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Oh if you liked this one, you should see the one way below with Bayhem, Meta and Macejko going at it like crazy<br><br>Pretty sure saying this will make another situation like that.I like how this debate about Lorne Balfe started from me politely asking for artist credits. This is a cool place.Lorne Balfe didnt work at this score!!!!Exactly Solomon !<br>THe use of the krypton theme in the spaceship scene made this moment more intense and it felt... natural... as if the rest of the music doesnt blend in the atmosphere we were used to with the previous movies.@scarecrow9: Wikipedia says that filming originally wrapped in October 2016, and that Zack was taken off the project in May 2017. That's at least 6 months of post-production, so hopefully yes.<br>@Leonard Dante: You don't think it's disrespect to Snyder that the film bears his name but Whedon cut it up and redid his story with terrible reshoots and replaced his nominated composer?<br><br>Lastly, I will say that I watched the film earlier today and thought it was absolutely terrible. The best part was the few seconds where Zimmer's "Krypton" theme was playing in the scoutship!
Hybrid, do you think that the Snyder´s Cut could really exist somewhere? Let alone with Tom´s score, do you think that he even began scoring the film? I would love to see that version. Thank you for your answerBalfe is one of the few that hasn’t got additional writers<br>=================================<br><br><br>Even composers who do one or two movies a year receive help. So it's very, very hard for me to believe that Balfe - with the amount of movies he works on now - is out there by himself, scoring it all by himself. It's simply not possible. And this is the MV/RC world after all. Composers help each other all the time. And many of these collaborations don't even make it to this site. It's very hard to keep track of everything.imo whedon and elfman screwed up the movie, i'd say Zacks original cut would be better, then again thats just me thoPerhaps. But it would be a disrespect to Whedon and Elfman. Okay. If that means more money on the table, they will.HOPE NEVER DIES.<br><br>Sources confirm this days on social media that Zack Snyder Original Cut of Justice League not only exists, but have VFX's work and Junkie XL's score on it.<br><br>That could be really EPIC.<br><br>The Fight for this can happens is bigger every minute passes, dont lose the faith, not now.
Cannot freaking wait!"Balfe is one of the few that hasn’t got additional writers"<br><br>As if. Just look through this site and you'll see additional guys credited for lots of his scores. Max Aruj, Steffen Thum, Thomas Farnon, Andrew Kawczynski on some projects...he's a very busy guy but I promise you he doesn't do every single second of his 15 scores a year on his own.Bayhem - Balfe is one of the few that hasn’t got additional writers though.which films has this small army of ghostwriters ???!!!!!!You say Balfe worked on the last Transformers(2017). Okay. He may have been called by the Paramount. However, his involvement with the franchise in 2005 and in the following years happened because of the RCP and Zimmer's direct involvement in the project. There in 2005, 2007, 2011, 2014 he was a guest of RCP/MV and no received no call for help of the Paramount. There is no other way.he worked on the first transformers . And did a lot. Why not ask him on twitter .<br>.....................................<br><br><br>I've asked him a lot of stuff. We're Facebook friends. And yes, I know he worked on the first one. I clearly said it a couple of times in my replies here. He worked on the first one and the second one as well. But if you try to imply that Balfe deserves the credit for these scores, you are way, way off the mark. And it's very disrespectful to Jablonsky. Very.<br><br>Now, clearly you like Balfe a lot. Fine. But please don't undermine a far more experienced and successful composer like Jablonsky, just because Balfe is the "hot MV/RC composer" at the moment. We, the Jablonsky fans, certainly didn't act that way in 2007 when Jablonsky's name was everywhere and people were going crazy for the Transformers score. No one denies that Balfe worked hard on the Transformers films. But he's not the "main guy". Just like a lot of MV/RC composers have worked on HIS scores and they're not the main composers. You think Balfe scores all of his movies alone? Nope. Like any other successful and busy composer out there, he's supported by a small army of ghostwriters.
Studio = Paramount and he worked on the first transformers . And did a lot. Why not ask him on twitter . I did !!!!!!Balfe never worked for Jablonsky =========================================<br><br>By "worked for Jablonsky" I meant he worked ON Jablonsky scores. And as James said, it's all MV/RC anyway. They all know each other and help each other. The first Transformers movie started post-production at the end of 2006. Back then no one knew who Balfe was (aside from the biggest MV/RC fans). His big break arguably came in 2009-2010. Years after the first Transformers movie. So no matter how we spin it, he still came after Jablonsky. Jablonsky is his senior and obviously has much more experience. And we have to respect that. <br><br>That was my point.Should have gotten one for Interstellar, not this."Strength And Honor" is a forerunner to the main theme of King Arthur and also the theme for Transformers!<br><br>I was listening to the soundtrack and unwittingly the music sent me to these two other movies. :Dhe says he was brought in by the studio.<br><br>-----------------------------------------------<br><br>Studio = RCP = Hans Zimmer credit as producer of the score.<br>In end of day is the same thing.
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Additional Music - Conductor - Orchestrator
Hans ZimmerNick Glennie-SmithChristopher WardJay Rifkin
ComposerAdditional MusicAdditional ArrangementsScore Producer
Crimson Tide (Complete Score)
Label: Unofficial Release
Length: 91'27
HZimmer.com rating:        5/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   3/5 (5935 votes)
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  1. Main Titles (3:13)
    Hans Zimmer
  2. News Report (1:36)
    Hans Zimmer
  3. Briefing (2:46)
  4. Goodbye (2:02)
    Hans Zimmer
  5. Alabama (3:22)
    Hans Zimmer, Nick Glennie-Smith
  6. Diving (2:04)
    Hans Zimmer, Nick Glennie-Smith
  7. War (1:29)
  8. Fire In The Galley (1:23)
    Hans Zimmer
  9. The Drill (1:58)
  10. Decompressing (0:53)
  11. The Real EAM (2:38)
  12. Contact (5:49)
  13. This Is Not A Drill (3:22)
    Hans Zimmer, Nick Glennie-Smith
  14. Classification (3:23)
    Hans Zimmer, Nick Glennie-Smith
  15. Command (9:33)
  16. Flood (6:45)
  17. Mutiny (9:48)
  18. Counter Mutiny (18:11)
    Hans Zimmer
  19. Crisis Averted (0:51)
    Nick Glennie-Smith
  20. Pearl Harbor (1:13)
  21. Court Of Inquiry (1:49)
    Hans Zimmer, Nick Glennie-Smith
  22. End Titles (7:35)
    Hans Zimmer
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FS reply Replies: 1 || 2016-11-10 18:52:36
The film version from "Fire In The Galley" never appeared on any of those complete version ?


Mr Tweedy2016-11-10 23:51:14
Nope... Film version sounds more like a music editor work... making a loop out of the main theme and spreading it out on top of the drums. That's why it's probably not featured on any expanded versions of the score.

T-Mann036 reply Replies: 0 || 2014-03-19 19:19:16
One of the best film scores ever made by Hans!

Scorefan reply Replies: 0 || 2014-03-06 03:18:56
Crimson Tide Slates Sessions
1m1
1m2
2m4
3m5a
3m5b
3m6
3m7a
3m7b
4m8
5m10
5m12
5m13
6m14
7m15
7m16
9m18
9m19
11m20a
11m20b
13m21
13m21alt
13m22

Poe reply Replies: 0 || 2012-07-09 09:47:15
Does this edition contain the missing drum overdubs and distorted electric guitar sounds in Akula, that were missing from the previous expanded leak?

Bioscope reply Replies: 1 || 2011-03-27 00:00:00
I heard these unreleased tracks on a stream site that got bought out recently and they sounded genuine, although the fire outbreak score sounds a little different from the film version.


Mr Tweedy2012-04-11 19:21:35
Isn't this tracklist different and more complete than the expanded that surfaced last year ?! 91 minutes ?!

Iceboy reply Replies: 0 || 2011-03-15 00:00:00
Thanks Per. What about the 2CD one?

Per reply Replies: 0 || 2011-03-14 00:00:00
The "new" stuff is just a rip from the film, yes.

You can clearly hear sound effects here and there. It's in mono in parts. It's got weird combinations with the OST. To name a couple of issues...

I will be happy to give a more detailed explanation if that's required, or wanted !

Btw. if the end of track 9 on this very big fake version is the main reason why you want it so bad ... don't bother. Go with the Dirty Pictures submission agency promo instead (track 1, "11m20B") :)

Anonymous reply Replies: 0 || 2011-03-13 00:00:00
Yeah so wheres the Opening music and the other 2 unreleased cues from, listed below on the 1CD? DVD rips?

Hybrid Soldier reply Replies: 0 || 2011-03-13 00:00:00
The only good sources you can find for a Crimson Tide is :

- The OST

- A Nick Glennie-Smith promo (Dirty Pictures) containing 3 unreleased cues (listed on this website) :

"Crisis Averted" / "Court Of Inquiery" / "This Is Not A Drill"

That's all... :P

Iceboy reply Replies: 0 || 2011-03-13 00:00:00
Its not complete but it has more music than the 1CD here.

DISC ONE:
1. RUSSIAN CIVIL WAR
2. MUTINY
3. ALABAMA
4. LITTLE DUCKS
5. DEFCON
6. THE ENEMY IS WAR
7. RANGE AND SPEED
8. ZULU TIME
9. AUTHENTICATION
10. ALABAMA

DISC TWO:
1. ZERO BUBBLE
2. 1SG
3. THE ARMORY
4. TORPEDOS
5. PEARL HARBOR
6. ROLL TIDE

I second the anon comment below - wheres the unreleased bits from?

Dawn reply Replies: 0 || 2011-03-13 00:00:00
2CD Complete Score? Never heard of it either... And I've been in this "business" for a while ! Any info (tracklist...) ?

Levente reply Replies: 0 || 2011-03-12 00:00:00
Never heard or saw a 2 CD complete score.

fabien reply Replies: 0 || 2011-03-12 00:00:00
there is a 2D complete score very hard to find but it exists!!!

Anonymous reply Replies: 0 || 2011-03-12 00:00:00
Where do the unreleased parts come from, especially the opening track?

Skyler reply Replies: 0 || 2009-03-13 00:00:00
Listed below the title of each track is the corresponding cue from the commercially available album

1. Opening / Conflict / Alabama:
The first minute and 25 seconds of this track is unreleased material, but isn’t anything particularly special. The sound quality isn’t the best either.
The rest is the first 8 minutes and 25 seconds of “Alabama”

2. Resurrection:
The last 9 minutes and 47 seconds of “Alabama”

3. Little Ducks:
“Little Ducks”

4. 1SQ (alternate):
The first 11 minutes and 9 seconds of “1SQ”
As far as I can tell this is exactly the same as the1SQ from track 8 of this bootleg, so I’m not even sure why it would be considered an alternate

5. Mutiny:
“Mutiny”

6. Day 12:
8:23 – 14:04 from “1SQ”

7. 3… 2… 1…:
This is another previously unreleased track, but contains parts that are so similar to other parts of the album that it hardly matters. (In fact, it sounds like most of this *is* made up of other segments, possibly arranged by a fan)

8. 1SQ / 3:00:
The first 16 minutes and 13 seconds of “1SQ”

9. 2SQ / November 2nd:
The last 2 minutes of “1SQ”
The remainder of the track is a third unreleased cue, which is a nice (albeit short) variation of the main theme. It’s quite good, but it’s still not worth going through the trouble of finding this bootleg.

10. End Credits:
“Roll Tide”

Overall, I would not recommend seeking this one out. The only reason why anyone should really want it is if they are not satisfied with the extremely long tracks on the commercial release - but if you own a music editing program you can just edit it yourself based on the information I’ve provided. The end of track 9 is good, but like I said, it’s not worth going through the trouble of finding the bootleg to get it.

Stefan reply Replies: 0 || 2008-03-09 00:00:00
Wonderful...

Mac reply Replies: 0 || 2007-06-25 00:00:00
Is it possible to get an explanation of what tracks do/don't contain new material not heard on the original album? And, maybe, whereabouts during these tracks... Most of it seems very similar to the commercial release.

Marie reply Replies: 0 || 2007-02-07 00:00:00
"The Gladiator Waltz" at the Puy du Fou... beautiful music! of course it's from Nick! ;-)

greg reply Replies: 0 || 2007-01-28 00:00:00
my favourite soundtrack

herdim reply Replies: 0 || 2005-05-27 00:00:00
Un excellent score du compositeur pour un bon film du tres sous-estimé Tony Scott ( The Last Boy-Scout, Enemy Of The State )
Hans Zimmer a ecrit un excellent theme principal, -trés utilisé lors des bandes annonces des blockbuster- ainsi qu'un excellent End Titles

Ude Eko reply Replies: 0 || 2005-02-22 00:00:00
Unfortunately, a deep let down. I got the CD via eBay and was expecting an encore to the wonderful score which is my second favorite after Gladiator (all-time).

It turns out that the tracks on this CD are basically cropped and chopped from the original score - only the first two minutes of the CD and two other very brief sections contain music not heard on the original.

I am forced to think twice before obtaining expanded music - although that is a pity seeing how the Gladiator 2 score is such a wonderful expression of Hans Zimmer's work.

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Crimson Tide (Complete Score) soundtrack - Hans Zimmer 1995