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Ha! As I always suspected, EDI's Sacrifice was co-written by an MV/RC guy. It was just too obvious...<br><br>It's weird to see BT's electronic/transe sound mixed up with a classic MV/RC sound, but I kinda like it. I admit, when I first heard the score I wasn't terribly impressed (aside from Thailand and EDI's Sacrifice), but now I'm warming up to it. The Rabin/Zimmer influence is quite obvious, so that's a good reason to give it a listen. <br><br>Come to think of it, BT needs to do a score with Junkie XL. Now THAT would be a great combo. They should team up for the next Mad Max movie. It will be a madhouse of a score. lol.Hybrid doesn't like the FYC because of how much it butchers Steve's original themes and doesn't include additional composer credits. I believe that was the reason.The FYC score was complete. And it's out since november last yearIs there a complete score out there? If not, don't be surprised there's nothing here yet. Sometimes it takes years before a complete score listing pops on this site.Why no listing here for the complete score?
Because they didn't work direcly in this score, but their material from the previous one was reused.Does anyone know why some of the composer names are in brackets? Thanks!thanks4:05 of "STEALTH" some of the best soulful action music I've heard from a Zimmer score. I wonder who wrote that particular section. This the type of stuff I would play trying to rush a pregnant woman to the hospitalIn case he's visiting this site, I wanna say 'Thank You' to Ashton Gleckman who does the 'Behind the Score' episodes on YouTube. I loved the 1-hour episode for the Transformers scores and I actually learned a lot. Very educational. I found the video by accident and now I plan on watching his other videos as well.<br><br>Job well done, my friend.
@Hybrid <br>You don't add anymore Trevor Morris things ?Probably for chronological purposes<br>even though the movie uses a shortened version of Romanian Wind at that timei saw the movie a couple of weeks ago again and the showdown in the school is very well shot and intense and trevors music is effective there. you can hear track 8 and 19 in that scene. a really good action scene.<br>===============================<br><br><br>I agree. <br><br>And I think at the end of the day the movie itself is not the type of movie that could win people over with its score. No matter how successful and popular it is and no matter how good the score is. I Am Number 4 was part of the YA craze that took over Hollywood a few years back (we all know how people feel about those movies), and even the most successful YA movies (like Twilight) are not exactly known for their scores.<br><br>People - even film critics who are supposed to talk about all aspects of the movie - were too busy talking about half-naked characters and Kristen Stewart's acting..... and completely ignoring the good work done by Alexandre Desplat.<br><br>It was pretty much the same with I Am Number Four...<br><br>It's not that Trevor created a "bad" score, it's simply a case of a nice, little score that went under the radar. No one bothered to talk about it..... Just like his score for Torque, which as far as I'm concerned is one of his best scores.I just find it odd how people gravitate to the triumphant or inspirational music first, rather than the more subtle, unique pieces.<br>===========================<br><br><br>I totally get what you're saying. I also get kinda frustrated when a "big" track overshadows an entire score. The best recent examples are IMO the Transformers scores. I don't blame folks for gravitating towards the epic sound and the power anthems, but A LOT of subtle, equally great tracks end up getting completely ignored. And just like you, they're usually my favorite tracks. <br><br>But why most people don't think like us?<br><br>The reason I think is because those "big tracks" are presented - most of the time - during the most memorable moments in those movies. They immediately get people's attention. They're stuck in their mind along with those iconic images. And I think by nature, people are more attracted to the big and "in your face". For most casual listeners the more subtle tracks work in the context of the movie and they absolutely do notice them while watching the actual film. But unlike you and I they don't feel the need to listen to them separately. They're too busy paying attention to the "big track". That goes even for some score fans.<br><br>While tracks like the Star War theme, the Indy theme, the Transformers theme, the Gladiator theme, the Godfather theme, the Armageddon theme, the Pirates theme, the Lord of the Rings theme are so big, melodic abd easily digestable that folks simply can't resist them. And when there are vocals involved as well (like Gladiator) it's even better, because people treat it as a full-blown song. An emotional song that they can listen to over and over again.<br><br>The subtle tracks simply can't win against that. Sadly....<br><br>By the way, speaking of The Island, My Name is Lincoln (as much as I like it) is not my favorite track of the score. The more subtle opening track (The Island Awaits You) and especially the Lima One Alpha theme are my personal favorite tracks. Of course, they're nowhere near My Name is Lincoln, in terms of popularity.<br>Why is Romanian Wind not sequenced after Case Re-Opened? Is not the former 7M48 and the latter 7M47?
Yeah that is true, canít argue there lol<br><br>And is it me or does ďCalypso Must Be ReleasedĒ sound like Black Hawk Down?To be fair there is a lot of King Arthur in At World's End too. Just the general feeling you get from the action tracks in both scores is virtually identical. Hell, one of the main themes from King Arthur even appears when Bootstrap Bill remembers that Will is his son.@MrTweedy<br>Thatís totally fine, everyone has their own favorite HZ scores, which is awesome!<br><br>Itís funny though, I feel like DMC is far more schizophrenic than AWE. Now donít get me wrong, I absolutely love DMC. Itís the score that got me into Hans Zimmer. But still, I feel like a major part of that score is note-for-note reprises of cues/themes from COTBP. Not to mention the temp tracking of King Arthur.<br><br>AWE always felt far more original to me, especially considering that the entire tone of the music shifts from the ďrockínírollĒ sound of the first two to a more traditional score (at least by Hans Zimmer standards lol)@MrTweedy<br><br>Just curious, what scores do you considered to be Zimmer's best?The Pinnacle of Hans' career?<br>Although I really like this score, I don't agree. But hey, I know it's just a matter of opinion, okay? ;)<br><br>Of course it shows Hans strengths in almost every area (action, drama, romance, comedy...) but for me it's too much of a medley of previous works, without much personality.<br>It feels a bit like a palette with too many colors. From the action sequences borrowed from Drop Zone, to the Morricone inspirations for Jack's Sequences, to Gladiator's duduk that ended up there with no real reason, to a beautiful Love Theme that brings another new shape to the sonic identity... it's like the score sometimes goes schizophrenic.<br><br>Though each individual idea is really enjoyable to listen to, I think Hans has made scores that are much more cohesive and enjoyable as a whole!
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Additional MusicConductor - Orchestrator
Hans ZimmerNick Glennie-SmithFiachra TrenchJay Rifkin
ComposerAdditional MusicOrchestratorMusic Engineer
K2
Label: Varese Sarabande
Length: 41'20
HZimmer.com rating:        3/5
Fans rating:     rate at 1 out of 5 rate at 2 out of 5 rate at 3 out of 5 rate at 4 out of 5 rate at 5 out of 5   2/5 (6827 votes)
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  1. The Ascent (27:39)
  2. The Descent (13:41)
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Dimitris Krommidas reply Replies: 0 || 2017-02-18 16:46:46
Glad to have this too.
With the European cover.

Mike reply Replies: 0 || 2013-12-10 17:31:33
Anyone else think that the part about 3 or 4 minutes into "The Ascent" resembles "Absurdity" from The Lone Ranger?

Dom reply Replies: 4 || 2013-09-01 22:06:52
can someone actually tell me who plays the guitar in the K2 movie ? I have the soundtrack from the movie and its not there ? it would be nice to know I had the move for over 15years ! someone said its E Van Halen huh ?


Hybrid Soldier2013-09-01 22:40:09
Click on "See details..." and you'll find all you need ! :)


Dom 2013-09-15 08:24:50
I mean no disrespect to Hans Zimmer in any way But why ? WHY !
was the Chaz Jankel soundtrack never released for the k2 movie ?
there is so much energy in it ! were MR Zimmer its just to mellow for my taste

anyone know where you can buy it download it ?

Thanks


Hybrid Soldier2013-09-15 09:36:58
Ask Robert Townson from 20 years ago, he's the one who decided to release that version of the score.

HZ has nothing to do with it.


Actually I'm still trying to see the British version of that movie with HZ's score, no way I listen to it with Jankel's ! :P


Bioscope2013-09-15 17:19:34
In South Africa, there's a dvd distributer named NEXT VIDEO, if I remember correctly, that released the PAL version with Zimmer/ Glennie-Smith's version. Check out an online store named KALAHARI, you should get it there :)

The picture and sound is great...

MacArthur reply Replies: 2 || 2013-09-02 06:09:29
Is this the One on iTunes


MacArthur2013-09-02 06:10:31
Because I thought that Zimmer didn't do the music for K2. only the The Music Inspired by it


Anonymous2013-09-02 09:25:19
There are two scores - a European version (scored by Zimmer) and the original version (scored by Chaz Jankel).

mittens reply Replies: 0 || 2012-09-29 16:51:33
I was dust cleaning my old cds, and I accidentally read the notes Hans wrote on the back of this album where he thanked Nick Glennie-Smith for writing and arranging some cues which have unfortunately been omitted from this record, so if someone was wondering the music on this cd is 100% Zimmer.

just 007 reply Replies: 5 || 2011-06-28 22:16:00
track on expanded score
1. main title
2. the team
3. family
4. packistan / k2
5. brotherhood
6. climb high
7. portents of doom
8. denali
9. two friends
10. death zone
11. touching the void
12. save / end title


T-Mann0362011-06-28 23:59:19
I wish the 12 tracks are leaked. Thanks for sharing just 007.


K22011-06-29 02:23:01
I think its the OST cut into tracks with possibly the end credits added from DVD.


T-Mann0362011-08-13 02:36:01
Is it possible if you could separate them by length of time on each of the 12 tracks?


Takehiro2011-08-13 05:26:33
1. (3:10)
2. (4:30)
3. (1:41)
4. (2:57)
5. (4:06)
6. (3:37)
7. (3:10)
8. (3:01)
9. (3:04)
10. (4:45)
11. (2:56)
12. (4:40)

There is no extra music on this, it is simply the OST cut into film order. Its a neat idea, but its not an expanded score by any means, not even slightly.


T-Mann0362011-08-13 07:26:03
Thanks Takehiro... I DEFINITELY needed that!

Iceboy reply Replies: 0 || 2011-02-13 00:00:00
Theres an expanded score of this on sale in Europe, from a bootlegging group. Anyone got the tracklisting for it?

tim reply Replies: 0 || 2010-04-16 00:00:00
having seen both versions of the movie, with both scores... Jankel may have been a replacement, but his score works better within the film; the slow character scenes and vastness of the surroundings come across better with the pink-floyd-esque music in the american release. Zimmers score just doesn't match the tone of the film itself; its too busy, sonically cluttered, and dare-I-say, small scale.

That being said I prefer the European cut of the film for the extra scenes, so c'est la vie. And Zimmer's score, I was surprised to find, works really well on the CD, if you're a fan of his sound.

It just doesn't work in K2.

Now wheres the Chaz Jankel CD?

Mike reply Replies: 0 || 2007-12-23 00:00:00
Superb soundtrack.
Originally saw the movie in the UK with the Hans Zimmer soundtrack. Absolutely stunning.
Live in Canada now, and own the infinitely inferior North American edition of the movie with some guy called Chaz Jankel doing soundtrack duty. Completely senseless!
Hans rules!
Praying that someone with real taste and class will release the DVD with the Hans soundtrack over here!

Suicune reply Replies: 0 || 2007-03-21 00:00:00
1) The Ascent (27:40) (The longest cue ever written by Hans Zimmer)
2) The Descent (13:41)

Suicune reply Replies: 0 || 2007-03-04 00:00:00
An excellent progressive soundtrack that holds your ears bound to the speaker. The kind of soundtrack that you don't know what will you hear next. A must-hear soundtrack.

Eduardo Caballero reply Replies: 0 || 2005-07-19 00:00:00
Need to buy actual soundtrack and movie from K2, not interpretations of that music.
can you help me find that cd/dvd

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K2 soundtrack - Hans Zimmer 1991