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Hybrid wrote somewhere here that something happened between Streitenfeld and Ridley during Prometheus,and that was why HG-W was brought on for some rescoringI was wondering about this too. Like all of a sudden, after a couple of Ridley Scott collaborations, he disappeared.Streitenfeld's score for "All I See Is You" isn't added to this site. Does it mean, that Marc left the company?Extremely pleased with the release, remastering, and liner booklet notes.  Nice to finally have all of this music.  Sure, some things could have been done differently, like anything else.  I'll be enjoying a thorough listen this weekend, and may watch the film again, as it's been years.Jasha just released a neat little piano album!<br>Go check it out: https://itunes.apple .com/no/album/time-lapse-ep/1452867752
My only real gripes left with the score is the somewhat uninspired choral writing (and the fact that the choir sounds like samples in a lot of moments) and the reused percussion samples from every JXL action score ever since Mad Max.After repeated listens of the score and seeing the film 3 times, I'd say now that the score is MUCH better than I initially gave it credit for.<br>Alita's theme (the 4 notes first heard at 1:53 in A Discovery) is used many times throughout the score in many instrumental varieties and variations, and used to great effect in emotional scenes<br>(I Don't Even Know My Own Name, What's Your Dream?, In Time You'll Remember, With Me, I'd Give You My Heart, What Did You Do), In the Clouds especially)<br>And do yourself a favor and get I See Church from somewhere, it's the 2nd best action track of the score after Motorball.<br>--------------------<br>In short, I would now give it a 4.5 / 5 from my previous 3 / 5Hybrid, what's the story with Finale vs. Safe Now? On this page Finale is listed as Jackman and Zimmer. On the OST page, it's Jackman, Zimmer, & Jasha Klebe. The two versions are different too. Finale has a longer intro and a big outro that makes the Time thing even more obvious. So are they two different tracks with different credits, or is Safe Now just Finale clipped short?Oh man, that's a tough question...I haven't listened to Curse of the Black Pearl in a while.... He's credited on almost every track for themes used... "Fog Bound" is the big Klaus Badelt cue from that movie (the real, 5-minute one in the movie is pretty much all Klaus I believe). <br><br>But Hans appears almost everywhere in POTC 1. Sometimes it's arrangements of his themes by the other guys, sometimes it's parts of the tunes that he wrote put directly in like he wrote them... The following scenes are pretty much directly Hans, if I remember right (this is the list I'm referencing — but as you can see, Zimmer's name is almost everywhere hans-zimmer . com/index.php?rub=disco&id=1128): <br><br>3. Captain Jack Sparrow (Hans wrote the big theme here, as well as the Jack Sparrow stuff at the end)<br>8. Breaking the Chains (more Jack Sparrow theme...) <br>17. Boarding the Dauntless (Jack Sparrow theme...)<br>24. Moonlight Serenade (Zimmer said he wrote this scene like Cinderella walking into a Metallica concert)<br> <br>Aaaaand a lot of the final fighting music is lifted directly out of the suite Zimmer wrote, so it's 90% him. But once again, his themes as arranged by other people appear everywhere. Hybrid can answer way more about all this than I can.<br>Oh wow! That’s all really interesting. So how much of the OST is really HAnS Zimmer then???
Hans was composing The Last Samurai while the first POTC was being made. He had promised Tom Cruise and Edward Zwick (might have even signed a contract) that he would only work on The Last Samurai and no other movies at that time. So while Hans agreed to write the POTC themes for Gore Verbinski, he wasn't allowed to be credited due to his obligations to the Last Samurai. So he wrote a few themes and then handed the score off to Klaus Badelt, who got the "name" credit on the score. But the whole score is really Klaus, Geoff Zanelli, Nick Glennie Smith, Ramin Djawadi, and a few others doing arrangements of the theme that Hans wrote (and Hans writing for a couple scenes incognito, like when Elizabeth first sees the skeleton pirates). Then Klaus did do the dark "Fog Bound/Underwater March" tune, as mentioned.Can’t insult me! I am genuinely curious. What’s this about The Last Samurai???I'm not saying this to insult David, but it's funny to me that even now, 16 years later, after so many clarifications from HZ and others, people still get confused because of the way POTC 1 got credited. All because Hans had to work on The Last Samurai (which is one of my favorite scores of his, so I guess it was worth the confusion).Saw the film last sunday and loved it. Also loved what Tom Holkenborg did hear. It did not felt nor 300. RoE nor Mad MAx. It's something else and loved it how it worked in context.he is working on the new Terminator movie?! :O
Credits for Dua Lipa's single "Swan Song" for the movie:<br>Written by Dua Lipa, Justin Tranter, Kennedi Lykken, Mattias Larsson, Robin Fredriksson & Tom Holkenborg<br>Produced by Mattman & RobinMy definition of a Complete score is somewhat different. My goal is to find and mix everything you hear in the movie. Some things you find, others you don't. That's always an adventure in itself.<br><br>The source cues are not hard to find, sometimes it can be tricky to find the right performance/conductor.<br><br>In the case of TTRL, it's mostly the Beam cues that are difficult to find. Francesco Lupica wrote several pieces of Beam cues specifically for the movie, 5 of them which were used. There's also the 'Concerto for Beam' written by Powell, and there's the 'Sit back & Relax' album that was used. So to me, that's a pretty substantial (and important!) amount of music  that made it into the cut, which hardly anyone ever talks about.<br><br>Anyway, maybe a future project will tackle most of these issues.So he's scoring that and the new terminator? Damn dude's getting as busy as Henry JackmanUnless they're composed by Zimmer or someone else from RCP, I wouldn't expect source cues to appear here. And there's like two tracks with Beam in the title listed, so what else would have that name?Tom is scoring the live action Sonic movie. He just confirmed that he is scoring it!
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Score Producer - Music EngineerConductor - Orchestrator
Hans ZimmerJay RifkinShirley WalkerBruce Fowler
ComposerScore ProducerOrchestratorAdditional Orchestrator
Backdraft
Label: Milan Records
Length: 42'50 (Score: 30'00)
HZimmer.com rating:        4/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (8042 votes)
  1. Set Me In Motion - Bruce Hornsby (5:20)
  2. Fighting 17th (4:26)
  3. Brothers (3:32)
  4. The Arsonist's Waltz (1:58)
  5. 335 (3:02)
  6. Burn It All (5:19)
  7. You Go‚ We Go (5:11)
  8. Fahrenheit 451 (2:59)
  9. Show Me Your Firetruck (3:31)
  10. The Show Must Go On - Bruce Hornsby (7:32)
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FastAsPuck reply Replies: 0 || 2019-01-21 08:02:06
This album is the best!! I Love the movie and the music makes it.

Dimitris Krommidas reply Replies: 0 || 2015-08-27 17:04:42
Classic. Glad to have this too.

Mike reply Replies: 0 || 2013-03-01 09:32:24
Interesting…Shirley Walker orchestrated a Hans Zimmer score, and Hans Zimmer was a musician for a Shirley Walker score, and BOTH have composed a Batman score. :P

Small world.

D A R T H reply Replies: 2 || 2013-01-27 14:29:16
i a have a new version : score 22 tracks (01:07:55) + source musics

01. Chicago 1971
02. Main Titles
03. 17Th
04. Investigating
05. Late For Work
06. Mannequin Fire
07. Approaching Fire
08. The Fire's Story
09. Show Me Your Firetruck
10. Love & Danger
11. Man Down
12. Brothers Fight
13. Fire Is A Living Thing
14. I Really Miss You
15. Torn Apart
16. The Arsonist's Attack
17. The Fire Looked At You
18. The Arsonist Unveiled
19. You Go, We Go
20. Funeral
21. Epilogue
22. Main Titles (Remix)
23. Hans Zimmer - Hans Zimmer Interview (Bonus Track)
24. Bruce Hornsby, The Range ''Set Me In Motion''
25. Bruce Hornsby, The Range ''The Show Goes On''
26. Los Lobos ''I Walk Alone''
27. The Smithereens ''A Girl Like You''
28. Cream ''Sunshine of Your Love''
28. Martha Reeves & The Vandellas ''(Love Is Like A) Heat Wave''
29. Edwin Starr ''War''

(4 source musics are still missing)



Magnus Rex2013-01-27 21:17:49
Useless, really.


fabien2013-01-28 17:34:33
Hell Yes !

FlorianSteinfurtNews reply Replies: 1 || 2012-02-04 00:14:57
Sehr geehrter Herr Zimmer,

ich und mein Kumpel vom YouTube-Kanal FlorianSteinfurtNews werden zur Mitte des Jahres 2012 hin einen Film anlässlich des Jubiläums der örtlichen Feuerwehr produzieren.
Dürfen wir das Lied "Show me your firetruck" in der Audiospur des Filmes verwenden?

Mit freundlichen Grüßen,
L. Bienbeck
FlorianSteinfurtNews


Phil2012-05-05 22:43:03
ich denke nicht, dass Hans Zimmer das hier zu lesen bekommt! ;)
bin mir zwar nicht sicher, aber ich denke du solltest direkt an den Administrator eine Mail schicken? ;)
nur ein Tipp

Anonymous reply Replies: 5 || 2012-03-10 21:41:38
00:28 to 00:35 in track 5 sounds like gladiator.


iPhil2012-03-11 07:42:07
that's true!
sounds like Honor Him!


tomPoland2012-03-12 09:14:02
Glaiator sounds like Backdraft, don't you think? 1991 and 2000...


Anonymous2012-03-12 15:58:49
Glaiator? I don't know if there is a movie called glaiator, don't you know?


Mycroft2012-03-12 17:19:06
Oh boy: everyone has stooped so low on this site that there are now grammar Nazis? How pathetic. What a dick.


Anonymous2012-03-14 10:02:36
But it's worth an answer...

Aggelos reply Replies: 0 || 2010-07-23 00:00:00
Leonidas Leonardi FTW!!!!

Lou reply Replies: 0 || 2010-01-03 00:00:00
Agree, Zimmers best piece is this one ! !!! i mean he can make your hart pull out of your chest!!!!!!
i woluld really love to see him live!

DannySwede reply Replies: 0 || 2008-09-28 00:00:00
This is absolutely Zimmers best piece...the mood , the feel the emotions...PERFECT

Graham reply Replies: 0 || 2008-09-13 00:00:00
After just listening to Backdraft soundtrack in a long time. I am still grasped by the amount of emotion there is in this score. My two favourite composers are Hans Zimmer And James Horner. Both when give a good script can perform above and beyond. Where have the massive themes and romance gone out of movies today.

Mikel S.i.W (from Spain) reply Replies: 0 || 2008-02-04 00:00:00
Hans, you are the best. Ypur score for BACDRAFT is a piece of History. Thanks MAESTRO. 10/10

Eric Gabriel reply Replies: 0 || 2007-11-11 00:00:00
Im fann of your music... just extreme... Backdraft... ufff. no words... keep going.. exelent work.

www.eghphoto.com

batman5 reply Replies: 0 || 2007-04-18 00:00:00
i love show me your fire truck. you do an excellent job of always picking the right melodies and finding the flow between the low brass and it. you are the best composer ever

Gabe reply Replies: 0 || 2007-01-14 00:00:00
Simply the Best Score of our time! The greatest work in film music!

Türk reply Replies: 0 || 2006-07-15 00:00:00
thank you very much
for every music you made!

Adam reply Replies: 0 || 2005-12-16 00:00:00
I have listened to this soundtrack countless times. It can really get you going. I've pumped it in my truck (pickup not semi) on long trips by myself. It sounds great with 3 big 12"-- subs pounding the lows and getting the full effect of the cd....

Laq reply Replies: 0 || 2005-10-28 00:00:00
Best soundtrack ever. "--You Go, We Go"-- is my absolute favorite from Zimmer. I suggest everyone to get your hands to this awesome soundtrack. Just beautiful. Movie was really great too --]

Paulette reply Replies: 0 || 2005-03-13 00:00:00
I've always been a big fan. This is one of my favorite soundtracks and its what really got me looking into all the other stuff he has done.

 HANS-ZIMMER.com© 2001-2018 OST 
Backdraft soundtrack - Hans Zimmer 1991