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Several clips of the film are on YT. With some music. Sounds like 90's score from HZ. Too bad the directing seems to come from an age movies didn't exist...No. It’s a boys choir. S&K bros is a girl’s choirSeems like Scala & Kolacny Brothers.In what way is it "obvious", exactly, that Djawadi had more influence on that Training cue than Zimmer? It's basically just a statement of Zimmer's theme, and doesn't really sound notably "Djawadi-esque" to me in any way.Thanks for the credits update
A bit of who did what...Lorne also confirmed that he took charge of Mr.Charles, and without saying that Lorne was on the good side of Score in general, so his influence was substantially high.Hybrid confirmed that training is composed by Ramin and Hans and it is obvious that Ramin's influence is superior to that of Hans.are we expecting the score for dark phoenix to be released in a week or so, if the movie itself drops early june?Not as simply as that.... Training is Ramin's arrangement of a Hans theme, and the core of Mr. Charles when the Fischer theme isn't playing is a Hans idea, too, as far as I know. Take the Zimmer out and those moments wouldn't be the same.
I think Balfe working with Nolan would have done a great jobBob,The Training is basically Ramin Djawadi and Mr.Charles is BalfeI hope these two team up again. Zimmer's score is the main driving force for some memorable scenes. Just a few<br>Batman Begins-The Training<br>TDK- Joker crash the party, Gordon's speech and ending<br>Inception - Time, Mr.Charles, <br>TKDR - the climb, imagine the fire and orphan<br>Interstellar-Stay, Docking, coward, mountain<br>Dunkirk - well the entire movieJustin Hurwitz I can see. I enjoyed La La Land and First Man. But Both Hurwitz and Göransson are several notches above Lorne Balfe. <br><br>I think 80/100 directors would rather work with Göransson than Balfe.I really believe that Nolan has made a mistake as a composer.I think Lorne Balfe, David Julyan or Justin Hurwitz would be much better options than Ludwig Goransson.
Interesting news. <br><br>Geoff Zanelli is one of those composers who I’ve loved his additional music over his solo efforts, Pirates 5 excluded. I hope he gets a chance to write some great fantasy music for this, regardless if he reuses JNH’s themes or not.I think I am the only one, who would be glad about David Julyan return.<br><br>I really like his music for early Nolan's films, especially Insomnia, and it's what i can call an "atmospheric experience".<br><br>Don't know how his music fits for espionage timetraveling movie, but, for me, i'st would be something interesting to hear.@mpolonest123: those Pemberton scores are indeed pure gold, very cool on album but insanely good in the movie. My favorite is still his King Arthur, that was a beast of a score that stuck with the movie like glue and really enhanced Guy Ritchie's dark, twisted, trippy vision.*3 thingsSure, but there's two things to consider. <br>1). Pirates has such an iconic sound that it'd be really stupid for them to suddenly abandon it at #5. Especially when we hired the guy who has worked on the previous 4. 2). Maleficent, as successful as it was to warrant a sequel, isn't quite as well known in the score department, despite being well received by those who have heard it. 3). Because Zanelli worked on all Pirates, he had enough familiarity with the sounds and motifs that he knew where to go once he led the ship. In Maleficent's case, he's taking over from a previous composer, and is working with a director who likely only knows his work on POTC5. As such, there's no knowing yet if he might be compelled to continue on from JNH, or if it's decided he just does his own thing.<br><br>I'm happy that Geoff at the very least has a safe career at Disney, considering two of their recent live action successes has had him involved. However, considering I hear his recently work hasn't been his best, JNH likely would've benefited from returning to a world that had some of his best material after he wasn't given the opportunity to do so with Glass. As such, it really is a severely missed opportunity, even if newer blood is getting more opportunities.
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Composer - Musician : PianoAdditional Music - Musician : Piano
Hans ZimmerLorne BalfeHenry JackmanAtli Örvarsson
ComposerAdditional MusicAdditional MusicAdditional Music
The Holiday (Complete Score)
Label: Unofficial Release
Length: 70'31
HZimmer.com rating:        Not yet rated
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (4465 votes)
  1. Logos - Main Titles (3:54)
    Hans Zimmer, Lorne Balfe, Imogen Heap
  2. Iris & Jasper (1:51)
    Hans Zimmer
  3. Wrong Engagement (1:51)
    Hans Zimmer, Lorne Balfe
  4. Thrown Shoe (0:19)
    Atli Örvarsson, Ryeland Allison, Heitor Pereira
  5. The Punch (0:19)
    Atli Örvarsson, Ryeland Allison, Heitor Pereira
  6. Trailer Music (0:33)
    Ryeland Allison
  7. Worry Free Vacation (1:50)
    Atli Örvarsson, Ryeland Allison, Heitor Pereira
  8. Amanda IMs Iris (2:45)
    Hans Zimmer, Atli Örvarsson
  9. Message From Jasper (1:07)
    Hans Zimmer, Lorne Balfe
  10. House Inspection (1:36)
    Hans Zimmer, Henry Jackman
  11. Drive To Town (0:51)
    Ryeland Allison
  12. Lighting A Fire (0:34)
    Hans Zimmer, Heitor Pereira
  13. Iris Takes A Swim (0:42)
    Hans Zimmer, Henry Jackman, Imogen Heap
  14. Anything Can Happen (0:49)
    Hans Zimmer, Lorne Balfe, Imogen Heap
  15. Drinking (1:17)
    Hans Zimmer, Atli Örvarsson
  16. Kissing (3:35)
    Hans Zimmer
  17. If I Wanted To Call You? (0:57)
    Hans Zimmer, Lorne Balfe
  18. Call From Jasper (1:10)
    Hans Zimmer, Lorne Balfe
  19. Arthur's House (1:39)
    Atli Örvarsson
  20. Light In Your Eyes (2:04)
    Hans Zimmer, Henry Jackman
  21. Busy Guy (1:30)
    Hans Zimmer, Lorne Balfe
  22. Verso E Prosa (Babington Source #1) (1:59)
    Heitor Pereira
  23. Meu Passado (Babington Source #2) (1:25)
    Heitor Pereira
  24. Amanda - Graham Montage (1:28)
    Hans Zimmer, Henry Jackman
  25. It's Complicated (0:54)
    Atli Örvarsson
  26. Kiss Goodbye (1:02)
    Hans Zimmer, Lorne Balfe, Imogen Heap
  27. W.I.D.O.W.E.R. (0:29)
    Hans Zimmer, Lorne Balfe
  28. Exceptionally Great Tent (2:45)
    Hans Zimmer, Lorne Balfe, Heitor Pereira
  29. No Idea How To Date (1:43)
    Hans Zimmer, Henry Jackman
  30. Training Montage (0:53)
    Heitor Pereira
  31. Want Some Company? (0:21)
    Hans Zimmer, Lorne Balfe
  32. Miles Spies (0:41)
    Hans Zimmer, Henry Jackman
  33. Iris Confides In Miles (1:48)
    Hans Zimmer, Lorne Balfe
  34. Writing Arthur's Theme - Iris' Theme (2:14)
    Hans Zimmer
  35. Graham Loves Amanda (2:26)
    Hans Zimmer
  36. Sushi Bar Source (1:57)
    Ryeland Allison
  37. Visit From Jasper (2:42)
    Hans Zimmer, Lorne Balfe
  38. Jasper Out - Pick Up Arthur (2:17)
    Hans Zimmer, Atli Örvarsson
  39. Arthur Down The Aisle (1:02)
    Henry Jackman
  40. Arthur Takes The Stage (0:49)
    Hans Zimmer, Atli Örvarsson
  41. What Are You Doing For New Years? (0:44)
    Hans Zimmer, Atli Örvarsson
  42. Be Seeing (1:43)
    Hans Zimmer
  43. Amanda Cries (0:55)
    Hans Zimmer, Lorne Balfe
  44. Run To Graham (1:59)
    Hans Zimmer, Lorne Balfe, Heitor Pereira
  45. If You'll Have Me (0:50)
    Hans Zimmer, Lorne Balfe
  46. Iris & Jasper (Alternate) (1:48)
    Hans Zimmer
  47. The Punch (Alternate) (0:21)
    Atli Örvarsson, Ryeland Allison, Heitor Pereira
  48. Busy Guy (Alternate) (1:28)
    Hans Zimmer, Lorne Balfe
  49. Kiss Goodbye (Alternate) (1:03)
    Hans Zimmer, Lorne Balfe, Heitor Pereira
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Hybrid Soldier reply Replies: 1 || 2018-11-23 00:38:44
Composer credits...


Anonymous2018-11-23 18:27:29
no point since nobody has this score...lol

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The Holiday (Complete Score) soundtrack - Hans Zimmer 2006