011-05-08 20:00:20
Its Called: Rain In Africa - Enya


Frances2012-02-19 19:37:22
When they are running through central park on the way to the meeting it is not rain in africa but storms in africa by Enya.

Lorelai reply Replies: 0 || 2010-03-08 00:00:00
I think the commenter from 8/2/06 was referring to "For Bronte" which actually is on the soundtrack, but as with most soundtracks, when you hear the music "pure"-with nothing distracting you such as action or foley sounds, it sounds almost unrecognizable. Very often only samplings of a song make it into the movie. I was most disappointed that some agreement wasn't made to allow the Enya tracks to be at covered (at least) on the CD-it spoiled the experience for me. Overall the music is great.

sergio vásquez reply Replies: 0 || 2010-02-25 00:00:00
I surrender to this sountrack for a very time ago, thanks Mr. Zimmer for this great work.

annette reply Replies: 0 || 2008-05-02 00:00:00
The music that I hated most in Green Card is the Moonlight.It reminds me of the past.But, It was'nt used in Movie and episodes.

____________
annette

Pridelander reply Replies: 0 || 2007-06-29 00:00:00
I found some interesting music references in this movie (like The Holiday).
Gerard Depardieu's character is a composer, so in a scene he plays '9am Central Park' on piano... and he often hums Zimmer's theme, eventually he sent his(Zimmer's?) messy handwriting score of that theme to a girl... :D

By the way, it seems my favorite track 'Greenhouse' wasn't used in the movie :(

Peter reply Replies: 0 || 2006-08-25 00:00:00
Laurel,
I think the track you're talking about is "Watermark" from Enya's album ("Watermark", 1988, WEA records).

I hope it will help you. ;)

Laurel M. Cantor reply Replies: 0 || 2006-08-20 00:00:00
The best song isn't on the Green Card CD -- that is, the contemplative love theme that begins to appear toward the end of the movie is missing from the CD. This was a great disappointment to me, since I had bought the CD just to hear this musical moment. **** I'm heartbroken.

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Green Card soundtrack - Hans Zimmer 1990